161 résultats
188683276Paris: Au cabaret Le Chat noir 1886. Fine. Au cabaret Le Chat noir Paris 1886 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This issue consists of 4 pages and is illustrated with a comic strip by Théophile Alexandre Steinlen ""Actualité brûlante"". Literary contributions by Francisque Sarcey ""Chronique du bon sens"" Jean Richepin ""Le chat noir"" Abel Hamel ""Qui a bu ne peut plus boire"" Georges Courteline ""Madame Dieu-nous-voit"". Le Chat noir is a weekly review created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name serving as its memory. It published texts recited during the performances. It constitutes moreover an important literary and artistic testimony of the end of the 19th century centered around bohemian life and the Parisian effervescence that characterized it. Au cabaret Le Chat noir unknown
188788808Paris: Au cabaret Le Chat noir 1887. Fine. Au cabaret Le Chat noir Paris 9 avril 1887 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This four-page issue features a large double-page illustration by Steinlen. Literary contributions by Alphonse Allais Bébert Pimpinelli Pose de lapin dedicated to Albert Tinchant and Narcisse Lebeau Paravent. Some marginal tears and stains. Le Chat noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 intended to promote the famous cabaret of the same name which it sought to commemorate. It published the texts recited during the performances and stands as a major literary and artistic document of late 19th-century bohemian life and the distinctive Parisian vitality of the era. Au cabaret Le Chat noir unknown
188481915Paris: Au cabaret Le Chat noir 1884. Fine. Au cabaret Le Chat noir Paris 1884 31 x 45 cm en feuillets First edition. This issue consists of 4 pages and is illustrated with a full-page comic strip by Théophile Alexandre Steinlen ""Le chat et la grenouille"" ""The cat and the frog"". Literary contributions by Georges Auriol ""Fleur d'orange"" ""Orange blossom"" Rodolphe Salis Léo Niversac ""Bulletin du Chat Noir"" ""Chat Noir bulletin"" Jules Jouy. A few minor marginal tears of no consequence. Le Chat noir was a weekly magazine created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name of which it served as the memory. It published texts recited during the shows. It is moreover an important literary and artistic testimony of the end of the 19th century centered around the bohemian lifestyle and the Parisian effervescence that characterized it. Au cabaret Le Chat noir unknown
188681973Paris: Au cabaret Le Chat noir 1886. Fine. Au cabaret Le Chat noir Paris 1886 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. The issue consists of 4 pages and is illustrated with a comic strip by Théophile Alexandre Steinlen: ""Les mésaventures d'Auguste"". Literary contributions by Alphonse Allais ""L'avancement"" Maurice Mac Nab ""La vue de Naples"" Eugène Godin ""Ronds de cuir"". Fine copy. Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name of which it intended to be the record. It published texts declaimed during the performances. It is moreover an important literary and artistic testimony of the late nineteenth century around the bohemia and the Parisian effervescence that was its own. Au cabaret Le Chat noir unknown
188481999Paris: Au cabaret Le Chat noir 1884. Fine. Au cabaret Le Chat noir Paris 1884 31 x 45 cm en feuillets First edition. The issue is illustrated with a drawing by Théophile Alexandre Steinlen ""Au clair de la lune drame sombre"". Other contributions by Jules Jouy J. Chevalier Léopold Stapleaux ""Hugo ne mourra pas"". One fold to right margin of the third and final pages. Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name serving as its memory. It published texts recited during performances. It constitutes moreover an important literary and artistic testimony of the late nineteenth century centered around bohemian life and the Parisian effervescence that characterized it. Au cabaret Le Chat noir unknown
189046401850Paris, Benoit, (v. 1890) ; partition grand in-8, 4 pp.Lithographie originale coloriée de Steinlen. Parfait état.
1833316700Lausanne: Spengler & Cie 1833. extensive panoramic scroll of this once-in-a-generation wine festival original hand-coloured lithograph on 30 plates conjoined. each plate aprox. 185 x 500 mm. 7 1/4 x 19 3/4 in. The first 15 plates mounted on the back of the latter 15 some minor spotting and light creasing folding concertina-style into modern marbled boards. Bound without wrappers. extensive panoramic scroll of this once-in-a-generation wine festival original hand-coloured lithograph on 30 plates conjoined. each plate aprox. 185 x 500 mm. 7 1/4 x 19 3/4 in. An impressively large panorama running over 14 meters in total. The fête of 1833 was held over two days in August involving nearly 800 participants pulling numerous floats and was organized by David Constantin and Steinlen. In the present day the Swiss fête is organized by the Confrérie des Vignerons Brotherhood of Winegrowers and while they are free to choose how often the festival takes place it can only happen five times each century. The next Fête des Vignerons was held in July 2019.<br /> <br /> There were two showings with tickets costing between one and three francs each. The vignerons Jean-Louis Blanchoud and the Lécheyres brothers were crowned. A further thirty-two vignerons also received awards. This scroll depicts the actual participants in the procession wearing costumes also designed by Steinlen. Many of the floats are symbolic and represent the seasons or Bacchus but many of them show the actual tools of the trade such as a display of barrel making various crop management tools and even a large wine press. The final image is that of Noah's ark as Noah is considered to be the first vigneron. This publication is one a number of illustrative depictions of the 1833 Fête Simon lists three alone in Bibliotheca Gastronomica. Andre Simon Bibliotheca Gastronomica no.1558; Reed p. 87; Bobins 1313. OCLC locates copies at California State University Fresno the Getty and Bibliotheque d'Art et d'Archaelogie Switzerland Spengler & Cie unknown
1833316700Lausanne: Spengler & Cie 1833. extensive panoramic scroll of this once-in-a-generation wine festival original hand-coloured lithograph on 30 plates conjoined. each plate aprox. 185 x 500 mm. 7 1/4 x 19 3/4 in. The first 15 plates mounted on the back of the latter 15 some minor spotting and light creasing folding concertina-style into modern marbled boards. Bound without wrappers. extensive panoramic scroll of this once-in-a-generation wine festival original hand-coloured lithograph on 30 plates conjoined. each plate aprox. 185 x 500 mm. 7 1/4 x 19 3/4 in. An impressively large panorama running over 14 meters in total. The fête of 1833 was held over two days in August involving nearly 800 participants pulling numerous floats and was organized by David Constantin and Steinlen. In the present day the Swiss fête is organized by the Confrérie des Vignerons Brotherhood of Winegrowers and while they are free to choose how often the festival takes place it can only happen five times each century. The next Fête des Vignerons was held in July 2019<br/>There were two showings with tickets costing between one and three francs each. The vignerons Jean-Louis Blanchoud and the Lécheyres brothers were crowned. A further thirty-two vignerons also received awards. This scroll depicts the actual participants in the procession wearing costumes also designed by Steinlen. Many of the floats are symbolic and represent the seasons or Bacchus but many of them show the actual tools of the trade such as a display of barrel making various crop management tools and even a large wine press. The final image is that of Noah's ark as Noah is considered to be the first vigneron. This publication is one a number of illustrative depictions of the 1833 Fête Simon lists three alone in Bibliotheca Gastronomica. Andre Simon Bibliotheca Gastronomica no.1558; Reed p. 87; Bobins 1313. OCLC locates copies at California State University Fresno the Getty and Bibliotheque d'Art et d'Archaelogie Switzerland Spengler & Cie unknown books
189577940Librairie Gueteville | Paris 1895 | 12.50 x 19.50 cm | relié
189584795Librairie Gueteville | Paris 1895 | 12.50 x 19.50 cm | broché
189584795Paris: Librairie Gueteville 1895. Fine. Librairie Gueteville Paris 1895 12.50 x 19.50 cm broché First edition illustrated with a cover and drawings by Théophile Alexandre Steinlen. Spine cracked at head and foot. Autograph inscription dated and signed by Paul Chambot with the additional signature of Ambroise Girier to A. Patay. Librairie Gueteville unknown
189577940Paris: Librairie Gueteville 1895. Fine. Librairie Gueteville Paris 1895 12.50 x 19.50 cm relié First edition illustrated with a cover and drawings by Théophile Alexandre Steinlen. Bradel binding in half red shagreen smooth spine date in gilt at foot pebbled paper boards covers illustrated by Théophile Alexandre Steinlen and spine preserved in one piece. Handsome copy despite a small restoration to the upper corner of page 93 a slight lack at foot of the second cover of the illustrated wrapper. Librairie Gueteville hardcover
190039119Paris: Edouard Pelletan 1900. AN EXCEPTIONAL COPY OF THIS IMPORTANT EXAMPLE OF FINE PRINTING AND WOOD-ENGRAVING. A livre d'artiste devoted to Gutenberg illustrated with 15 OUTSTANDING ORIGINAL WOOD-ENGRAVINGS by Deloche Ernest and Frédéric Florian Froment and Mathieu after G. Bellenger Bellery-Desfontaines F. Florian and Steinlen. From a total edition of only 113 numbered copies this is ONE OF ONLY 6 COPIES the best copies aside from the unique copy on real vellum printed on antique Japanese paper with two additional suites of the wood-engravings on Chinese paper and on antique Japanese paper. EACH OF THE WOOD-ENGRAVINGS IN THE SUITES IS SIGNED BY THE ENGRAVER. This copy printed for FELIX LESEUR a French doctor and atheist who mocked his devoted young wife's beliefs until she too became an atheist. She later recovered her faith and after she died he became a priest. Large 4to. BEAUTIFULLY BOUND BY GRUEL signed IN FULL JANSENIST CHERRY MOROCCO with quintuple gilt filets on the turn-ins. Original wraps and backstrip preserved. All edges gilt. FINE AND BRIGHT WITH NO DEFECTS inside and out. In the original morocco-lined slipcase. A GORGEOUS PRODUCTION BRINGING TOGETHER LEADING ARTISTS AND ENGRAVERS AND OF COURSE ONE OF THE GREAT BINDERS OF THE PERIOD. UNIQUE. <br/><br/> Edouard Pelletan paperback
19001381584Paris: Édouard Pelletan 1900. Limited Edition #79/127. Softcover. Quarto xv 28 pages. In Good minus condition. Bound in publisher's tan illustrated covers. Heavy tearing and chipping to spine. Rubbing to edges and corners of covers. Heavy age toning and moderate staining to covers. Textblock completely detached from covers. Rear two gatherings detached from textblock. Previous owner's signature and penciling to front free endpaper. Light penciling to rear free endpaper. Mild age toning with scattered foxing and staining throughout textblock. DH Consignment. Shelved Case 11. 1381584. Shelved Dupont Bookstore. Édouard Pelletan unknown
1900593651 vol. in-folio reliure de l'époque demi-basane bleue, Gil Blas. Illustré hebdomadaire (Année 1900 complète - 10e Année - : 52 numéros du n° 1 du 5 janvier 1900 au n° 52 du 28 décembre 1900), 8 pp. par numéro
1899593641 vol. in-folio reliure de l'époque demi-basane bleue, Gil Blas. Illustré hebdomadaire (Année 1899 complète - 9e Année - : 52 numéros du n° 1 du 6 janvier 1899 au n° 52 du 29 décembre 1899), 8 pp. par numéro
1898593631 vol. in-folio reliure de l'époque demi-basane bleue, Gil Blas. Illustré hebdomadaire (Année 1898 complète : 52 numéros du n° 1 du 7 janvier 1898 au n° 52 du 30 décembre 1898), 8 pp. par numéro
1898ABE-15248299862118 PAGES-27 CM X 38 CM-EN COUVERTURE ILLUSTRATION COULEURS DE STEINLEN POUR "THEO" DE LUCIEN MUHLFELD-LES FACADES, PAR FRANCOIS DE NION-DESSIN NOIR ET BLANC DE PREJELAN PLEINE PAGE "VIEUX PROPOS"-DESSIN COULEURS DE BALLURIAU POUR "LA VEINE", POESIE DE MAURICE DE SONNIER, MUSIQUE DE MARCEL LEGAY
1893ABE-16113418494518 PAGES-27 CM X 39,5 CM-EN COUVERTURE OMBRES PARISIENNES, PAR AURELIEN SCHOLL, DESSIN DE STEINLEN (COUPLE AVEC CONCIERGE)-BRUNE, PAR FRANCOIS COPPEE, DESSIN COULEURS DE STEINLEN (MANEGE DE FETE FORAINE)-EN DERNIERE PAGE: LA LETTRE DE TROUVILLE, PAROLES DE VICTOR MEUSY, MUSIQUE DE MARCEL LEGAY, DESSIN COULEURS DE STEINLEN
1898ABE-14774942822228 PAGES-27,3 CM X 38 CM-EN COUVERTURE DESSIN COULEURS DE STEINLEN "SACHA", PAR MAURICE DE MARSAN, CIRQUE, HOMME CORPULENT AVEC JEUNE FEMME, 5 HOMMES EN HAUT DE FORME, PUBLIC EN FOND SUR TRAVEES-DESSIN NOIR ET BLANC PLEINE PAGE DE J. D'AURIAN "CRAINTE NON JUSTIFIEE"-"LE BON BOURGEOIS", PAROLES DE SEMIANE, MUSIQUE DE PAUL HUCKS, DESSIN PLEINE PAGE COULEURS DE BALLURIAU-"RAYMONDE", PAR EMILE COMBES
1892ABE-63606181988 PAGES-28 CM X 39,5 CM-DESSIN COULEURS DE STEINLEN EN UNE/BON PAPA PAR JULES RICARD-FACHEUSE RENCONTRE/6 DESSINS NOIR ET BLANC DE BENJAMIN RABIER SUR 1 PAGE-SCENES AU CREPUSCULE PAR HENRI DE REGNIER/DESSIN COULEURS DE STEINLEN-EN 4: LA NOIRE/CHANSON DE ROUTE PAR ARISTIDE BRUANT/DESSIN COULEURS DE STEINLEN/PARTITION
1897ABE-95454247258 PAGES FORMAT 27X38-EN COUVERTURE: ANNONCE POUR "SAVOIR ETRE LE GRAND DUC, PAR ALEXANDRE HEPP" AVEC ILLUSTRATION PLEINE PAGE COULEURS DE STEINLEN 3 COLONNES EN P2-"PREMIER RENDEZ VOUS" 4 COLONNES PAR MAURICE DONNAY-"L'HOMME AIME" PAR JEAN LORRAIN 9 COLONNES SUR 4P 2 ILLUSTRATIONS DE PAUL BALLURIAU-EN DERNIERE PAGE: "GITANILLA" PAROLES DE MAXIME FORMONT MUSIQUE DE CHARTON CHANTEE PAR LYSE BERTY A LA ROULOTTE ILLUSTRATION PLEINE PAGE COULEURS DE PAUL BALLURIAU
1898ABE-1567952462543ILLUSTRE HEBDOMADAIRE-8 PAGES-27 CM X 38 CM-EN COUVERTURE "LES TROTTINS", PAR JEAN REIBRACH, DESSIN EN COULEURS DE STEINLEN-LES PETITS POIS, PAR BRADA-LE MARIAGE AUX ANNONCES, PAR JULES HOCHE-LEURS POISSONS D'AVRIL, DESSINS NOIR ET BLANC DE JEAN D'AURIAN SUR 1 PAGE-MARQUISE?, PAROLES ET MUSIQUE DE J.G.CASTELIN, DESSIN COULEURS PLEINE PAGE-SOUTIEN DE FAMILLE, PAR GEORGES DE LYS-MADAME, PAR MARCEL L'HEUREUX
1897ABE-15282817872908 PAGES-EN COUVERTURE DESSIN DE STEINLEN POUR "DERNIER CRI" D'AUGUSTE GERMAIN, CAMELOT DE RUE AVEC CLIENTELE-SUITE 1P-PEUT-ETRE LE SUICIDE DE DEMAIN, 3P PAR EDMOND TARBE-EN 4 DE COUVERTURE "CHANSON DE SYLVAIS", PAROLES DE FERNAND MAZADE, MUSIQUE DE RAOUL MICHOTTE, DESSIN COULEURS DE BALLURIAU
1897ABE-120945991568 PAGES FORMAT 27 CM X 38 CM-COUVERTURE COULEURS DE STEINLEN POUR "ARMELLE ET CLAUDE" DE MAURICE LEBLANC-TEXTE SUR 1P-"LAIDE",1P PAR JEAN LORRAIN-EN DERNIERE PAGE "LA FOLLE CHANSON",PAROLES DE LAFARGUE,MUSIQUE DE MADELEINE GUITTY,ILL COULEURS PLEINE PAGE DE BALLURIAU
