94 résultats
42928Lincoln MA: De Cordova Museum. 8vo pp. 11. Illustrated. Paper wraps. Published to accompany an exhibition. Cover little soiled o/w VG. Some of Daumier's political cartoons with commentary. De Cordova Museum unknown books
73186DAUMIER Honore. MARRIED LIFE Twenty-Four Lithographs. New York: Pantheon ND c. 194-. 4to. portfolio gray cloth decorated in gilt containing 8 stapled pp. text and 24 loose plates. Light toning to edges of plates with a creased lower corner to the first two light foxing to outside of text and inside of portfolio the exerior cloth of which is soiled and worn. Good plus. unknown books
35507Daumier Honore. Married Life. New York: Pantheon Books n.d. 24 wide-margined 9-3/4" x 14-1/4" black-and-white plates and 8-page booklet housed in gilt-stamped portfolio with cloth boards. Wear to extremities of portfolio reinforcement tape to spine. Ex-library. Typewritten title to spine card pocket to rear pastedown of portfolio small institution stamps to margins of plates. $20. unknown books
1277774New York: Pantheon Books Inc n.d. As is; Bilingual French and English; Folio; G/no-DJ; Blue spine with gilded text; Hardcover containing large envelope of loose plates and a softcover pamphlet; Boards have considerable spotting and scuffs. Spine sunned spine edges chipped. Corners heavily chipped and bumped. Front pastedown has dedication and date in black ink at top and bottom; Envelope has several closed tears at edges a few creases and a few small spots. Pastedowns envelope plates and pamphlet age toned. Pamphlet has light rubbing and edge wear interior clean. 1277774. Rockville Non-Retail Listings. Pantheon Books, Inc unknown books
1960107838Belin 1960. hardcover. very good/good. Mit einer Einfuhrung von W. Eggert. Illustrated 4to d.w.; dust wrapper torn. Berlin 1960.<br/><br/> unknown books
1967231642Paris: Editions Vilo 1967. hardcover. near fine/very good. Edited by Andre Sauret. Illustrated with 60 black & white plates. 161 pages tall 4to beige linen d.w. Paris: Editions Vilo 1967. Near fine. in a very good dust wrapper.<br/><br/> Editions Vilo unknown books
0257<br/><br/>Daumier Honore. Un rappel de chanteuse scene de haute comedie. Paris: Martine 1857. Original lithograph on paper newspaper print on verso as issued. D2905 iii of 3. HD 1427; D2905. 10 3/4 x 8" with margins. Matted. Very good condition. From Croquis Dramatiques. Printed by Destouches. unknown books
04953Paris: Léopold Pannier et Cie. 1841. An Exceptionally Rare Daumier Album<br/>Seven Series Complete Containing Fifty Humorous Lithographs<br/><br/>DAUMIER Honoré illustrator. Variétés Drolatiques. Vulgarités. - Les Musiciens de Paris. - Proverbes de famille. - Proverbes et Maximes. - La Peche. - La Journée du Celibataire. - Les Saltimbanques. 50 Planches. Paris: Léopold Pannier et Cie. 1841. <br/><br/>Vulgarités. 10 plates DR 905-914<br/>Les Musiciens de Paris. 6 plates DR 919-924<br/>Proverbes de famille. 2 plates DR 797-798<br/>Proverbes et Maximes. 12 plates DR 803-814<br/>La Peche. 7 plates DR 815-821<br/>La Journée du Celibataire. 12 plates DR 607-618<br/>Les Saltimbanques. 1 plate DR 620<br/><br/>Total 50 plates complete.<br/><br/>"Pannier published a separate album with the title "Variétés Drolatiques" par Daumier Paris 1 vol. in-4° demi chagr. It contains the following complete seriessur blanc bringing the total of prints to 50:Vulgarités Musiciens de Paris Proverbes de Famille Proverbes et Maximes La Pêche Journée du Célibataire und Les Saltimbanques."<br/><br/>This album can be considered rare." Daumier Register.<br/><br/>OCLC locates just three of the plates from Proverbes Maximes. Nos. 6 9 and 11 all at Washington University OR USA. We located just one copy at auction - sold between October 1898 and July 1899!!!<br/><br/>The only plate that appears in the Armand Hammer Daumier collection is the second plate of La Peche p.67<br/><br/>Bound together with:<br/><br/>Exceedingly Rare Daumier Histoire Ancienne <br/>Complete with Fifty Superb Lithographs<br/><br/>DAUMIER Honoré. illustrator. PHILIPON Charles. Histoire Ancienne. Paris: Chez Aubert 1841-1843. <br/><br/>Folio 13 3/16 x 10 inches; 335 x 254 mm. Fifty superb lithograph plates. Some intermittent mainly marginal foxing.<br/><br/>Together 100 fine lithograph plates containing two of Daumier's rarest suites both complete.<br/><br/>Contemporary quarter dark brown morocco over marbled boards spine with four raised bands ruled in blind and lettered in gilt marbled end-papers.<br/><br/>A near fine and complete example of two of Honoré Daumier's finest and rarest works.<br/><br/>There is only one copy of Histoire Ancienne located in libraries and institutions worldwide The Bibliotheque Nationale de France.<br/><br/>"This series of 50 lithos on characters in ancient history and mythology appeared between 1841 and 1843. Daumier's irreverent satirizing of the sacred characters in Greek and Roman mythology contributed to the Romantic attack upon the Classical school in the continuing battle waged in the theater literature and the arts. Philipon's contrived poems as captions to the series contain many veiled allusions to Louis-Philippe and individuals in his reign." <br/><br/>Plate no. 22. "Le Baptême D'Achille." The baptism of Achilles; As one tempers a weapon of war Thetis wishing to make a hero of her brat dipped him in the Styx as soon as he saw the light which proves that a bath is good for all purposes. - On the Influence of Baths poem by Mr. Vigier. Deltail # 946.<br/><br/>Plate no. 46. "La Mère des Gracques." The mother of the Gracchi: One day when a gay lady was shamelessly praising her jewels which were worth a few cents this Roman mother showing her two young sons the hope of the country said "Behold my only jewels!" - Plutarch. Deltail # 970. This well-known story provided Daumier the chance to portray two typical Frenchwomen with typical unruly children. Deltail # 970.<br/><br/>Plate no. 47. "Pygmalion." O triumph of the arts! What was your amazement great sculptor when you saw your marble come to life and in a chaste and gentle manner slowly bow down to ask you for a pinch of snuff. - Count Siméon. Deltail # 971.<br/>Charles F. Ramus editor. Daumier 120 Great Lithographs<br/><br/>Histoire Ancienne is a series consisting of 50 numbered lithographs DR. 925-974 which appeared in the Charivari between December 1841 and January 1843. Between December 1841 and January 1843 Honoré Daumier in the Charivari published a series devoted to ancient history: fifty plates to antique themes seventeen of which illustrating the Iliad the Odyssey and Telemachus of Fenelon. "Alone without scientific mission Daumier traveled Greece drawing where a beautiful feeling attached him crying where a touching tradition was waiting. Drawing day and night he finally found the original Greek sense." says the satirical newspaper. The cartoonist wants to infuse "life movement privacy anything that lacked" the Greek hero petrified by ancient sculpture. Some illustrations comic relief reminiscent of Greek tombstones Daumier modernized by the effects of perspective or shortcuts. For each board a comment from a few to a "translation" of Homer crazy "light poetry" underline the ironic look worn by Daumier on antiquity.<br/><br/>"A quarrel between painters of the classic and romantic schools had fully flared up. Delacroix asked the "loaded" question: "Qui me délivrera des Grecs et des Romains" Who redeems us from the Greeks and Romans. Daumier succeeded to answer it his own way by showing historic personalities such as Hercules Pygmalion or Agamemnon in absurd situations. It was his method to put history into perspective.<br/><br/>In December 1841 the Charivari announced the arrival of this series as follows: "We have sent Monsieur Daumier to Greece alone and without any scientific support. He worked day and night to reveal the Greek soul of the past. Daumier brings antiquity back to us".<br/><br/>The lithographs of the series "Histoire Ancienne" were published between 1841 and 1843. Daumier was far ahead of his time when he started as one of the first to show how relative the importance of Greek and Roman Mythology can be in a modern world. The admirers of ancient history especially in Arts however were not dissipated easily. It would take another 15 years until Baudelaire in literature and Offenbach in music de-mystified the "old Greeks" and removed the centuries old dust from them." The Daumier Registry<br/><br/>Deltail. Catalogue raisonné de l'oeuvre lithographées de Honoré Daumier 925-974; Beraldi Les Graveurs du XIX siècle V p. 126; Ramus p. 126. Paris: Léopold Pannier et Cie., 1841 unknown books
18781262701Paris France: Gauthier-Villars 1878. First. Octavo; Good minus condition paperback; Glassine-covered orange spine with no text; Covers faded with age otherwise clean with shelfwear and edgewear mild to moderate chipping at all corners along the edges and at both ends of spine covers protected by glassine wrapper which has some edgewear chipping at tail of spine and chipping along spine; Textblock darkened with age otherwise clean pages unevenly cut all edges deckled binding delicate several pages from the first signature detached front cover partially detached.<br /> <br /> <p> Shelved in Netdesk office in FS box. 1262701. Rockville Non-Retail Listings. Gauthier-Villars unknown books
43487Other: Other. Very Good. Hardcover. New York: Reynal & Hitchcock 1946. 240 pages plus index of plates. Contents are clean and sound with light toning to pages. Tan cloth binding is stamped "h.D." and is tight. Overall a very good copy. . Other hardcover books
19596494New York: Tudor Publishing Company 1959 Large quarto. Illustrated with 47 full page plates reproduced from the original lithographs. Introduction by Julien Cain. Reddish black cloth with gilt lettering on spine and front cover. A very fine copy with worn and chipped pictorial dust jacket. . Tudor Publishing Company hardcover books
198948138New York New York U.S.A.: Tabard Press 1989. Hardcover. Very Good/Very Good. Preface by Julien Cain Member of the Institut de France. New York: Tabard Press 1989. Tan paper buckram binding with gilt titles. Some minor fading and wear to the dust jacket; otherwise a very good copy. In a Brodart dust jacket protector. <br/><br/> Tabard Press hardcover books
016937NY: Vilo. N.D. First Edition. Hardcover. 4to very good in torn dust jacket. . Vilo hardcover books
1841217800Paris: L. Curmer 1841. First edition. Illustrated by Daumier Gagniet Gavarni Grandeville Malapeau Meissonier. Pauquet. Penguilly Raymond Pelez Trimolet. 480 pp. 1 vols. 4to. Bound in contemporary half tan calf spine gilt marbled boards. Spine slightly faded and rubbed some light scattered foxing; Very Good. First edition. Illustrated by Daumier Gagniet Gavarni Grandeville Malapeau Meissonier. Pauquet. Penguilly Raymond Pelez Trimolet. 480 pp. 1 vols. 4to. L. Curmer unknown books
197496324Paris: Leon Amiel 1974. hardcover. near fine/near fine. Preface by Francoise Parturier. Catalogue and notes by Jacqueline Armingeat. Translated by Howard Brabyn. 50 full-page black and white plates 24pp. of text large 4to tan cloth d.w. Paris and New York: Leon Amiel 1974. Near Fine.<br/><br/> Leon Amiel unknown books
04977Paris: Aux Bureaux du Charivari 1871. Thirty-Nine Wonderfully Satiric Images by Daumier & Cham<br/>of the Siege of Paris by the Prussian army in the Winter of 1870-1871<br/><br/>CHAM pseudonym of Amédée de Noé. DAUMIER Honoré. Album du Siége Par Cham et Daumier. Recueil de Caricatures publiées pendant Le Siege dans Le Charivari. Paris: Aux Bureaux du Charivari 1871. <br/><br/>First edition. Large quarto 12 x 9 5/8 inches; 305 x 244 mm. Pictorial lithograph title-page Cham and thirty-nine fine lithograph plates ten of which are by Honoré Daumier and the rest by Cham. <br/><br/>Publisher's red pebbled cloth over boards front cover lettered in gilt marbled endpapers. <br/><br/>Thirty-nine wonderfully satiric images of the siege of Paris by the Prussian army in the winter of 1870-1871 originally published in Le Charivari and reprinted as an album in 1871 with a new image used for the title page.<br/><br/>OCLC locates just sixteen copies in libraries and institutions worldwide nine in the USA four in the Netherlands two in Germany and one in Australia ten of these appear to be bound without the pictorial title. It would seem that this volume was only issued with uncolored plates.<br/><br/>"For many of Daumier's admirers his lithographs of 1870-1871 represent the peak of his achievement. They are in his last style massive stripped down direct which speaks as nothing else could for this tragic period in France's history. <br/><br/>The Siege of Paris - that took place from 19th September 1870 to 28th January 1871 and the consequent capture of the city by Prussian force - culminated in France's defeat in the Franco-Prussian War and the establishment of both the German Empire and the Paris Commune - the radical socialist anti-religious and revolutionary government that ruled Paris from 18th March to 28th May 1871. The Franco-Prussian War had led to the capture of Emperor Napoleon III in September 1870 the collapse of the Second French Empire and the beginning of the Third Republic.<br/><br/>The Plates:<br/><br/>1. Pictorial title-page Cham<br/>2. Modes Parisiennes en prévision du bombardment Cham 112<br/>3. Le bombardment Cham 5<br/>4. La valeur Prussienne n'attendant pas le nombre des années Cham 8<br/>5. Ceci a tué cela Daumier 3845<br/>6. Plus de Gaz Cham 127<br/>7. Préparant les éntrennes pour son peuple Cham <br/>8. Pour ne pas être bléssé je n'ai qu'a mettre ce plastron Oui monsieur en ayant soin bien entendu de ne pas sortir de chez vous Cham 107<br/>9. Un paysage en 1870 Daumier 3828<br/>10. Laissez appuyer moâ sur le bras à vôs! Fallait pas me laisser amputer Cham 129<br/>11. T'allais jamais à l'Église autrefois Pour le pain bénit on ne fait pas la queue Cham 18<br/>12. Tu t'es mis un faux ventre! Pour faire des sorties pour montrer à l'ennemi que nous avons beaucoup de vivres Cham 106<br/>13. Les animaux du jardin des plantes faisant queue comme tout le monde pour avoir leur viande Cham 110<br/>14. Square Napoléon Daumier 3824<br/>15. Je me suis mis dans les volontaires! Animal! Tu n'as pas 35 ans! On va dire que nous ne sommes pas mariés! Cham 121<br/>16. Ce pauvre Henri IV voyant emmener son cheval chez le boucher Cham 130<br/>17. Épouvantée de l'héritage Daumier 3838<br/>18. Madame Putois j/aurais tout de même jamais cru que vous tueriez votre chien pour nous en faire manger - Il a bien fallu. il était enrage! Cham 17<br/>19. Maintenant j'adore les gens grêlés ils me rappellent le gruyere! Cham 120<br/>20. Plus de viande! Allons donc! Cham 123<br/>21. Rationnement du pain - un monsieur allant diner en ville Cham 16<br/>22. Les Nouveaux Gardiens de Paris Cham 111<br/>23. Six heures et demie - les chevaux de Madame la Marquise sont sur la table Cham 104<br/>24. Le danger de manger de la souris est qu'ensuite votre chat ne coure après Cham 119<br/>25. On aurait pu profiter de passage du ballon-poste pour surprendre l'ennemi Cham 96<br/>26. L'empire c'est la paix Daumier 3814<br/>27. Ils auront beau emporter les pendules ils n'empêcheront pas l'heure de la vengeance de sonner Cham 138<br/>28. Nous ne nous serions jamais doutés tout de même que nous naviguerions un jour sur ce vaisseau-là Daumier 3819<br/>29. Le nouveau char de la victoire Daumier 3849<br/>30. Le revers de la médaille de Sainte-Hélène Cham 108<br/>31. Soldats! Il fait très froid; mais si l'on est content de vous on donnera un paletot fourré. au maréchal Fritz Cham 122<br/>32. La queue pour la viande de rats Cham 124<br/>33. Pauvre France!. le tronc est foudroyé mais les raciness tiennent bon! Daumier 3843<br/>34. Tant bis! Il aurait brobablement ennuyé blu tard les enfants de Fritz Cham 6<br/>35. J'ai besoin de quitter Paris - Pour rejoinder votre femme - Au contraire; voila cinq mois qu'elle ne m'a pas quitté Cham 27<br/>36. L'unité allemande Daumier 3831<br/>37. Les Prussiens m'ont donné un cigare! - C'est bien le moins alors qu'un Francais te donne aussi quelque chose Cham 28<br/>38. Aveugle! C'est triste mais c'est encore de la chance dans ce moment-ci! Cham 22<br/>39. Moi je suis ravitaillé!. le rests m'est égal Daumier 3851<br/>40. Après le Siége Cham 113<br/><br/>"Particularly to be noted are his bitter reflections on the legend which Charlet Bellangé Raffet and their imitators had helped to create. The desolate battleground of "The empire means peace" no. 26 offers an ironic commentary on an epigram uttered by Napoleon III in 1852. His "Square Napoleon" no. 14 displays the gravestones of those for whose death the Emperor has been responsible beginning with the Boulevard Monmartre in the winter of 1851 and ending with Sedan in 1870. In Cham's "The reverse of the Saint Helena medal" no. 30 indeed the country's disaster is attributed specifically to Napoleon Bonaparte as well as to Napoleon III. Daumier's first plate for 1871 showing France "Appalled by her heritage" no. 17 is bleak indeed but a later design offers a gleam of hope: "Poor France!. The trunk blasted but the roots hold fast" no. 33.<br/><br/>It should be mentioned that Cham's contributions to this album though trivial in comparison with Daumier's monumental compositions are by no means negligible. He provides the detail that Daumier omitted. The horrors of the bombardment are recorded in his plates but so too is the black humor of Parisian life during the siege. For example he shows the population pursuing food in any form - horses cats rats even a large woman regarded with speculation by an impudent boy: "No more meat! - Let's go then!" no. 20.<br/><br/>The plates included in Album du siège were transferred to zinc for engraving by Gillot's process rather than printed directly from Daumier's lithographic stones." Gordon N. Ray. The Art of the French Illustrated Book 1700 to 1914 p. 245. Paris: Aux Bureaux du Charivari, 1871 unknown books
18501278863Paris: Au Bureau du Journal le Charivari 1850's. 8vo.; VG; 3/4 bound in brown leather spine paneled with burgundy label and gilt lettering; repaired with original spine rebacked new label new endpapers; marbled boards; wear to corners rubbing to boards spine; some age-toning to pages; three of the images have been cut out of the Revue Du Salon De 1853; shelved case 12. 1278863. Shelved Dupont Bookstore. Au Bureau du Journal le Charivari unknown books
1888290110Paris: Librairie Renouard; H. Laurens Successeur 1888. Three Quarters Leather. Near Fine binding. The first systematic listing of Daumier's lithograph illustrations by Arsene Alexandre. Honore Daumier was a French printmaker caricaturist painter and sculptor who focused on social and political aspects of 19c France. With portrait frontispiece three double page plates about 32 full page plates and illustrations and additional text illustrations. Scattered foxing. Some loss to the top of the spine. Original wrappers and paper spine bound in. Navy morocco over marbled paper boards with gilt and red lettering and decoration. Near Fine binding. Librairie Renouard; H. Laurens, Successeur unknown books
18395976Paris: Chez Aubert 1839-40. First edition. The great Parisian caricaturists of the mid-19th-century: Daumier Gavarni Grandville Travies and others represented with original lithographs illustrating short prose pieces by Alhoy Huart and Philipon. 27 cm; 3 volumes in two. 150 lithographs including 45 by Daumier among them 27 from "Croquis d'expression" and 42 by Gavarni. Half titles present. Plates not colored in. Bound in recent green crushed morocco over marbled boards ruled in gilt; spines titled in gilt. Marbled edges. Endleaves foxed; some scattered toning. Overall a clean copy. References: Ray #164 "one of the freshest and most attractive of romantic illustrated books"; Carteret III 426-27. Chez Aubert hardcover books
