953 résultats
184585453Paris: Paulin 1845. Fine. Paulin Paris 1845 18.50 x 27.50 cm 4 volumes reliés en 2 First edition superbly illustrated by Gavarni with 83 hors-texte plates as well as 600 in-text vignettes. Between pages 254-255 of the third volume our copy is complete with the folding map showing the Progressive March of Cholera Morbus in Asia and Europe from 1817 to 1832. Half-brown shagreen bindings spines slightly faded with four raised bands set with gilt dots and decorated with double gilt compartments marbled paper boards marbled endpapers and pastedowns. Some foxing as usual. Le juif errant is one of the greatest bestsellers of the 19th century published just after Les mystères de Paris. To the narrative qualities of Les mystères de Paris Le juif errant adds the intervention of the supernatural and the fantastic represented by the legendary vagabond who gives his name to the book. Preceded by cholera which inspired Eugène Sue to write anthology pages the legendary Jew returns from beyond the seas and beyond the centuries to prevent the Society of Jesus from seizing a fabulous fortune by eliminating its heirs one by one. Le juif errant being an adventure novel taking place in the four corners of the world. It triggered an anti-Jesuit movement in France. If Eugène Sue is more or less forgotten today he was not only one of the most famous novelists of the 19th century but the most read in Europe and even Dostoevsky was a regular reader of his work. Few writers of this era benefited from the editorial qualities demonstrated by Les mystères de Paris and Le juif errant abundantly and superbly illustrated. He was Dumas's main competitor and the latter thought he would even outlive him. Paulin hardcover
1932Paris: L. Curmer / V. Lecou 1851. First illustrated edition. Profusely illustrated with wood-engravings and 8 full-page hors-texte engraved plates of flowers delicately colored by hand and with all the original lettered tissue-guards. One of the great mid-19th century illustrated books. 4to. Original half morocco and pebbled boards spine in five compartments beautifully gilt. Light wear to extremities of binding internally bright and fine. An excellent copy of an elusive book well-preserved and in its original binding. <br/><br/> Paris: L. Curmer / V. Lecou, 1851 hardcover
185188076Paris: L. Curmer& V. Lecou 1851. Fine. L. Curmer & V. Lecou Paris 1851 19 x 28.50 cm relié Edition illustrated with 8 hors-texte color plates under tissue guards with captions as well as 150 wood engravings in the text after Adolphe Steinheil Ernest Meissonier Paul Gavarni Charles-François Daubigny and Hercule Louis Catenacci. Discreet pen annotations by a previous owner in upper left corner of one endpaper. Half green morocco-grained shagreen binding with corners spine with five raised bands decorated with gilt floral motifs marbled paper boards combed paper endpapers and pastedowns top edge gilt binding signed by Mercier. Handsome copy attractively presented. L. Curmer& V. Lecou hardcover
B09524-3Paris/Leipzig G. de Gonet/ Charles Twietmeyer n.d. 1850. 2 300pp. Frontispiece and 15 steel engraved plates hors texte the whole finished by hand in colors and the plates themselves printed on doilies tipped onto pink guards the pink visible throughout the elaborately full percaline elaborately gilt and colored with designs on both covers and spine. 4to. Publishers original full percaline elaborately gilt and colored identically on each companion volume. A.e.g. Tissue guards. Later protective chemise. Together with: Les joyaux. Fantaisie par Gavarni. Texte par Méry. Minéralogie des dames par Cte. Foelix. Perles et Parues. 2 316pp. Frontispiece and 16 steel-engraved plates hors texte the whole finished by hand in colors and the plates printed on doilies in the same format as the foregoing. These books contain thirty-two engravings on steel by Geoffroy after Gavarni. They are studies of beautiful women fashionably attired for the most part which were drawn in London. Méry wrote the fantasy accompanying them to fit Gavarnis designs. Gordon Ray. After mentioning the ordinary edition of the work Ray proceeds to discuss this far more appealing.special edition in which the steel engravings are printed and delicately colored on paper with borders cut to various lace patterns. So presented Gavarnis designs became fashion plates of the first order. Intermittent light foxing mostly on the tissue guards and not the plates; a very desirable set the original bindings still brilliant. Paris/Leipzig (G. de Gonet/ Charles Twietmeyer), n.d. [1850]. unknown
1845SKU004<p>> LE DIABLE À PARIS - PARIS ET LES PARISIENS</p><p><strong>Author:</strong> Gavarni P.-J. Stahl George Sand Théophile Gautier Balzac and others collective work</p><p><strong>Publisher:</strong> J. Hetzel Paris</p><p><strong>Publication Date:</strong> 1845-1846</p><p><strong>Edition:</strong> First Edition Original Edition</p><p><strong>Language:</strong> French</p><p><strong>Binding:</strong> Contemporary half calf binding in ochre with gilt decorations on spine</p><p><strong>Size:</strong> 26.5 cm x 17.5 cm Large octavo</p><p><strong>Volumes:</strong> 2 volumes complete</p><p><strong>Pages:</strong> Volume 1: 380 pages / Volume 2: 364 pages</p><p>DESCRIPTION</p><p>Rare and complete first edition of this magnificent illustrated work depicting Parisian life in the 1840s. A collaborative masterpiece featuring texts by prominent French authors including George Sand Théophile Gautier Honoré de Balzac P.-J. Stahl and others with exceptional illustrations by the renowned artist Gavarni.</p><p>ILLUSTRATIONS > <strong>212 full-page wood engravings by Gavarni:</strong> > Volume 1: 99 illustrations by Gavarni Volume 2: 108 illustrations by Gavarni 4 by Bertall <strong>800 wood-engraved vignettes</strong> throughout the text All illustrations present and in excellent condition</p><p>Gavarni's satirical and elegant depictions of Parisian society are among the finest examples of 19th-century French illustration.</p><p>CONDITION</p><p><strong>Good to Very Good</strong></p><p>> <strong>Binding:</strong> Contemporary half calf in ochre with gilt ornamental spine decorations. Some wear to corners and extremities spine in good condition overall <strong>Interior:</strong> Complete text with all pages present. Pages remain beautifully white with minimal aging <strong>Minor defects:</strong> Light scattered foxing age spots throughout typical for the period <strong>No tears holes or missing pages</strong></p><p>This is an exceptionally well-preserved copy considering its age 180 years. The whiteness of the pages and clarity of the illustrations are remarkable for a work from 1845.</p><p>PROVENANCE & SIGNIFICANCE</p><p>Published by J. Hetzel one of the most important French publishers of the 19th century. "Le Diable à Paris" is a cornerstone work of French illustrated literature offering a satirical yet affectionate portrait of Parisian life during the July Monarchy. The collaboration between leading literary figures and Gavarni's masterful illustrations makes this a highly sought-after work among collectors of French literature and illustrated books.</p><p>REFERENCES</p><p>Complete two-volume set in original contemporary binding. A desirable copy for collectors of:</p><p>> 19th-century French illustrated books Gavarni illustrations Romantic period literature Parisian social history</p><p><strong>Keywords:</strong> Gavarni Le Diable à Paris French illustrated books 1845 J. Hetzel wood engravings Parisian life original edition Balzac George Sand</p> J. Hetzel hardcover
1840GT1000Paris: Aubert & Co 1840. Original First Edition . Hardback. Fine. Published originally in 'Le Charivi'. Prints made by Paul Gavarni and printed by Aubert & Cie. 35x26cms. Printed on heavy paper. Bound in a contempary hardback binding with an attractive floral patterned black cloth. Black calf spine with attractive gilt decoration and titles. These illustrations of stevedores are all in nice condition but occasional margin foxing. A COMPLETE SET <br/> <br/> Aubert & Co, hardcover
1864865291864. Fine. 1864 14.50 x 22.20 cm une feuille Original drawing attributed to Gavarni created for the carnival series. This drawing indeed appears engraved in the published album Gens de Paris Carnaval 1864 and reprinted in the second printing of Le Diable à Paris in 1868. We provide a photograph of the engraving in the description. Hatching drawing technique which allows faithful reproduction by the engraver and often used by Gavarni. One card sheet. Mounting traces on verso. Ensemble lightly browned. unknown
185079132Paris: G. de Gonet 1850. Fine. G. de Gonet Paris s. d. 1850 18 x 27 cm relié First edition and first issue illustrated with 16 hors-texte engravings by Paul Gavarni engraved on steel by Charles Geoffroy and heightened in colors. Each plate features lace-cut decorative borders standing out against a pink paper background. Publisher's full pictorial boards original yellow paper endpapers and pastedowns somewhat soiled at margins as usual. Some corners slightly rubbed as well as the headcaps; rear joint very slightly opened. Scattered foxing more pronounced on certain leaves. Very handsome publication preserved in its romantic pictorial boards. G. de Gonet hardcover
185091065Paris: G. de Gonet 1850. Fine. G. de Gonet Paris 1850 S.d 18.80 x 27.80 cm ENGLISH DESCRIPTION ON DEMAND Edition originale exemplaire du tirage de luxe illustré d'un frontispice et de 16 planches rehaussées finement à l'aquarelle de Gavarni gravées sur acier par Geoffroy dans d'élégants encadrements découpés en dentelles et montés sur papier rose. Impression sur beau velin. Reliure en plein cartonnage historié de l'éditeur gardes et contreplats de papier jaune d'origine un peu salis en marge coins inférieurs émoussés coiffes frottées avec d'infimes manques à la percaline. Rousseurs. Bel exemplaire. Les textes de Méry sont des nouvelles autour d'une pierre précieuse ou d'un bijou. Les gravures illustrent divers parements féminins dans le premier volume autour des joyaux perle reliquaire pendentif rosaire saphir bracelet. dans le second volume le châle le manchon la mantille le turban le bouquet la couronne. G. de Gonet unknown
05356Paris: Imp. Lemercier 57 R. de Seine 1852. The Harlequin Coat<br /> Twelve Lithographed Plates by Gavarni<br /> <br /> GAVARNI Paul pseudonym of Guillaume Sulpice Chevallier. Le Manteau d'Arlequin par Gavarni. Paris: Imp. Lemercier n.d. 1852.<br /> <br /> Large folio 14 9/16 x 10 1/2 inches; 370 x 267 mm. Twelve lithographed plates. Title from front cover.<br /> <br /> Publisher's dark blue pebble-grain cloth with covers decoratively stamped in blind and front cover lettered in gilt. Expertly and almost invisibly rebacked with the original spine laid down. Yellow coated endpapers all edges gilt. Minimal marginal foxing to a few plates otherwise a very fine copy.<br /> <br /> Scarce; no copies recorded by OCLC and no copies seen at auction since at least 1975.<br /> <br /> The plates are captioned:<br /> <br /> 1. ".oui mon chair Auguste Ge suis décidé arestée dan les queur tant que mon poliçon de direqueteur aura çelui demi laissée."<br /> 2. ".alors si vous permettez j'aurai l'honneur de vous envoyer ma voiture à onze heures.Ça me botte."<br /> 3. ".Ah! M'ame Ado'phe! M'ame Ado'phe!.je ne serais pas ce que je suis sans mon vieux serpent de mère!"<br /> 4. "-Qu'est-ce que tu dirais d'une bague comme ça toi qu'on donnerait à ton épouse-Je dirais que c'est du faux."<br /> 5. ".et je vas tout à l'heure être précipitée les quatre fers en l'air du sommet de la tour du nord!.tout ça Messeigneurs rapport à ma vertu."<br /> 6. "-Voyons chaste auteur de mes mots vous me faites un rôle.-Inouï!-Quel costume-Une mise indécente est de rigueur."<br /> 7. "-Eh! bien tu verras ma fille comme tu le seras toi dans tous tes états aux débuts de ta petite.C'est aux miens que fallait voir feue ma mère."<br /> 8. "LE MOSIEU DE LA DÉBUTANTE."<br /> 9. "LE MARI DE MA'M'SELLE CIGALE."<br /> 10. "-C'est ma drôlesse qu'est applaudie!.et qui qu'a l'mal"<br /> 11. "-Tenez M'ame Cabestan vous ne saisissez pas le poème.-Si mais qu'est-ce que nos petites font dans le dessous-Faut bien qu'on garde les vases sacrés!-C'est donc des manières de vestales-Sensé."<br /> 12. "-Si le parterre est gentil mon bonhomme y a de quoi.une fichue situation à nettoyer!.c'est fini: le Scélérat a déjà le pied sur la poitrine de l'autre qui n'en peut plus et à la vue de la Baronne sans=dessus=dessous le Sénéchal est comme imbécile.et on ne sait pas où est la clé!.sans compter que la nuit tombe et que le château brûle pendant que.tu ne donnerais pas deux sous de l'honneur de ma Dame!.me v'là et paf! ça y est.mais avec leur satané pistolet je m'abîme tout le doigt."<br /> <br /> Armelhaut & Bocher 1152-1163. Paris: Imp. Lemercier, 57 R. de Seine, 1852 unknown
184669223Paris: J. Hetzel & Cie 1846. Fine. J. Hetzel & Cie Paris 1846 - 1848 18 x 26.80 cm 4 tomes en 2 volumes reliés First edition and first printing of the 320 wood engravings. Publication of the 4 volumes from 1846 to 1848 which explains why they are found separately. Contributions by Théophile Gautier Laurent-Jan Léon Gozlan Auguste Lireux and Jules Hetzel under the pseudonym P.-J. Stahl among others. Contemporary half black shagreen bindings. Flat false raised bands spine decorated with ornate compartments. Gilt titles and volume labels. Gilt edges. Blind ruling frame on boards. A. Gaillard at foot. Roulettes on bands. Very fine gold and grey decorative endpapers. Pale scattered foxing on very white paper. Work illustrated with a general frontispiece 14 vignettes including one repeated and 320 plates all engraved on wood. References: Vicaire III 953-955; Brivois pp.168-171; Carteret III-260-264. ""Important work presenting an original work drawn anew by the artist from his lithographs; the whole gives a good idea of Gavarni's talent and the customs of his time. This work is very rare in fine condition."" Carteret. J. Hetzel & Cie hardcover
18421941842. Lithograph. Armelhault & Bocher 34 iii/v. On chine appliqué. Image: 8 x 6¼. 225 x 156mm. Margins: 12 x 9 . Foxing in margins. Prov. I. Curmer with his stamp. A charming portrait at age 38 of the greatest French lithographer after Daumier of the 19th century. A prolific illustrator he depicted all facets of the French Bourgeois life in newspapers and periodicals. Signed in the plate.
18463650Paris: J. Hetzel 1846. First edition. Two large octavo volumes 10 3/8 x 6 7/8 inches; 263 x 175 mm. Contemporary half black hard-grain morocco ruled in gilt over black morocco-grain paper over boards. Smooth spines decoratively tooled in gilt and blind and lettered in gilt. Marbled edges and endpapers. Minor rubbing to extremities head of spine of Volume II expertly and almost invisibly repaired front hinge of Volume I cracked but sound. Minimal foxing and soiling. Small area of surface abrasion to upper blank margin of plate Artistes -6 facing page 160 in Volume II where it was once adhered to the facing page. Bookplate Bibliothèque de A. Vautrain on front pastedown of each volume. Collating 4 xxxii 380; 4 lxxx 364. Wood- engraved title vignette in each volume 212 wood-engraved plates 208 after Gavarni and four after Bertall with tissue guards and numerous wood-engraved head- and tail-pieces vignettes and initials. This copy with a duplicate of the plate facing in Volume I. Music. Overall an excellent copy.<br /> <br /> "The book appeared in part-issues at the rate of one or two a week between April of 1843 and December of 1845. The major attraction of Le diable à Paris resides in Gavarni's plates which are of even greater interest than the 320 wood engravings of his Oeuvres choisies 207. The engraving is superior for the most part and they are new conceptions not versions of his lithographs. He limits himself almost entirely to single figures or pairs evoked with his usual concentration and psychological subtlety. He had a free hand with his subjects since his designs are quite unrelated to Hetzel's text. As usual he arranged them as series some of which those devoted to writers and politicians for example are largely unprecedented in his previous repertory. He invaded Daumier's world with success in the fifteen plates of 'Bourgeois' exampled in the self-satisfied worthy reproduced II 328" Ray.<br /> <br /> Hiler 237. J. Hetzel unknown
185077587Paris: G. de Gonet 1850. Fine. G. de Gonet Paris 1850 S.d 19 x 28.50 cm relié First edition illustrated with a repeated frontispiece and 30 steel-engraved plates by Gavarni engraved by Geoffroy on China paper laid down. Printed on fine white wove paper. Blue or neutral tissue guards. Illustrated orange-tinted covers preserved spine and back covers with advertisements also preserved. Half lavender morocco binding with corners and long grain signed Mercier 1920 at the top of the first endpaper in Romantic style. Spine with false raised bands richly decorated with two complex mirrored tools in each compartment blind fillets and rolls on the bands. Separation fillets on the boards. Uncut copy full-margined. Perfect paper freshness. Light rubbing traces impact at foot of the Parures volume with a dent of 0.8cm. Very handsome copy rare in this condition. Blue leather bookplate P. Villeboeuf with his gilt monogram also at top of pastedowns. Méry's texts are short stories centered around a precious stone or jewel. G. de Gonet hardcover
04829Paris: Chez Aubert 1839. With 50 Hand-Colored Lithographs<br /> including Nine by Honoré Daumier and Fifteen by Gavarni<br /> <br /> DAUMIER Honoré Gavarni and others illustrators. ALHOY Maurice Louis Huart and Charles Philipon editors. Le Musée pour rire. Dessins par tous les caricaturistes de Paris; Texte par MM. Maurice Alhoy Louis Huart et Ch. Philipon. Paris: Chez Aubert Editeur des Cent-et-Un Robert-Macaire 1839<br /> <br /> Volume II only of 3. First edition. Quarto 10 3/8 x 8 1/8 inches; 265 x 207 mm. i-ii half-title verso blank iii-iv title verso blank v-vi Table 200 pp. With 50 numbered 51-100 hand-colored lithographs heightened with gum arabic by Honoré Daumier nine Gavarni fifteen Frédéric Bouchot seventeen Benjamin i.e. Benjamin Roubaud four Bourdet three Grandville one and Edme-Jean Pigal one. Heavy spotting in places but mainly to text leaves. Plates generally clean.<br /> <br /> Publisher's silk patterned paper over boards covers decoratively stamped in gilt smooth spine decoratively stamped and titled in gilt. Rebacked with the original spine laid down. With the engraved bookplate of author and collector Jaques Robiquet on front paste-down. <br /> <br /> A reasonably priced album containing fine hand-colored lithographs of Bouchot Daumier & Gavarni etc. etc.<br /> <br /> "The house of Aubert was ingenious in marketing its products. Its lithographs.were published one by one in periodicals like Le charivari and together in suites by the same artist without letterpress. Still a third form of publication was in albums made up of lithographs by several artists with accompanying texts. These collections most commonly took the form of volumes with the generic title Paris comique which consisted of twenty colored lithographs accompanied by quite unrelated texts. Aubert remarked that the resulting hodgepodge had 'a plan that is easy to follow for it consists in not having any' and in fact this was indeed a frugal procedure for reusing old texts and already published plates. The interest of the various volumes of Paris comique resides entirely in the lithographs they happen to contain. It can be considerable however since Daumier and Gavarni are the predominant artists. Le musée pour rire represents a more considerable effort on the part of Aubert. To accompany 150 lithographs including forty-five by Daumier among them twenty-seven from Croquis d'expressions and eight from La galerie physionomique and forty-two by Gavarni new commentaries were commissioned on each plate all except two by Alhoy and Huart. Daumier's lithographs were trimmed slightly and their captions were relettered. The designs of the other artists were provided with decorative frames. The whole was then published in three handsome volumes and in copies with expert contemporary coloring like this one Le musée pour rire is among the freshest and most attractive of romantic illustrated books" Ray The Art of the French Illustrated Book.<br /> <br /> Le Musée pour Rire "contained 150 lithographs by Daumier Gavarni Bouchot Traviès etc. These are re-impressions some of them in mirror image which had previously already been used for publication in Le Charivari. Most prints of the series 'Croquis d'expressions' are contained in the book. The name of the series is missing and the texts were printed in a different type than in the original Charivari version. We do not consider these prints original lithographies but rather prints 'after Daumier'". <br /> <br /> Ray The Art of the French Illustrated Book 164. Paris: Chez Aubert, 1839 unknown
05549Paris: J. Hetzel 1846. A Remarkable Survival<br /> <br /> GAVARNI Paul illustrator. Oeuvres Choisies de Gavarni. Revues corrigées et nouvellemant classées par l'Auteur. Études de Moeurs Contemporaines. Paris: J. Hetzel 1846. <br /> <br /> First Collected Edition. Two octavo volumes 10 7/16 x 7 1/4 inches; 265 x 184 mm.<br /> <br /> Lithograph frontispiece xii 39 plates; iv 5 plates; iv 25 plates; iv 11 plates 2 list of plates.<br /> viii 48 plates; iv 19 plates; iv 13 plates 2 list of plates 2 advertisements. Each of the seven title pages with a vignette. A total of 160 wood engraved plates wood engraved frontispiece and 7 wood engraved vignette title-pages.<br /> <br /> Publisher's blue cloth covers ruled in blind and elaborately decorated in gilt spines with titles and elaborate gilt decoration yellow coated endpapers all edges gilt. Fine and untouched copies of the first two of four volumes of this first collected edition. Two further volumes were published two years later in 1848.<br /> <br /> Contents: Les Enfants Terribles; Traduction en Langue Vulgaire; Les Lorettes; Les Actrices and Fourberies de Femmes en Matière de Sentiment; Clichy; Paris le Soir. Paris: J. Hetzel, 1846 unknown
197964998Gallery. As New. 1979. Paperback. 0894670093 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 48 pp. With one text ill. And 18 pls. 26 x 21 cm. -- with a bonus offer-- . Gallery paperback
197263138Kunsthalle. As New. 1972. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in German. 58 pp. With 35 ills. 24 x 16 cm. -- with a bonus offer-- . Kunsthalle paperback
1853IVAllGAV17Paris: Librairie Nouvelle c1853. 1853. folio. modern half pigskin worn joints cracked the lithographs themselves in very good clean condition original illus. wrs. of 6 parts bound in. The Oeuvres Nouvellles was issued in 1853-54 in a series of ten parts of ten lithographs each. This is a grouping of six parts two of which lack one plate each sub-title as given on front wrapper of each part or at head of caption: Les Maris Me Font Toujours Rire 9 plates only numbered from 21-30: lacking no. 22; Histoire De Politiquer 10 plates numbered from 11-20; Piano the sub-title a paste-over in manuscript; 10 plates numbered from 1-10; Bohêmes 10 plates numbered from 11-20; Les Parents Terribles 10 plates numbered from 11-20; Ce Qui Se Fait Dans Les Meilleurs Sociétés the sub-title a printed paste-over numbered from 1-9; lacking no. 10. Each plate has a caption title and heading title Masques Et Visages. Paris: Librairie Nouvelle, [c1853]. unknown
185079613Paris: G. de Gonet 1850. Fine. G. de Gonet Paris 1850 S.d 18.80 x 27.80 cm 2 volumes reliés First edition illustrated with a repeated frontispiece and 30 plates by Gavarni engraved on steel by Geoffroy. Printed on fine vellum. Copy from the deluxe issue with plates finely heightened in watercolor; These engravings are presented in very beautiful frames with lace-cut margins. Illustrated orange-tinted covers preserved spine and back covers with advertisements also preserved. Half lemon yellow morocco binding with corners late 19th century. Spine with false raised bands richly decorated with roses in compartments ornamented with stars and other decorations. Red morocco title labels second title labels in soft green shagreen. Some rubbing. Small brown spots on the leather of the upper cover. Uncut copy shorter titles in margins. Some occasional foxing. Handsome copy. Méry's texts are short stories centered around a precious stone or jewel. The engravings illustrate various feminine adornments in the first volume around jewels pearl reliquary pendant rosary sapphire bracelet. in the second volume shawl muff mantilla turban bouquet crown. G. de Gonet hardcover
06172Paris: Chez Bauger and Chez Aubert 1839. Paris in the Morning" and "Paris at Night"<br /> <br /> GAVARNI pseudonym of Guillaume Sulpice Chevallier. Paris le matin. Paris: Au Bureau du Charivari n.d. 1839. Twelve numbered lithographed plates depicting Parisian life in the morning. Plates printed by Aubert & Cie.<br /> <br /> and<br /> <br /> Paris le soir. Paris: Chez Bauger and Chez Aubert n.d. 1840. Twenty-five numbered lithographed plates depicting Parisian life at night. Plates printed by Aubert & Cie.<br /> <br /> Large quarto 13 3/8 x 10 1/2 inches; 340 x 267 mm. Thirty-seven fine lithographed plates complete. A few plates with light foxing to blank margins.<br /> <br /> Bound by Thierry sc. de Petit-Simier stamp-signed in late nineteenth century quarter red diced calf over marbled boards smooth spine decoratively tooled and lettered in gilt marbled endpapers. Joints expertly repaired. A fine example.<br /> <br /> "In 1837 Gavarni began his connection with Le charivari which did not conclude until 1848. In all he drew 1054 lithographs for his journal.Most of these appeared in series some twenty-five of which extend to ten or more plates and were afterwards published by Aubert in albums. Perhaps the best of these collections are Fourberies de femmes en matière de sentiment Les étudiants de Paris Les débardeurs and Les lorettes; but some of the rest are of hardly inferior interest. Still further series contributed to periodicals other than Le charivari were also issued as albums. Baudelaire had this part of Gavarni's work particularly in mind when he wrote.that 'the true glory and the true mission of Gavarni and Daumier has been to complete Balzac.' Certainly the pictures of Parisian society provided by the two artists perfectly complement each other. Daumier's preoccupation was the working middle class with faces and figures heavily marked by life. Gavarni remained for the most part outside the humdrum bourgeois round. He preferred to show 'youth at the prow and pleasure at the helm.' His pretty girls and sleek young men are bent on enjoyment. They live lives of graceful dissipation" Ray The Art of the French Illustrated Book p. 217.<br /> <br /> Armelhault & Bocher 902-913 & 914-933. Paris: Chez Bauger [and] Chez Aubert, 1839 unknown
184275626Paris: Au bureau central des publications nouvellesVictor Magen 1842. Fine. Romantic Paris in a painted binding Au bureau central des publications nouvelles Victor Magen Paris 1842 - 1843 16.50 x 26 cm 2 volumes reliés First edition illustrated with wood engravings in the text by Gavarni Daumier D'Aubigny. Bradel binding in full beige percaline smooth spine with a black paper label front cover decorated with an oil painting after the frontispiece signed lower right ""A. Dangleterre d'après document d'époque"". Headcaps and joints skillfully restored. A rare publication on Paris under Louis-Philippe. The work proceeds by subjects and articles: the wet-nurses office flower sellers baths streetlamps pavements theatre outings beards and moustaches the Luxembourg Gardens the Opera Ball the auctioneers hall lorettes and courtesans Alexandre Dumas restaurants and cheap eateries the pawnshop Monographie de la presse parisienne Balzac Jockey Club etc. ""A very important work remarkable for the fine gathering of writers and artists of the Romantic period who contributed to it."" Carteret Le trésor du bibliophile romantique et moderne. Au bureau central des publications nouvellesVictor Magen unknown
183786929Paris: Galerie Vero Dodat 1837. Fine. Galerie Vero Dodat Paris 1837 25.50 x 35.50 cm relié Rare suite of 21 lithographs including the complete set of 18 engravings of the Maris Vengés Avenged Husbands including 3 in double state the second state in colors the third in two states with two different hand-colored printings. In total 8 hand-colored lithographs. To assemble this complete collection of the series the collector naturally took those published only in the periodical Le Charivari nos. 13 14 and 16. All engravings bear the same publisher's address 'Chez Aubert Galerie Vero Dodat'. and are numbered from 1 to 18 except one hand numbered and the last bearing no number. Modern binding lovely imitation of a contemporary binding in half-green cloth the boards of oiled cloth with numerously ruled in blind. Gilt title on spine and upper board. 8 engravings mounted on leaves corresponding to the size of the largest loose engravings. Nos. 1 and 4 show some browning the others quite fresh all on thick paper except for those taken from Le Charivari. A handsome copy. Galerie Vero Dodat hardcover
184578015Paris: Hetzel 1845. Fine. Hetzel Paris 1845-1848 17.70 x 26.80 cm 4 volumes reliés First edition and first printing of the engravings. Contributions by Théophile Gautier Laurent-Jan Léon Gozlan Auguste Lireux and Jules Hetzel under the pseudonym P.-J. Stahl among others. Contemporary publisher's binding in full black shagreen. Smooth spine decorated with 3 ornate compartments blind and gilt fillets. Large rocaille composition on boards thick triple fillet frame. Interior frieze. White watered silk endpapers. All edges gilt. Perimeter of watered silk endpapers brown-stained. Tailcap of volume 2 with a loss. Traces of rubbing. Thin scratch on the upper board of volume 1 lower board of volume 2. Some very occasional foxing on clean white paper. The binder inverted volumes 1 and 2 and volumes 3 and 4 the error stemming from the fact that the 4 series are not numbered by volume. Very handsome copy. Work illustrated with a general frontispiece 14 vignettes including one repeated and 320 plates all wood-engraved. References: Vicaire III 953-955; Brivois pp.168-171; Carteret III-260-264: ""Cet ouvrage est fort rare en belle condition."" Remarkable copy of superb freshness in full contemporary Romantic binding. Hetzel hardcover
06217Paris: Chez Aubert 1846. Three Complete Series by Paul Gavarni<br /> <br /> GAVARNI Paul pseudonym of Guillaume Sulpice Chevallier. Affiches Illustrèes & Gentilhommes Bourgeois & Des Mères de Famille. Paris: Chez Aubert 1846-1848.<br /> <br /> Three complete series bound in one folio volume 13 5/8 x 10 3/8 inches; 345 x 268 mm. Fourteen fine lithograph plates. All plates mounted on stubs and interleaved. The last six plates with a light waterstain on the top blank margin not affecting image.<br /> <br /> Bound by Pagnant ca. 1925 in three-quarter red straight-grain morocco over red diced cloth ruled in gilt. Smooth spine decoratively tooled and lettered in gilt marbled endpapers top edge gilt. Rear cover with waterstain at top.<br /> <br /> The three series are: <br /> <br /> Affiches Illustrèes Illustrated Posters 6 plates complete: Armelhault & Bocher 998-1003 25 June 1844 - 28 May 1846<br /> <br /> Gentilhommes Bourgeois Bourgeois Gentlemen 3 plates complete: Armelhault & Bocher 1087-1089 9 August 1846 - 3 October 1846<br /> <br /> Des Mères de Famille Mothers of the Family 5 plates complete: Armelhault & Bocher 1076-1080 24 November 1847 - 5 February 1848<br /> <br /> Rare: OCLC/KVL locate just one example of Affiches Illustrèes The Morgan Library & Museum NY US.<br /> No examples of Gentilhommes Bourgeois and just one example of Des Mères de Famille Ohio State Univ. OH US<br /> <br /> Armelhault & Bocher 998-1003; 1087-1089 and 1076-1080. Paris: Chez Aubert, 1846 unknown