Gavarni

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GAVARNI, PAUL (1804-1866)Biblio.com

PORTRAIT OF ALFRED DE MUSSET

Gavarni, Paul (pen name of Sulpice Guillaume Chevalier). (1804–1866); Aubert, printerBiblio.com

Mon petit homme faut être raisonnable….c'est mon parrain qui veut ansolu ment me faire un sort dans son bien des Bouches-du-Rhône pour l'education de sa petite….je vas le laisser la mienne." from Les Lorettes: courtesans of Paris. First edition of the lithograph.

16-6134Paris: Chez Bauger Chez Aubert 1841. Lithograph sur blanc; contemporary handcolored. 33.3 x 23.5 cm. Plate no. XII from the series: "Les Lorettes." Armelhault and Bocher no. 774. Les Lorettes described by scholars:MLA citation: Murphy Libby and Greggor Mattson. A la Recherche des Femmes Perdues. Oberlin College 2016.Prostitution was a common social phenomenon that was practiced by women regardless of class but the type of prostitute varied depending on the status of the men involved. The social standing of prostitutes often shifted throughout their lifetimes but their roles generally remained within four basic levels of prostitution. This exhibit focuses on these four important types of prostitutes imagined and mythologized in various media of the time. The lorette the aspiring courtesan was the prostitute of mystery elusive and secretive often evading the governmentâ€™s health regulations. The grisette was a prostitute from a working-class background often found inhabiting the apartments of young Parisian students. The fille publique or streetwalker was from the lowest class of prostitute and often attracted the poorest customers. Walking the street alone or in groups la fille publique was most vulnerable to police repression. And finally women in â€œmaisons closesâ€ or brothels catered to men of different social classes. The most luxurious brothels attracted middle class men with their continuous business. These women though varying in status participated in a form of sexual commerce that was common in French society in the 19th century. Paris: Chez Bauger, Chez Aubert, 1841 unknown

Alan Wofsy Fine Arts · États-Unis350,00 $US≈ 296,14 €

Gavarni, Paul (pen name of Sulpice Guillaume Chevalier). (1804–1866); Aubert, printerBiblio.com

Tu n'as plus le sou!.et la bicoque de ton grand-père puisqu'on t'en donne/quarante mille francs qu'est-ce que t'en fais.je ne sais pas comment tu n'es/pas honteux un homme comme il faut d'avoir une maison rue Bar-du-Bec". from Les Lorettes: courtesans of Paris. First edition of the lithograph.

16-6136Paris: Chez Bauger Chez Aubert 1841. Lithograph sur blanc. Contemporary handcolored. 33.3 x 23.5 cm. Plate no. XXXVI from the series: "Les Lorettes." Armelhault and Bocher no. 798. Les Lorettes described by scholars:MLA citation: Murphy Libby and Greggor Mattson. A la Recherche des Femmes Perdues. Oberlin College 2016.Prostitution was a common social phenomenon that was practiced by women regardless of class but the type of prostitute varied depending on the status of the men involved. The social standing of prostitutes often shifted throughout their lifetimes but their roles generally remained within four basic levels of prostitution. This exhibit focuses on these four important types of prostitutes imagined and mythologized in various media of the time. The lorette the aspiring courtesan was the prostitute of mystery elusive and secretive often evading the governmentâ€™s health regulations. The grisette was a prostitute from a working-class background often found inhabiting the apartments of young Parisian students. The fille publique or streetwalker was from the lowest class of prostitute and often attracted the poorest customers. Walking the street alone or in groups la fille publique was most vulnerable to police repression. And finally women in â€œmaisons closesâ€ or brothels catered to men of different social classes. The most luxurious brothels attracted middle class men with their continuous business. These women though varying in status participated in a form of sexual commerce that was common in French society in the 19th century. Paris: Chez Bauger, Chez Aubert, 1841 unknown

Alan Wofsy Fine Arts · États-Unis350,00 $US≈ 296,14 €