GILL, EVAN RBiblio.com
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195327217London: Cassell 1953. Edition limited to 1000 copies printed at Cambridge University Press in Gill's Perpetua type of which this is number 822 8vo pp. xv 1 223 2; photographic frontispiece portrait title-page vignette by Gill and facsimiles throughout; near fine in original dust jacket. slightly chipped. Cassell unknown
1966008893New York: DELL 1966. Bound Comic/Digest. Illus. by TARTAGLIONE JOHN : COLETTA VINCE. Fine. Comic. 1st Edition. Comic - 1st. Print FINE/VF Note: centerfold detached at bottom staple - This issue is a real oddity: a comics adaptation of an early film version of a much altered HP Lovecraft story originally starring Boris Karloff. It's a pop-culture Dagwood sandwich! While visiting his fiancee's ancestral estate an American man encounters a series of bizarre occurrences. He discovers an alien artifact is altering everything nearby including the plants and people. - Story by Joe Gill based on the screenplay by Jerry Sohl and the story The Color Out of Space by H.P. Lovecraft. - Photo cover features Boris Karloff Nick Adams and Suzan Farmer. DELL Paperback
20001-0939343304Coyote Cowboy Co 2000. Hardcover. New. 9.75x6.75x0.75 inches. Coyote Cowboy Co hardcover
1995BN48818Librairie Gründ 1995. Hardcover/gebunden. Eckern/oberer und unterer Buchrücken leicht berieben Seiten sauber! Librairie Gründ hardcover
192792062Paris, Marcel Seheur, coll. « L'Art et la vie, n° 5 » 1927 In-4. Broché, couverture grise imprimée et rempliée, 322 pp., 150 reproductions dont 4 hors-texte en couleurs. Bon exemplaire.
1974BRG-36_2_041Van Nostrand Reinhold 1974-01-01. hardcover. Good. 9x6x1. Good condition.No marking/highlighting.Cover and pages may show some wear.Not Satisfied Contact us to get a refund. Van Nostrand Reinhold hardcover
1998x-0226293858Univ of Chicago Pr 1998. Paperback. New. 284 pages. 9.25x6.25x0.75 inches. Univ of Chicago Pr paperback
1959192169Northampton Massachusetts: The Gehenna Press 1959. Paperback. VG Wraps show minor foxing and shelfwear; first tissue guard shows damp staining; pages show shelfwear but are clean; binding is solid. Tan wraps with black illustration and red lettering; 8 pp; richly illustrated. "Title woodcut by Eric Gill; other illustrations by Leonard Baskin." -- website. [The Gehenna Press] paperback
197264351US: Holt Rhinehart & Winston 1972. Hardback. Very Good/Very Good -. Signed by author at title page. Violet cloth over boards with purple foiled particulars to spine and title to front board. Pages are tanned at margins but are otherwise clean and unmarked. Text block is tanned and foxed. Boards are clean and bright with rubbing and bumping to edges corners and ends of spine. Binding is tight spine is slightly cocked. Dust jacket has rubbing creasing and closed tears to edges corners and ends of spine; open tear to top edge of front cover near spine; sunning to spine and rear cover; corner torn at front flap. Holt, Rhinehart & Winston unknown
1998005813New York Berkeley CA: Thunder's Mouth Press 1998. First Edition First Printing. Wraps. Very Good . 144 pages : illustrations some color ; 28 cm. Photo illustrated glossy wraps perfect bound. Book Condition: marvelous condition with tiny bent tips to the front cover salt and pepper wear to spine end and superficial scratching to the glossy covers. Very Good at least. Contents: Foreword 1. Bob Dylan 2. The Freewheelin' Bob Dylan 3. Times They Are A-Changin 4. Another Side of Bob Dylan 5. Bringing It All Back Home 6. Highway 61 Revisited 7. Blonde on Blonde 8. The Basement Tapes 9. Nashville Skyline Discography Index. Thunder's Mouth Press unknown
19299033818London: Cassell & Co. Ltd. & Francis Walterson 1929. 1st. Hardcover. Very good. Beautiful Gill illustration on title page. This is the first use of Gill's "Perpetua" type. Bound in blue cloth with spine stamped in gilt. Pages are uniformly clean and bright. Faint foxing to endpapers only. Corners bumped spine lightly sunned but cloth in very good condition with no breaches. A great fresh and rugged copy. 5 3/4 x 8 3/4 inches. 324 pages. <br/><br/> Cassell & Co. Ltd. & Francis Walterson hardcover
198186334New York: Springer-Verlag 1981. Hardcover. Quarot in orange cloth; 390 p.: illus.; very good ex-library copy from library of engineering consulting firm with stamp to ffep library card holder to front paste down and spine label adhesive; cloth is very faintly soiled from handling; a small bit of chewing to spine tail along the back cover; pages are clean crisp bright and free of marks and creases; binding is tight and square; a gently used copy. In English. Series: Minerals and rocks 16. Springer-Verlag hardcover
1939C000016864New York: Henry Holt and Co 1939. First printing. Hardcover. Very Good /good. First edition 1939. Tan cloth hardcover 8vo np. Illustrated in black and white by Nils Hogner. In very good condition with some tanning toward the edges of the boards. In a good dust jacket with some abrasion to the cover closed tear to the upper joint and light chipping at corners and spine ends now in protective cover. Overall a very attractive copy. Henry Holt and Co hardcover
1967133453Firenze Florence Italy: G. C. Sansoni Editore 1967. Softcover. VG- wear to cover at edges including bent corner. foxing to cover and jacket. some toning/foxing to pages as well especially through the introduction. Purple dust jacket. White wraps. xix 535 pp. BW frontispiece. In Italian. The Council of Florence. G. C. Sansoni Editore paperback
1967133453Firenze Florence Italy: G. C. Sansoni Editore 1967. Softcover. VG- wear to cover at edges including bent corner. foxing to cover and jacket. some toning/foxing to pages as well especially through the introduction. Purple dust jacket. White wraps. xix 535 pp. BW frontispiece. In Italian. The Council of Florence. G. C. Sansoni Editore paperback books
1988FB8046 /26<p>In the original dust jacket. Red cloth binding with gilt title on the spine. <em>We provide an in-depth photographic presentation of this item to stimulate your feeling and touch. More traditional book descriptions are immediately available</em></p><p>For conditions please view our photographs. 25 engraved plates of nudes. Near fine copy. Eric Gill's charming sinuous and sensuous nudes. First published in 1938. This is a superb copy. "There are actually 26 engravings by Eric Gill 27 if you count the initial letter in the Introduction in this book. The 26th does not belie the title of 25 Nudes as it is simply an engraving of hands thrown in for good measure". A very good copy. Gill did not pass through the typical art school course of training and so did not regard 'life' drawing as an essential foundation. He came to it in middle age as an activity to be enjoyed for its own sake. Further he did not care for professional models and preferred friends to pose for him. The model for some of these studies was Beatrice Warde the typographer and associate of the Monotype Corporation. In their total reliance on white line these engravings are extraordinary achievements. As Robert Speaight has written the contours look as if they could 'burst into flame'. Arthur Eric Rowton Gill ARA RDI 22 February 1882 – 17 November 1940 was an English sculptor letter cutter typeface designer and printmaker. Although the Oxford Dictionary of National Biography describes Gill as "the greatest artist-craftsman of the twentieth century: a letter-cutter and type designer of genius" he is also a figure of considerable controversy following the revelations of his sexual abuse of two of his daughters and of his pet dog. Gill was born in Brighton and grew up in Chichester where he attended the local college before moving to London. There he became an apprentice with a firm of ecclesiastical architects and took evening classes in stone masonry and calligraphy. Gill abandoned his architectural training and set up a business cutting memorial inscriptions for buildings and headstones. He also began designing chapter headings and title pages for books. As a young man Gill was a member of the Fabian Society but later resigned. Initially identifying with the Arts and Crafts Movement by 1907 he was lecturing and campaigning against the movement's perceived failings. He became a Roman Catholic in 1913 and remained so for the rest of his life. Gill established a succession of craft communities each with a chapel at its centre and with an emphasis on manual labour as opposed to more modern industrial methods. The first of these communities was at Ditchling in Sussex where Gill established The Guild of St Joseph and St Dominic for Catholic craftsmen. Many members of the Guild including Gill were also members of the Third Order of Saint Dominic a lay division of the Dominican Order. At Ditchling Gill and his assistants created several war memorials including those at Chirk in north Wales and at Trumpington near Cambridge along with numerous works on religious subjects. In 1924 the Gill family left Ditchling and moved to an isolated disused monastery at Capel-y-ffin in the Black Mountains of Wales. The isolation of Capel-y-ffin suited Gill's wish to distance himself from what he regarded as an increasingly secular and industrialised society and his time there proved to be among the most productive of his artistic career. At Capel Gill made the sculptures The Sleeping Christ 1925 Deposition 1925 and Mankind 1927. He created engravings for a series of books published by the Golden Cockerel Press considered among the finest of their kind and it was at Capel that he designed the typefaces Perpetua Gill Sans and Solus. After four years at Capel Gill and his family moved into a quadrangle of properties at Speen in Buckinghamshire. From there in the last decade of his life Gill became an architectural sculptor of some fame creating large high-profile works for central London buildings including both the headquarters of the BBC and the forerunner of London Underground. His mammoth frieze The Creation of Man was the British Government's gift to the new League of Nations building in Geneva. Despite failing health Gill was active as a sculptor until the last weeks of his life leaving several works to be completed by his assistants after his death. Gill was a prolific writer on religious and social matters with some 300 printed works including books and pamphlets to his name. He frequently courted controversy with his opposition to industrialisation modern commerce and the use of machinery in both the home and the workplace. In the years preceding World War II he embraced pacifism and left-wing causes. Note: in the 1930's my father who shared Gill's love of typefaces and drawings knew Gill. Unfortunately my father's extensive collection of Gill's original drawings was destroyed. Martin Frost September 2025</p> Cassell. hardcover
2000100-43426Baptist Standard Bearer 2000-12-01. hardcover. New. In shrink wrap. Looks like an interesting title! Baptist Standard Bearer hardcover
1967mon0000031159Prentice-Hall 1967. Unknown Binding. Good. in x in x in. Prentice-Hall unknown
1998BN52396Brimax Books Ltd 1998. Hardcover/gebunden. mit kleineren Gebrauchsspuren! Brimax Books Ltd hardcover
1931ABE-177474220003424,5 CM X 31 CM-(DG24)
195766531éditée par Austin Gill, 1 vol. in-12 reliure demi-chagrin lie de vin, dos à 5 nerfs, couverture conservée, Société des Textes Français Modernes, Librairie Marcel Didier, Paris, 1957, CV-244 pp.
1995BN48819Librairie Gründ 1995. Hardcover/gebunden. sehr guter Zustand! Librairie Gründ hardcover
1969X110142Offenburg/ Baden, Fritz Schmitt 1969 169pp. + 2 folding maps, 21cm., softcover, text in German, Doctoral Dissertation (Dissertation zur Erlangung der Würde eines Doktors der Philosophie vorgelegt der Philosophisch-Historischen Fakultät der Universität in Basel), stamp at verso of title page, text is clean and bright, X110142
1995HAY32987Sans Date v. 1995. Paris Editions Vade Retro. reliure à spirale avec plats en aluminium sans la jaquette en jeans. Le CD est absent de son support sur le dernier contreplat le prix en tient compte sinon ouvrage en très bon état. format : 35/275 cm. richement illustré à chaque page de photos en noir et en couleurs souvent pleine page et aussi dépliantes ; premier plat avec "Johnny" découpé dans l'aluminium. unknown
193528982London und New York, Dent und Dutton, 1935. XXV,, 1 Bl., 164 S. Mit einer Titelvignette von Eric Gill. 13,4 x 10,5 cm. Orig.-Leder mit goldgeprägten Rückentitel, gold- und rotgeprägter Deckelvignette und Kopfgoldschnitt. (oberes Kapital etwas berieben).
