416 résultats
1854167495<p>1854. GRANDVILLE J.J. Les Métamorphoses du Jour. 4 xxviii 283 pp. with 70 hand-coloured wood engravings after designs by Grandville. Large 8vo 262 x 163 mm. bound in publisher's illustrated polychrome boards. Paris: Havard 1854. First edition in book form comprised of 67 designs from the excessively rare 1829 suite 2 lithographs from La Silhouette and 1 woodcut from the Musée Philipon. The Métamorphoses du Jour was the work which established Grandville's reputation as a brilliant satirical critic of social manners institutions and prejudices. "Throughout the series Grandville's choice of beastheads is inspired and the force of his conceptions and the wit of his captions rarely falter. Occasionally he produces a design of universal application that calls Goya to mind" Ray. Charles Blanc described the Métamorphoses du Jour as "the most original and most remarkable series in Grandville's oeuvre." The text for this edition was contributed by Alberic Second Louis Lurine Clément Caraguel Taxile Delord and others. In fine condition with the binding exceptionally fresh but with some insignificant spotting or foxing throughout not affecting the plates. An exceptionally clean copy in the rare polychrome binding. Carteret III 282. Brivois 179. Ray French 132 1829 suite. Rebeyrat p. 288.</p> hardcover
18695223CB1869. Nouvelle édition revue et complétée pour le texte par Jules Janin. Paris J. Claye für Garnier Frères 1869. Gr.-8°. LXIII 480 S. Mit 70 Holzstichtafeln in feinem Handkolorit und zahlreichen Vignetten Kopf- und Schlussstücken. Original Halbleder mit Rückenvergoldung Goldschnitt. Sander 311. - Mit den "Métamorphoses" hatte Grandville 1803-1847 seinen ersten grossen Erfolg 1829 hier erarbeitete er sich erstmals sein ureigenes Gebiet die Tier-Menschkarikatur. Die vorliegende Ausgabe ist ein Neudruck der Ausgabe von 1854 die sich von der ersten durch Weglassen von 6 Bildern und Hinzufügen von 3 neuen Bildern unterscheidet. Seinen Zeitgenossen galt Grandville als "La Bruyère der Tiere" oder "La Fontaine des Griffels". - Schönes sauberes Exemplar. unknown
04848Paris: Gustave Havard 1854. Grandville's Beast-Headed People<br /> <br /> GRANDVILLE J.J. illustrator. Les Métamorphoses du jour. Accompagnées d'un texte par MM. Albéric Second Louis Lurine Clément Caraguel Taxile Delord H. de Beaulieu Louis Huart Charles Monselet Julien Lemer. Précédées d'une notice sur Grandville par M. Charles Blanc. Paris: Gustave Havard 1854. <br /> <br /> First edition to include the text by Second and others. Octavo 10 7/6 x 6 5/8 inches; 265 x 168 mm. 4 xxviii 283 1 blank pp. Seventy hand-colored wood-engraved plates by Mouard Sotain and others after the drawings by Grandville. <br /> <br /> Contemporary quarter red hard-grain morocco over marbled boards. Smooth spine decoratively tooled and lettered in gilt sprinkled edges marbled endpapers. Preliminary leaves and text with light to moderate foxing. The superb hand-colored plates fresh and clean with just a few scattered marginal spots. Aside from the foxing to the text this is really good copy with wonderful coloring of the most famous work by this master of "bitter burlesque" Ray p. 198. <br /> <br /> These famous drawings of beast-headed people "which established Grandville's early style of bitter burlesque" Ray p. 198 first appeared in an album of hand-colored lithographs printed by Langlumé in 1829 and reprinted in 1836. This 1854 edition is the first to include the accompanying text.<br /> <br /> "Lust gluttony anger and the other deadly sins are stigmatized now with the blow of a hammer now with the thrust of a stiletto; while the foibles and humors of mankind also receive due attention. Throughout the series Grandville's choice of beast-heads is inspired; and the force of his conceptions and the wit of his captions rarely falter" Ray p. 198.<br /> <br /> Ray The Art of the French Illustrated Book 132 describing the 1829 edition. Vicaire V cols. 783-787. Paris: Gustave Havard, 1854 unknown
04-1343Paris: Bulla 1829. Hand-colored lithograph. 265 x 350 mm. Paris: Bulla, 1829. unknown
04-1338Paris: Bulla 1829. Hand-colored lithograph. 265 x 350 mm. Paris: Bulla, 1829. unknown
04-1339Paris: Bulla 1829. Hand-colored lithograph. 265 x 350 mm. Paris: Bulla, 1829. unknown
04-1760Paris: Martinet 1820. Hand-colored lithograph. Image: 16.5 x 22 cm. Sheet: 26 x 34 cm. Lithographer: dee Langlumé after F. Grandville. Paris: Martinet, 1820. unknown
04-1335Paris: Bulla 1829. Hand-colored lithograph. 265 x 350 mm. Paris: Bulla, 1829. unknown
04-1340Paris: Bulla 1829. Hand-colored lithograph. 265 x 350 mm. Paris: Bulla, 1829. unknown
04-1759Paris: Martinet 1820. Hand-colored lithograph. Image: 16.5 x 22 cm. Sheet: 26 x 34 cm. Lithographer: dee Langlumé after F. Grandville. Paris: Martinet, 1820. unknown
04-1342Paris: Bulla 1829. Hand-colored lithograph. 265 x 350 mm. Paris: Bulla, 1829. unknown
04-1337Paris: Bulla 1829. Hand-colored lithograph. 265 x 350 mm. Marginal tears. Paris: Bulla, 1829. unknown
04-1336Paris: Bulla 1829. Hand-colored lithograph. 265 x 350 mm. Marginal tears. Paris: Bulla, 1829. unknown
04-1341Paris: Bulla 1829. Hand-colored lithograph. 265 x 350 mm. Part of coloring bled. Paris: Bulla, 1829. unknown
04-1334Paris: Bulla 1829. Hand-colored lithograph. 265 x 350 mm. Paris: Bulla, 1829. unknown
ria9781015826694_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
186972175Paris: Garnier frères 1869. Fine. Garnier frères Paris 1869 18.50 x 25.50 cm relié New edition with some parts in first edition as revised and completed by Jules Janin for the text and expanded with numerous tailpieces and headpieces by Grandville for the illustration. A bibliography of books illustrated by Grandville/ Later half red sheep binding ca 1920 Jansenist spine with raised bands small traces of rubbing on the slightly faded spine. Set of beautiful freshness but some pale browning in the margins at the beginning of the work. The preserved cover restored with a strip of paper to be restored. Inversion of leaves at the beginning of the work leaf 3 appearing before leaf 1. Handsome copy. Work illustrated with a frontispiece and 70 hand-colored plates outside the text as well as numerous tailpieces and headpieces. This work had previously appeared in black and white. Text by Louis Lurine Charles Monselet Albéric Second Louis Huart. A notice by Charles Blanc on Grandville. Garnier frères hardcover
18496294Paris & Leipzig: G. De Gonet & Chez Charles Twietmeyer 1849. First edition. Two parts in one quarto volume 11 x 7 3/8 inches; 280 x 187 mm. 4 xvi 252; 4 186 2 pp. With added hand-colored wood-engraved vignette title in each part hand-colored engraved portrait of Grandville by Ch. Geoffroy and twelve hand-colored engraved plates eleven in the first part one in the second part by Ch. Geoffroy after Grandville all with original tissue-guards. Handsomely bound by Charles Meunier stamp-signed in black on front turn-in "Ch. Meunier. 1905". Full blue morocco covers decoratively rued in gilt with gray morocco inlaid borders enclosing an elaborate design of inlaid gray cream and green inlaid flowers with decorative gilt stems. Spine with four raised bands decoratively inlaid in various colored morocco's decorated and lettered in gilt in compartments. Decorative gilt board-edges gilt ruled turn-ins with inlaid gay morocco borders gray-green marbled endpapers top edge trimmed others uncut. Original printed paper wrappers and spine bound in at end. Unidentified bookplate "Nec Tu Semper Eris" You will not always be on verso of front flyleaf. Housed in the original blue leather edged patterned paper board slipcase. A wonderful copy of this lovely book with exquisite plates after Grandville. <br /> <br /> This posthumously published work Grandville died on March 17 1847 was originally issued in fifty parts the first part appearing in September 1849. "The compositions of this 'last fairy-tale' brilliantly engraved on steel by Charles Geoffroy and delicately colored form a fitting memorial to Grandville.The pattern which he follows is similar to that of Les fleurs animées. Nearly every plate has its beautiful lady clad in white and adorned with stars looming in the sky with varied scenes of earthly life below her. These designs Grandville's tranquil refuge from the turmoil that beset his mind are as charming as they are mysterious. Also included in the volume are an unsigned essay which remains the most considerable source of biographical information about Grandville and a fine portrait of him by Geoffroy I xvi with a border of his creations animals paying him tribute as well as his flower- and star-ladies" Ray. <br /> <br /> The talented Charles Meunier 1865-1940 was first apprenticed to a book binder at the eleven years old. After training with Marius-Michel he began his own binder in 1885 where he sought to be innovative and nontraditional. ". Drawing on traditional and modern techniques and forms of decoration Meuniere mixed classical punches. with newly fashionable incised and modeled leather panels. His output was prodigious; by 1897 he had produced roughly six hundred bindings" Art Nouveau and Art Deco Bookbinding.<br /> <br /> <br /> Ray The Art of the French Illustrated Book 200. Vicaire V col. 770. Grandville. Dessins Originaux p. 398. G. De Gonet & Chez Charles Twietmeyer unknown
1390563731.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1391343190.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1833P5229Paris: La Caricature Journal c.1833. Very Good. Image Size : 188x253 mm 7.40x9.96 Inches Platemark Size : Paper Size : 252x338 mm 9.92x13.31 Inches Coloring: Hand Colored Medium: Lithograph Categories: Caricatures; Pastime & Amusements Others; La Caricature (Journal) unknown
4aa197Bulla Paris um 1830. Maße: ca. 34 cm x 255 cm leicht fleckig und gebräunt/Blattrand mit Eckknickspur. - Aus der Reihe: Les Métamorphoses du Jour Pl. 7 - unknown
196826930GenÂve : Librairie Droz 1968. 230x155mm. brochÂŽ. 368 Librairie Droz unknown
2180052Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1813. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2180055Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1813. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
