4 313 résultats
19488021948 P. Pressédition 1948 in12, broché , 153 pages, non coupées, illustrées par Daumier Collection des uvres oubliées de Balzac.
1948656Paris, Pressédition, 1948, 1948, in-12, In-12, 153pp, Broché, Très bel exemplaire. Illustrations de Daumier In-12, 153pp
194836246Couverture bleue à rabats. Intérieur très frais. Avec des illustrations hors texte d'Honoré DAUMIER. Dos éclairci.
1849255181849 LE CHARIVARI Aubert et Cie, imprimeur-lithographe. 1849- Lithographie - Hauteur: 35.9cmx Largeur: 27.6cm - Description:Planche n° 16- Assemblée législative, . -1 feuillet (4 pages) numéro complet ; illustration page 3.-- texte imprime au dos,bon etat,rousseurs.
117222Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1832. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
117223Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1832. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
117221Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1832. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
117220Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1832. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
194510197Bâle, Société pour l'Industrie Chimique, 1945. Petit in-8 broché, couverture illustrée, imprimée en deux tons - un peu défraîchie.
1945AUB-9338Bâle 1945 (Société pour l'Industrie Chimique). Bel exemplaire broché, couverture ornée et rempliée d'origine, 1er plat orné, no10/100 sur vergé antique, in-8, 110 pages.
04953Paris: Léopold Pannier et Cie. 1841. An Exceptionally Rare Daumier Album<br /> Seven Series Complete Containing Fifty Humorous Lithographs<br /> <br /> DAUMIER Honoré illustrator. Variétés Drolatiques. Vulgarités. - Les Musiciens de Paris. - Proverbes de famille. - Proverbes et Maximes. - La Peche. - La Journée du Celibataire. - Les Saltimbanques. 50 Planches. Paris: Léopold Pannier et Cie. 1841. <br /> <br /> Vulgarités. 10 plates complete DR 905-914<br /> Les Musiciens de Paris. 6 plates complete DR 919-924<br /> Proverbes de famille. 2 plates complete DR 797-798<br /> Proverbes et Maximes. 12 plates complete DR 803-814<br /> La Peche. 7 plates complete DR 815-821<br /> La Journée du Celibataire. 12 plates complete DR 607-618<br /> Les Saltimbanques. 1 plate of 2 DR 620<br /> <br /> Total 50 plates complete.<br /> <br /> "Pannier published a separate album with the title "Variétés Drolatiques" par Daumier Paris 1 vol. in-4° demi chagr. It contains the following complete seriessur blanc bringing the total of prints to 50:Vulgarités Musiciens de Paris Proverbes de Famille Proverbes et Maximes La Pêche Journée du Célibataire und Les Saltimbanques."<br /> <br /> This album can be considered rare." Daumier Register.<br /> <br /> OCLC locates just three of the plates from Proverbes Maximes. Nos. 6 9 and 11 all at Washington University OR USA. We located just one copy at auction - sold between October 1898 and July 1899!!!<br /> <br /> The only plate that appears in the Armand Hammer Daumier collection is the second plate of La Peche p.67<br /> <br /> Bound together with:<br /> <br /> Exceedingly Rare Daumier Histoire Ancienne <br /> Complete with Fifty Superb Lithographs<br /> <br /> DAUMIER Honoré. illustrator. PHILIPON Charles. Histoire Ancienne. Paris: Chez Aubert 1841-1843. <br /> <br /> Folio 13 3/16 x 10 inches; 335 x 254 mm. Fifty superb lithograph plates. Some intermittent mainly marginal foxing.<br /> <br /> Together 100 fine lithograph plates containing two of Daumier's rarest suites both complete.<br /> <br /> Contemporary quarter dark brown morocco over marbled boards spine with four raised bands ruled in blind and lettered in gilt marbled end-papers.<br /> <br /> A near fine and complete example of two of Honoré Daumier's finest and rarest works.<br /> <br /> There is only one copy of Histoire Ancienne located in libraries and institutions worldwide The Bibliotheque Nationale de France.<br /> <br /> "This series of 50 lithos on characters in ancient history and mythology appeared between 1841 and 1843. Daumier's irreverent satirizing of the sacred characters in Greek and Roman mythology contributed to the Romantic attack upon the Classical school in the continuing battle waged in the theater literature and the arts. Philipon's contrived poems as captions to the series contain many veiled allusions to Louis-Philippe and individuals in his reign." <br /> <br /> Plate no. 22. "Le Baptême D'Achille." The baptism of Achilles; As one tempers a weapon of war Thetis wishing to make a hero of her brat dipped him in the Styx as soon as he saw the light which proves that a bath is good for all purposes. - On the Influence of Baths poem by Mr. Vigier. Deltail # 946.<br /> <br /> Plate no. 46. "La Mère des Gracques." The mother of the Gracchi: One day when a gay lady was shamelessly praising her jewels which were worth a few cents this Roman mother showing her two young sons the hope of the country said "Behold my only jewels!" - Plutarch. Deltail # 970. This well-known story provided Daumier the chance to portray two typical Frenchwomen with typical unruly children. Deltail # 970.<br /> <br /> Plate no. 47. "Pygmalion." O triumph of the arts! What was your amazement great sculptor when you saw your marble come to life and in a chaste and gentle manner slowly bow down to ask you for a pinch of snuff. - Count Siméon. Deltail # 971.<br /> Charles F. Ramus editor. Daumier 120 Great Lithographs<br /> <br /> Histoire Ancienne is a series consisting of 50 numbered lithographs DR. 925-974 which appeared in the Charivari between December 1841 and January 1843. Between December 1841 and January 1843 Honoré Daumier in the Charivari published a series devoted to ancient history: fifty plates to antique themes seventeen of which illustrating the Iliad the Odyssey and Telemachus of Fenelon. "Alone without scientific mission Daumier traveled Greece drawing where a beautiful feeling attached him crying where a touching tradition was waiting. Drawing day and night he finally found the original Greek sense." says the satirical newspaper. The cartoonist wants to infuse "life movement privacy anything that lacked" the Greek hero petrified by ancient sculpture. Some illustrations comic relief reminiscent of Greek tombstones Daumier modernized by the effects of perspective or shortcuts. For each board a comment from a few to a "translation" of Homer crazy "light poetry" underline the ironic look worn by Daumier on antiquity.<br /> <br /> "A quarrel between painters of the classic and romantic schools had fully flared up. Delacroix asked the "loaded" question: "Qui me délivrera des Grecs et des Romains" Who redeems us from the Greeks and Romans. Daumier succeeded to answer it his own way by showing historic personalities such as Hercules Pygmalion or Agamemnon in absurd situations. It was his method to put history into perspective.<br /> <br /> In December 1841 the Charivari announced the arrival of this series as follows: "We have sent Monsieur Daumier to Greece alone and without any scientific support. He worked day and night to reveal the Greek soul of the past. Daumier brings antiquity back to us".<br /> <br /> The lithographs of the series "Histoire Ancienne" were published between 1841 and 1843. Daumier was far ahead of his time when he started as one of the first to show how relative the importance of Greek and Roman Mythology can be in a modern world. The admirers of ancient history especially in Arts however were not dissipated easily. It would take another 15 years until Baudelaire in literature and Offenbach in music de-mystified the "old Greeks" and removed the centuries old dust from them." The Daumier Registry<br /> <br /> Deltail. Catalogue raisonné de l'oeuvre lithographées de Honoré Daumier 925-974; Beraldi Les Graveurs du XIX siècle V p. 126; Ramus p. 126. Paris: Léopold Pannier et Cie., 1841 unknown
04953Paris: Léopold Pannier et Cie. 1841. An Exceptionally Rare Daumier Album<br/>Seven Series Complete Containing Fifty Humorous Lithographs<br/><br/>DAUMIER Honoré illustrator. Variétés Drolatiques. Vulgarités. - Les Musiciens de Paris. - Proverbes de famille. - Proverbes et Maximes. - La Peche. - La Journée du Celibataire. - Les Saltimbanques. 50 Planches. Paris: Léopold Pannier et Cie. 1841. <br/><br/>Vulgarités. 10 plates DR 905-914<br/>Les Musiciens de Paris. 6 plates DR 919-924<br/>Proverbes de famille. 2 plates DR 797-798<br/>Proverbes et Maximes. 12 plates DR 803-814<br/>La Peche. 7 plates DR 815-821<br/>La Journée du Celibataire. 12 plates DR 607-618<br/>Les Saltimbanques. 1 plate DR 620<br/><br/>Total 50 plates complete.<br/><br/>"Pannier published a separate album with the title "Variétés Drolatiques" par Daumier Paris 1 vol. in-4° demi chagr. It contains the following complete seriessur blanc bringing the total of prints to 50:Vulgarités Musiciens de Paris Proverbes de Famille Proverbes et Maximes La Pêche Journée du Célibataire und Les Saltimbanques."<br/><br/>This album can be considered rare." Daumier Register.<br/><br/>OCLC locates just three of the plates from Proverbes Maximes. Nos. 6 9 and 11 all at Washington University OR USA. We located just one copy at auction - sold between October 1898 and July 1899!!!<br/><br/>The only plate that appears in the Armand Hammer Daumier collection is the second plate of La Peche p.67<br/><br/>Bound together with:<br/><br/>Exceedingly Rare Daumier Histoire Ancienne <br/>Complete with Fifty Superb Lithographs<br/><br/>DAUMIER Honoré. illustrator. PHILIPON Charles. Histoire Ancienne. Paris: Chez Aubert 1841-1843. <br/><br/>Folio 13 3/16 x 10 inches; 335 x 254 mm. Fifty superb lithograph plates. Some intermittent mainly marginal foxing.<br/><br/>Together 100 fine lithograph plates containing two of Daumier's rarest suites both complete.<br/><br/>Contemporary quarter dark brown morocco over marbled boards spine with four raised bands ruled in blind and lettered in gilt marbled end-papers.<br/><br/>A near fine and complete example of two of Honoré Daumier's finest and rarest works.<br/><br/>There is only one copy of Histoire Ancienne located in libraries and institutions worldwide The Bibliotheque Nationale de France.<br/><br/>"This series of 50 lithos on characters in ancient history and mythology appeared between 1841 and 1843. Daumier's irreverent satirizing of the sacred characters in Greek and Roman mythology contributed to the Romantic attack upon the Classical school in the continuing battle waged in the theater literature and the arts. Philipon's contrived poems as captions to the series contain many veiled allusions to Louis-Philippe and individuals in his reign." <br/><br/>Plate no. 22. "Le Baptême D'Achille." The baptism of Achilles; As one tempers a weapon of war Thetis wishing to make a hero of her brat dipped him in the Styx as soon as he saw the light which proves that a bath is good for all purposes. - On the Influence of Baths poem by Mr. Vigier. Deltail # 946.<br/><br/>Plate no. 46. "La Mère des Gracques." The mother of the Gracchi: One day when a gay lady was shamelessly praising her jewels which were worth a few cents this Roman mother showing her two young sons the hope of the country said "Behold my only jewels!" - Plutarch. Deltail # 970. This well-known story provided Daumier the chance to portray two typical Frenchwomen with typical unruly children. Deltail # 970.<br/><br/>Plate no. 47. "Pygmalion." O triumph of the arts! What was your amazement great sculptor when you saw your marble come to life and in a chaste and gentle manner slowly bow down to ask you for a pinch of snuff. - Count Siméon. Deltail # 971.<br/>Charles F. Ramus editor. Daumier 120 Great Lithographs<br/><br/>Histoire Ancienne is a series consisting of 50 numbered lithographs DR. 925-974 which appeared in the Charivari between December 1841 and January 1843. Between December 1841 and January 1843 Honoré Daumier in the Charivari published a series devoted to ancient history: fifty plates to antique themes seventeen of which illustrating the Iliad the Odyssey and Telemachus of Fenelon. "Alone without scientific mission Daumier traveled Greece drawing where a beautiful feeling attached him crying where a touching tradition was waiting. Drawing day and night he finally found the original Greek sense." says the satirical newspaper. The cartoonist wants to infuse "life movement privacy anything that lacked" the Greek hero petrified by ancient sculpture. Some illustrations comic relief reminiscent of Greek tombstones Daumier modernized by the effects of perspective or shortcuts. For each board a comment from a few to a "translation" of Homer crazy "light poetry" underline the ironic look worn by Daumier on antiquity.<br/><br/>"A quarrel between painters of the classic and romantic schools had fully flared up. Delacroix asked the "loaded" question: "Qui me délivrera des Grecs et des Romains" Who redeems us from the Greeks and Romans. Daumier succeeded to answer it his own way by showing historic personalities such as Hercules Pygmalion or Agamemnon in absurd situations. It was his method to put history into perspective.<br/><br/>In December 1841 the Charivari announced the arrival of this series as follows: "We have sent Monsieur Daumier to Greece alone and without any scientific support. He worked day and night to reveal the Greek soul of the past. Daumier brings antiquity back to us".<br/><br/>The lithographs of the series "Histoire Ancienne" were published between 1841 and 1843. Daumier was far ahead of his time when he started as one of the first to show how relative the importance of Greek and Roman Mythology can be in a modern world. The admirers of ancient history especially in Arts however were not dissipated easily. It would take another 15 years until Baudelaire in literature and Offenbach in music de-mystified the "old Greeks" and removed the centuries old dust from them." The Daumier Registry<br/><br/>Deltail. Catalogue raisonné de l'oeuvre lithographées de Honoré Daumier 925-974; Beraldi Les Graveurs du XIX siècle V p. 126; Ramus p. 126. Paris: Léopold Pannier et Cie., 1841 unknown books
HD-200o.J. MORGENBESUCH IM ELYSÉE. - Aber, Monsieur Véron, Sie werden mir doch wohl nicht nur eine Unterpräfektur anbieten! Lithographie, auf chamoisfarbenem Velin, mit den Adressen: Chez Aubert, Pl. de la Bourse., sowie: Imp. Aubert & Cie. Darstellungsgröße 20:26,3 cm, Blattgröße 25,5:33,9 cm. Literatur: Daumier-Register 1914 II (von 3); Delteil 1914 II (von 3), Blatt Nr. 33 der Serie ?ACTUALITÉS?, erschienen 21.11.1849 in ?LE CHARIVARI?. ? Sur blanc!
68-1975Paris France: Le Charivari 1853. Broadside. 35 x 24.5 cm. Very Good. Text En Francais. Illustrations by Daumier. English translation loosely laid in. In mylar protective sleeve. Paris, France: Le Charivari, 1853. unknown
HD-237o.J. EIN INDISKRETER TISCH. - Was? Dieser Tisch wagt zu behaupten, dass ich achtundvierzig Jahre alt bin?... Oh welche Schande... meine Nerven..... meine Nerven! (Der Dame wird schlecht, was nicht heissen will, dass sie nicht tatsächlich achtundvierzig Jahre alt ist). Lithographie, auf chamoisfarbenem Velin, mit den Adressen: Maison Martinet r.Vivienne 41 et 11 r.du Coq, sowie: Imp. Ch.Trinocq, Cour des Miracles, 9, Paris. Darstellungsgröße 19,7:25,7 cm, Blattgröße 26,4:35 cm. Literatur: Daumier-Register 2407 II (von 2); Delteil 2407 II (von 2), Blatt 11 der Serie ?LA FLUIDOMANIE.?, erschienen 15.06.1853 in ?LE CHARIVARI?. ? Sur blanc!
HD-132o.J. EIN TREFFEN LÄCHELNDER AUGUREN. Es heisst, dass Auguren nicht zusammentreffen konnten, ohne über ihre Schurkenstreiche zu lächeln. Aber unsere Industrieritter begegnen sich ernsthaft, und ohne Heiterkeit. Zeitgenöss. aquarellierte Lithographie, auf chamoisfarbenem Velin, mit der Adresse: Chez Bauger R. du Croissant 16, sowie: Imp. d?Aubert & Cie. Blattgröße 33,6:25,1 cm. Literatur: Daumier-Register 936, III (von 3); Delteil 936, II (von 2), Blatt 12 der Serie ?Histoire Ancienne?. ? Sur blanc.
HD-170o.J. EIN EMPFANG. Meine Herren,..... lassen Sie uns auf die Gesundheit der französischen Seeleute im Allgemeinen und auf das neue Mitglied Greluchon im Besonderen trinken.... und während wir auf seine Feuertaufe warten, taufen wir ihn schon mal mit Wasser. Lithographie, auf chamoisfarbenem Velin, mit den Adressen: Chez Pannier& Cie.Edrs. R. du Croissant. 16., sowie: Chez Aubert & Cie. Pl. de la Bourse und: Imp. d'Aubert & Cie. Darstellungsgröße 22,9:19,8 cm, Blattgröße 34,9:26,5 cm. Literatur: Daumier-Register 1032 III (von 4); Delteil 1032 III (von 4), Blatt 10 der Folge ?LES CANOTIERS PARISIENS.?, erschienen 26.05.1843 in ?LE CHARIVARI?. ? Sur blanc! Provenienz: zugeschrieben Coll. Hazard, Nicolas-Auguste (Lugt 1279), vgl. Lugt 1975.
71-5010Paris: Bauger et Cie 1841. Lithograph on wove paper. 29 x 20.5 cm. sheet. Text on verso. Text in French. Very Good sheet trimmed and mounted to another support sheet. Paris: Bauger et Cie, 1841. unknown
HD-068o.J. (EIN UHR. Spaziergang im Luxembourg Park. Komm her, Nichtsnutz, schluck es! Du wirst schon sehen, was es bedeutet, wenn man von einem Schurken, wie Du einer bist, ins Wasser geworfen wird!..). Lithographie, auf chamoisfarbenem Velin, mit den Adressen: Imp. d?Aubert & Cie., sowie: Au bureau du Charivari rue du Croissant 16. Blattgröße 33,1:24,2 cm. Literatur: Daumier-Register 613; Delteil 613, Blatt 7 (Zahl mit Bleistift hinzugefügt) aus der Serie ?La Journée du Célibataire?, erschienen 17.06.1839 in ?Le Charivari?. ? Sur blanc!
HD-241o.J. EINE ÄRGERLICHE BEGEGNUNG. Ich täusche mich nicht. Dieser Hut stammt aus meinem Geschäft... sieht man, wie er getragen wird, gehe ich jede Wette ein, dass er noch nicht bezahlt ist. Lithographie, auf chamoisfarbenem Velin, mit den Adressen: Maison Martinet r.Vivienne 41 et 11 r.du Coq, sowie: Imp. Ch.Trinocq, Cour des Miracles, 9, Paris. Darstellungsgröße 19,9:26,1 cm, Blattgröße 25,7:33,8 cm. Literatur: Daumier-Register 2565 II (von 2); Delteil 2565 II (von 2), Blatt 4 der Serie ?CROQUIS PARISIENS?, erschienen 31.01.1854 in ?LE CHARIVARI?. ? Sur blanc! Im unteren Rand beschnitten unter Verlust der zweiten Textzeile. Rare!
HD-076o.J. (Die Gelüste einer Schwangeren). Lithographie, auf chamoisfarbenem Velin, mit den Adressen: Chez Bauger R du Croissant 16, sowie: Imp. d?Aubert & Cie. Blattgröße 34:26,4 cm. ? Mit Heftspuren am linken Rand, gering fleckig, linke untere Ecke fehlt teilweise. Literatur: Daumier-Register 638; Delteil 638. No.15 der Folge ?Moeurs Conjugales?, erschienen 2./3.11.1839 in ?Le Charivari?. ? Sur blanc!
HD-224o.J. Lithographie, auf chamoisfarbenem Velin, mit den Adressen: Chez Aubert & Cie. Pl. de la Bourse,29 Paris., sowie: Imp. de Me.Ve.Aubert, 5, rue de l'Abbaye,Paris. Darstellungsgröße 24,5:20,8 cm, Blattgröße 36:27,5 cm. Literatur: Daumier-Register 2112 II (von 2); Delteil 2112 II (von 2), Blatt Nr. 139 der Serie ?ACTUALITÉS.?, erschienen 02.06.1851 in ?LE CHARIVARI?. ? Sur blanc!
HD-244o.J. EINE NÜTZLICHE ANWENDUNG DES MAGNETISIERENDEN DIAMANTEN. Meine Frau ist hypnotisiert... ich kann mich beruhigt zum Opernball begeben.... Schlaf gut meine Liebe! Lithographie, auf chamoisfarbenem Velin, mit den Adressen: Maison Martinet,172 r.Rivoli et 41,r.Vivienne, sowie: Lith. Destouches,28,r.Paradis Pre.Paris. Darstellungsgröße 21:26,6 cm, Blattgröße 26:33 cm. Literatur: Daumier-Register 3230 III (von 3); Delteil 3230 III (von 3), Blatt 140 der Serie ?ACTUALITÉS?, erschienen 24.01.1860 in ?LE CHARIVARI?. Exemplar des ?Album des Charges du Jour? ? Sur blanc!
118174Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1856. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
118176Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1856. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown