114 résultats
This is a very good softcover copy with almost no wear. Completely clean inside and out. The spine is not creased, binding firm. Edited by Theodore Wolff. Contributions by ten writers including Sidney Janis and Dore Ashton among others. Illustrated in color with 198 color plates + black & white drawings, photographs. Chronology. Bibliography. 12" high X 10" wide, 208 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
Exhibition catalogue for the show at the Barbican Art Gallery with the title of the same name. Book is in excellent condition in black cloth with gilt print at spine, large oblong format. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows the slightest signs of shelf wear only, no tears. 191 pages with large prints in color, some b&w throughout. From the preface: "Over the centuries London has been visited by many artists from abroad and this exhibition is an attempt to illustrate how each visitor has in turn found inspiration from the city. The exhibition interprets this 'image' of London, reveals how the city has changed through four hundred years, and explores the idea of the city in the mind of the visitors and their response to it. Wyngaerde was the earlist artist to attempt to represent the city with relative accuracy. He conceived London as a great Gothic city with many towers and spires. Thomas Wyek may have witnessed the Great Fire, and he certainly painted several views of it. After the Fire, London was rapidly rebuilt and expanded. The subsequent completion of the new cathedral and the City's increasing commercial success attracted many traveller-artists. With its bustling market, Covent Garden was a favourite subject of the 18th-century artists such as Van Aken and Angillis. By contrast the serene Thames views of Canaletto and Joli recall Venice, and their interpretation of London as a city of grace and enlightenment seem more in keeping with the neo-classical order that fashioned the second half of the 18th Century. In the 19th Century artists began to depict the darker side of London. Focusing upon scenes of labour, poverty and suffering in an oppressive industrial environment, G?ricault and Dor? portrayed the Babylonian image of London. Nevertheless, Victorian London was also shown as a city of success and wealth. The river scenes of Whistler, and the busy, yet fashionable Street scenes of Bianche, Tissot and De Nittis represent it as essentially a hive of activity, business and busy-ness. Wistler and Monet were also inspired by the atmosphere of London, the foggy and nocturnal views ...
Prefazione e traduzione di E. Panzacchi. 12 vignette nel testo e 30 tavole staccate.
346 [5]pp.avec illustrations dans le texte + planches hors texte dont 9 en couleurs, exemplaire numéroté; no.1848, 26cm., br.orig., dans la série "L'art et la vie" volume 12, pages non coupées, peu de rousseurs aux tranches, bel état, S79709
Celebre romanzo d'appendice dell'800 francese, molto apprezzato da Baudelaire. Edizione con illustrazioni di Gustav Dorè.
in-folio (410x310), pp.(4), 84. Illustrato da 9 tavole a piena pagina di Gustave Doré, incisioni originali in acciaio a piena pagina fuori testo. Stupenda legatura inglese del tempo in pieno marocchino riccamente decorato in oro. Probabile edizione originale del poema di Tennyson, illyustre poeta inglese (1809-1892).. .
bross. edit. ill., piccola rottura e lievi tracce d'uso in cop.
In-8 gr. (mm. 238 x 150), mz. pelle edit., dorso a cordoni con decoraz. e tit. oro, tagli dorati, pp. (2),IV,536, con le belle e numerose illustrazioni del Doré, anche a p. pag. nel t. "La Cote - La Vallé d'Ossau et de Luz - Bagnères et Luchon". Esempl. ben conservato.
In-8 p. (mm. 231 x 150), mz. pelle edit. (piccoli spacchi), dorso a cordoni con decoraz. e titolo oro, tagli dorati, pp.VI,536, con le belle e numerose illustrazioni del Doré, anche a p. pag., nel testo. "La Cote - La Vallé d'Ossau et de Luz - Bagnères et Luchon". Solo qualche rara e lieve fioritura, altrimenti ben conservato.
Opera illustrata da G. Doré.
In 8, pp. 90. Intonso. Dedica autogr. dell'aut. al p. ant. Br. ed. Studio geologico della regione dell'Alvernia in Francia, con particolare riferimento alle zone di Mont Dore', Saint-Nectaire e Vichy.
15 x 21, 251 pp., nombreuses illustrations N/B et quelques couleurs, broche, couverture illustree. Tres bon exemplaire. [AR-1][AR-2]
In-8 (cm. 21.80), cartonato editoriale illustrato, pp. XX, 957, (3). In buono stato di conservazione (good copy).
Milano, Rizzoli, 1973, 4to brossura originale con copertina illustrata, pp. 87 con 32 illustrazioni di Gustavo Doré. (Strenne della Bur)
trad. di Maria Luisa Agosti in 4°, bross. edit. ill., lieve scoloritura al dorso e in cop.
trad. di Maria Luisa Agosti in 4°, bross. edit. ill., minime rotture e lievi bruniture in cop.
2 vols., roy. 8vo., First Edition thus, with numerous full-page and smaller engraved illustrations; red cloth, blocked and lettered in gilt, red goatskin backs lettered in gilt, gilt tops, silk ribbon markers, a fine copy in publisher's cloth slip-case blocked and lettered in gilt. EDITION LIMITED TO 500 NUMBERED COPIES (THIS COPY NO. 462). All five books are contained in two volumes, uniting for the first time Screech's new translation [2006] with Dore's immortal illustrations (all reproduced at their original size) from the famous Garnier Freres edition of 1854.
in 8° leg. coeva m.tela 2 tomi in un libro, due frontespizi pp.XVIII+268; pp.288+XL di glossario moltissime incisioni del Dorè n.testo, ben tenuto
in-16, 317 p., abdt ill. in-t. n&b, broche, couverture illustrée. Bon etat. [PM-LP8]
A clean, unmarked book with a tight binding. Full blue cloth boards. Previous owner's name inside. Signed and dated by the authors. Twenty four of the best-known fairy tales are presented with historical introductions and illustrations by artists such as Walter Crane, George Cruikshank, Gustave Dore, Kate Greenaway, Arthur Rackham, W.Heath Robinson and Rex Whistler.
Sans lieu, ODE, 1953. Un volume de format in 12° de 350 pp. environ. , nombreuses cartes, plans et illustrations dans le texte. Reliure cartonnée de l'éditeur, très illustrée; le marque page de l'éditeur est conservé. Parfait état.
In-4° pp. 183 completamente illustrato anche a piena pagina da Dorè. Legatura edit. con socrac. ill. Ottimo stato.
pp. 192 +Plus 38 leaves of plates. 8vo. 200mm. Original publisher's full dark green pictorial cloth binding lettered and decorated in silver gilt. Spine decorated and lettered similarly. Gilt bright on cover and slightly rubbed on spine. Boards and spine clean with slight abrasions. Head and base of spine worn. Patterned end papers. Ownership stamp of 'Barralow Bros, Railroad News Agents, Portland, OGN.' Revised edition, Edited by Rev. J.B. McClure. Manuscript ownership on title page. Contents clean. Hardbound. Very good. Dwight Lyman Moody (1837-1899), also known as D. L. Moody, was an American evangelist and publisher connected with the Holiness Movement. He founded the Moody Church, Northfield School, Mount Hermon School, Moody Bible Institute, and Moody Publishers. NW61
This book has suffered a grisly stain to the inside of the rear cover and top of the last hundred or so pages. A few loose pages at the front. Most of the plates are in good shape. Cover is quite worn. Previous owner's pencil notes on front endpaper. 9 1/2"w x 11 7/8"h. 312 pages. No date shown; circa 1890's.