Gavarni, PaulBiblio.com
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2089321Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1830. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
06466Paris: Aubert et Cie. 1839. The Fine Shades of Feeling: Gavarni and the Comedy of Modern Emotion<br /> <br /> GAVARNI Paul pseudonym of Guillaume-Sulpice Chevallier. Nuances du Sentiment. Paris: Aubert et Cie. 1839-1840.<br /> <br /> First edition. Folio 13 1/4 x 10 inches; 336 x 254 mm. Twenty-five lithograph plates. Plate no. 20 with contemporary hand-coloring heightened with gum arabic. Plate no. 10 misnumbered "9" as noted by Armelhault. Plate no. 15 slightly shorter 3/8 inch at lower margin. Some occasional light marginal foxing - most noticeable on plate 1.<br /> <br /> Early twentieth-century blue cloth covers decoratively bordered in blind front cover lettered in gilt expertly rebacked spine lettered in gilt. Aside from the occasional light marginal foxing this is a near fine copy.<br /> <br /> A charming and unusually appealing complete set from one of Gavarni's most perceptive and elegant social suites Nuances du Sentiment turns its attention to the delicate gradations of emotion courtship vanity hesitation disappointment and self-dramatization that animate Parisian life. Few artists of the July Monarchy were better equipped than Gavarni to capture these fleeting psychological states. With his incomparable economy of line and his gift for registering gesture pose and expression he transforms small moments of social comedy into scenes of remarkable acuity.<br /> <br /> The title itself is characteristic: these are not grand passions but subtleties - shades of feeling observed in drawing rooms promenades and private exchanges. Gavarni was among the supreme illustrators of modern manners and in suites such as this one he stands beside Daumier as one of the great visual chroniclers of nineteenth-century French urban life. Yet where Daumier often bites Gavarni more often insinuates; his satire is lighter cooler and at times almost tender though no less exact.<br /> <br /> Particularly attractive is the contemporary hand-coloring of plate 20 heightened with gum arabic a feature that lends that sheet a more finished and decorative quality and offers an appealing reminder of the close relationship between the lithographic satire and the luxury print market of the period. The mis-numbering of plate 10 as "9" recorded by Armelhault is present as expected. <br /> <br /> A quietly sophisticated and genuinely scarce Gavarni suite - and a reminder that the most revealing chronicles of nineteenth-century Paris are often found not in its grand narratives but in its smallest gestures.<br /> <br /> Rare: We have handles over fifty different titles illustrated by Gavarni - we have never seen nor heard of this title before.<br /> <br /> Armelhault and Bocher 877-901. Paris: Aubert et Cie., 1839 unknown
71-3240Paris: French Publisher circa 1841. Book illustration. 192 x 140 mm. sheet. Very Good a few specks of foxing.Provenance: From the collection of the Late Frederick G. Ruffner Jr. founder of Gale Research Detroit. [Paris: French Publisher, circa 1841]. unknown
1249331Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1843. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1249329Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1843. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1249328Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1843. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1249330Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1843. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
05549Paris: J. Hetzel 1846. A Remarkable Survival<br /> <br /> GAVARNI Paul illustrator. Oeuvres Choisies de Gavarni. Revues corrigées et nouvellemant classées par l'Auteur. Études de Moeurs Contemporaines. Paris: J. Hetzel 1846. <br /> <br /> First Collected Edition. Two octavo volumes 10 7/16 x 7 1/4 inches; 265 x 184 mm.<br /> <br /> Lithograph frontispiece xii 39 plates; iv 5 plates; iv 25 plates; iv 11 plates 2 list of plates.<br /> viii 48 plates; iv 19 plates; iv 13 plates 2 list of plates 2 advertisements. Each of the seven title pages with a vignette. A total of 160 wood engraved plates wood engraved frontispiece and 7 wood engraved vignette title-pages.<br /> <br /> Publisher's blue cloth covers ruled in blind and elaborately decorated in gilt spines with titles and elaborate gilt decoration yellow coated endpapers all edges gilt. Fine and untouched copies of the first two of four volumes of this first collected edition. Two further volumes were published two years later in 1848.<br /> <br /> Contents: Les Enfants Terribles; Traduction en Langue Vulgaire; Les Lorettes; Les Actrices and Fourberies de Femmes en Matière de Sentiment; Clichy; Paris le Soir. Paris: J. Hetzel, 1846 unknown
1847L062910J. Hetzel 1847. First Edition. Leather Binding. Good/No Jacket As Issued. 4to - over 9¾" - 12" Tall thin. Wear to extremities chiefly to head and foot of spine; chipping and rubbing; slight wear to lower edge of upper cover; slight rubbing and browning to covers chiefly at edges; spine and upper inner hinge detached; slight internal browning and/or foxing chiefly unaffecting most plates. ca. 300 pages including plates; unpaginated. Text in French chiefly captions. Probable later issue of one of the better contemporary selections of works by the noted French caricaturist lithographer watercolorist and designer 1804-66; pseudonym of H. G. S. Chevalier; preceded by a 3-page preface by Theophile Gautier for 'Les Etudiants'. Contains: 'Les Etudiants' 1846; 48 plates; 'Paris Le Matin' 1846; 7 plates; 'Paris Le Soir' not dated; 12 plates; 'Etudes de Moeurs Contemporaines' 1846-47; including 'Fourbieres des Femmes' 20 plates 'Les Enfants Terribles' 3 plates and 'La Vie de Jeune Homme' 14 plates; 'Le Carnaval a Paris' 1846; 23 plates; and 'Les Debardeurs' not dated; 15 plates. Bound in half brown morocco over dark brown marbled boards gilt-stamped spine with raised bands light brown marbled endpapers some foredges untrimmed brown silk bookmarker. Sold 'as is'.Gavarni Paul illustrator; 152 Engraved Illustrations / Plates. J. Hetzel unknown
a49911Paris 1857 J. Hetzel et Blanchard. In French. Folio 122pp. each page with several lithograph illustrations 520 total 3/4 cloth marbled boards spine label. Owner name stamp on front blank. Good hinges cracking spine ends a bit worn spine label rubbed some scuffing on marbled boards. . hardcover
1864047FR1J. Hetzel et Blanchard Aux Bureaux du Figaro Paris: 1864. 1864 pp. VIII Preface by Theophile Gautier 122 lithograph plates each containing four drawings. Foxed. Folio. Plain marbled boards binding. "Gavarni was the pseudonym of Sulpice Guillaume Chevalier. A great French caricaturist and lithographer he was first known for his amusing drawings of costumes which appeared in La Mode. Later he contributed satirical drawings to Charivari. In his early delineations of society he appeared more capricious than his great contemporary Daumier. However Gavarni's last work published mostly in L'Illustration reflects a bitter attitude. His trip to London in 1847 resulted in drawings strongly condemning working-class conditions there. Gavarni produced over 8000 drawings watercolors and lithographs." - Cambridge Encyclopedia. This collection "attests to the spontaneity and profundity of his observations. The great popular success of his caricature owed as much to the accompanying captions as to the richness of the drawing." Colta Feller Ives. PRICE JUST REDUCED! FR3 Language: eng. Hardcover. Very Good. [J. Hetzel et Blanchard] Aux Bureaux du Figaro, Paris: 1864. hardcover
1274030684.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1979BN52152Dortmund : Harenberg 1979. Taschenbuchausgabe. <br/><br/>Kunst Dortmund : Harenberg unknown
05959Paris: Caboche Gregoire / Chez Aubert 1838-1839. Two Incredibly Scarce Gavarni Albums Bound Together<br /> A Total of Forty-Three Marvelous Hand-Colored Lithographs<br /> <br /> GAVARNI pseudonym of Guillaume Sulpice Chevallier. Paris le Matin. Paris: Chez Aubert 1838-1839. bound with La Boite aux Lettres. Paris: Caboche Gregoire / Chez Aubert 1839. <br /> <br /> First editions. Folio 13 1/8 x 9 5/8 in; 334 x 245 mm. Paris le Matin with twelve and La Boite aux Lettres with thirty-one of thirty-four hand-colored lithographed plates; a total of forty-three plates most heightened with gum arabic.<br /> <br /> Bound to contemporary French style c. 1920 in quarter black morocco over marbled boards. Smooth spine ruled in blind and lettered in gilt marbled endpapers top edge gilt others uncut. A very fine copy of two extremely scarce Gavarni albums.<br /> <br /> ABPC Index 1923-present records no copies of Paris le Matin at auction within the last eighty-eight years. Only one copy of La Boite ux Lettres has come to auction within the last thirty-six years and it contained only fourteen of the called-for thirty-four plates.<br /> <br /> Only one copy of Paris le Matin is found in institutional collections worldwide at the Getty Research Library. OCLC records only five copies of La Boite aux Lettres in libraries throughout the world.<br /> <br /> Paris le Matin Paris Morning and La Boite aux Lettres Mailbox are typical - if exceedingly scarce - examples of Gavarni turning his satiric eye on the customs and manners of the French petit bourgeoisie. Paris le Matin limns the morning activities of Parisians; La Boite aux Lettres is a charmingly amusing survey of writing sending and receiving letters in Paris of the era.<br /> <br /> La Boite aux Lettres lacks the last three plates XXXI XXXIII and XXXIV. The institutional copies appear to be incomplete as well but it seems that the copy under notice is as complete as has ever been seen within our lifetime and is likely to remain so for many years to come.<br /> <br /> Armelhault & Bocher 902-913 Paris le Matin. Armelhault & Bocher p. 88 11 unnumbered 348-397. Paris: Caboche Gregoire / Chez Aubert, 1838-1839 unknown
06172Paris: Chez Bauger and Chez Aubert 1839. Paris in the Morning" and "Paris at Night"<br /> <br /> GAVARNI pseudonym of Guillaume Sulpice Chevallier. Paris le matin. Paris: Au Bureau du Charivari n.d. 1839. Twelve numbered lithographed plates depicting Parisian life in the morning. Plates printed by Aubert & Cie.<br /> <br /> and<br /> <br /> Paris le soir. Paris: Chez Bauger and Chez Aubert n.d. 1840. Twenty-five numbered lithographed plates depicting Parisian life at night. Plates printed by Aubert & Cie.<br /> <br /> Large quarto 13 3/8 x 10 1/2 inches; 340 x 267 mm. Thirty-seven fine lithographed plates complete. A few plates with light foxing to blank margins.<br /> <br /> Bound by Thierry sc. de Petit-Simier stamp-signed in late nineteenth century quarter red diced calf over marbled boards smooth spine decoratively tooled and lettered in gilt marbled endpapers. Joints expertly repaired. A fine example.<br /> <br /> "In 1837 Gavarni began his connection with Le charivari which did not conclude until 1848. In all he drew 1054 lithographs for his journal.Most of these appeared in series some twenty-five of which extend to ten or more plates and were afterwards published by Aubert in albums. Perhaps the best of these collections are Fourberies de femmes en matière de sentiment Les étudiants de Paris Les débardeurs and Les lorettes; but some of the rest are of hardly inferior interest. Still further series contributed to periodicals other than Le charivari were also issued as albums. Baudelaire had this part of Gavarni's work particularly in mind when he wrote.that 'the true glory and the true mission of Gavarni and Daumier has been to complete Balzac.' Certainly the pictures of Parisian society provided by the two artists perfectly complement each other. Daumier's preoccupation was the working middle class with faces and figures heavily marked by life. Gavarni remained for the most part outside the humdrum bourgeois round. He preferred to show 'youth at the prow and pleasure at the helm.' His pretty girls and sleek young men are bent on enjoyment. They live lives of graceful dissipation" Ray The Art of the French Illustrated Book p. 217.<br /> <br /> Armelhault & Bocher 902-913 & 914-933. Paris: Chez Bauger [and] Chez Aubert, 1839 unknown
1980BN51312Hamburg : Christians 1980. Erstauflage EA. <br/><br/>Kunst Hamburg : Christians unknown
197263138Kunsthalle. As New. 1972. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in German. 58 pp. With 35 ills. 24 x 16 cm. -- with a bonus offer-- . Kunsthalle paperback
71-9205Paris: Paulin et le chevalier circa 1840. Lithograph. 42.5 x 29.5 cm sheet. Very Good age toning along sheet edges minor surface soiling in the margins. Paris: [Paulin et le chevalier], circa 1840. unknown
76-0914Paris: Le Charivari 1853. Lithograph. 37.5 x 27 cm sheet. Good light specks of foxing throughout. [Paris: Le Charivari, 1853]. unknown
1332827365.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
71-9718Paris: Leon Curmer 1843. Lithograph. 23 x 17.5 cm sheet. Very Good minor surface rubs light specks of foxing. Paris: Leon Curmer, 1843. unknown
71-9719Paris: French Publisher circa 1695. Engraving. 30 x 20 cm sheet. Text in Latin. Very Good minor surface rubs light specks of foxing lacking upper left sheet corner. [Paris: French Publisher, circa 1695]. unknown
1249055Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1848. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1249043Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1834. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1249070Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1841. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
