Dore, GustaveBiblio.com
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187736324New York: Harper & Brothers 1877. Non-Book. A plate from the volume The Rime of the Ancient Mariner by Samuel Taylor Coleridge. Measures roughly 36 x 46 cm 14 x 18". A fine copy. ; Prints; 36 x 46 cm. Harper & Brothers unknown
139263aafGera , Griesbach, 1896, in-4to, 68 S. mit Zahlr. Abbildungen, hs. auf Vorsatzblatt „zur Erinnerung an dem 1sten April 1898“ / Exlibris Peter E. Obergfell, illustr. Leinenband mit Schwarz- und Silberprägung. Sehr schönes Exemplar
19496030791949. "Dore" in dark blue fountain pen ink on pictorial engraved Metro-Goldwyn-Mayer Pictures Culver City California Office of Dore Schary Vice-President in charge of production letterhead January 5 1949. 7 1/4" x 10 1/2"; 1 page recto only. Very good. To Mr. Emmet Lavery 1075 Casiano Road Los Angeles 24 California Interesting letter from Schary reporting that MGM has QUO VADIS under production and is unable to consider filming Lowery's script BOLIVAR. We find no record that the script was filmed. Provenance: from the estate of literary agent H.N. Swanie Swanson. Schary 1905-1980 born August 31 1905 Newark New Jersey; died July 7 1980 New York New York; American writer/producer of films; winner of the Best Screenplay Academy Award for "Boys' Town" 1938; producer at MGM 1941-1945; head of production at RKO 1945-48; head of production at MGM 1948-1956; independent producer thereafter. Swanson 1900-91 one of the nation's most famous literary agents; known in the industry as "Swanie"; wrote and produced a handful of films after David O. Selznick saw his work in College Humor; he opened an office on Sunset Boulevard in 1934 and at one time his clients included Raymond Chandler William Faulkner James M. Cain Ayn Rand Cornell Woolrich Budd Schulberg S.J. Perelman John O'Hara and Elmore Leonard; some of the scripts Swanson sold included "The Postman Always Rings Twice" "The Big Sleep" "Old Yeller" "Butterfield 8" and "The Mosquito Coast.". Soft cover. Very Good. paperback books
503043See Description. Signed-Autograph Very Good SCHARY Dore. TLS "Dore"; with holograph salutation closing and 3-line addition on "Herzl" letterhead New York December 11 1976; to actor Lester Rawlins: "'Herzl' closed December 8th. The audiences enjoyed it -- the critics.did not.I'm sorry for the whole crew - and the ship." 4to 1p. Signed by Authors. See Description unknown books
19496030791949. "Dore" in dark blue fountain pen ink on pictorial engraved Metro-Goldwyn-Mayer Pictures Culver City California Office of Dore Schary Vice-President in charge of production letterhead January 5 1949. 7 1/4" x 10 1/2"; 1 page recto only. Very good. To Mr. Emmet Lavery 1075 Casiano Road Los Angeles 24 California Interesting letter from Schary reporting that MGM has QUO VADIS under production and is unable to consider filming Lowery's script BOLIVAR. We find no record that the script was filmed. Provenance: from the estate of literary agent H.N. Swanie Swanson. Schary 1905-1980 born August 31 1905 Newark New Jersey; died July 7 1980 New York New York; American writer/producer of films; winner of the Best Screenplay Academy Award for "Boys' Town" 1938; producer at MGM 1941-1945; head of production at RKO 1945-48; head of production at MGM 1948-1956; independent producer thereafter. Swanson 1900-91 one of the nation's most famous literary agents; known in the industry as "Swanie"; wrote and produced a handful of films after David O. Selznick saw his work in College Humor; he opened an office on Sunset Boulevard in 1934 and at one time his clients included Raymond Chandler William Faulkner James M. Cain Ayn Rand Cornell Woolrich Budd Schulberg S.J. Perelman John O'Hara and Elmore Leonard; some of the scripts Swanson sold included "The Postman Always Rings Twice" "The Big Sleep" "Old Yeller" "Butterfield 8" and "The Mosquito Coast.". Soft cover. Very Good. paperback
503043See Description. Signed-Autograph Very Good SCHARY Dore. TLS "Dore"; with holograph salutation closing and 3-line addition on "Herzl" letterhead New York December 11 1976; to actor Lester Rawlins: "'Herzl' closed December 8th. The audiences enjoyed it -- the critics.did not.I'm sorry for the whole crew - and the ship." 4to 1p. Signed by Authors. See Description unknown
187041157<p><strong>1870 GUSTAVE DORÉ 200 Sketches ART Humorous Grotesque Woodcut Illustration Folio</strong></p><p>"<em>Two Hundred Sketches Humorous and Grotesque</em>" is a remarkable compilation of Gustave Doré's artwork that truly showcases his unparalleled talent in grotesque and humorous designs. While Doré's illustrations have often been recognized and celebrated this particular collection offers a unique perspective on the artist emphasizing his exceptional strength in creating "grotesque" imagery a skill often overlooked in his other published works. This compilation rich in its artistic intensity reveals Doré's exceptional ability to blend the humorous with the grotesque an area where he is believed to be peerless.</p><p>Famous French artist Gustave Doré was most known for his incredible woodcut engravings. Doré's romantic style of illustration supremely imaginative and richly detailed was ideally suited to literary subjects. Artists and art lovers will find in these pages' supreme examples of the illustrator's art! "<em>Two Hundred Sketches Humorous and Grotesque</em>" is an impressive collection of Dore's cartoon-style drawings.</p><p>Item number: #41157</p><p>Price: $599</p><p>DORÉ Gustave</p><p><strong><em>Two Hundred Sketches Humorous and Grotesque. By Gustave Doré.</em></strong></p><p>London: Frederick Warne and Co. c.1870.</p><p><u>Details</u>:</p><p><!-- if !supportLists-->· <!--endif-->Collation: Complete</p><p><!-- if !supportLists-->o <!--endif-->86 2</p><p><!-- if !supportLists-->o <!--endif-->Heavily illustrated throughout</p><p><!-- if !supportLists-->· <!--endif-->Language: English</p><p><!-- if !supportLists-->· <!--endif-->Binding: Hardcover; tight and secure</p><p><!-- if !supportLists-->· <!--endif-->Size: ~13.75in X 11.25in 35cm x 28.5cm</p><p>Our Guarantee:</p><p>Very Fast. Very Safe. Free Shipping Worldwide.</p><p>Customer satisfaction is our priority! Notify us with 7 days of receiving and we will offer a full refund without reservation!</p><p>41157</p><p>Photos available upon request.</p> Frederick Warne and Co hardcover
1890436717London New York : Frederick Warne and Co 1890. 4th edition. Hardcover. Good copy in colour-printed title-blocked boards backed in cloth. Covers and spine somewhat nicked stained dust-dulled and rubbed as with age. Some cracking and browning to the pages. Remains well-preserved overall. Estimated year of publication. Physical description; 86 p. chiefly illustrated. Subjects; French wit and humor Pictorial. Caricatures and cartoons France. London, New York : Frederick Warne and Co hardcover
186717524<p><b>1867 1ed Gustave Dore ART 200 Sketches Humor Illustrated Cartoons</b> <b>Grotesque</b></p><p><i>"The most popular and successful French book illustrator of the mid-19th century!" </i></p><p>Famous French artist Gustave Doré was most known for his incredible woodcut engravings. Doré's romantic style of illustration supremely imaginative and richly detailed was ideally suited to literary subjects. Artists and art lovers will find in these pages' supreme examples of the illustrator's art! "<i>Two Hundred Sketches Humorous and Grotesque</i>" is an impressive collection of Dore's cartoon-style drawings.</p><p>Item number: #17524</p><p>Price: $599</p><p>DORE Gustave</p><p><b><i>Two Hundred Sketches Humorous and Grotesque</i></b></p><p>London: Frederick Warne and Co. 1867. First edition.</p><p><br /></p><p><u>Details</u>:</p><p>· Collation: Complete with all pages</p><p>o 86 2</p><p>o <b>Heavily illustrated throughout</b></p><p>· Language: English</p><p>· Binding: Leather; tight and secure</p><p>· Size: ~13.75in X 11.25in 35cm x 29cm</p><p>Our Guarantee:</p><p>Very Fast. Very Safe. Free Shipping Worldwide.</p><p>Customer satisfaction is our priority! Notify us with 7 days of receiving and we will offer a full refund without reservation!</p><p>17524</p><p>Photos available upon request. </p> Frederick Warne and Co hardcover
1870mon0000125793Frederick Warne and Co London 1870-01-01. Hardcover. Acceptable. in x in x in. 1867 frederick warne edition on illustrated cloth a loose binding some plates loose as is one end paper but otherwise the sketches and polacres in excellent condition Frederick Warne and Co, London hardcover
18672080502106916969Not Available 1867. Soft Cover. Fine. The book is in fine condition. Not Available paperback
0314M58UUFVHardcover. Fair. Folio. First U.S. ed. Almost Good on the outside serviceable on the inside FIRST U.S. Edition: Roberts 1867. Complete. Disbound with enough green cloth for a rebind. Last signature from page 81 to last endpaper separated. Light toning. Some foxing at margins. hardcover
1867C215307London: Frederick Warne and Co. 1867. Hardcover Hardcover. Very Good. Folio. 86pp. Original half cloth over illustrated boards spine neatly rebacked. Covers slightly marked and darkened endpapers slightly nicked chipped and stained at fore-edge otherwise very good with clear contents. No date c.1867. Frederick Warne and Co., hardcover
50158922like new. unknown
0259913324.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1985129753New York: Pantheon Books 1985. First stated. Softcover. VG several creases on cover one on spine. Silver wraps. xii 302 pp. "A sequel to Goldwater and Treves's classic Artists on Art . lets us see modern art through the eyes of those who created it. Ashton brings together statements by over two hundred of the foremost modern artists from all over the Western world describing their views of art and their own work. Their words range in date from the turn of the century till today and shed light on the major movements of the era from Dada to Pop expressionism to minimalism."--Back cover. Pantheon Books paperback books
1985281439New York: Pantheon 1985. First. hardcover. fine/near fine. Illus. 8vo 1/2 silver cloth d.w. New York: Pantheon Books 1985. Fine in near fine dust wrapper.<br/><br/> Pantheon unknown books
1985129753New York: Pantheon Books 1985. First stated. Softcover. VG several creases on cover one on spine. Silver wraps. xii 302 pp. "A sequel to Goldwater and Treves's classic Artists on Art . lets us see modern art through the eyes of those who created it. Ashton brings together statements by over two hundred of the foremost modern artists from all over the Western world describing their views of art and their own work. Their words range in date from the turn of the century till today and shed light on the major movements of the era from Dada to Pop expressionism to minimalism."--Back cover. Pantheon Books paperback
1986Q-0394734890Pantheon 1986-01-12. Paperback. New. New. In shrink wrap. Looks like an interesting title! Pantheon paperback
1880307925Philadelphia: Gebbie & Co 1880. 8 x 6-1/4 inches. Extensive oxidization and staining. 8 x 6-1/4 inches. Original steel-engraved plates after Doré for a Philadelphia edition of Tennyson's Idylls of the King. The illustrated Doré edition was first published by Moxon in London 1867-8 with 36 steel-engraved plates. <br/>Comprising: <br/>"The Coming of Aurthur" "Guinevere" "Merlin and Vivien 4" "Balin and Balan" "Gareth and Lynette" "Lancelot and Elaine 3" "Geraint and Enid."<br/>We find no record of a Gebbie & Co edition of Idylls of the King. Gebbie did print an edition of Doré's illustrated Don Quixote in 1866 and The Wandering Jew in 1873. Cf. Malan p. 303 & Leblanc 334 Gebbie & Co unknown books
71-1265Cambridge MA.: Harvard Fogg Art Museum 1989. 8vo. 169 pp. Soft Cover. Black and white plates throughout. Very Good. Minor rubs like new.Works by Gerhard Altenbourg Carlfriedrich Claus Sighard Gille Bernhard Heisig Walter Libuda Michael Morgner Theodor Rosenhauer Willi Sitte Wolfgang Smy Heinrich Tessmer Max Uhlig and Thomas Ziegler.Provenance: From the Collection of the Art Historian Peter Selz. Cambridge, MA.: Harvard Fogg Art Museum, 1989. paperback
18-4101Cambridge MA: Harvard University & Busch-Reisinger Museum of Art 1989. . 4to. 169 pp. Soft gray wraps with white and red lettering. Fair with loose binding and pages split from spine. Color plates. Works by Gerhard Altenbourg Carlfriedrich Claus Sighard Gille Bernhard Heisig Walter Libuda Michael Morgner Theodor Rosenhauer Willi Sitte Wolfgang Smy Heinrich Tessmer Max Uhlig and Thomas Ziegler. Texts by Dore Ashton Hermann Raum and Peter Selz. Catalogue created on occasion of exhibition at the Harvard University Busch-Reisinger Museum from September 10 through November 5 1989. From the Collection of the Art Historian Peter Selz. Cambridge, MA: Harvard University & Busch-Reisinger Museum of Art, [1989]. paperback
198934641Univ. New. 1989. Paperback. 0916724719 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY - 171 pages 8 x 10" 32 halftones 70 color plates. -- with a bonus offer-- . Univ paperback
185070018Paris: Chez Aubert & Cie 1850-51. First Edition First Issue of one of the two earliest and most rare of all Doré's illustrated books. Only Les Travaux d'Hercule precedes this book and like the Trois Artistes Incompris et Mecontens is very rarely if ever seen in commerce. Illustrated with an engraved title-page as the upper cover illustration of the book and over 150 woodcut illustrations throughout. Folio publisher's original and earliest binding of pictorially illustrated yellow paper over boards the upper cover with all-over illustrations printed in red and black. 1 25 pp. A well preserved and handsome copy of this very rare and fragile book some expert and unobtrusive strengthening at the tips and edges a book seldom if ever encountered and even then nearly always with very considerable wear and breakage. FIRST EDITION OF ONE OF THE EARLIEST AND MOST RARE OF DORÉ'S ILLUSTRATED WORKS. 'At 15 years of age Doré had begun his career working as a caricaturist for the French paper Le journal pour rire. Wood-engraving was his primary method at this time. In the late 1840s and early 1850s he made several text comics like Les Travaux d'Hercule 1847 Trois artistes incompris et mécontents 1850-1 Les Dés-agréments d'un voyage d'agrément 1851 and L'Histoire de la Sainte Russie 1854 but subsequently went on to win commissions to depict scenes from books by Cervantes Rabelais Balzac Milton and Dante. He also illustrated "Gargantua et Pantagruel" in 1854.<br> 'Trois Artists is a fascinating book.but dating the Trois Artistes original is a bibliographical challenge. The earliest Journal pour Rire advertisement was in November 29 1850 and the book itself has a Dec. 1850 date in the publisher's catalogue. The second larger Journal pour Rire advertisement was dated January 31 1851 and the book was listed by February 11 1851 in Bibliographie de la France. Whether December or January the book remains along with Les Travaux d'Hercule the most rare of Gustave Doré's illustrated books and one of the earliest "comic books" produced.<br> Gustave Doré 1832-1883 was described by Saturday Review as “The <br>most startling art phenomenon in Europe; his genius at each turn changes like the colors in a kaleidescope into something new and unexpected.†The Fine Arts Quarterly Review also wrote: “Doré is a great and marvelous genius a poet a nation produces once in a thousand years. He is the most imaginative the profoundest the most productive poet that ever sprang from the French race.†These are 1860s quotes from England about a French artist. What did Doré actually do He created a series of dozens of literary folios with thousands of full-page engravings that are still being borrowed today in hundreds of popular culture genres. The Doré phenomenon was all the more remarkable because he was being viciously attacked by British elitists like John Ruskin who asserted that Doré was the Devil come to destroy the morality of the British public who were unsophisticated peasants. But those “unsophisicated peasants†who admired Doré art included the Queen of England the Prince of Wales the Poet Laureate Charles Dickens plus Leo Tolstoy Mark Twain not to mention the Pope. Doré’s <br>dramatic mystical otherworldly imagery transcended dimensions of the physical and the spiritual. While other illustrators showed people standing in a room talking Doré showed images of Spiral Nebula Flying Saucers the depths of Hell and the opening of Heaven in his folios for Dante Milton Tennyson The Bible Rabelais Shakespeare Fairy Tales Fables Don Quixote Baron Munchausen The Ancient Mariner Doré’s social commentary masterpiece London A Pilgrimage and Poe’s The Raven which Doré did not live to see published. Doré was a creative geniuses with unlimited imagination. <br> Consider that Gustave Doré at the age of 15 years and a diminutive teenager walked into the office of Charles Philipon to show his drawings. It is said that he looked to be about 12. Philipon was mesmerized as Doré created new <br>drawings with lightning-fast rapidity right before his eyes. Shortly thereafter a book appeared with a most curious introduction by the Aubert Publishing Company that read “The Labours of Hercules was written drawn and lithographed by a 15-year-old artist who has no teacher or art training.†Thus began the art career of the most prolific and popular illustrator of all time. He wrote and drew several “comic books†before he began the transition to Literary Folios Painting & Sculpture. But the only other edition of Doré’s Hercules in 145 years was a German edition in 1922. Charles Philipon’s company Aubert contracted with Doré'’s father to hire the boy to draw for his Journal pour Rire and Doré had over a thousand engravings published while still a teenager. In 1850 TROIS ARTISTES INCOMPRIS ET MÉCONTENS Three Misunderstood Malcontent Artists with 155 drawings was published. One of the two earliest and now most rare of the young genius's books. And one of the earliest of all "comic books".<br> Considering his illustrations for Cervantes's Don Quixote his depictions of the knight and his squire Sancho Panza have become so famous that they have influenced subsequent readers artists and stage and film directors' ideas of the physical "look" of the two characters. Doré also illustrated an oversized edition of Edgar Allan Poe's "The Raven" an endeavor that earned him 30000 francs from publisher Harper & Brothers in 1883.<br> Doré's illustrations for the Bible 1866 were a great success and in 1867 Doré had a major exhibition of his work in London. This exhibition led to the foundation of the Doré Gallery in Bond Street London. In 1869 Blanchard Jerrold the son of Douglas William Jerrold suggested that they work together to produce a comprehensive portrait of London. Jerrold had obtained the idea from The Microcosm of London produced by Rudolph Ackermann William Pyne and Thomas Rowlandson published in three volumes from 1808 to 1810. Doré signed a five-year contract with the publishers Grant & Co that involved his staying in London for three months a year and he received the vast sum of Å10000 a year for the project. Doré was mainly celebrated for his paintings in his day. His paintings remain world-renowned but his woodcuts and engravings like those he did for Jerrold are where he excelled as an artist with an individual vision.<br>The completed book London: A Pilgrimage with 180 wood-engravings was published in 1872. It enjoyed commercial and popular success but the work was disliked by many contemporary critics. Some of these critics were concerned by the fact that Doré appeared to focus on the poverty that existed in parts of London. Doré was accused by The Art Journal of "inventing rather than copying". The Westminster Review claimed that "Doré gives us sketches in which the commonest the vulgarest external features are set down". The book was a financial success however and Doré received commissions from other British publishers.<br> Doré's later work included illustrations for new editions of Coleridge's Rime of the Ancient Mariner Milton's Paradise Lost Tennyson's Idylls of the King The Works of Thomas Hood and The Divine Comedy. Doré's work also appeared in the weekly newspaper The Illustrated London News.' Wiki Chez Aubert & Cie hardcover
18511851LParis: Chez Arnauld de Vresse 1851. 2nd edition. Hardcover. fair/no dj as issued. Gustave Dore. Very rare lithographic album made by the young Gustave Doré then aged 19. One of the two earliest and most rare and fragile of all Doré's illustrated books. --- ---<br /> <br /> TROIS ARTISTES INCOMPRIS ET MÉCONTENS Leur Voyage En Province.Et Ailleurs !!. Leur Faim Dévorante et Leur Déplorable Fin<br /> Paris Chez Arnauld de Vresse n.d. around 1851<br /> <br /> translation of title: Three misunderstood and disgruntled artists. Their journey to the provinces. and elsewhere!! Their devouring hunger and their deplorable end. --- --- <br /> <br /> Paris Chez Arnauld de Vresse. no year Probably 1851. Reprint in the same format and with the same number of plates as the first Edition published by Chez Aubert & Cie 1850 or 1851. This is only the second lithographic album after "The Labors of Hercules" 1847 made by the young Gustave Doré then aged 19. Inspired by the "literature in prints" of the Genevan Rodolphe Töpffer and the works of Cham the work is today considered one of the first modern French comic strips.<br /> <br /> As in the first edition on most pages in the bottom left-hand or right hand corner it reads: Chez Aubert PI. de la Bourse n°29. and / or Impr. Lemercier rue de Seine 51 Paris<br /> <br /> Front and back cover: yellow paper on boards the front with the same illustration as the title page the back just yellow. 13.6" x 10.5" 35x27cm<br /> Title page and 20 of 25 lithographed pages printed on verso only each containing three to eight drawings accompanied by a caption in the manner of comic strips. Pages 1 2 3 10 and 11 are missing.<br /> <br /> As is: cardboard restored on the spine Hinge is broken pages 6-9 are loose. Pages are clean with only occasional foxing in the margins. Pages 9 16 17 23 and 25 have small restored areas with adhesive tape in the margins without affecting the illustrations. Chez Arnauld de Vresse hardcover
