12 218 résultats
19239232London: Waterlow and Sons Ltd 1923. Geographical passenger map of the Underground system tipped into a contemprary guide book 37 x 45 cm printed in colours trivial wear with short splits along the edge of a couple of folds slight show through from the printing on the cover-side. Symbols show where to alight for the British Empire Exhibition at Wembley and travel information on the verso emphasises using the Underground for leisure activities such as visiting London Zoo or Hampstead Heath. MacDonald Gill brother of Eric was a successful commercial artist in his own right and a noted calligrapher who designed the font used on all headstones by the Commonwealth War Graves Commission. In the 1920s and 1930s London Underground favoured named designers over the anyonymous draughtsmen who had created their earlier maps. Gill stripped away the remaining surface topography including the Thames; although his calligraphy has a leisurely feel to it he created a simple practical map. The map is lightly glued to the lower inside cover of the 1924 official London guide of the Residential Hotel Keepers & Caterers Association a 96 page publication in colour printed wrappers: what to see & where to stay for what you can pay. For much of the 20th Century London Transport and its predecessors seem to have been happy to distribute quantities of the official map at no charge or a minimal one to commercial publishers to be bound into guide books. Presumably it was seen as free advertising. Some as here were the standard issue with text on the verso as distributed to passengers; some were the normal issue but supplied flat and folded differently to fit the format of the book; some were special guide book issues supplied with a blank verso. Many have been removed from their original context over time and it is interesting to note that it was not just major publishers such as Ward Lock who were able to obtain supplies of maps. Waterlow and Sons, Ltd unknown
2007125469London: Nobody in association with the Archive of Modern Conflict 2007. First edition first impression number 53 of 100 copies printed. Signed and numbered by the photographer in pencil to the title page additionally signed by Iain Sinclair who wrote the afterword to this edition. With an original photograph by Stephen Gill signed and dated to lower right of verso. Square octavo. Full-page colour photographs throughout one page folding with 6-page booklet containing an afterword by Iain Sinclair. Original yellow cloth boards titles to spine red imitation ink splash to front board red. pictorial endpapers. Housed in the publisher's brown cloth folding box. A near fine copy. hardcover
107987London The Hampshire House Workshops 1915 but 1934. . Reissue inscribed by the author; 8vo; 12 woodcuts 11 by Eric Gill some full-page scattered light foxing slight toning to leaves; publisher's red cloth black lettering to spine spine faded corners slightly rubbed light toning to endpapers otherwise a very good copy. <br /> Inscribed by the author after half-title 'M.D.S. H.D.C.P. auct / post hoc Whitsuntide 1944'. The Devil's Devices was the second book to feature Eric Gill's illustrations.<br /> Gill 259. London, The Hampshire House Workshops, 1915 [but 1934]. hardcover
2004CBS-9780306479731Sp Springer 2004. New. Sp Springer unknown
2004CBS-9780306479731Sp Springer 2004. New. Sp Springer unknown
2005Adhya-9780306479731SPRINGER 2005. Hardcover. New. SPRINGER hardcover
2005Adhya-9780306479731SPRINGER 2005. Hardcover. New. SPRINGER hardcover
188863874P., Cinqualbre, sd 1888 Fort in-4, chagrin cerise, dos lisse, filets et encadrement à froid, ca 780 pp. Petite découpe marginale sans manque a deux ff. Hugo, marges un peu brunies, un mors fendillé en pied, par ailleurs très bon exemplaire.
192133331049Ditchling: S. Dominic's Press 1921. First Edition. Wraps. Near fine. Gill Eric. Duodecimo 26 pp. From the bibliography "a compilation of texts and nineteen wood-engravings by the Gill and Pepler children viz. Elizabeth Petra and Joanna Gill David Stephen and Mark Pepler. The illustrations include two drawings by Elizabeth Gill engraved on wood by Eric Gill P48 and P158." <br /> <br /> A charming little book with mostly Christmas-themed text and illustrations but also with "The Story of a Boy and Girl" "The Dwarf and The Giant" "The Wicked Pirates" each of these only about a page long and towards the end of the book "Bedroom Rules" which opens with "Rise 7.30 and Dress Wash Brush Hair and clean Teeth; say Prayers turn back Bed." The final page "Note" tells us that "The Printer is in hot water for having failed to submit proofs to the authors." <br /> <br /> ___DESCRIPTION: Bound in pale grey wraps with black lettering and one of the illustrations on the front in black note that the date on the front wrap is incorrectly printed as "MCMXXI" 1921 not the correct date of 1919 small illustration on title page a total of nineteen small wood-engravings throughout; duodecimo size 6 7/8" by 4 5/8" 26 pp. <br /> <br /> ___CONDITION: Near fine the wraps clean the top corners slightly bent as the wrap extends slightly above the text block a solid text block with strong hinges the interior is clean and bright the sole prior owner marking we see a very small number written in black ink at the fore-edge bottom corner of the front free endpaper; light edgewear at the top of the wrap else fine. <br /> <br /> ___CITATION: Taylor and Sewell no. A68 note that this binding is included in the bibliography although it states that "some copies" were issued thus. <br /> <br /> ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details.<br /> <br /> ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. S. Dominic's Press unknown
193217083234London: Printed by Hague & Gill Published by Sheed & Ward 1932. Limited Edition. Sewn binding. Near fine. Gill Eric. One of 500 copies duodecimo size 22 pp. inscribed by Eric Gill. This volume is a presentation copy with a nice association to Eric Gill's 1882-1940 sculptural work; here Gill articulates the purpose and artistry of sculpture of function as opposed to aesthetic appeal. <br/><br/>Inscribed on the front wrap near the author's printed name "To Edward Maufe Sept. 1932 from &" "by Eric Gill" printed and signed "ECG" in green ink to the last page of text. Sir Edward Brantwood Maufe 1882-1974 was a friend sometime collaborator and longtime patron of Gill. A renowned architect particularly esteemed for his work on places of worship and memorials in 1932 Maufe won a competition to design Guildford Cathedral; Gill's sculpture "St John the Baptist" resides above the cathedral's south door. <br/><br/>___DESCRIPTION: Pamphlet-stitched yellow wrappers printed in red and black with a wood engraving by Gill "Flames for Tree and Dog" P733a to rear wrapper frontispiece wood engraving by Gill "Artist and Mirror II" P837; duodecimo 6.75" by 4" pagination: 1-20 21-22.<br/><br/>___CONDITION: Very good plus with clean wraps overall without edge wear but for slight creasing at the corners of the wraps the binding is tight the interior is clean and bright and entirely free of prior owner markings; light toning to the wrappers and slight foxing to the page block. <br/><br/>___CITATION: Gill no. 23. <br/><br/>___POSTAGE: International customers please note that additional postage may apply as the standard shipping charge does not always cover costs; please inquire for details. <br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind book we sell. Please contact us with any questions you may have we are here to help. Printed by Hague & Gill, Published by Sheed & Ward unknown books
2 vols., 8vo., First Edition thus, on Rigolette Panna paper, with decorative title and borders,, and 5 full-page illustrations; main work handsomely bound in black full goatskin, elaborately blocked and lettered in gilt to a design by Neil Gower, gilt edges, silk marker; Commentary Volume bound in boards with backram back, the two volumes housed in publisher's solander case. EDITION LIMITED TO 1250 COPIES. Sumptuous Folio Society reissue of the original Golden Cockerel Press edition of 1927. The Commentary Volume contains essays by Roderick Cave on the history of the Golden Cockerel Press and Professor Barry Windeatt on the sources, structure and interpretation of the poem.
2019Manohar-9781138061774Routledge 2019. Hardcover. New. Routledge hardcover
2019Manohar-9781138061774Routledge 2019. Hardcover. New. Routledge hardcover
2015Manohar-9781409421900Ashgate 2015. Hardcover. New. Ashgate hardcover
2015Manohar-9781409421900Ashgate 2015. Hardcover. New. Ashgate hardcover
1842WRCLIT67037Boston: William Crosby and Company 1842. 66pp. 12mo. Gilt calf and marbled boards a.e.g. Binding worn and boards neatly detached internally very good bound without wrappers. First edition Dickens's speech on the occasion appears on pp. 10-15 in company with the toasts greetings or messages by the Danas both elder and younger Holmes and many others. Uncommon. BAL 4437 633 8735n etc. ECKEL p.233. GIMBEL B112. WILSON II:480. CURRIER & TILTON p.560. William Crosby and Company hardcover books
19883566Wellingborough: Christopher Skelton at the September Press 1988. First Thus. Fine. Limited to 600 copies this being one of 480 unnumbered examples. Full black buckram by The Fine Bindery Limited. Spine with tan morocco label lettered in gilt top edge gilt. Housed in the publisher's felt-lined cream buckram slipcase. Folio 13 x 9 1/4 inches; 330 x 235 mm. collating 1 blank 1 imprint 268 1 1 blank 1 colophon 1 blankxiv 1 colophon 1 limitation with sixty-four wood-engraved initial letters and illustrations by Eric Gill counting the initial "N" on p. 8 and the lettering which goes with it as one illustration although they are actually from two separate blocks. Printed on St Cuthbert's Mould-made 140g half rag paper.<br/><br/>In a six-page note at the end of the volume Christopher Skelton writes: "This book is a reproduction version of The Four Gospels published by the Golden Cockerel Press in 1931. I call it a reproduction version rather than a facsimile because that is what it is a copy produced by photo-lithography with no attempt to simulate the paper or binding of the original ." At the end of the book is Robert Gibbings's short four-page essay Memories of Eric Gill illustrated with photographs. "Conceived in the fruitful mind of Robert Gibbings this is the Golden Cockerel book usually compared with the Doves Bible and the Kelmscott Chaucer. A flower among the best products of English romantic genius it is also surely thanks to its illustrator Eric Gill the book among all books in which Roman type has been best mated with any kind of illustration" Blackmer. Fine. Christopher Skelton at the September Press unknown books
19883566Wellingborough: Christopher Skelton at the September Press 1988. First Thus. Fine. Limited to 600 copies this being one of 480 unnumbered examples. Full black buckram by The Fine Bindery Limited. Spine with tan morocco label lettered in gilt top edge gilt. Housed in the publisher's felt-lined cream buckram slipcase. Folio 13 x 9 1/4 inches; 330 x 235 mm. collating 1 blank 1 imprint 268 1 1 blank 1 colophon 1 blankxiv 1 colophon 1 limitation with sixty-four wood-engraved initial letters and illustrations by Eric Gill counting the initial "N" on p. 8 and the lettering which goes with it as one illustration although they are actually from two separate blocks. Printed on St Cuthbert's Mould-made 140g half rag paper.<br /> <br /> In a six-page note at the end of the volume Christopher Skelton writes: "This book is a reproduction version of The Four Gospels published by the Golden Cockerel Press in 1931. I call it a reproduction version rather than a facsimile because that is what it is a copy produced by photo-lithography with no attempt to simulate the paper or binding of the original ." At the end of the book is Robert Gibbings's short four-page essay Memories of Eric Gill illustrated with photographs. "Conceived in the fruitful mind of Robert Gibbings this is the Golden Cockerel book usually compared with the Doves Bible and the Kelmscott Chaucer. A flower among the best products of English romantic genius it is also surely thanks to its illustrator Eric Gill the book among all books in which Roman type has been best mated with any kind of illustration" Blackmer. Fine. Christopher Skelton at the September Press unknown
38559311-nnew. unknown
38559311like new. unknown
1999537262Oldham: Incline Press 1999. Hardcover with cloth spine marbled paper covered boards no dust jacket in slipcase in very good condition. Thirty copies of this edition number seven of a hundred and fifty comes with a folder of signed prints of illustrations by Romey Brough. A booklet and several notices laid in. Almost as new. LW. Hardcover. Very Good/No Dust Jacket. Illus. by Brough Romey. Used. Incline Press Hardcover
2022CBS-9781644350720Medicare Health Science Exclusive 2022. New. Medicare Health Science (Exclusive) unknown
2022CBS-9781644350720Medicare Health Science Exclusive 2022. New. Medicare Health Science (Exclusive) unknown
65687Printed by Robert Gibbings at The Golden Cockerel Press for Douglas Cleverdon. Bristol. 1927. LIMITED EDITION of 260 copies. No. 254. . pp. iv blank viii 26 i blank i colophon iv blank. 6 engraved plates by Gill. Black buckram trifle faded and toned at spine ends and edges uncut first three and last bifolia unopened a very good copy inscribed at the front -'To Joan from Purcell with love On the Day of Renewal. Dec.31st 1939' bookseller's ticket on rear paste-down. Printed by Robert Gibbings at The Golden Cockerel Press for Douglas Cleverdon. Bristol. 1927. LIMITED EDITION of 260 copies. No. hardcover
1925161706Waltham St Lawrence: The Golden Cockerel Press 1925. First edition first impression number 439 of 450 copies presentation copy inscribed "To Miss H.M. Wade-Gery from Robert Gibbings. 14-10-25" on front free endpaper. Gibbings took over The Golden Cockerell Press in February 1924. This copy was presented to the sister of H. T. Wade-Gery the classical scholar and author of the second book printed by the Press. This collection of poetry by Enid Clay collects examples previously published in The English Review and the Observer. Gibbings had previously tried to involve Eric Gill in the work of The Golden Cockerell Press but the artist had refused as Gibbings was not a Catholic. When Gibbings sought to publish the work of Gill's sister Enid the artist commenced a long and productive relationship with the press. Octavo. Eight wood-engraved illustrations by Eric Gill. Original buff cloth-backed blue boards paper spine label. Bookseller's label to front pastedown. Head and foot of spine slightly bumped extremities slightly sunned; a very good copy. Chanticleer 25; Gill 274. hardcover