Theodore GillBiblio.com
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0484730037New. Brand new and still unused unknown
1018272399.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
187922057Paris A.Cinqualbre 1879 broché un journal satirique (newpaper), broché in-quarto (29,56 x 20 cm), 4 pages, 1ère de couverture illustrée d'un PORTRAIT-CHARGE de ARSENE HOUSSAYE colorié au pochoir par André Gill, texte de la notice biographique sur les 3 pages suivantes par Pierre et Paul, sans date(1879) Paris A.Cinqualbre Editeur,
65687Printed by Robert Gibbings at The Golden Cockerel Press for Douglas Cleverdon. Bristol. 1927. LIMITED EDITION of 260 copies. No. 254. . pp. iv blank viii 26 i blank i colophon iv blank. 6 engraved plates by Gill. Black buckram trifle faded and toned at spine ends and edges uncut first three and last bifolia unopened a very good copy inscribed at the front -'To Joan from Purcell with love On the Day of Renewal. Dec.31st 1939' bookseller's ticket on rear paste-down. Printed by Robert Gibbings at The Golden Cockerel Press for Douglas Cleverdon. Bristol. 1927. LIMITED EDITION of 260 copies. No. hardcover
1927173474Bristol England: Robert Gibbings at the Golden Cockerell Press Waltham Saint Lawrence Berkshire for Douglas Cleverdon 1927. Limited to 260 copies the first 35 of which are signed by the artist on the limitation statement and contain an extra set of engravings in the rear. Full vellum on boards warped. Gilt title on spine untrimmed and mostly unopned sheets. printed on Batchelor hand made paper with oak leaf watermark. 26 pp. 6 copperplate etchings and 6 additional duplicates in folding envelope inside rear cover. Evan Gill in his bibliography notes the following: Although the printing was completed on June 30th 1927 the book wasn't published until march 1928. 225 ordinary copies were issued numbered and signed by Gill and bound in black buckram at 21 shillings and 35 special copies numbered 1-35 bound in full vellum and signed by Gill were issued at 2 quineas although 25 of the ordinary and 5 of the special edition were not for sale. --Evan Gill. Bibliography of Eric Gill. No. 14. This copy has soiled endpapersa and a somewhat soiled and warped vellum cover. All plates present and clean. Robert Gibbings at the Golden Cockerell Press, Waltham Saint Lawrence, Berkshire, for Douglas Cleverdon hardcover books
192717117Bristol: Douglas Cleverdon 1927. Hardback black cloth gilt title to spine. 20.5cm x 12cm. 26pp. With 6 illustrations. No. 232 of a limited edition of only 260 copies signed by Eric Gill to colophon. Binding a little rubbed. Previous owner's details written to front free end-paper. Two leaves of text carelessly opened along fore edge. Very clean. Signed by Author. Limited Edition. Hard Cover. Very Good. Douglas Cleverdon Hardcover
126250Bristol: Douglas Cleverdon 1927. 26 pages with six etchings. Number 247 of 260 copies. Signed 'Eric Gill T.S.D.' in pencil on the colophon. Original black buckram gilt-lettered spine deckle edged. Printed by Robert Gibbings at the Golden Cockerel Press. Buckram 20x12cms. Gill first published his reflection on art and Christianity in the journal Blackfriars: A Monthly Review Edited by the English Dominicans in October 1924. An author's note in the present volume reveals that this reprint allowed for an expansion of Gill's theories which 'were formerly excluded in deference to puritan prejudice by editorial prudence.' He clarifies that these changes included the addition of section five 'Clothes and Nakedness'. Long involved in the reintegration of craft i.e. humanity and industry Gill's conversion to Catholicism in 1913 introduced a strictly spiritual approach to both his art and writings. In the present volume Gill explored the act of creation as an act of love and worship. The volume includes six engravings which are exceptional examples of Gill's proficiency in the medium. Four engravings are explicitly religious including a crucifixion and the inclusion of the hand of God.One print For dignity and adornment juxtaposes a 'pre-industrial' couple with a flapper and a tuxedoed man. The work accompanies Gill's criticism of contemporary fashion 'The clothes of to-day clearly show that man has forgotten his dignity and he has forgotten his dignity because he has forgotten his Love.'. Bristol: Douglas Cleverdon, 1927. hardcover
1927126250Gill, Eric: Art & Love. Bristol: Douglas Cleverdon, 1927. 26 pages with six etchings. Number 247 of 260 copies. Signed 'Eric Gill T.S.D.' in pencil on the colophon. Original black buckram, gilt-lettered spine, deckle edged. Printed by Robert Gibbings at the Golden Cockerel Press. Buckram. 20x12cms. Gill first published his reflection on art and Christianity in the journal, Blackfriars: A Monthly Review Edited by the English Dominicans in October 1924. An author's note in the present volume reveals that this reprint allowed for an expansion of Gill's theories which 'were formerly excluded in deference to puritan prejudice by editorial prudence.' He clarifies that these changes included the addition of section five, 'Clothes and Nakedness'. Long involved in the reintegration of craft (i.e. humanity) and industry, Gill's conversion to Catholicism in 1913 introduced a strictly spiritual approach to both his art and writings. In the present volume, Gill explored the act of creation as an act of love and worship. The volume includes six engravings which are exceptional examples of Gill's proficiency in the medium. Four engravings are explicitly religious, including a crucifixion and the inclusion of the hand of God.One print, For dignity and adornment, juxtaposes a 'pre-industrial' couple with a flapper and a tuxedoed man. The work accompanies Gill's criticism of contemporary fashion, 'The clothes of to-day clearly show that man has forgotten his dignity and he has forgotten his dignity because he has forgotten his Love.'.
1927126250Gill, Eric: Art & Love. Bristol: Douglas Cleverdon, 1927. 26 pages with six etchings. Number 247 of 260 copies. Signed 'Eric Gill T.S.D.' in pencil on the colophon. Original black buckram, gilt-lettered spine, deckle edged. Printed by Robert Gibbings at the Golden Cockerel Press. Buckram. 20x12cms. Gill first published his reflection on art and Christianity in the journal, Blackfriars: A Monthly Review Edited by the English Dominicans in October 1924. An author's note in the present volume reveals that this reprint allowed for an expansion of Gill's theories which 'were formerly excluded in deference to puritan prejudice by editorial prudence.' He clarifies that these changes included the addition of section five, 'Clothes and Nakedness'. Long involved in the reintegration of craft (i.e. humanity) and industry, Gill's conversion to Catholicism in 1913 introduced a strictly spiritual approach to both his art and writings. In the present volume, Gill explored the act of creation as an act of love and worship. The volume includes six engravings which are exceptional examples of Gill's proficiency in the medium. Four engravings are explicitly religious, including a crucifixion and the inclusion of the hand of God.One print, For dignity and adornment, juxtaposes a 'pre-industrial' couple with a flapper and a tuxedoed man. The work accompanies Gill's criticism of contemporary fashion, 'The clothes of to-day clearly show that man has forgotten his dignity and he has forgotten his dignity because he has forgotten his Love.'.
1928HG20312Great Britain: The Golden Cockerel Press 1928. Brick cloth gilt spine title top edge speckled & others untrimmed & limited edition; A very good copy with no dust jacket; 18 pages. Size: 4.75"x7.75". Hardcover. Illus. by Eric Gill. The Golden Cockerel Press Hardcover
7405Waltham Saint Lawrence Golden Cockerel Press 1928. One of 500 numbered copies. Cloth uncut 5 18 1 pp. illustrated with 2 original full-page engravings by Gill. Fine. CHANTICLEER 61. <br/><br/> Waltham Saint Lawrence, Golden Cockerel Press, 1928 hardcover
19286773London: Golden Cockerel Press. Very Good in Very Good dust jacket. 1928. Limited Edition. Hardcover. No. 119 of 500 copies printed by Robert Gibbings. DJ has verylight wear at edges. ; approx. 5" x 8" . Golden Cockerel Press hardcover
1928129109Golden Cockerel Press 1928. hardcover. Very Good. 0x0x0. 1928 Golden Cockerel Press small slender hardcover in jacket number 34 of limitation of 500 tight and unmarked. Please email for photos. Golden Cockerel Press hardcover
1928622491Waltham St. Lawrence: The Golden Cockerel Press 1928. Hardcover. Very Good/Very Good. First edition. Toning on the boards and some page toning thus very good with some uncut pages in a very good dust jacket with toning and shallow chips. One of 500 numbered copies. The Golden Cockerel Press hardcover
1928162739Waltham Saint Lawrence: The Golden Cockerel Press 1928. Pp. vi182colophon blank 2 copper engraved plates title page vignette; narrow post 8vo; red buckram spine lettered in gilt the cloth slightly faded edges a trifle rubbed; uncut; dust wrapper faintly marked slightly creased and split at top edge tiny faded spot to bottom edge of back panel the backstrip lightly faded and with a couple of small chips at head; book label of David Levine Sydney on upper pastedown outer leaves and edges lightly foxed; The Golden Cockerel Press Waltham Saint Lawrence 1928. Edition limited to 500 numbered copies. Chanticleer 61; Gill 15. The Golden Cockerel Press unknown
1928202170Waltham St. Lawrence: Golden Cockerell Press 1928. First edition. Cloth. Extremities a bit rubbed slightest lightening to spine else fine without dust jacket. Small 8vo; two intaglio illustrations by Gill; 18pp; original orange buckram stamped in gilt on spine. One of 500 numbered copies in the edition printed by Robert Gibbings. Golden Cockerell Press unknown
51-0974Waltham St Lawrence: Golden Cockerel Press 1928. 8vo. Original orange buckram in a custom marbled chemise and slipcase with lettering.Various inserts from sale catalogues of other copies laid in. Limited to 500 copies of which this is no. 82. Illustrated with a wood-engraving Physick 382 and two copper engravings Physick 505 and 506 by Eric Gill. Evan Gill Bibliography 15; Chanticleer 61; Skelton 8. Waltham St Lawrence: Golden Cockerel Press, 1928 hardcover
1928124160N.P.: Golden Cockerel Press 1928. orange cloth. Golden Cockerel Press. 12mo. orange cloth. vi 18 2 pages 2 plates. An Essay by Eric Gill. Limited to 500 copies Cave 61; Chanticleer: 61. The essay was originally a lecture at Manchester University on 7 February 1928. Two engravings on copper by the author accompany the text. Printed on Kelmscott hand-made paper using Caslon O.F. type. Wolfe 31. Spine slightly faded. With previous owners stamp on front pastedown. Golden Cockerel Press unknown books
7405Waltham Saint Lawrence Golden Cockerel Press 1928. One of 500 numbered copies. Cloth uncut 5 18 1 pp. illustrated with 2 original full-page engravings by Gill. Fine. CHANTICLEER 61. <br/><br/> Waltham Saint Lawrence, Golden Cockerel Press, 1928. hardcover books
192955497London:: Cassell & Co. 1929. First edition. publisher's blue cloth in dust jacket. Pencilled bibliographical notes on front pastedown eraseable; very slightest of bumping to the lower corners; slight foxing to endsheet;' otherwise fine i a price-clipped jacket with a tanned spine and some light soiling. . 8vo. Title page woodcut vignette by Eric Gill. Cassell & Co., hardcover
1934115399John Lane the Bodley Head 1934. Hardcover. Very good/Good. Jacket spotted. Covers clean. John Lane the Bodley Head hardcover
8119London: John Lane the Bodley Head Ltd. 1934. Sm 8vo 7.5" x 5" red cloth over boards with author/title/series stamped in black at spine and series and design of a human and serpent stamped in black at upper cover; original printed dj; xi 158 pp. 2 pp. pub. ads. Bookplates of Eric Gill and Wyman Parker on front paste-down ownership inscription of Eric Gill on ffep. dated "July 13. 34". CONDITION: Very good spine and extremities sunned slight dent to lower right corner of upper cover; dj good chipped at spine and separated at upper hinge soiling to match dent in cover. <p>First edition. Author's copy with his bookplate ownership inscription and numerous corrections and amendments to the text and index in his hand.</p> London: John Lane the Bodley Head Ltd., [1934] unknown
19271396252Bristol: Douglas Cleverdon 1927. First Edition; 40/260. Hardcover. 12mo 26 pages. In Very Good minus condition. Bound in the publisher's black cloth bearing gilt lettering to the spine. Boards have moderate wear including sunning some whitish spotting and rubbed edges. Text block has light wear including minor foxing to the end papers and slight cracking to the gutters to few pages. Deckled edges. Illustrated. Number 40 of 260 signed and numbered copies. First edition. Signed by Eric Gill.<br /> <br /> <p>NOTE: Shelved in Netdesk office Case #4. 1396252. FP New Rockville Stock. Douglas Cleverdon hardcover
192972190London: The Fanfare Press 1929. 12mo.Pamphlet. Denis Tegetmeier's copy gifted from Eric Gill: 'Denis from EG' written in pencil to front cover. 16 pp. Paper pamphlet edges slightly browned and the very occasional spot otherwise internally clean. 2 wood engraving illustrations alongside Gill's essay on the interrelation of industry and art. . Very Good. Paper Covers. 1929. The Fanfare Press 1929 unknown
192911543London: Printed by the Fanfare Press for the New Handworkers’ Gallery 1929. One of only 60 special copies signed by Gill this no.49. Two wood engravings after designs by Eric Gill - the blocks were cut by John Beedham and touched up by Gill. Pp. 20 paginated to p.56 as this was the fourth title in the series of Handworkers’ pamphlet the first three were printed at the St. Dominic’s Press. 8vo. sewn as issued. Extremely good fresh copy with only a couple of small brown marks on first and last two leaves.Here are Gill’s thoughts eloquently put on what is Art and what it is for. “The artist is a man who makes things - that is his proper functionâ€. He states that “All men who make things are artists.all workmen were artist.this is not so today.The majority of men today do not make things. They only do things. They only do what they are told.They are mere puppets.†The two wood engravings are puppet images of people merely doing things. One of only 60 copies signed by Gill Printed by the Fanfare Press for the New Handworkers’ Gallery unknown
