Skelton, Christopher; Eric GillBiblio.com
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199084094David R. Godine Publisher. New. 1990. Hardcover. 0879238534 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 478 pages 993 illustrations large 4to. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee David R. Godine Publisher hardcover
193821458London: Dent for Hague and Gill 1938. A first edition first printing of '25 Nudes' published by Hague and Gill Dent in 1938. A near fine book without inscriptions - some darkening to the bottom edge and a little spotting to the endpapers. In a very good - one chip to the top of the spine with a little browning to the spine - rubbing chipping and browning generally. Becoming scarce. Accompanied by a mounted and framed title page from a first edition book of '25 Nudes' above the mounted signature of Eric Gill. A beautiful set. "25 Nudes" is a controversial set of erotic engravings created by British artist Eric Gill in the early 20th century. Known for his contributions to typography and sculpture Gill's explicit depiction of the human form sparked debate due to his unconventional lifestyle and personal beliefs. The series features intricate yet explicit representations of nude figures reflecting Gill's fascination with the human body and sensuality. Despite the artistic merit the controversy surrounding Gill's private life including allegations of misconduct has led to a complex legacy. The engravings remain a testament to the intersection of art sexuality and the artist's unconventional world view. Dent for Hague and Gill unknown
193870851938<br>. Two original lead and wood printing blocks and two electrotype plates for Gill’s <em>25 Nudes</em> printed by Hague & Gill Ltd and published by J.M. Dent & Sons Ltd. In 1938.<br>1. ‘The number 25’. Line block for the cover and half title to <em>Twenty-five Nudes</em>.<br>2. ‘Monogram EG’. Line block for the cover and half title to <em>Twenty-five Nudes</em>.<br>3. “Three Female Nudesâ€. Line block for the title to <em>Twenty-five Nudes</em>.<br>Cut by Ralph Beedham from Eric Gill’s design and then worked on.<br>4. “25 Nudes and EGâ€. Line block for the cover and half title to <em>Twenty-five Nudes</em>.<br>Cut by Ralph Beedham from Eric Gill’s design and then worked on.<br>Together with the proof for the initial letter in the book printed 4 times on one sheet plus original prints of the number 25 and EG and NUDES printed from the the original larger size woodblocks from which the designs were taken.<br>Plus a copy of the first edition of the book Twenty Five Nudes with the original dust jacket. Christopher Skelton in The Engravings of Eric Gill 1983 regarding the printed title page and wrapper for Gill’s 25 Nudes: “The page was originally printed from line blocks reduced from prints of P968-71†He adds that Ralph Beedham Gill’s one time assistant helped Gill with the blocks.<br>Gill’s relationship with the blocks is strong both as artist and printer as the title page was printed at his press in High Wycombe and the book was Gill’s own production.<br><em>Provenance: From the family to Gillian Jason then to Sophie Schneideman</em> unknown
1998102683Overlook. New. 1998. Hardcover. 0879518308 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 240 pages; over 300 illustrations including 16 in color. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee Overlook hardcover
107937Ditchling S. Dominic's Press 1924. . Limited edition number 11 of 50 copies numbered by hand from a total edition of 150; large 4to; title page with wood-engraved figurative initial publisher's device printed in red 32 wood-engravings each on a separate page; original cream cloth upper cover slightly marked slight offsetting to endpapers edges uncut a very good copy.<br /> Scarce Gill item compiled and printed by Douglas Pepler without Gill's knowledge or consent. Gill moved away from Ditchling to Capel-y-Ffin in Wales and wanted to take the engraved woodblocks with him as his personal property. Pepler claimed they belonged to the St. Dominic's lay order and press and so kept them resulting in Gill's refusal to speak to Pepler again.<br /> Taylor A129. Ditchling, S. Dominic's Press, 1924. hardcover
118739A superb collection of Gill material A remarkable collection including the dedication copy of the From the Jerusalem Diary inscribed by the editor Mary Gill Eric Gill's widow "To Austen St B. Harrison with happy memories from M.E.G." with the Eric Gill-designed bookplate of Austen St Barbe Harrison to the front pastedown. Harrison a close personal friend of Gill 1882-1940 was the architect with whom he collaborated on the design for the Rockefeller Museum in Jerusalem. In 1934 Gill was commissioned to carve ten panels for the museum sculpt the fountain in the Central Court and carve the English Arabic and Hebrew letters of the inscriptions throughout the building. Gill's designs symbolized "the civilizations of that have most affected the history of Palestine together with the tympanum over the main entrance". The extracts from the diary he kept during his time there were published posthumously by his widow. It was preceded by an earlier version From the Palestine Diary printed by the Hague & Gill Press in 1949 of which two copies are here present. The Palestine Diary was subsequently abandoned and only a small number of copies of the aborted edition now survive. René Hague Gill's son-in-law co-founder of the Press and master printer initally printed the sheets for the Harvill Press. However "delays occurred and cancel title pages were printed . . . dated 1951 and 1952 with the imprint 'High Wycombe Hague Gill & Davey Ltd" Gill pp. 87-8. These are present here bound into copy b. Bookseller G. F. Sims later purchased the surviving sheets and had them bound up by Sangorksi & Sutcliffe. In two letters to Harrison Gill's other son-in-law and stone-carving assistant Denis Tegetmeier discusses the abandonment of the publication. Writing from Pigotts Gill's home and workshop in High Wycombe he explains that "there was an edition printed here but never bound or published and minus the illustrations . . . I think the crisis which finally overtook the Press was responsible for the failure" 2 January 1959. The shortened version of the Palestine Diary entitled From the Jerusalem Diary was finally printed in 1953 by Linotype with illustrations from photos of Gill's carvings. In Tegetmeier's second letter dated 12 February 1959 he stresses the differences between the two publications: "the edition which was hand-set & printed here has really nothing to do with that printed by Linotype which was produced privately chiefly as a display of Eric's type 'Pilgrim' which they had recently acquired. The plan for producing an edition here which was a much earlier & entirely different venture proved abortive owing to the breakup of the Press & lack of funds to finance the binding etc. No blocks for the illus. were made & it only got as far as the printing of the letterpress". Accompanying the books are several pieces of correspondence from Mary Gill to Harrison: i Christmas card 1955 featuring a photo of Gill's carving of The Good Samaritan 1938 for Coventry Hospital which was bombed in 1941; ii Christmas card 1960 featuring Joseph and the Child with iii an autograph letter signed from Mary Gill dated 21 December 1960 "I feel very much immersed in our industrial world - of 1960 - with its noise commercialism - and dangers . . . I know Eric would have hated it!"; iv poignantly an autograph letter signed from Joanna Hague Gill's daughter and wife of René Hague dated 25 July 1961 informing Harrison of her mother's death on 22 March that year: Joanna explains the delay in writing to him "I couldn't find your address among Mother's papers but Bernard Wall . . . was able to give it to me . . . I don't think he knew what a close friend you were". Together 4 works small octavo. Jerusalem Diary: 10 photogravures reproducing carvings by Eric Gill at the Rockefeller Museum courtyard. Two copies of From the Palestine Diary: a London: The Harvill Press 1949. Original orange half morocco by Sangorski & Sutcliffe orange cloth sides title to spine gilt top edge gilt; b As previous wiith two cancel title pages: High Wycombe: Hague Gill & Davey Ltd dated 1951 and 1952 bound in at rear. Original blue quarter morocco by Sangorski & Sutcliffe patterned blue and gilt boards title to spine gilt fore edge uncut; c From the Jerusalem Diary. London: privately printed 1953. Original orange cloth-backed green boards title to front cover black. First edition limited issue number 234 of 300 copies; d folder of correspondence from Mary Gill to Austen St Barbe Harrison: two Christmas cards printed on single folded sheets of grey card; two autograph letter one from Mary Gill and one from Joanna Hague née Gill. Calligraphic bookplate of David Potter designed by Reynold Stone to front free endpapers of Jerusalem Diary and one copy of Palestine Diary. Very minor fading to spines and board edges a little faint foxing to prelims neatly repaired tear to p. 35/6 of Palestine Diaries. A very good set. Gill 54a revised edition; University of Michigan Official Publication Volume 68 Issue 143 p. 310. hardcover
1926148020Waltham St Lawrence: Golden Cockerel Press 1926. First edition limited issue number 41 of 200 copies of which 175 were for sale. Procreant Hymn is first book illustrated by Eric Gill for the Golden Cockerel Press to which he contributed five copper engravings: in order these are titled "God Sending" "Earth Waiting" "Earth Inviting" "Dalliance" and "Earth Receiving" though their names are not printed in the book. The book was printed in Caslon type on handmade paper. The "explicit eroticism" of Gill's illustrations "shocked many of his former supporters and drew puzzled reproaches from the Dominicans" ODNB. Octavo. With 5 copper-engraved plates including frontispiece by Gill. Original cream buckram spine lettered in gilt top edge gilt others untrimmed. With dust jacket. A fine copy in the scarce dust jacket a little rubbed and toned couple of short closed tears to folds and rear panel sharp and well-preserved. Gill 277; Franklin pp. 329-30; Ransom p. 296. hardcover
André Gill machte sich einen Namen als der Karikaturist des zweiten Kaiserreichs bei der Zeitschrift "La Lune". Nach deren Verbot, sie hatte sich mit Darstellungen von Napoleon III. unbeliebt gemacht, zeichnete er von 1868 bis 1876 für das Nachfolgejournal L'Eclipse weiter. Seine Karikaturen gerieten immer wieder in das Blickfeld der Zensur, so bereits in der Ausgabe L'Eclipse vom 9. August. Dort hatte Gill unter der Überschrift "Monsieur X...?" einen mit Armen und Beinen versehenen Kürbis dargestellt, in welchem man den Kopf eines Richters wiederzuerkennen glaubte. Der Prozess brachte ihm nicht nur die Anerkennung der Boheme ein, sondern auch einige Monate Gefängnis. Die hervorragenden, datierten Karikaturen, entstanden in der Zeit vom 23. September 1866 bis 28 April 1870. Schönes Exemplar dieser extrem seltenen Veröffentlichung. Kein Exemplar seit 30 Jahren im Handel nachweisbar.
2016__0198371144Oxford University Press 2016. Paperback. New. 16 pages. 18.11x11.81x10.63 inches. Oxford University Press paperback
1990C84094David R. Godine Publisher. As New. 1990. Hardcover. 0879238534 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 478 pages 993 illustrations large 4to. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . David R. Godine Publisher hardcover
192521215271925. Golden Cockerel Press. 1925. 8vo. Original linen-backed boards printed paper spine label slightly embrowned edges untrimmed; pp. viii36 colophon; 8 wood engravings by Eric Gill; a very good copy. Provenance: from the collection of a friend of Enid Clay's known to us only as Eve.Limited to 450 numbered copies ffep inscribed by the author ""To Eve/ with love and remembrance/ Enid"". This book was ""crowned""as the finest publication of 1925 by the Double Crown Club and is noted not only for Clay's fine poems but also for the wood engravings by her brother Eric Gill.sold with1. Wedding invitation 12 x 10 cm 4 ll. folded at top edge with cover design ""Man and woman embracing"" by Eric Gill. This is an invitation to the 1938 wedding of Margaret Enid's daughter and Eric's niece to Edgar Breitenbach an art historian who would later become instrumental in tracking down artworks ransacked by the Nazis during the war. We have found only two other specimens of this very rare Gill work at the Victoria & Albert Museum and Washington University.2. Prospectus for The Constant Mistress by Enid Clay Golden Cockerel Press 1934. 4 ll with wood engravings by Eric Gill.3. Manuscript draft of ""The Constant Mistress"" in Enid Clay's hand ink dated 1927 pale blue notepaper 26 x 20.5 cim one side only.4. Manuscript draft of poem beginning ""When all this wonder of earth and vivid sky."" in Enid Clay's hand dated 1932 pale blue notepaper 26 x 20.5 cm both sides. Recto with message ""These are the mines I tried to get into shape when I was with you. 'Pedlars Pack' a new magazine printed them in their March number'5. 4 typed drafts cream notepaper 24 x 19cm each on one side only of three poems from The Constant Mistress ""Gifts"" ""Suburban Spring"" and ""Norfolk Dunes"" here ""The Dunes"" and one untitled poem dated 1927.Evan Gill 274. Chanticleer 25. hardcover
1926149674Waltham St Lawrence: The Golden Cockerel Press 1926. The Passion of the Lord Jesus Christ with six wood-engravings by Eric Gill rare with dust jacket Limited edition number 31 of 250 copies only. Reviewed by the Times Literary Supplement on 29 July 1926 the reviewer noted "this is a production for which we have nothing but praise. The first requirements a harmony of form and balance of weight between illustrations and type are perfectly fulfilled. In spirit Mr Gill's illustrations could hardly be bettered; they are both religious and decorative." Quarto. 2 full-page and 4 other illustrations by Gill. Original white buckram spine lettered in gilt. Text printed in red and black. With dust jacket. Minimal soiling to covers with corners slightly bumped else an attractive near-fine copy. Dust jacket toned at spine with extremities frayed still a very good copy of a scarce dust jacket. Gill 276. hardcover
193418504Faber & Faber Ltd 1934. Hardback original cloth with cream dust-wrapper in slipcase. 33cm x 26cm. xv 102pp of wood-engravings printed from the original blocks with tissue guards. Printed by Hague & Gill of High Wycombe. Limited edition of only 400 copies printed on french-fold sheets. With pencil note "from the Faber library" to front pastedown. D/w spine slightly rubbed and browned. Slipcase has been repaired is somewhat faded and marked. A little occasional foxing to contents. 18504. Limited Edition. Hard Cover. Very Good. Faber & Faber Ltd hardcover
19348019London 1934. 102 engravings by Eric Gill each printed from the original block under the supervision of the artist on one side of a separate page this copy unopened. One of 300 copies. Folio original green cloth gilt lettering on spinein the original dust jacket. Spotting to endpaper first few leaves and very edges but not on any of the prints dust jacket in pretty good condition with slightly darkened spine and some tears to edges.A wonderful way to own original prints by Gill from this period all of which were printed under his supervision.<br>Original 4 pp. prospectus inserted loose with two large engravings by Gill on inside pages. Printed under Eric Gill’s supervision by Hague and Gill for Faber & Faber hardcover
1925112233445566785<p>The sole UK printing published by The Golden Cockerel Press Waltham Saint Lawrence in 1925. 2 Vols. set. Number '195' from a limited edition of only 450 copies. Illustrated with 42 woodcuts by David Jones many hand-coloured and 27 initials by Eric Gill. Bound in the publisher's cream linen and black cloth with spines lettered in gilt. Very Good or better copies with light edge wear and traces of rubbing to the black cloth as often encountered. The black cloth is notoriously fragile. Offsetting to the end-papers and some light age spotting in places. Many pages remain uncut as issued. Both copies are from the library of Eric Kennington and bear the stamp of 'Kennington Homer House Ipsden Oxon' to the front end-papers. A beautiful fine press edition of Jonathan Swift's enduring satirical 18th-century novel being the first Golden Cockerel Press book with the artist and polymath David Jones' illustrations. Many of the illustrations are hand coloured. Eric Gill provided the cuts for the Initials. The volumes are reproduced from the text of the Henry G. Bohn edition of 1864 under the careful supervision of Robert Gibbings after Hal Taylor's death in 1925. A charming production that weaves vignettes of the story's protagonist and narrator Gulliver through his several unusual voyages. Eric Kennington R.A. was an English sculptor artist and illustrator and an official war artist in both of the world wars. As a war artist Kennington specialised in depictions of the daily hardships endured by soldiers and airmen. In the inter-war years he worked mostly on portraits and a number of book illustrations. The most notable of his book illustrations were for T. E. Lawrence's Seven Pillars of Wisdom. Kennington was also a gifted sculptor best known for his 24th Division War Memorial in Battersea Park for his work on the Shakespeare Memorial Theatre in Stratford-upon-Avon and for the effigy of Lawrence at Wareham in Dorset. He resided at Homer House Ipsden for many years. Both books are protected in Mylar archival covers. A scarce set and more-so with such a wonderful association. 2026 marks the 300th anniversary of the first publication of 'Gulliver's Travels'. More images available on request. Ashton Rare Books welcomes direct contact.</p> The Golden Cockerel Press, Waltham Saint Lawrence hardcover
1998C102683Overlook. As New. 1998. Hardcover. 0879518308 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 240 pages; over 300 illustrations including 16 in color. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Overlook hardcover
1921118991921. An original pencil drawing with watercolour depicting St. Christopher carrying the Christ Child. Inscribed by the artist in pencil “DEAR GORDIAN THIS IS SAINT CHRISTOPHER from daddy 2.9.’21.†with a symbol of St Dominic at the top of the image. Image size 6.5 cms x 11 cms mounted and framed in an early frame. On the back of the frame is a label from The Piccadilly Gallery in 1985 stating it was sold to Barnabus McHenry that year.<br>A really enchanting image which Gill made for his adopted son Gordian. Eric and Mary only had daughters and after the birth of their youngest daughter Joanna in 1910 it became clear she was unable to bear any more children. In 1917 they decided to adopt one from the infants’ home in Haywards Heath. Eventually they were allowed to take the 8 month old Gordian home to foster. Although he was never legally adopted he was brought up as their son. This drawing would have been done for Gordian when he was 4 years old. unknown
51-7190Paris: 1877. Portfolio of 26 engravings. 63.5 x 48cm. Edition of 100.Contemporary marbled boards with later half goatskin. Plates engraved by Yves & Barret.Very large format caricatures of Léon Gambetta; Président Grévy; Paulin Ménier rôle de Rodin dans le Juif errant; Judic et Dupuis; Route d'Orient; Le loup la chèvre et le chou vieux problème avant la lettre and 22 others.Album de la Lune rousse - épreuves sur papier bristol tirées sur pierre des 26 premiers dessins de la Lune rousse par Gill ; portefeuille à 100 ex. publié fin mai 1877 ;BnF: Notice n° : FRBNF32809726.Bookplate of Cecil B. DeMille the legendary filmmaker who was a noted book collector and maintained an enormous exceptional library with a custom phoenix-themed bookplate designed by artist Paul Iribe in 1924. His collection reflected a need for deep historical research and artistic inspiration for his lavish epic films.OCLC Number / Unique Identifier:472451769Notes:Le journal a publieÌ 3 numeÌros exceptionnels 8 mars 1877 Victor Hugo et la LeÌgende des sieÌ€cles; 5 juillet 1877 M. Thiers; 13 aouÌ‚t 1878 LeÌon Gambetta et 2 albums : "Album de la Lune rousse" eÌpreuves sur papier bristol tireÌes sur pierre des 26 premiers dessins de la Lune rousse par Gill; portefeuille aÌ€ 100 ex. publieÌ fin mai 1877.Yves et Barret fl. c. 1870 - 1890 were French engravers active in the late 19th century. They engraved political cartoons and other images for French periodicals including La Vie Parisienne. This partnership was known for creating works using gillotage a now obsolete lithographic process wherein a drawing was made on or transferred to zinc and then dusted with resin which adhered to the drawing. The resin then acted as an acid-resist when the entire plate was immersed in acid creating a relief block that could then be inked and printed from. This printing technique was popular with newspapers as it was completely compatible with blocks of type. Paris: 1877 hardcover
2003140941422Washington D.C. & Philadelphia: American Onithologists' Union & Academy of Natural Sciences of Philadelphia 2003. First Edition. Fine. A complete set in 716 original parts each one staple bound in wraps housed in 18 of publishers' leather slipcases with labels. All Table of Contents errata corrigenda slipcases and labels included. First edition. Parts Fine with occasional slight curling to spines from storage. Slipcases have minor shelf wear and a little faint creasing else Fine. A massive undertaking with each species of North American bird having its own part. One of 2400 copies of the series. American Onithologists' Union & Academy of Natural Sciences of Philadelphia unknown books
2014110275Fairchild Books. New. 2014. Paperback. 1609018982 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . Fairchild Books paperback
194913955Chicago: Year Book Publishers Inc. As New. 1949. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - -- with a bonus offer-- . Year Book Publishers, Inc. hardcover
192552309Waltham St. Lawrence: Golden Cockerel Press 1925. Limited edition no. 304 of 750 copies signed by Gill under the colophon small 4to 42 4 pp. 18 wood engravings in the text plus one each to the title page and colophon. Original cream buckram printed d.w. replicating the title page to the upper wrapper lightly foxed with some loss to the top of the spine and the lower corner of the lower wrapper. Chanticleer 31. Evan Gill 275. Not published as a signed edition with Gill's signature added later in pencil. Waltham St. Lawrence: Golden Cockerel Press unknown
1926118841926. Original proof wood engraving signed and numbered by Eric Gill “EricG’ and 17/25 in pencil one tiny spot not affecting the image otherwise very good. Oval image size 6.3 x 5 cms. 1926.An immaculate impression originally intended as a book illustration but only appearing as a numbered proof.Physick 388 One of 25 proof copies signed by Gill unknown
186847087Paris. 1868 - 1871. Red calf-backed red buckram boards titles gilt to spines some splitting to hinges. 2 vols. Folio. 444 x 340 mm. Pictorial cover with large illustration with additional colouring by hand printed text in French in triple columns and numerous monochrome vignettes throughout occasional double-page central illustrations also with additional colouring by hand from the 'Quatrième Année' many of the illustrated rear covers also with additional colouring; supplements as applicable title pages for the individual volumes and 'Designations des Charges' listing the satirical cover illustrations. A very good set with some occasional minor spotting or creasing. An excellent unsophisticated extensive run of this celebrated satirical journal with the coloured illustrated covers titles and tables as well as a large number of 'bis' issues.L'Eclipse was founded by Polo after the suspension by the censor of the journal La Lune and was to become the base for the great talents of caricaturist André Gill. It was Gill who produced the majority of the colour caricatures which illustrate the front covers of each issue of L'Eclipse. Together with Gill other leading caricaturists produced work for L'Eclipse including Paul Hadol Albert Humbert Alfred Le Petit Moloch Gedeon Lorentz etc.The range of the journal's visual ridicule was wide and encompassed all aspects and personalities of French society from literature musicals and the theatre to the politicians and the miltary. As well as one of Gill's favourite targets the French president Adolphe Thiers many other renowned figures found themselves on the front covers of L'Eclipse: Alexandre Dumas Ponson du Terrail Emile Zola Jules Valles Charles Monselet Edouard Manet Richard Wagner Victor Hugo Alphonse Daudet Theophile Gautier Edmond de Goncourt Offenbach Barbey d'Aurevilly Henry Monnier Napoleon III the President of the United States Grant Bismarck Gambetta Proudhon and many others.As well as the numerous 'bis' issues listed below this set includes the scarce supplement for issue 119 'Belisaire' and the 5 supplements issued at the end of the 'Troisième Année'.An extensive number of 'bis' issues were published together with some numbers published with duplicate numbers i.e. not strictly 'bis' numbers but issues with matching numeration listed here in brackets and this set includes the following: 14 bis 15bis 29 bis 37 bis 44 bis 46 bis 49 bis 51 bis 53 bis 55 bis 59 bis 71 bis 87 bis 92 bis 98 bis 99 bis 103 bis 105 bis 106 bis 114 bis 116 bis 127 bis 128 bis 129 bis 132 bis 133 bis 134 bis the five supplementary issues published at the end of the 'Troisième Année' 149 bis 151 bis 156 bis 160 bis 164 bis. hardcover
192418386Saint Dominic's Press 1924. Hardback linen backed boards with dust-wrapper. 32 x 26cm. 36pp. Dust jacket in second state with lettering to front panel with a few chips and stains now protected. Half-title title-page with wood-engraved figurative initial publisher's device printed in red and manuscript annotation 'No 5' followed by 34 woodcuts including one on the limitation leaf. Number 75 of 100 copies numbered and offered for sale at two guineas each from the total edition of 150. Slight wear only. Contents clean and unmarked. . First Edition. Hard Cover. Very Good/Good. Saint Dominic's Press Hardcover
