428 résultats
186047799Paris & New York.: Turgis & Duane. c.1860. Oblong folio. 320 x 434 mm. Six original colour lithographs by Gustave Doré each heightened with gum arabic. Each plate with the running title 'Corrida de Toros' individual captions in Spanish and French and with 'G. Doré del.'. Four of the lithographs nos. 2 3 5 and 6 are signed in the plate. First edition of Gustave Doré's rare suite of bullfighting lithographs.Each of the plates has the title in both Spanish and French:1. Caida del Picador - Chute d'un Picador.2. Suerta de Banderillas - Banderillero piquant la Banderilla.3. Suerta de Capa - Banderillero excitant le taureau.4. Cogida de un Torero - Torero enlevé par le taureau.5. Suerta de Pica - Coup de Lance.6. Estocada - Coup d'épée.Leblanc pg. 521 unseen; Vindel Toros 1931; not in Sims Reed / Forgeot. Turgis & Duane. unknown
187647354Paris.: Librairie Hachette et Cie. 1876. Contemporary burgundy half-morocco marbled boards and endpapers banded spine with gilt title in six compartments original publisher's blue printed wrappers and backstrip with titles in red and black retained t.e.g. Small folio. 385 x 296 mm. Half-title with printer's credit verso printed title in red and black and Enault's text illustrated with 174 wood-engraving after Doré of which 52 are full-page. A very scarce deluxe example of Louis Enault's 'Londres' illustrated by Gustave Doré printed on Chine and with a signed original drawing. This is the first French edition; the work was first published in English in 1872 with text by Blanchard Jerrold. No copies of the English edition were issued on Chine.The original drawing by Doré 420 x 350 mm framed separately is a preparatory sketch for one of the illustrations in the book 'Pauvresse à Londres'. The image shows a bare-footed young woman seen from behind carrying a small child on her left shoulder her head turned to the right another child very slightly older her face half-turned towards the viewer shelters within the skirts of the young woman the whole scene suggesting pathos and poverty.'La publication de cette édition française ne reçut que des éloges.' Leblanc.Ray 251 English edition & 252; SR / BF 59. Librairie Hachette et Cie. hardcover
186024278Paris: L. Turgis ca. 1860. EXTREMELY RARE SUITE OF HAND-COLOURED LITHOGRAPHS ON BULLFIGHTING. A complete suite of six large hand-coloured original lithographs by Gustave Doré. 45.5 by 61.4 cm Each plate with the running title 'Corrida de Toros' individual captions in Spanish and French and with 'G. Doré del. A fine set with occasional evidence of age. FIRST ISSUE AND VERY RARE A SUITE OF IMAGES ON BULL FIGHTING AS SEEN AND CHRONICLED BY GUSTAVE DORÉ. In Corrida de Toros Doré captured the strength and movement of the bull the tension the danger in the ring - it almost seems as if the bull has a chance not just at survival but of actually conquering the men on foot and horseback who are supremely annoying it to rage. Doré appears to sympathize with the bull and the tragedy of bullfighting rather than the glory of the fighters.<br> ‘The French artist Gustave Doré was born in Strassburg in 1832. In 1848 he moved to Paris where it was noted that “his facility as a draughtsman was extraordinary.†He was a prolific worker whose talents and creations are greatly valued to the present day. Doré’s first illustrated story was published when he was only fifteen years old. His talent was evident even earlier however. At age five he had been a prodigy troublemaker playing pranks that were mature beyond his years. Seven years later he began carving in cement. Subsequently as a young man he began work as a literary illustrator in Paris winning commissions to depict scenes from books by Rabelais Balzac Milton and Dante.<br> In 1853 Doré was asked to illustrate the works of Lord Byron. This commission was followed by additional work for British publishers including a new illustrated English Bible. A decade later he illustrated a French edition of Cervantes's Don Quixote and his depictions of the knight and his squire Sancho Panza have become so famous that they have influenced subsequent readers artists and stage and film directors' ideas of the physical "look" of the two characters. Doré also illustrated an oversized edition of Edgar Allan Poe's "The Raven" an endeavor that earned him 30000 francs from publisher Harper & Brothers in 1883.<br> Doré's English Bible 1866 was a great success and in 1867 Doré had a major exhibition of his work in London. This exhibition led to the foundation of the Doré Gallery in Covelant Bond Street. After an illness he died in January of 1883. L. Turgis unknown