12 218 résultats
1929129110New Handworkers' Gallery 1929. paperback. Very Good. 0x0x0. Small 13 page pamphlet with lightly soiled covers now under mylar. Please email for photos. New Handworkers' Gallery paperback
192942088London: New Handworkers' Gallery 1929. 8vo iv 43-56 2 pp including wrappers. Title device plus 2 wood engravings by Beedham after designs by Gill. Sewn as issued a couple of spots otherwise a fine copy. Originally delivered as a lecture entitled "Art in Relation to Life" and distinct from a 1934 lecture called "Art and Manufacture" which was published in the collection "Work and Leisure" in 1935. The fourth and final publication in the series; the other three "The Idea Behind Craftsmanship" by Phillippe Mairet "Instead of a Catalogue" by Romney A. Green and "A Potter's Outlook" by Bernard Leach were printed at the Saint Dominic's Press this being printed at the Fanfare Press. Evan Gill 19. London: New Handworkers' Gallery unknown
192818750Golden Cockerel Press 1928. Hardback with dust-wrapper. 20 x 12cm. 18pp 2. Title page vignette and and two full page copper engravings by Gill. Number 59 of an edition of 500 copies. Dust-wrapper slightly chipped and rubbed. Book itself is an excellent copy with slightest wear only. First Edition. Hard Cover. Very Good/Good. Golden Cockerel Press Hardcover
1930118951930. Original wood engraving. Inscribed by the artist ‘L.W. from EG’. Image size 7.2 x 13.3 cm. Mounted and framed.Engraving for ‘Clothes’ by Eric Gill published by Jonathan Cape in 1931.<br>Rather charmingly the engraving depicts a sculptor with a strong resemblance to Gill. L.W. may well be Leonard Woolf with whom Gill was friendly and with whom he corresponded. There are records of books inscribed by Gill to Woolf at this time including a copy of The Four Gospels in 1931.Physick 714 Inscribed by Gill probably to Leonard Woolf hardcover
193042508London: Sheed and Ward 1930. First edition thus. 8vo. xii 232 pp. Publisher's black cloth gilt lettered to the spine Eric Gill's copy inscribed by him in his distinctive hand on the front free endpaper "E.G. Pigotts. Mch 1930 from G.K.'s Weekly for review". Occasional light edge wear and a few marks to the covers else very good. This work by the French Catholic philosopher Jacques Maritain was first published in France in 1920. Gill was purportedly introduced to it by his mentor Father Vincent McNabb and was so taken with it that he produced the first English edition for the St. Dominic's Press in 1923. Translated by Father John O'Connor it was published under the title "The Philosophy of Art". Fiona MacCarthy refers to Gill's involvement in that edition and the profound effect it had on the wider artistic Ditchling community -"When St. Dominic's Press was printing it the brethren tended to congregate around the chapel soon after the nine o'clock sung office and would then discuss the finer points of Maritain all morning." The influence of the work on Gill lasted too. Years later after Gill had moved to Capel-y-ffin and started another artists colony René Hague would refer to "endless talking in particular about Maritain and the philosophy of art". Evan Gill 127. London: Sheed and Ward unknown
1934986W22London: The Bodley Head; Faber and Faber; Jonathon Cape; Cassell & Company Ltd.; James Clarke; J. M. Dent & Sons Ltd; Neville Spearman 1934; 1935; 1936; 1941; 1942; 1944; 1946; 1951; 1954. Hardback. Very Good Indeed/Very Good Indeed. 7" by 5"; 7" by 4.5"; 7.5" by 5"; 7.5" by 5.5"; 8" by 5.5"; 9" by 6"; 10" by 7". Eric Gill. An extensive collection of the works of sculptor Eric Gill - both artistic and literary. A lovely 9 volume collection of works by and pertaining to the creative legacy of controversial sculptor Arthur Eric Rowland Gill.Includes 5 titles in their original dust wrappers 4 of which remain unclipped.Includes 3 first edition copies - volumes 3 5 and 7.Features several illustrated titles - volumes 4 and 5 contain a monochrome frontispiece and additional vignette illustrations while volume 8 and 9 contain plates.Volume 8 features 25 leaves of monochrome plates. Collated complete.Volume 9 features 24 unnumbered leaves of plates. Collated from a copy held by the British Library complete.Volume 6 in additional brown paper wrap as well as the original dust wrapper. Decorated with a gilt top edge. Bound in original cloth. Externally very smart. Occasional marks to boards shelf wear and age toning and spotting to endpapers. Infrequent spotting to text block edges. Vol2 fading to spine corresponding with dust wrapper tears. Vol1 tape repair to front hinge rear hinge starting. Alternative dust wrapper for title by William J. Locke printed on reverse of vol1 dust wrapper. Vol3 upside down bookplate to rear paste down. Vol4 last two pages unevenly cut to bottom edge. Vol7 newspaper extract tipped in to front free endpaper. Vol9 indent to fore edge of board. Dust wrappers overall very smart - age toning to reverse. Chipping and rubbing to dust wrapper extremities. Significant tears to vol2 vol7 dust wrappers. Sunning to dust wrapper spines. Vol8 dust wrapper clipped. Internally firmly bound. Pages generally bright and clean with infrequent spotting and age toning. Very Good Indeed The Bodley Head; Faber and Faber; Jonathon Cape; Cassell & Company, Ltd.; James Clarke; J. M. Dent & Sons Ltd; Neville Spearman hardcover
ria9781137408563_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Why do girls study art and why do girls become primary teachers This book examines and reveals the powerful influence of the family the school and the state in shaping female identity and constructing notions of gender appropriateness hardcover
2015x-1137408561Palgrave Macmillan 2015. Hardcover. New. 177 pages. 6.00x4.00x1.00 inches. Palgrave Macmillan hardcover
1137408561.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
23943733like new. unknown
2016115263Palgrave Macmillan. New. 2016. Hardcover. 1137408561 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . Palgrave Macmillan hardcover
J03D-00725HarperCollins. Used - Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates stamps limited notes and highlighting or a few light stains. HarperCollins unknown
2002Q-0060196971Harper 2002-04-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Harper hardcover
2003Q-006095681XHarper Perennial 2003-05-13. Paperback. New. In shrink wrap. Looks like an interesting title! Harper Perennial paperback
2002272119New York: HarperCollins 2002. Hardcover. Near Fine/Fine. First edition. 480 pages. Near fine in fine dustwrapper. Spine ends bumped. Illustrated with black and white photographs. HarperCollins hardcover
2002Embry 193981HarperCollins 2002. First edition first printing. Lower spine and corners lightly bumped near fine in near fine dust jacket in mylar cover. HarperCollins, 2002. First edition, first printing. unknown books
192917898<p>London: Cassell & Co. LTD. & Francis Walterson 1929 First trade edition. A limited edition of 100 copies bound in maroon cloth was also published. Blue buckram with gilt-lettered spine and bevelled edges. Octavo. Binding extremities lightly rubbed. Spine has some light toning and fading. Bookplate of Merle Armitage on front pastedown. Pages untrimmed. Holographic Eric Gill letter written to Merle Armitage and dated 6/3/31 laid in. Gill writes: "I would sign your book for you with / pleasure if you wd. send it. But this / seems a large trouble for so small an / advantage. / Why not cut out the above signature & stick it in" A very good copy and a wonderful association In Art-Nonsense and Other Essays Gill opens with an "apology" to the reader in which he writes "Two primary ideas run through all the essays in this book: 'that art is simply the well making of what needs making' and that 'art is collaboration with God in creating.' Written at various times and for various occasions I was sometimes moved by the one sometimes by the other. One essay will appear in consequence to contradict another. This seems unavoidable but apology is offered for the gymnastics to which the reader is compelled. After all life is full of these apparent contradictions and a robust mind is one that is not disturbed thereby."</p> Cassell & Co., LTD. & Francis Walterson, hardcover
1929ARC93731Cassell & Co. Ltd. and Francis Walterson London 1929. Book. Near Fine. Hardcover. 1st Edition. First Edition first printing. 8vo. x 324pp. Blue buckram with bevelled edges lettered in gold at the spine. With a title page engraving by the author. Free endpapers and fore edge lightly spotted. All gatherings uncut at the upper edge. A virtually fine unopened copy in the uncommon dust wrapper non-price-clipped but lightly toned at the spine panel and the margins of the front and rear panels and with a touch of wear to the head of the spine panel. A two-page Apology by the author precedes twenty-four essays. A superb copy printed by the Cambridge University Press in Perpetua type designed by Eric Gill - the first ever use of this font there is some printed underlining in the text to represent italics - the italic form of Perpetua was not available when the book went to press. Cassell & Co. Ltd., and Francis Walterson, London Hardcover
1934211236London: Cassell & Co. 1934. Hardcover. VG-/Good-. 324 pages in very good clean condition; edges yellowed. Bottom corner is creased on pages 287-308. Previous owner's bookplate on fep and signature on ffep Brown cloth gilt titles. Corners lightly bumped. Yellow DJ black titles. Spine darkened corners chipped lightly soiled. VG-/GOOD- <br/> <br/> Cassell & Co. hardcover
1929234896Cassell & Co. Ltd. & Francis Walterson 1929. First edition 30 of 100 copies signed. With Gill woodcut on title page. x 324 1 pp. 1 vols. 8vo. Maroon cloth. Fine in original maroon paper over boards damaged box. First edition 30 of 100 copies signed. With Gill woodcut on title page. x 324 1 pp. 1 vols. 8vo. The first use of "Perpetua" Type designed by Gill. Gill Bibliography 18 Cassell & Co., Ltd. & Francis Walterson unknown books
19532092902140500254Sogen-sha 1953. Soft Cover. Fine. Number of pages: 210 pages Size: 19cm Number of books: 1 Sogen-sha paperback
1929125648Cassell & Francis Walterson 1929. Limited Edition. Hardcover. Very Good. Original red hardback with gilt lettered spine: firm and square strong joints just slightly sunned. Contents tight and clean; no pen-marks. Not from a library so no such stamps or labels. Note: this is number 69 of just 100 copies printed on large paper. Signed by Eric Gill. Thus a scarce book in very presentable condition. Cassell & Francis Walterson hardcover
19293653London: Cassell. Very Good. 1929. Red Cloth. Number 11 of only one hundred large paper copies signed by the author. Top edge gilt others deckled bevelled boards. Spine slightly faded otherwise a very nice clean copy free of owners' names or plates. ; 8vo ; x 324 1 pages; Additional images and further information provided upon request.; Signed by Author; All shipments through USPS insured Priority Mail. . Cassell hardcover
19299033818London: Cassell & Co. Ltd. & Francis Walterson 1929. 1st. Hardcover. Very good. Beautiful Gill illustration on title page. This is the first use of Gill's "Perpetua" type. Bound in blue cloth with spine stamped in gilt. Pages are uniformly clean and bright. Faint foxing to endpapers only. Corners bumped spine lightly sunned but cloth in very good condition with no breaches. A great fresh and rugged copy. 5 3/4 x 8 3/4 inches. 324 pages. <br/><br/> Cassell & Co. Ltd. & Francis Walterson hardcover