LANDAUER, Susan Intro Dore AshtonBiblio.com
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1996014160Berkeley CA etc: University of California Press 1996. 1st Edition . Soft cover. Fine. Glossy soft-back marred only by touch of curling to back top outer corner. Full opening monochrome photo-plate full opening t.p. referencing the Laguna Art Museum Laguna Beach as additional publisher/sponsor xxiii 271 copiously illustrated throughout in both monochrome and colour inc. some full page colour plates; internally pristine in fact cover corner curl only reason not rated As New. Scarce in UK. 22.5 cm x 30 cm <br/> <br/> University of California Press paperback
1996Q-0520086112University of California Press 1996-03-29. Paperback. New. New. In shrink wrap. Looks like an interesting title! University of California Press paperback
199657760Ewing New Jersey U.S.A.: Univ of California Pr. New. 1996. Hardcover. 0520086104 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED - 271 pages. "A free-spirited wave of creative energy swept through the San Francisco art community after World War II. Challenging accepted modes of painting Abstract Expressionists produced highly experimental works that jolted the public out of its postwar complacency. Susan Landauer's comprehensive examination of this dynamic movement provides the first clear picture of the artists and influences that came together in San Francisco's invigorating world of Abstract Expressionism. Landauer argues that Abstract Expressionism resulted from a broad collective impulse rather than the inspiration of a small band of New York artists. Documenting the interchanges between the East and West Coasts she cites areas of mutual influence and shows the impact of San Francisco on the New York School including artists such as Mark Rothko and Ad Reinhardt. San Francisco's Beat poets Dixieland jazz musicians and the area's stunning vistas were essential parts of Abstract Expressionism as were artistic and spiritual contacts with Asia. Under Douglas MacAgy and Clyfford Still the California School of Fine Arts became the undisputed center of vanguard abstraction on the West Coast. Artists such as Edward Corbett Jay DeFeo James Budd Dixon Frank Lobdell and Hassel Smith produced gritty provocative images whose impact extended well beyond California. Landauer also notes the importance of Grace L. McCann Morley director of the San Francisco Museum of Modern Art who opened the museum to major Abstract Expressionist figures and Jermayne MacAgy who brought local and international artists together. Enlivened by oral histories Landauer's book is a rewarding exploration of a vital period in modern art. Richly illustrated with 96 color plates it celebrates the energy and lasting impact of a special time." -- with a bonus offer-- . Univ of California Pr hardcover
199657761Ewing New Jersey U.S.A.: Univ of California Pr. New. 1996. Paperback. 0520086112 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED - 271 pages. "A free-spirited wave of creative energy swept through the San Francisco art community after World War II. Challenging accepted modes of painting Abstract Expressionists produced highly experimental works that jolted the public out of its postwar complacency. Susan Landauer's comprehensive examination of this dynamic movement provides the first clear picture of the artists and influences that came together in San Francisco's invigorating world of Abstract Expressionism. Landauer argues that Abstract Expressionism resulted from a broad collective impulse rather than the inspiration of a small band of New York artists. Documenting the interchanges between the East and West Coasts she cites areas of mutual influence and shows the impact of San Francisco on the New York School including artists such as Mark Rothko and Ad Reinhardt. San Francisco's Beat poets Dixieland jazz musicians and the area's stunning vistas were essential parts of Abstract Expressionism as were artistic and spiritual contacts with Asia. Under Douglas MacAgy and Clyfford Still the California School of Fine Arts became the undisputed center of vanguard abstraction on the West Coast. Artists such as Edward Corbett Jay DeFeo James Budd Dixon Frank Lobdell and Hassel Smith produced gritty provocative images whose impact extended well beyond California. Landauer also notes the importance of Grace L. McCann Morley director of the San Francisco Museum of Modern Art who opened the museum to major Abstract Expressionist figures and Jermayne MacAgy who brought local and international artists together. Enlivened by oral histories Landauer's book is a rewarding exploration of a vital period in modern art. Richly illustrated with 96 color plates it celebrates the energy and lasting impact of a special time." -- with a bonus offer-- . Univ of California Pr paperback
2009319911Washington D. C.: Regnery Publishing 2009. First Edition; First Printing. Hardcover. Fine in a Fine dust jacket.; 256 pages. Regnery Publishing hardcover
2009Q-1596985712Regnery Publishing 2009-08-24. Hardcover. New. In shrink wrap. Looks like an interesting title! Regnery Publishing hardcover
1433291991.Gmp3_cd. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
2009DADAX1433291983Blackstone Publishing 2009-09-07. Unabridged. audioCD. New. 5.20x1.10x5.90. Buy with confidence. Excellent Customer Service & Return policy. Blackstone Publishing unknown
188328428Boston MA: Estes and Lauriat 1883. As. Hardcover. Very Good. Dore Gustave. Unpag. 8vo. Brown paper cover with chromolithograph mariner illustration to front board small haystack illustraton on rear. Light scuffing and chipping at edges corners small losses at head and food of spine. Grey endpapers illustrated throughout by Dore Foster and others. Estes and Lauriat hardcover books
1966131747Club Français du livre 1966 Livre en français, anglais. In-4 reliure de l’éditeur sous jaquette rhodoïd. 27,7 cm sur 21,5. 140 pages. Premier plat orné d’une vignette, titre et auteur dorés au dos, intérieur frais. ATTENTION : la jaquette rhodoïd présente quelques déchirures. Bon état d’occasion.
1877008666New York: Harper & Brother Publishers 1877. SCARCE in collectible condition. A lovely copy in original gilt-stamped grey beveled cloth boards all edges gilt grey end papers 12 numbered pages plus 38 plates with tissue guards illustrated frontispiece and title vignette. Very Good Plus small loss of cloth at spine ends and tips rear covers stained and soiled small tear to edge blank front end page. Copies this lovely uncommon in recent commerce. . Second American Edition . Decorative Cloth. Very Good Plus/No Jacket As Issued. Elephant Folio - over 15" - 23" tall. Harper & Brother Publishers Hardcover books
187576484London:: Dore Gallery 1875. First edition thus; presentation copy inscribed by Dore on the original plain front wrapper to a contemporary publisher "A Monsieur Goupil Hommage Affectueux G. Dore.". rebound inappropriately in 20th c. gilt-lettered leatherette but with the original plain wrappers bound in. Custom clamshell box. Some scattered foxing and slight marginal waterstaining to a few leaves. Oversised folio. Illustrated by Gustave Dore: title page vignette frontispiece and 38 black and white plates. Additional postage charge applicable for this oversized book. Dore Gallery, hardcover
18771877SSNew York: Harper & Brothers Publishers 1877. 2nd edition. Hardcover. Very good-/no dj as issued. Gustave Dore. Harper & Brothers Publishers 1877 2nd edition. with illustrations by Gustave Dore. Hardcover. Folio 18.5 x 15" 47x38 cm Green cloth with gilt front cover and spine. 8 pages text 39 full-page platesmost with tissue guards. All edges gilt.<br /> <br /> Binding solid some soiling and scuffing bumped corners. Pages with some foxing mainly in the margins see photos. <br /> Beautifully written short gift inscription dated 'Christmas 1876 'on the front free endpaper. Overall very good-.<br /> May require extra postage due to size and weight. Harper & Brothers, Publishers hardcover
196685143New York: Edizione d'Arte "Felix" a curra di Giuseppe Massani 1966. Publisher's pictorial stapled paper pamphlet and LP record laid in. Folio 42.5cm; red moire silk-covered boards with titling stamped in gilt on spine and front cover; pictorial endpapers; n.p.; black-and-white illustrations to frontispiece and throughout text. Two tiny nicks to front cover silk trace foxing to edges of textblock and tiny marginal soil to "We Drifted O'er." plate; Very Good. In publisher's black paper-covered slipcase with titling stamped in gilt on cover blue title label on spine and light shelf-soil; Very Good. <br /> <br /> Coleridge's long poem explores marine life during an extended sea voyage with Doré's engravings throughout. Side 1 of LP recording includes Sir Ralph Richardson's reading of Coleridge's "The Rime of the Ancient Mariner" and Side 2 includes Richardson's readings of Colridge's "Kubla Khan" "Frost at Midnight" "The Lime-Tree Bower My Prison" and "Dejection: An Ode" all directed by Howard Sackler. 85143. Edizione d'Arte "Felix" a curra di Giuseppe Massani unknown
1515195Easton Press. Collectible - Very Good. Condition: Very Good; Oversize hardcover. Fully bound in blue leather with gilt printing and decoration. Full page illustrations by Gustave Dore. The book is in Very Good condition with clean covers and pages along with a tight square binding. Lower corner has a slight tear and there is a faint scratch on back. Some white showing on gilt page edges. Silk endpages and bookmark. Photos upon request. Easton Press hardcover
1966RCOLRIM00tpmInternational Book Society 1966. Very Good. Coleridge Samuel Taylor. The Rime of the Ancient Mariner. Dore illustrator Gustave; Burgess introduction Anthony. NP: International Book Society 1966. Illustrated. Folio. Book condition: Very good with lightly bumped spine ends. Slipcase has bumped and gently rubbed extremities. Vinyl record features the performance of Sir Ralph Richardson. Side A presents The Rime of the Ancient Mariner while side B presents other works by Coleridge including Kubla Khan Frost at Midnight This Lime-Tree Bower My Prison and Dejection: An Ode. International Book Society unknown
1887800248Pollard & Moss. Very Good with No dust jacket as issued. 1887. Hardcover. A beautifully designed book with green cloth and gilt and maroon cover illustration. Covers show light wear at spine ends and corners. Bright and clean. All edges gilt. Owner name. Pages are on heavier stock and printed only to one side. Arranged with text page opposite Dore illustration page -- Paton illustration gathered together at end. ; Folio 13" - 23" tall . Pollard & Moss hardcover
187847198Harper & Brothers 1878. Hardcover - as published. Ex-library re-bound in a red cloth library binding. has library stamp. t.e.g. Folio. Page edges gutters have some damp stains the illustrations are not effected. Harper & Brothers hardcover
Q-0304356174Cassell 1899-12-31. Hardcover. New. In shrink wrap. Looks like an interesting title! Cassell hardcover
51-5466London: Doré Gallery Hamilton Adams & Co. 1876 . Large folio 50 x 41 cm. Half title Title Frontispiece iv 5 - 12 pp texts 39 full-page plates by Doré including frontispiece. The pages are mounted on hinges and some are slightly detached. French publisher's red cloth binding. Blindstamped border and bronze lettering. Some soiling to the binding. On the front cover the title in French: "La Chanson du Vieux Marin" and the text: "Offert par le XIXe Siècle à ses abonnées".Samuel Taylor Coleridge 1772 -1834 was a founder of the Romantic Movement in England and a member of the Lake Poets. The Rime of the Ancient Mariner first published 1798 is his longest major poem and in the present edition is accompanied by thirty-eight magnificent plates by renowned French artist and illustrator Gustave Doré. The poem describes the experiences of a sailor whose ship is forced by a storm into Antarctic waters. Along the way the mariner encounters an albatross who guides the ship and its crew out of the ice and into calmer waters. To the crew's initial dismay the mariner kills the albatross a mistake for which they will all dearly pay. Gustave Dore 1832 - 1883 illustrated works of major poets including John Milton Dante and Lord Byron. Word of his talent spread quickly throughout Europe and he was asked to illustrated a version of the English Bible which was extremely popular allowing for the foundation of his own gallery the Doré Gallery. In-folio percaline rouge décor estampé à froid titre doré en français sur le premier plat. Première édition illustrée par Gustave Doré donnant le texte anglais et sa traduction française par A. Barbier. L’illustration comprend un frontispice et 38 compositions hors texte gravés sur bois. cartonnage frotté quelques rousseurs.London Doré Gallery - Hamilton Adams & Co. 1876. Second edition the first is dated 1875 but first bilingual. . The first four pages contain a translation in French by A. Barbier of this famous poem. Pages 5-12 contain the original text in English. London: Doré Gallery, Hamilton, Adams & Co., 1876 hardcover
E03OS-00048Harper & Brothers. Collectible - Acceptable. Collectible - Acceptable. New York: Harper & Brothers 1888. Folio hardcover. 12pp. 39 leaves of plates. Illustrations by Gustave Dore. Poor book. Front board detached. Backstrip missing. Heavily insected. Dampstained. Sailors Poetry Wood Engravings NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES. Harper & Brothers hardcover
187846084New York: Harper & Brothers 1878. Very Good-. New York: Harper & Brothers 1878. Large folio 47.5cm; publisher's blue-green pictorial cloth stamped in gilt; 12pp. & 39 leaves of plates collated complete. Cloth quite rubbed and worn at corners and spine ends upper cover soiled with a number of faint ring stains white paint residue at spine foot contemporary inscription on title page else a Good to Very Good still bright and internally sound example of this masterpiece of verse and book illustration. Harper & Brothers unknown
1889B3688Philadelphia: Henry Altemus 1889. Boards sunfaded illegible inscription to title page in period hand otherwise a fine copy text and plates are clean and crisp. Binding: Contemporary ¼ white elaborately-gilt cloth with red cloth boards gilt title to upper board flat spine with seven densely-gilt compartments of giilt-tooled bands gilt text on two all edges gilt red and gold endpapers. Size: Folio. Illustration: Complete with 40 hors texte woodcuts depicting various scenes of Coleridge’s epic poem each one facing a text leaf from the poem. Pages: Foliation. 2 ff. half-title frontis title vignette leaf life of Coleridge 4 39 leaves of poetry 2 ff. Category: Book Literature; Book Plate Books General; Henry Altemus hardcover
19662112150016Amilcare Pizzi; International Book Society 1966-01-01. Hardcover. Very Good. 0x0x0. Near fine. Folio in red moire-silk covered boards. Hardcover in slip case. Good binding and cover. Clean unmarked pages. Accompanying phonorecord read by Sir Ralph Richardson in listening Library D2213. 26 pages 39 leaves of plates : illustrations ; 43 cm. This is an oversized or heavy book which requires additional postage for international delivery outside the US. Amilcare Pizzi; International Book Society hardcover
19661805130001International Book Society 1966-01-01. Hardcover. Very Good. 17x12x1. 26 pages 39 leaves of plates : illustrations ; 43 cm. Includes record. Hardcover in slip case. Good binding and cover. Clean unmarked pages. This is an oversized or heavy book which requires additional postage for international delivery outside the US. International Book Society hardcover
