Daumier, Honore (1808-1879)Biblio.com
Tout est perdu! fors la caisse. - Altcolorierte Lithographie
1297aaAubert & Cie Paris um 1840. Maße: ca. 27 cm x 225 cm im Passepartout leicht randfleckig. unknown
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202205044Paris, Flammarion, 1972 ; in-4, 120 pp., cartonnage de l'éditeur. Très bon état, jaquette partiellement jaunie.
1297aaAubert & Cie Paris um 1840. Maße: ca. 27 cm x 225 cm im Passepartout leicht randfleckig. unknown
1847ARC-113258Lithographie Le Charivari 13/06/1847 Tout ce qu’on voudra Ayant fait partie des Muscadins sous le Directoire. Hazard & Delteil N° 2592 N° de pierre 1012
1847ARC-113259Lithographie Le Charivari 19/10/1847 Tout ce qu’on voudra –Ah ! Docteur… je crois bien que j’suis poitrinaires !… Hazard & Delteil N° 2603 N° de pierre 1024
1847ARC-113260Lithographie Le Charivari 4/11/1847 Tout ce qu’on voudra C’est t’y à vous ce chien là ?... Hazard & Delteil N° 2605 N° de pierre 1140
1849ARC-113261Lithographie Le Charivari 27/01/1849 Tout ce qu’on voudra Vue d’une antichambre ministérielle sous n’importe quel gouvernement. Hazard & Delteil N° 2645 N° de pierre 1278
1849ARC-113262Lithographie Le Charivari 5/10/1849 Tout ce qu’on voudra Un homme dans ses petits souliers Hazard & Delteil N° 2647 N° de pierre 1201
1849ARC-113263Lithographie Le Charivari 14/02/1849 Tout ce qu’on voudra «le spectacle est une chose bonne pour le peuple de Paris, il vient s'y délasser le soir des fatigues de la journée.»(Tous les moralistes.) Hazard & Delteil N° 2618 N° de pierre 1109
1848ARC-113264Lithographie Le Charivari 27/05/1848 Tout ce qu’on voudra
1849ARC-113265Lithographie Le Charivari 3/03/1849 Tout ce qu’on voudra –je veux à boire !… Mais puisque je vous dis que je suis épicier !…–T’es épicier… et ben ! Les épiciers y tiennent de tout !… Donne-moi à boire !… Ou ben, t’es pas épicier !… Hazard & Delteil N° 2621 N° de pierre 1110
1848ARC-113266Lithographie Le Charivari 14/03/1848 Tout ce qu’on voudra ah! Ma chère, quand on a un chien on ne devrait jamais avoir de mari !…pas plus tard qu'hier le mien a encore eu la chose de refuser une aile de poulet à Mimire, il n'a voulu lui donner qu'une cuisse!.. Faut-y qu'il y aient des hommes qui soyent féroces!… Hazard & Delteil N° 2615 N° de pierre 1118
1850255251850 LE CHARIVARI Aubert et Cie, imprimeur-lithographe. 1850- Lithographie - Hauteur: 35.9cmx Largeur: 27.6cm - Description:-1 feuillet (4 pages) numéro complet; illustration page 3.-- texte imprime au dos,bon etat,fente restaurée en marge.
06233Paris: Chez Aubert & cie. 1847. Honoré Daumier's 'As You Like It'<br /> <br /> DAUMIER Honoré. Tout ce Qu'on Voudra As you like it. Paris: Chez Aubert & cie. 1847. <br /> <br /> Folio 13 1/4 x 9 7/8 inches; 336 x 251 mm. Nineteen fine lithograph plates of which seventeen are hand colored and heightened with gum arabic.<br /> <br /> Publisher's dark blue diaper-grain cloth covers ruled in blind front cover decoratively lettered in gilt smooth spine.<br /> <br /> This remarkably rare album containing the first nineteen plates of the series Tout ce Qu'on Voudra essentially constitutes a publisher's "sampler" or early issue collection with the added distinction that seventeen are hand-colored and heightened with gum arabic-a luxury not typically afforded to ordinary subscribers. Plate numbers 2 and 18 are uncolored. Near fine.<br /> <br /> This series comprises a broad range of social types and caricatured scenes drawn from Parisian life. Rather than focusing on a single theme like Daumier's earlier series on lawyers Les Gens de Justice or doctors Médecins et Malades Tout ce qu'on voudra is a free-ranging collection in the spirit of improvisation-satirizing bourgeois manners social pretensions urban spectacles and eccentric characters. It is sometimes considered a late echo of his Types Parisiens and other physiologie-inspired work.<br /> <br /> "Tout ce Qu'on Voudra. As you like it. This series consists of 94 lithographs published between March 281847 and November 30 1852 in the Charivari. Some of the plates carry no numbers. We are adding another 4 unpublished prints DR 1717 to 1720 which might have belonged to this series. Similar to the series "Les bons bourgeois" the prints of the present series are dealing with numerous small misfortunes in the life of the Parisians. They were especially impressed by the possibilities opened by the railroad. Travels to the surroundings and the French province were both exciting and startling experiences. Apart from these drawings this series also offers beautiful observations like the elderly couple remembering youth; memories and transience with a pensive humour and never offending." The Daumier Register.<br /> <br /> According to the Daumier Register and OCLC/WorldCat institutions typically only hold odd prints from this series not publisher's albums.<br /> <br /> Daumier Register Nos. 1647-1665. Paris: Chez Aubert & cie., 1847 unknown
06382Paris: Chez Aubert & Cie. 1850. Anything You Like": Daumier and the Freedom of Observation<br /> Daumier's Notebook of Parisian Life<br /> <br /> DAUMIER Honoré. Tout ce qu'on voudra. Paris: published in Le Charivari 1847-1852.<br /> <br /> Folio 14 3/8 × 10 1/8 inches; 365 × 257 mm - actual plate size. Album containing 73 of 94 original lithographs each retaining the original Le Charivari letterpress text on the verso compiled from newspaper issues.<br /> <br /> Handsomely bound ca. 1900 by Édouard Pagnant in three-quarter red morocco over marbled boards covers ruled in gilt smooth spine decoratively tooled and lettered in gilt marbled endpapers. With his binder's ticket on the front pastedown: "Pagnant / Relieur de luxe / 30 rue Jacob / Paris 6e." All plates tipped onto uniform sheets 15 × 11 inches; 381 × 280 mm and mounted on stubs. Some light to moderate foxing and or browning to several plates. <br /> <br /> A substantial surviving run from Daumier's celebrated social-satirical series issued intermittently in Le Charivari over a five-year period. The retention of the printed versos confirms the plates in their authentic periodical state rather than later album or suite impressions.<br /> <br /> The twenty-one missing plates are nos. 3 5 6 10 14 16 17 19 37 38 51 52 58 59 62 72 73 74 75 93 and 94.<br /> <br /> Very rare: we are unable to locate any other surviving run of Tout ce qu'on voudra of comparable extent in the original Le Charivari state.<br /> <br /> Honoré Daumier's Tout ce qu'on voudra is one of his most open-ended and deliberately unprogrammatic series. The title translates loosely as "Anything You Like" "Whatever One Pleases" or "All That One Might Want." In other words: no single subject no fixed agenda no promise of coherence. The phrase would have been instantly understood by contemporary readers as a wry disclaimer - a signal that what follows is governed by observation rather than doctrine.<br /> <br /> Issued intermittently in Le Charivari between 1847 and 1852 Tout ce qu'on voudra allowed Daumier maximum freedom. Unlike his explicitly political series it ranges widely across Parisian life social types everyday humiliations marital tensions professional absurdities street scenes and private miseries often without captions that moralize or explain. The humor is quieter more psychological and often darker: comedy arising not from topical satire but from the persistent awkwardness of being human.<br /> <br /> The title itself is central to the series' meaning. Tout ce qu'on voudra suggests both abundance and indifference: here is everything - and therefore nothing in particular. It mirrors Daumier's artistic position in these years turning away from overt polemic toward a broader more enduring social vision. What binds the plates together is not subject but attitude - a skeptical compassionate and sharply observant eye trained on modern life.<br /> <br /> Seen as a whole the series reads less like a "set" than like a visual notebook accumulating truths through repetition and variation. It is precisely this looseness - announced by the title - that makes Tout ce qu'on voudra one of Daumier's most modern achievements: a portrait of society not as ideology but as lived experience offered without hierarchy and without apology.<br /> <br /> Edouard Pagnant set up on his own in 1876 rue Saint-Dominique and in 1881 he incorporated/added the house of Marmin. He later moved his workshop to 30 rue Jacob Paris 6e and he was still there until his death on 28 January 1916.<br /> <br /> The complete series is recorded in the Daumier Register: DR 1647-1720; 2200-2217; 2320-2321. Paris: Chez Aubert & Cie., 1850 unknown
RGW19373ALithograph Second State published in 'Le Charivari' by Aubert & Cie 4 November 1847 a little spotting horizonal crease a little fraying on ndges . unknown
RGW19309ALithograph Third State published in 'Le Charivari' by Aubert & Cie 25 October 1847 trimmed on right side unknown
101594Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1850. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
101596Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1850. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
101595Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1850. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
101593Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1850. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
74636Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1841. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
74634Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1841. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
74635Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1841. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
74637Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1841. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1849255121849 LE CHARIVARI Aubert et Cie, imprimeur-lithographe. 1849- Lithographie - Hauteur: 35.9cmx Largeur: 27.6cm - Description:Planche n° Assemblée législative, 5. -1 feuillet (4 pages) numéro complet ; illustration page 3.-- texte imprime au dos,bon etat,rousseurs.
