458 résultats
199544862NY: Routledge 1995. Paperback. Very good. 192pp index. Tanned overall else very good in publisher's wraps. <br/><br/> Routledge paperback books
1927303935Villa des Palmiers Salies-de-Béarn France 1927. 2 pp. in green ink. 4to. Some wrinkling closed tear to blank margin slight toning old folds. 2 pp. in green ink. 4to. With architectural drawings and referencing Troilus & Criseyde. Gill writes to his friend J.G. Wilson of the Bumpus Bookshop in London regarding his engraving "Flying Buttresses" mentioning his work on Troilus & Criseyde for the Golden Cockerel Press and mentioning another of his publishers. An excellent technical letter with 5 small drawings in the text. In part: "I am working like anything on the engravings for the Golden Cockerel Troilus & Criseyde. I expect to finish the engravings by about Easter . I shall come and see you as soon as possible to talk over things and explain how it happened that D. Cleverdon is publishing my next . Meanwhile this is just to make a brief apology for myself in the matter of the Buttresses! Is matter of fact they aren't so blooming wrong in the engraving as your correspondent thinks. It's the perspective which makes the difficulty." The engraving in question is "Flying Buttresses" based on a drawing of St. Pierre Chartes used to illustrated Gill's 1926 essay "Id Quod Visum Placet." Gill uses the rest of the letter to explain with the aid of five small sketches why the perspective is in fact correct. Douglas Cleverdon the Bristol bookseller and publisher brought out Gill's Art and Love in 1927 as well as a collection of his engravings in 1929. unknown books
1934604838<p>1934. "Eric Gill" in black fountain pen ink Jerusalem June 13 1934. 8" x 10". 1 page recto only. Very good. To Mr. Sutcliffe: In full: "Many thanks for your letter of June 4. I shall be back home in July & will come and see you about the matter as soon as possible. . ." Probably the London book binder George Sutcliffe.</p> unknown books
196841629NY: Biblio and Tannen 1968. First printing of this reissue originally published in 1941. xv 300 pp w/illustrations. Upper corners lightly bumped else near fine in full cloth. Introduction by Beatrice Warde. NY: Biblio and Tannen, hardcover books
1940294512London: Jonathan Cape 1940. First. hardcover. near fine/poor. Frontispiece black and white illustrations 8vo red cloth chipped d.w. London: Cape 1940. First Edition.<br/><br/> Near fine copy in a tattered dust wrapper with faded spine.<br/><br/> Jonathan Cape unknown books
194137694New York: Devin-Adair Company 1941. First American Edition. Octavo 21.5cm.; publisher's cloth in grey pictorial dust jacket; xv1300pp. & 13 leaves of plates printed on rectos and versos. Some general wear to cloth and jacket extremities the latter with a few short closed tears and chips spine toned some frayed spliting along jacket foldsbookseller ticket to rear pastedown else Very Good in About Very Good only jacket. GILL 49. Devin-Adair Company unknown books
194251426New York: Devin-Adair Company 1942. Fifth printing 8vo pp. xv 1 300 2 plus 26 leaves of illustration; original blue cloth gilt title on spine; textblock split near upper hinge underlining in one or two places good. Introduction by Beatrice Warde. Bookplate of Guilielmi William Foley. <br/><br/> Devin-Adair Company hardcover books
194149744New York: The Devin-Adair Co 1941. First American edition 8vo pp. xv 1 300 plus 112 leaves of illustration; dust jacket with 2-inch square piece missing front lower left corner not touching the jacket illustration; else very good. Introduction by Beatrice Warde. Bookplate of Stuart Schimmel. <br/><br/> The Devin-Adair Co unknown books
194178184New York: The Devin-Adair Company 1941. cloth. 8vo. cloth. 283 pages. First edition third impression. Slightly rubbed. The Devin-Adair Company unknown books
194116948New York: Devin Adair 1941. 7th prtg. Grey cloth binding. Dust jacket. Gd edges are slightly rubbed. small snag on front/Gd chipped with a few small tears along edges. price clipped. slightly sunned. xv 1 300pp illustrations. 8vo. <br/><br/> Devin Adair hardcover books
1940115491Baltimore: The Williams and Wilkins Company 1940. cloth. 12mo. cloth. iv 76 pages. A guide to navigating the process of publishing and printing books. Table of contents. Spine lightly faded. The Williams and Wilkins Company unknown books
192715633Ditchling: St. Dominic's Press 1927. Original Wraps. Orig. illustrated wrappers. Fine. 4 leaves. 13 x 9 cm. Two woodcuts and initial letter by Gill printed from Caslon O.F. on hand made paper. This was one of the Rhyme Booklets No.9 in St. Dominic's Press Book List published 1930. GILL 392. Clean bright copy. St. Dominic's Press unknown books
19348983London: J.M. Dent 1934. Hardcover. Orig. decoratedcrimson cloth. Near fine in very good dust wrapper. 130 pp. 8voedited by M.R. Ridley. The New Temple Shakespeare. With title-page half-title binding and jacket designs by Eric Gill. Teg. J.M. Dent hardcover books
197117819New York: Pierpont Morgan Library 1971. Softcover. VG- very slight wear to cover edges. Brown wraps. 52 pp. 64 bw plates. Catalogue by Felice Stampfle and Cara DuFour with an introduction by Brendan Gill. Pierpont Morgan Library unknown books
192937447London: Cassell & Co & Francis Walterson 1929. First Edition. Octavo. Blue linen boards with gilt spine titles; x 324pp. Page edges untrimmed. Spine quite sunned as usual gilt still legible else a straight tight and attractive copy; Very Good lacking the dustwrapper. Essay collection including a number of key works including "Songs Without Clothes" 1921 "Wood Engraving" 1922 "A Grammar of Industry" 1919 etc. Cassell & Co & Francis Walterson unknown books
192951439London: Cassell & Co 1929. First edition 8vo pp. x 324 2; title-page vignette reproduction of "Bell Sauvage IV: girl standing"; original blue buckram gilt-lettered spine spine toned else fine. "The type of which this is the first use is the 'Perpetua' designed by the author and cut by the Lanston Monotype Corporation Limited London" - colophon. A few words and passages are underlined the italics for the font not being available at the time of publication. Gill 18. <br/><br/> Cassell & Co hardcover books
192941382London: Cassell & Co 1929. First edition 8vo pp. x 324 2; title-page vignette reproduction of "Bell Sauvage IV: girl standing"; original blue buckram gilt-lettered spine spine toned else fine. "The type of which this is the first use is the 'Perpetua' designed by the author and cut by the Lanston Monotype Corporation Limited London" - colophon. A few words and passages are underlined the italics for the font not being available at the time of publication. Gill 18. <br/><br/> Cassell & Co hardcover books
222135London Cassell & Co. Ltd. & Francis Walterson 1929. First edition. 8vo. Woodcut on title page. Original maroon cloth t.e.g. uncut. Fine. Enclosed in publishers box with printed label which is worn. No other signatures or bookplates. #76/100 numbered copies signed by Gill in black fountain pen ink on the colophon page. Gill #18. Signed by Authors. F. Hardcover. hardcover books
1929234896Cassell & Co. Ltd. & Francis Walterson 1929. First edition 30 of 100 copies signed. With Gill woodcut on title page. x 324 1 pp. 1 vols. 8vo. Maroon cloth. Fine in original maroon paper over boards damaged box. First edition 30 of 100 copies signed. With Gill woodcut on title page. x 324 1 pp. 1 vols. 8vo. The first use of "Perpetua" Type designed by Gill. Gill Bibliography 18 Cassell & Co., Ltd. & Francis Walterson unknown books
2002Embry 193981HarperCollins 2002. First edition first printing. Lower spine and corners lightly bumped near fine in near fine dust jacket in mylar cover. HarperCollins, 2002. First edition, first printing. unknown books
7405Waltham Saint Lawrence Golden Cockerel Press 1928. One of 500 numbered copies. Cloth uncut 5 18 1 pp. illustrated with 2 original full-page engravings by Gill. Fine. CHANTICLEER 61. <br/><br/> Waltham Saint Lawrence, Golden Cockerel Press, 1928. hardcover books
1928124160N.P.: Golden Cockerel Press 1928. orange cloth. Golden Cockerel Press. 12mo. orange cloth. vi 18 2 pages 2 plates. An Essay by Eric Gill. Limited to 500 copies Cave 61; Chanticleer: 61. The essay was originally a lecture at Manchester University on 7 February 1928. Two engravings on copper by the author accompany the text. Printed on Kelmscott hand-made paper using Caslon O.F. type. Wolfe 31. Spine slightly faded. With previous owners stamp on front pastedown. Golden Cockerel Press unknown books
1927173474Bristol England: Robert Gibbings at the Golden Cockerell Press Waltham Saint Lawrence Berkshire for Douglas Cleverdon 1927. Limited to 260 copies the first 35 of which are signed by the artist on the limitation statement and contain an extra set of engravings in the rear. Full vellum on boards warped. Gilt title on spine untrimmed and mostly unopned sheets. printed on Batchelor hand made paper with oak leaf watermark. 26 pp. 6 copperplate etchings and 6 additional duplicates in folding envelope inside rear cover. Evan Gill in his bibliography notes the following: Although the printing was completed on June 30th 1927 the book wasn't published until march 1928. 225 ordinary copies were issued numbered and signed by Gill and bound in black buckram at 21 shillings and 35 special copies numbered 1-35 bound in full vellum and signed by Gill were issued at 2 quineas although 25 of the ordinary and 5 of the special edition were not for sale. --Evan Gill. Bibliography of Eric Gill. No. 14. This copy has soiled endpapersa and a somewhat soiled and warped vellum cover. All plates present and clean. Robert Gibbings at the Golden Cockerell Press, Waltham Saint Lawrence, Berkshire, for Douglas Cleverdon hardcover books
2007153475London: Nobody / Archive of Modern Conflict 2007. First edition. Hardcover. Self published artist book. Number 3 of only 100 copies. A collection of color photographs by Gill and with an afterword by Iain Sinclair. A fine copy in boards and in a fine cloth clamshell box. No dust jacket as issued. Signed and numbered by Gill on the title page and additionally signed by Sinclair as well. Includes an original c- print of an image by Gill that is signed by him on the reverse side. Nobody / Archive of Modern Conflict unknown books
33528GILL Harold B. APPRENTICES IN VIRGINIA 1623-1800. Salt Lake City: Ancestry 1989. 8vo. Printed wrappers. viii 295 1 pages. First edition. The definitive reference source of colonial Virginia apprentices--a major genealogical tool. Over three thousand apprentices are listed with their occupations masters dates and location. Very good. unknown books
