Gerard Grandville, Jean Ignace IsidoreBiblio.com
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2180053Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1813. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
196826930GenÂve : Librairie Droz 1968. 230x155mm. brochÂŽ. 368 Librairie Droz unknown
26930Genève, Librairie Droz 1968, 230x155mm, 268pages, broché.
4aa197Bulla Paris um 1830. Maße: ca. 34 cm x 255 cm leicht fleckig und gebräunt/Blattrand mit Eckknickspur. - Aus der Reihe: Les Métamorphoses du Jour Pl. 7 - unknown
1833P5229Paris: La Caricature Journal c.1833. Very Good. Image Size : 188x253 mm 7.40x9.96 Inches Platemark Size : Paper Size : 252x338 mm 9.92x13.31 Inches Coloring: Hand Colored Medium: Lithograph Categories: Caricatures; Pastime & Amusements Others; La Caricature (Journal) unknown
25994La Caricature morale, religieuse, littéraire et scénique, volume 2, 15 septembre 1831, (Planche n°92)- Lithographie - Oeuvre: Hauteur: 27cmx Largeur: 35.6cm - Image: Hauteur: 18cmx Largeur: 26.9cm - Titre en bas au centre : « L’état de nos finances est rassurant si les besoins sont grands, d’abondantes ressources sont ménagées pour y pourvoir. » ; légende plus bas à dte : « (Moniteur 3 Août 1831.) » ; indications, en ht au centre : « La Caricature (Journal) », en ht à dte : « N°92. » - Dans la lettre : « Lith de la Delaporte, rue de l’Abbaye, n°4 » [imprimeur], « On s’abonne chez Aubert, galerie Véro Dodat. » [éditeur] ; dans l’image, en bas à dte, signature : « J.J. Grandville invt / E. Forest sculpt » [Jean-Jacques Grandville, dessinateur, et Eugène Forest, lithographe] Inscription - Sur le registre, page de gche : « Recette / Impôt / sur le sel / id. le tabac / id. le vin / id. la lumière / id. le personnel », page de dte : « Dépense / Liste Civile / aux Mouchards / aux Etats-Majors / id. Sinecuriste / Pour dîners / aux ventrus » ; sur les feuilles à terre : « contraite / par corps », « Gouvernement / à bon marché / Douzièmes provisoires / Sommation / avec frais ».-Vic. col. 57.
1864137126Tours, Alfred Mame et fils 1864 In-8 24,5 x 15 cm. Reliure éditeur demi-chagrin rouge, dos à ners encadrés de fers dorés et à froid, VIII-552 pp., table des chapitres. Réimpression en un seul volume de la rare édition de 1848, reprenant les mêmes illustrations par Grandville dont 8 compositions hors-texte gravées sur acier et montées sur vélin fort, et 24 compositions dans le texte gravées sur bois.
1833256281833 Planche HT parue dans La Caricature politique, morale, littéraire et scénique, volume 5, 14 mars 1833 (Planche n°256)- Lithographie - Œuvre: Hauteur: 27.3cmx Largeur: 35.8cm - Image: Hauteur: 17.6cmx Largeur: 22.8cm - Titre en bas au centre : « L’AFFICHEUR. » ; légende plus bas au centre : « (dans le fond, la Gazette et le Constitutionnel.) », « Le Constitutionnel. voilà la grande nouvelle qui vient de paraître, c’est l’extrait du Moniteur !! La Gazette. voilà le grand // dementi [démenti] donné au moniteur touchant l’affaire de S.A.R. Madame la Duchesse de Berry ! » ; indications : en ht à gche : « La Caricature (Journal) N°223. [123] », en ht à dte : « Pl. 256. » - Dans la lettre : « L. de Becquet, rue Childebert N°9. » [imprimeur], « On s’abonne chez Aubert, galerie véro dodat. » [éditeur] ; dans l’image, en bas à dte, signature : « JJ Gran // EF » [Jean-Jacques Grandville, dessinateur, et Eugène Forest, lithographe]
18496294Paris & Leipzig: G. De Gonet & Chez Charles Twietmeyer 1849. First edition. Two parts in one quarto volume 11 x 7 3/8 inches; 280 x 187 mm. 4 xvi 252; 4 186 2 pp. With added hand-colored wood-engraved vignette title in each part hand-colored engraved portrait of Grandville by Ch. Geoffroy and twelve hand-colored engraved plates eleven in the first part one in the second part by Ch. Geoffroy after Grandville all with original tissue-guards. Handsomely bound by Charles Meunier stamp-signed in black on front turn-in "Ch. Meunier. 1905". Full blue morocco covers decoratively rued in gilt with gray morocco inlaid borders enclosing an elaborate design of inlaid gray cream and green inlaid flowers with decorative gilt stems. Spine with four raised bands decoratively inlaid in various colored morocco's decorated and lettered in gilt in compartments. Decorative gilt board-edges gilt ruled turn-ins with inlaid gay morocco borders gray-green marbled endpapers top edge trimmed others uncut. Original printed paper wrappers and spine bound in at end. Unidentified bookplate "Nec Tu Semper Eris" You will not always be on verso of front flyleaf. Housed in the original blue leather edged patterned paper board slipcase. A wonderful copy of this lovely book with exquisite plates after Grandville. <br /> <br /> This posthumously published work Grandville died on March 17 1847 was originally issued in fifty parts the first part appearing in September 1849. "The compositions of this 'last fairy-tale' brilliantly engraved on steel by Charles Geoffroy and delicately colored form a fitting memorial to Grandville.The pattern which he follows is similar to that of Les fleurs animées. Nearly every plate has its beautiful lady clad in white and adorned with stars looming in the sky with varied scenes of earthly life below her. These designs Grandville's tranquil refuge from the turmoil that beset his mind are as charming as they are mysterious. Also included in the volume are an unsigned essay which remains the most considerable source of biographical information about Grandville and a fine portrait of him by Geoffroy I xvi with a border of his creations animals paying him tribute as well as his flower- and star-ladies" Ray. <br /> <br /> The talented Charles Meunier 1865-1940 was first apprenticed to a book binder at the eleven years old. After training with Marius-Michel he began his own binder in 1885 where he sought to be innovative and nontraditional. ". Drawing on traditional and modern techniques and forms of decoration Meuniere mixed classical punches. with newly fashionable incised and modeled leather panels. His output was prodigious; by 1897 he had produced roughly six hundred bindings" Art Nouveau and Art Deco Bookbinding.<br /> <br /> <br /> Ray The Art of the French Illustrated Book 200. Vicaire V col. 770. Grandville. Dessins Originaux p. 398. G. De Gonet & Chez Charles Twietmeyer unknown
1390563731.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1391343190.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
04602Paris & Leipzig : G. De Gonet Éditeur & Chez Charles Twietmeyer 1849. Grandville's "Last Fairy-Tale" <br/>In a Superb Inlaid Binding by Charles Meunier<br/><br/>GRANDVILLE J.J. illustrator MÉRY Joseph. MEUNIER Charles binder. Les Étoiles. Dernière féerie par J.-J. Grandville. Texte par Méry. Astronomie des dames par le Comte Foelix. Paris: G. De Gonet Éditeur & Leipzig: Chez Charles Twietmeyer 1849. <br/><br/>First edition. Two parts in one quarto volume 11 x 7 3/8 inches; 280 x 187 mm. 4 xvi 252; 4 186 2 pp. With added hand-colored wood-engraved vignette title in each part hand-colored engraved portrait of Grandville by Ch. Geoffroy and twelve hand-colored engraved plates eleven in the first part one in the second part by Ch. Geoffroy after Grandville all with original tissue-guards.<br/><br/>Handsomely bound by Charles Meunier stamp-signed in black on front turn-in "Ch. Meunier. 1905". Full blue morocco covers decoratively rued in gilt with gray morocco inlaid borders enclosing an elaborate design of inlaid gray cream and green inlaid flowers with decorative gilt stems. Spine with four raised bands decoratively inlaid in various colored morocco's decorated and lettered in gilt in compartments. Decorative gilt board-edges gilt ruled turn-ins with inlaid gay morocco borders gray-green marbled endpapers top edge trimmed others uncut. Original printed paper wrappers and spine bound in at end. Unidentified bookplate "Nec Tu Semper Eris" You will not always be on verso of front flyleaf. Housed in the original blue leather edged patterned paper board slipcase. A wonderful copy of this lovely book with exquisite plates after Grandville. <br/><br/>"The compositions of this ‘last fairy-tale' brilliantly engraved on steel by Charles Geoffroy and delicately colored form a fitting memorial to Grandville. They show that his powers remained unimpaired to the end of his short career. Grandville told his wife on the day he began these designs: ‘for too long I have kept my eyes lowered to the earth; now I want to lift them to the heavens' p. ix. The pattern which he follows is similar to that of Les fleurs animées. Nearly every plate has its beautiful lady clad in white and adorned with stars looming in the sky with varied scenes of earthly life below her. These designs Grandville's tranquil refuge from the turmoil that beset his mind are as charming as they are mysterious. Also included in the volume are an unsigned essay which remains the most considerable source of biographical information about Grandville and a fine portrait of him by Geoffroy I xvi with a border of his creations animals paying him tribute as well as his flower- and star-ladies" Ray. <br/><br/>This posthumously published work Grandville died on March 17 1847 was originally issued in fifty parts the first part appearing in September 1849. <br/><br/>Charles Meunier 1865-1940 began his apprenticeship as a bookbinder at age eleven. Five years later at age sixteen he joined master binder Marius-Michel's workshop. He soon grew weary of producing traditional bindings and established his own bindery in 1885 at the tender age of twenty years old. CM was thought to be innovative and instinctive with great reserves of energy and undeniable artistic talent. Drawing on traditional and modern techniques and forms of decoration Meuniere mixed classical punches. with newly fashionable incised and modeled leather panels. His output was prodigious; by 1897 he had produced roughly six hundred bindings" Art Nouveau and Art Deco Bookbinding p. 194.<br/><br/>Ray The Art of the French Illustrated Book 200. Vicaire V col. 770. Grandville. Dessins Originaux p. 398. Paris [&] Leipzig : G. De Gonet, Éditeur [&] Chez Charles Twietmeyer, 1849 unknown books
185216978ABParis, Gonet, 1852. 25,5 : 18 cm. 2 leaves, 232 pages, 2 leaves; 2 leaves, 258 pages, 2 leaves, with two engraved coloured frontispieces, two engraved coloured title-pages and 33 (off 35) coloured wood-engravings by Varin., and numerous text-vignettes. Contemporary half calf, gilt title on spine. 2 volumes.
1829401761Paris: Bulla; and Brussels: Borella 1829. From the Collection of Arthur & Charlotte Vershbow. Oblong folio 250 x 338 mm. Scarce one-leaf letterpress introduction signed Achille Comte. 72 hand-colored lithographic plates by Joseph Langlumé after Grandville. Early-20th-century blue half morocco spine gilt-lettered. Some occasional foxing plate 31 shaved at outer margin possibly inserted from another copy. Provenance: purchased from Marlborough Rare Books 2004. FIRST EDITION OF GRANDVILLE'S FIRST MAJOR SUCCESS. "Hélas! Hélas! Quand donc les humains seront-ils aussi vrai aussi naifs aussi charmants que ces illustrations de Granville" Carteret. In this series Grandville satirizes the vices of contemporary society by substituting human heads with those of animals. Plates 1-71 are numbered and published by Bulla in Paris; plate 72 unnumbered but with the number added in manuscript it was published by Borella in Brussels. There was another suppressed plate not present in this copy. According to Renonciat eight plates are in the first state and four with titles in French and English. While later impressions of this work are common the first edition is quite scarce. Carteret III pp. 282-4; Ray French Illustrated Books 132. <br/><br/> Bulla; and Brussels: Borella unknown books
3-55326Paris Garnier Frères senza data 1869 8vo grande cm. 27 x 18 mezza pelle coeva dorso a quattro nervi con decorazioni e titoli in oro piatti in percallina con cornici a secco risguardi in carta francese pp. LXIII 480 frontespizio a due colori con grande vignetta incisa alcune illustrazioni nel testo introduttivo di Blanc settanta 70 testatine e settanta 70 culs-de-lampe incisi in nero dall'A. e soprattutto settanta 70 tavole fuori testo finemente colorate a mano con la loro velina protettiva oltre al frontespizio figurato anch'esso colorato a mano e protetto da velina così opera completa. Magnifica edizione parzialmente originale di questo capolavoro di Grandville molto imitato che lo consacrerà come il più grande caricaturista francese del suo tempo. Minime mancanze alla cuffia di testa; lievissime spellature alle cerniere volume assolutamente solido e tracce d'uso ai piatti; sporadiche arrossature. Grande ex libris di bella fattura applicato al contropiatto anteriore. Esemplare molto ben conservato. unknown
1869168897Paris: Garnier Frères 1869. Second edition of Grandville's masterpiece of satirical illustration featuring his famous engravings of beast-headed people. It was improved from the first of 1854 by printing the plates on heavier paper and revising or augmenting the captions; the artist's signature was also added to many of them. The work originally appeared as a portfolio of hand-coloured lithographs printed by Langlumé in 1829; the book form edition in 1854 was the first to include an accompanying text and reproduce the illustrations as wood-engravings. The task of re-engraving the images on wood was entrusted to Auguste Desperet 1804-1865 a skilled artist "whose talent was highly regarded by Grandville himself who considered him to be his collaborator" tr. from Brivois. Grandville the pseudonym of Jean Ignace Isidore Gerard 1803-1847 was the most famous and talented French caricaturist of the period. Les métamorphoses du jour was his first major success and the work which established his reputation. The illustrations inaugurated his characteristic "bitter burlesque" style which exposes human vices and behaviours by giving men and women the heads of animals. The work was intended as a satirical commentary on the Parisian burgeois society of the 1820s. "Lust gluttony anger and the other deadly sins are stigmatized now with the blow of a hammer now with the thrust of a stiletto; while the foibles and humors of mankind also receive due attention. Throughout the series Grandville's choice of beast-heads is inspired; and the force of his conceptions and the wit of his captions rarely falter" Ray p. 198. Quarto. Wood-engraved frontispiece and 70 similar plates all hand-coloured and with tissue guards numerous wood-engraved vignettes in text. Original red quarter roan red pebble-grain cloth sides blocked in blind spine with raised bands compartments lettered and decorated in gilt cream textured endpapers edges gilt. Wear to extremities short cracks at joints ends but firm spine skilfully retouched with colour small repair at tail peripheral fading and couple small of damp-stains to cloth intermittent and mainly marginal foxing to contents otherwise generally clean the plates vibrant. A very good copy. Brivois p. 180; Vicaire V 787. Gordon Norton Ray The Art of the French Illustrated Book 1700 to 1914 vol. I 1982. hardcover
1015826695.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
51-6058Paris: Chez Bulla rue St. Jacques no. 38 et chez Martinet rue du Coq circa 1829. Oblong folio. 35 width x 26 cm. Bound without a cover or text. Suite of 70 period-colored lithographs.Plates 1 to 43 have the caption in French and English the only ones published with the double caption the others are in French.Most plates with this inscription lower right: 'Lith. de Langlumé'; lettered beneath the lithograph with publication details: 'chez Bulla rue St. Jacques N.38.' and 'et chez Martinet rue du Coq.' Some foxing and dampstaining. Beraldi. VII pp. 214 -215 and Carteret III . p. 282-284 mention 73 lithographs in a smaller format without giving sizes. OCLC Number 54163954 is about the same size as ours and implies that plates 71-73 were added afterwards. British Museum: "'Les Métamorphoses du Jour' is one of the most successful series of lithographs that Grandville made. The first edition was published by Bulla and Martinet between 1829 and 1830. Since the publication of the first plates the success was so remarkable that Bulla and Martinet decided in 1829 to publish a bilingual edition French and English although the first French edition was not yet entirely published. The present print is part of the biligual edition of 1829." Paris: Chez Bulla, rue St. Jacques, no. 38 et chez Martinet, rue du Coq, circa 1829 unknown
51-7216Paris: Chez Bulla rue St. Jacques no. 38 et chez Martinet rue du Coq circa 1829. Handcolored lithograph. 25 x 34.5cm. Paris: Chez Bulla, rue St. Jacques, no. 38 et chez Martinet, rue du Coq, circa 1829 unknown
51-4363Paris: Aubert1836. Oblong 4to. 22 x 22 cm. 70 handcolored lithographs numbered 2-71. Lacking page 1 which is likely the title page. Original percaline binding restored with elegant marbled endpapers. Beraldi VII no. 10 p. 215.Reimpression of the 1829 ed. published by Bulla with the same plates but framed in double black lines. Sold in two ed.: one with black ill. and one with colored ill. Cf. Carteret L. Le trésor du bibliophile romantique et modèrne 1801-1875 t. 3 p. 284.Publication date from G. Vicaire Manuel de l'amateur de livres du XIXe siècle 1801-1893 t. 5 col. 780. Vicaire refers to two versions of Métamorphoses published by Aubert in 1836 each with a slightly different title and t.p. information: one "Les métamorphoses du jour par Grandville Aubert & cie Place de La Bourse 29 Imp. d'Aubert & cie;" and the other "Métamorphoses du jour ou Les hommes à têtes de bêtes par J.J. Grandville Édition populaire Chez Aubert éditeur Galerie Véro-Dodat imp. d'Aubert et de Junca."Illustré en couleurs par Henri Valentin. Cf. G. Vicaire Manuel de l'amateur de livres du XIXe siècle 1801-1893 t. 5 col. 78.Expertise by Christian GASCHExpertise Livres Anciens et Modernes58004 NEVERS Cédex Paris: Aubert,1836 unknown
185447345Paris.: Gustave Havard. 1854. Original publisher's midnight blue percaline with elaborate polychromatic decoration front board with title 'MÉTAMORPHOSES' and credit 'Par J. J. Grandville' large gilt stamp reproducing plate XXXVI 'Ma femme est sortie ma petite chatte . ' with additional colour rear board with plate XXIV 'Oh! le monstre d'homme . ' spine with elaborate gilt decoration and titles elaborate tooling in blind to boards and spine yellow glazed endpapers a.e.g. Large 8vo. 268 x 178 mm. Half-title with printer's credit verso printed title with monochrome vignette by Grandville 13 leaves with biographical notice leaf with 'Oeuvres de Grandville' and 70 engraved plates by Grandville each with additional colouring by hand final two leaves with 'Table'. The posthumous first edition in book form with accompanying text of Grandville's 'Les Métamorphoses du Jour' in the original publisher's binding.Sixty-seven of these plates - three are added from other series by Grandville - originally appeared in album form in 1829 and this version published 17 years after Grandville's death is both the first edition in octavo and the first to be accompanied with text. The plates were engraved on wood by Desperet for the first oblong folio edition the plates were lithographs with additional colouring by hand and then 'illustrated' with a satirical text inspired by Grandville's plate by one of a number of authors. The pantheon of 'illustrators' were: Albéric Second Louis Lurine Clément Caraguel Taxile Delord H. de Beaulieu Louis Huart Charles Monselet and Julien Lemer; Charles Blanc's biographical notice is accompanied by a bibliography of Grandville's illustrated books.''Les Métamorphoses du Jour' ont été l'idée mère de toutes les créations humano-bestiales dont on a tant abusé depuis et resteront incontestablement comme le chef-d'oeuvre de Grandville . Nous a offrons au public une oeuvre qui entre pour la première fois dans le domaine de la librairie une oeuvre inconnue de la génération nouvelle . '. From the original prospectus for hte work.Carteret III 284 / 285; Rebeyrat 288; SR / BF 104. Gustave Havard. hardcover
1869g8871Paris: Garnier Frères. G: in good condition. Rebacked. Some scattered foxing. Illustrations VG. 1869. Nouvelle Édition. Gilt decorated leather spine over maroon cloth cover. 280mm x 170mm 11" x 7". lxiii 480pp plates. 70 hand-coloured plates. Heavy book - extra shipping needed for overseas. . Garnier Frères hardcover
2012897924.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2012577717.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1854167495<p>1854. GRANDVILLE J.J. Les Métamorphoses du Jour. 4 xxviii 283 pp. with 70 hand-coloured wood engravings after designs by Grandville. Large 8vo 262 x 163 mm. bound in publisher's illustrated polychrome boards. Paris: Havard 1854. First edition in book form comprised of 67 designs from the excessively rare 1829 suite 2 lithographs from La Silhouette and 1 woodcut from the Musée Philipon. The Métamorphoses du Jour was the work which established Grandville's reputation as a brilliant satirical critic of social manners institutions and prejudices. "Throughout the series Grandville's choice of beastheads is inspired and the force of his conceptions and the wit of his captions rarely falter. Occasionally he produces a design of universal application that calls Goya to mind" Ray. Charles Blanc described the Métamorphoses du Jour as "the most original and most remarkable series in Grandville's oeuvre." The text for this edition was contributed by Alberic Second Louis Lurine Clément Caraguel Taxile Delord and others. In fine condition with the binding exceptionally fresh but with some insignificant spotting or foxing throughout not affecting the plates. An exceptionally clean copy in the rare polychrome binding. Carteret III 282. Brivois 179. Ray French 132 1829 suite. Rebeyrat p. 288.</p> hardcover
