4 313 résultats
190433781Orrouy Oise: N. A. Hazard 1904. Molto buono Very Good. Catalogue Raisonné"; de l'oeuvre lithographié de Honoré Daumier par N.-A. Hazard & Loys Delteil orné d'un portrait gravé à l'eau-forte par Loys Delteil et de cent quarante reproductions d'aprè"s les lithographies les plus belles et les plus rares du Maitre. 8vo. pp. 844. Molto buono Very Good. . N. A. Hazard, unknown
1931192039Paris: Imp. Frazier-Soye 1931. Paperback. Good Wraps show minor soiling foxing and relatively heavy age-toning; wraps are worn at the edges and corners; pages are foxed and age-toned as expected; binding is solid. Cream-colored wraps with black lettering and red illustrations; 31 pp. richly illustrated in bw. Text in French. Imp. Frazier-Soye paperback
QWA-18618Marcel Guiot, s.d., br. In-8 (16 x 24), 30 p., 12 planches de lithographies, bon état.
231524 x 16 cm, 28 pp. Plaquette agrafée, couverture usée, des annotations marginales, état moyen. Catalogue rédigé par l'historien d'art et expert Loÿs Delteil, publié à l'occasion de la vente aux enchères de la célèbre collection de M. J. Il y détaille l'œuvre lithographié du caricaturiste Paul Gavarni ainsi que les créations d'Honoré Daumier.
25449P., 1931, grand in 8° broché, 31pp. et 24 planches hors-texte.
4054Paris galerie georges petit expert lair dubreuil 3 et 4 juin 1929 - In 4 broché (28X23cm) 64 pages et très nombreuses reproductions hors texte
1904122243Hazard, Nicolas, and Loys Delteil: Catalogue Raisonne de l'oeuvre lithographie de Honore Daumier. 1904. Limited edition of 800 copies printed. 841 pages, 140 reproductions of his lithographs. 29 x 21cms.
1904122243Hazard, Nicolas, and Loys Delteil: Catalogue Raisonne de l'oeuvre lithographie de Honore Daumier. 1904. Limited edition of 800 copies printed. 841 pages, 140 reproductions of his lithographs. 29 x 21cms.
1904108692Orrouy chez N. A. Hazard 1904 1 vol. relié fort in-4, demi-chagrin bordeaux à coins bordé d'un filet doré, dos à nerf soulignés d'un filet doré, non rogné, portrait-frontispice à l'eau-forte par Loÿs Delteil, X + 841 pp., table. Edition originale de cet important répertoire de plus de 4000 lithographies avec de nombreuses reproductions en noir in texte. Tirage limité à 800 exemplaires numérotés. Quelques rousseurs éparses, sinon bon exemplaire.
1904108692Orrouy chez N. A. Hazard 1904 1 vol. relié fort in-4, demi-chagrin bordeaux à coins bordé d'un filet doré, dos à nerf soulignés d'un filet doré, non rogné, portrait-frontispice à l'eau-forte par Loÿs Delteil, X + 841 pp., table. Edition originale de cet important répertoire de plus de 4000 lithographies avec de nombreuses reproductions en noir in texte. Tirage limité à 800 exemplaires numérotés. Quelques rousseurs éparses, sinon bon exemplaire.
117590Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1843. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
117589Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1843. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
117588Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1843. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
117591Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1843. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1849255231849 LE CHARIVARI Aubert et Cie, imprimeur-lithographe. 1849- Lithographie - Hauteur: 35.9cmx Largeur: 27.6cm - Description:-1 feuillet (4 pages) numéro complet; illustration page 3.-- texte imprime au dos,bon etat,rousseurs.
HD-201o.J. Dieser Wagen wird immer rollen, sie können noch so viele Knüppel zwischen die Speichen werfen. Lithographie, auf chamoisfarbenem Velin, mit den Adressen: Chez Aubert, Pl. de la Bourse., sowie: Imp. Aubert & Cie. Darstellungsgröße 21,6:26,7 cm, Blattgröße 27,7:35,8 cm. Literatur: Daumier-Register 1915 II (von 2); Delteil 1915 II (von 2), Blatt Nr. 36 der Serie ?ACTUALITÉS?, erschienen 29.11.1849 in ?LE CHARIVARI?. ? Sur blanc!
01-04181871. Original lithograph. As printed in the Le Charivari. Delteil 3875. 1871. unknown
1834251111834 Planche 420 de La Caricature N° 201.La Caricature, 28 aout 1834. Lithographie originale sur Velin blanc. . Delteil 85. épreuve en noir ; lithographie en noir sur velin blanc pli médian vertical,bon tirage bien noir,petite tache brune en marge - Delteil 82 ,
05957Paris: Chez Aubert et Cie Éditeurs du Musée pour Rire 1839. An Exceptionally Rare Hand-Colored Copy<br /> <br /> DAUMIER Honoré illustrator. Les Cent et un Robert-Macaire composés et dessinés par M. H. Daumier sur les idées et les légendes de M. Ch. Philipon réduits et lithographiés par MM. ; texte par MM Maurice Alhoy et Louis Huart. Paris: Chez Aubert et Cie Éditeurs du Musée pour Rire 1840 and 1839.<br /> <br /> First Printing of 101 lithographed plates after Honoré Daumier reduced from the plates published in the Charivari in 1836-1838.<br /> <br /> Two quarto volumes 10 1/4 x 8 inches; 260 x 203 mm. 8 200 4 publisher's advertisements; 8 204 4 publisher's advertisements pp. With 101 fine hand-colored lithographed plates heightened with gum arabic.<br /> <br /> Contemporary half dark purple polished calf decoratively ruled in gilt over brown diaper-grain cloth boards. Smooth spines decoratively tooled and lettered horizontally in gilt. Marbled edges. Joints expertly and almost invisibly restored.<br /> <br /> Some occasional light foxing and browning small light damp-stain in the upper blank margin of a few leaves in each volume. Volume I with small portion 5/8 x 1/4 inch of lower blank corner of second leaf of No. 4 torn away small piece torn from upper blank margin 1/4 x 1/2 inch of first leaf of No. 50. Volume II with a short tear 1/2 inch neatly repaired in the lower gutter of both leaves of No. 53. An excellent copy with superb hand coloring.<br /> <br /> "Les Robert-Macaire remains Daumier's best-known series.Baudelaire chose it along with Histoire ancienne for specific discussion in his essay on French caricaturists and Carteret accorded it a place in his bibliography. Its contemporary popularity was immense. As an album it was published by Aubert in an edition of 2500 copies a far larger number than for any other series. Yet so persistent was the demand that 600 two-volume sets of reduced copies called Les cent-et-un Robert-Macaire were published in 1839.When politics became a forbidden topic in Le charivari where Caricaturana Les Robert-Macaire first appeared Daumier and Philipon turned to social satire. If they could not attack Louis Philippe directly they could at least show the kind of society that flourished under his gross and venal regime. Taking the flamboyant and florid swindler Macaire from the character that Frédérick Lemaître had created in a hack melodrama called L'Auberge des adrets they showed him and his inseparable companion the dejected and meager Bertrand ranging through all kinds of commercial enterprise in the stock market in the banks in the courts and in dozens of other public settings never failing to find eager dupes. Macaire is equally persuasive in the encounters of private life where no situation finds him at a loss for an appropriate flower of sentiment.Though Daumier's designs are superb in themselves particularly in the variety of supple and telling poses.that he conceives for Macaire and Bertrand they would be incomplete without the unfailing wit and point of Philipon's captions" Ray The Art of the French Illustrated Book pp. 234-236.<br /> <br /> "These reduced and for the most part reversed copies of Daumier's lithographs apparently drawn by Menut Alophe are greatly inferior to the originals. Unlike Caricaturana the series is not often found colored" Ray The Art of the French Illustrated Book p. 236.<br /> <br /> Carteret III 187; Ray The Art of the French Illustrated Book 162; Vicaire III cols. 31-32 under Alhoy and V cols. 572-573 under Philipon.<br /> <br /> . Paris: Chez Aubert et Cie, Éditeurs du Musée pour Rire, 1839 unknown
04944Paris: Chez Aubert et Cie 1839. An Exceptionally Rare Original Hand-Colored Copy<br /> <br /> DAUMIER Honoré illustrator. PHILIPON Charles. Les Cent et Un Robert-Macaire composés et dessinés par M. H. Daumier sur les Idées et les Légendes de M. Ch. Philipon réduits et lithographiés par MM; Texte par MM. Maurice Alhoy et Louis Huart. Paris: Chez Aubert et Cie 1839. <br /> <br /> First Quarto Edition Hand Colored Issue.<br /> <br /> Two quarto volumes. 10 3/8 x 8 inches; 264 x 203 mm. viii 200 1 1 blank 4 advertisements ; viii 202 1 1 blank 4 advertisements pp. With 101 magnificent hand-colored lithographed plates heightened with gum Arabic. A few text leaves with toning some light scattered foxing which generally only affects the blank plate margins still a very good copy of the excessively rare hand-colored issue.<br /> <br /> Contemporary red chagrin over silk paper boards stamped in gilt. Smooth spines decoratively tooled and lettered in gilt all edges gilt. Front pastedowns with the engraved bookplate of "AM". <br /> <br /> "Les Robert-Macaire remains Daumier's best-known series.Baudelaire chose it along with Histoire ancienne for specific discussion in his essay on French caricaturists and Carteret accorded it a place in his bibliography. Its contemporary popularity was immense. As an album it was published by Aubert in an edition of 2500 copies a far larger number than for any other series. Yet so persistent was the demand that 600 two-volume sets of reduced copies called Les cent-et-un Robert-Macaire were published in 1839.When politics became a forbidden topic in Le charivari where Caricaturana Les Robert-Macaire first appeared Daumier and Philipon turned to social satire. If they could not attack Louis Philippe directly they could at least show the kind of society that flourished under his gross and venal regime. Taking the flamboyant and florid swindler Macaire from the character that Frédérick Lemaître had created in a hack melodrama called L'Auberge des adrets they showed him and his inseparable companion the dejected and meager Bertrand ranging through all kinds of commercial enterprise in the stock market in the banks in the courts and in dozens of other public settings never failing to find eager dupes. Macaire is equally persuasive in the encounters of private life where no situation finds him at a loss for an appropriate flower of sentiment.Though Daumier's designs are superb in themselves particularly in the variety of supple and telling poses.that he conceives for Macaire and Bertrand they would be incomplete without the unfailing wit and point of Philipon's captions" Ray The Art of the French Illustrated Book pp. 234-236.<br /> <br /> "These reduced and for the most part reversed copies of Daumier's lithographs apparently drawn by Menut Alophe are greatly inferior to the originals. Unlike Caricaturana the series is not often found colored" Ray The Art of the French Illustrated Book p. 236.<br /> <br /> Carteret III p.187. Ray The Art of the French Illustrated Book 162. Vicaire III cols. 31-32 under Alhoy and V cols. 572-573 under Philipon. Paris: Chez Aubert et Cie, , 1839 unknown
04944Paris: Chez Aubert et Cie 1839. An Exceptionally Rare Original Hand-Colored Copy<br/><br/>DAUMIER Honoré illustrator. PHILIPON Charles. Les Cent et Un Robert-Macaire composés et dessinés par M. H. Daumier sur les Idées et les Légendes de M. Ch. Philipon réduits et lithographiés par MM; Texte par MM. Maurice Alhoy et Louis Huart. Paris: Chez Aubert et Cie 1839. <br/><br/>First Quarto Edition Hand Colored Issue. Two quarto volumes bound in one. 10 3/8 x 8 inches; 264 x 203 mm. viii 200 1 1 blank 4 advertisements ; viii 202 1 1 blank 4 advertisements pp. With 101 magnificent hand-colored lithographed plates heightened with gum Arabic. A few text leaves with toning some light scattered foxing which generally only affects the blank plate margins still a very good copy of the excessively rare hand-colored issue.<br/><br/>Contemporary red chagrin over silk paper boards stamped in gilt. Smooth spines decoratively tooled and lettered in gilt all edges gilt. Front pastedowns with the engraved bookplate of "AM". <br/><br/>"Les Robert-Macaire remains Daumier's best-known series.Baudelaire chose it along with Histoire ancienne for specific discussion in his essay on French caricaturists and Carteret accorded it a place in his bibliography. Its contemporary popularity was immense. As an album it was published by Aubert in an edition of 2500 copies a far larger number than for any other series. Yet so persistent was the demand that 600 two-volume sets of reduced copies called Les cent-et-un Robert-Macaire were published in 1839.When politics became a forbidden topic in Le charivari where Caricaturana Les Robert-Macaire first appeared Daumier and Philipon turned to social satire. If they could not attack Louis Philippe directly they could at least show the kind of society that flourished under his gross and venal regime. Taking the flamboyant and florid swindler Macaire from the character that Frédérick Lemaître had created in a hack melodrama called L'Auberge des adrets they showed him and his inseparable companion the dejected and meager Bertrand ranging through all kinds of commercial enterprise in the stock market in the banks in the courts and in dozens of other public settings never failing to find eager dupes. Macaire is equally persuasive in the encounters of private life where no situation finds him at a loss for an appropriate flower of sentiment.Though Daumier's designs are superb in themselves particularly in the variety of supple and telling poses.that he conceives for Macaire and Bertrand they would be incomplete without the unfailing wit and point of Philipon's captions" Ray The Art of the French Illustrated Book pp. 234-236.<br/><br/>"These reduced and for the most part reversed copies of Daumier's lithographs apparently drawn by Menut Alophe are greatly inferior to the originals. Unlike Caricaturana the series is not often found colored" Ray The Art of the French Illustrated Book p. 236.<br/><br/>Carteret III p.187. Ray The Art of the French Illustrated Book 162. Vicaire III cols. 31-32 under Alhoy and V cols. 572-573 under Philipon. Paris: Chez Aubert et Cie, , 1839 unknown books
192946766Paris: Les Beaux-Arts. Fair. 1929. Hardcover. Spine is very loose but attached. Binding is mostly tight. Some foxing on a few of the front pages and some marks on the cover but all of the prints are in perfect condition and come with the tissue wraps. Limited edition #160 of 310 produced. ; 8vo 8" - 9" tall . Les Beaux-Arts hardcover
20803Paris, Édition d'Études et de Documents, 1929. In-plano, 18 pp. 120 pl., cartonnage de l'éditeur illustré (cartonnage défraîchi mais solide, rousseur).
02254Paris: Chez Aubert & Cie. 1850. Love These Children!<br/> But the Joys and Sweets of Fatherhood<br/>Are Extremely Scarce<br/><br/>DAUMIER Honoré. Henri-Daniel Plattel. Jules Platier. Ces Amours d'enfans. Joies et Douceurs de la Paternité. Paris: Aubert & Cie n.d. ca. 1850. <br/><br/>Oblong octavo. Hand-colored lithographed title by Auguste Belin and sixteen hand-colored lithographed plates heightened with gum arabic eight by Daumier the remaining by Plattel or Platier. 16 pp. at rear as Aubert catalog.<br/><br/>Publishers blind-stamped leather-grain red cloth over boards spine lettered in gilt "121" in gilt to upper cover. <br/>A very clean. bright and fine copy.<br/><br/>Reversed restrikes from the Aubert series Croquis D'Expressions 100 lithographed prints originally appearing in Le Charivari 1838-1839 fifty-five of which were executed by Daumier the remainder by Henri-Daniel Plattel and Jules Platier. All artist signatures have been removed and the hand-coloring is far more bright and vivid than the original issue prints that we have seen.<br/><br/>Croquis D'Expressions was never formally collected by Chez Aubert into an album. There are no copies of this later issue by Aubert collected under this new title in institutional holdings worldwide nor auction records. <br/><br/>The Plates with Daumier Registry # where applicable:<br/><br/>1. Est-il gentil notre bibi! il a déja un petit air scélérat le gueux! Daumier DR #470.<br/>2. Crie donc mátin!.égosille toi donc. et que çca finisse.ne pas fermer l'oeil pour un méchant moutard!.le diable emporte es enfans je n'en veux plus Daumier DR# 467.<br/>3. Oh! ce Chérubin comme il dort gentiment! Tiens Gustave c'est ton portrait tout craché! Daumier DR# 513.<br/>4. Allons bon les voilá tous trois partis.travaillez donc au milieu de ce charivari.chiens d'enfans! Daumier DR# 491.<br/>5. Vous allex voir!.vous allez voir ça va arréter le sang comme avec la main!! Daumier DR# 497.<br/>6. Oui ma chére laissez-moi lui donner cette petite soupe aux choux et vous verrez que ça lui vaudra mieux que tous leux drogues de médicine Plattel or Platier.<br/>7. Hein! quelle jolie tournure!///faudra en faire in avocat pas vrai.ou ben un grand artiste. Plattel or Platier.<br/>8. Puisuq tu es si riche ma tante vent bien t'epouser quoi que tu es bien laid et que tu n'as pas d'esprit du tout.c'est égal à ma tante.n'est ce pas ma tante Daumier DR# 505.<br/>9. Appuyez fort gna rien de meyeur our les coupe ou les tombres as pas peur Guguste ca te guérira ti va voir Daumer DR# 492.<br/>10. Tenez vous un peu tranquilles mes enfans vous finiriez peut-etre par ennuyer monsieur.Plattel or Platier.<br/>11. Le Maitre: Qu entendez vous par l'axe d'un cercle. Plattel or Platier.<br/>12. Lolo qu'aime tu mieux de ton papa ou de la maman - J'aime mieux les confitures Daumier DR# 500.<br/>13. C'est vrai aussi vous la contrariez toujours cet enfant! Plattel or Platier.<br/>14. Y disait comme ça: ton vieux grigou de père nous l'avons bien mis dedans. Plattel or Platier.<br/>15. Allons bon! tu me fais porter le petit porter ton cabas tu me fais mouller.tu gardes le parapluie et tute plains Plattel or Platier.<br/>16. Comment méchant vous pleurez vous criez toute la nuit.voulez vous bien vous taire et faire une petite risette à papa.Plattel or Platier. Paris: Chez Aubert & Cie., 1850 unknown books
1847180<p>1847. Sur Blanc. Lithograph with contemporary hand-coloring. D. 1527iii/iii. From Les Bons Bourgeois. Plate 51. Image: 10½ x 8½. Margins: 13 x 10 .</p> Chez Aubert
