Demetrios GALANIS - Jean MISTLERBiblio.com
47 résultats
194388226Paris: Corrêa & Cie 1943. Fine. Corrêa & Cie Paris 1943 15.50 x 21.50 cm broché First edition one of 10 numbered copies on madagascar paper deluxe copy. Work illustrated with wood engravings by Démétrios Galanis. Very fine and rare full-margined copy. Corrêa & Cie unknown
1924LD5794Paris: Editions de la Pleiade J. Schiffrin & Cie 1924. Paperback. Very Good/Very Good. Original wraps in glassine dust jacket; with 3 additional suites of etchings in heavy cardstock folder; slipcased. Number 19 from a limited edition of 30 copies on Japan Imperial paper. Covers lightly rubbed along the edges; spine creased; otherwise an excellent copy of the book. Dust jacket lightly chipped along the edges. Folder housing the plates lightly rubbed along the edges but it's done a wonderful job of keeping them bright and clean suitable for display. A lovely copy. Rare. <br/><br/> Editions de la Pleiade, J. Schiffrin & Cie paperback
2016Atlantic-9781119184928American Ceramic 2016. Hardcover. New. American Ceramic hardcover
2016Atlantic-9781119184928American Ceramic 2016. Hardcover. New. American Ceramic hardcover
1927154984to. Orig. wrappers uncut. No 60 of 304 "sur Vieux Hollande.van Gelder" a total of 320 copies. unknown
192169467Paris: Nrf 1921. Fine. Nrf Paris 1921 15 x 22.50 cm broché New edition of the French translation illustrated with 22 original copperplate engravings and 23 wood-engraved vignettes by Démétrios Galanis one of 285 numbered copies on laid paper. Handsome copy. Nrf unknown
22545Paris: Librairie Gallimard. 1934. First edition with these illustrations. First edition with these illustrations. One of 58 copies printed on Impérial du Japon paper. Inscribed by the author. Publisher's original white paper wrappers with titles in black and red to the upper cover and spine in glassine. French language. Illustrated throughout with small woodcut decorations by Démétrios Galanis. An excellent near fine copy the binding square and firm the extremities lightly rubbed and toned. The contents are clean throughout and without previous owners' stamps or inscriptions. The glassine has small nicks at fold corners Inscribed by the author in black ink on the front free endpaper "à M. M. D. Schwab / bien cordialement / Paul Valéry". One of only 58 copies printed on Japon paper this being numbered XXVII to the limitation page. There was also an edition of 4170 copies printed on blanc D'Alfa paper. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers. Paris: Librairie Gallimard. 1934 unknown
2013x-1409447219Ashgate Pub Co 2013. Hardcover. New. new edition edition. 331 pages. 9.49x6.18x1.10 inches. Ashgate Pub Co hardcover
2016__1119184924Wiley-Scrivener 2016. Hardcover. New. 322 pages. 10.00x7.00x0.75 inches. Wiley-Scrivener hardcover
196148398Villand & Galanis. Fair in Poor dust jacket. 1961. Heavy chipping to spine and upper edges of jacket missing some pieces ; Scuffing; Bumping to corners . Villand & Galanis unknown
ria9781409447214_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This book provides the optimum starting point for readers to come to terms with the important issues associated with defense training and simulation. It provides brief easy-to-understand summaries of the key issues as well as guidance hardcover
6883820Ashgate Publishing Company pp. 458 . Hardback. New. Ashgate Publishing Company hardcover
2013DADAX1409447219CRC Press 2013-07-28. 1. hardcover. New. 6.25x1.00x9.25. Buy with confidence. Excellent Customer Service & Return policy. CRC Press hardcover
19838360-nnew. unknown
19838360like new. unknown
A9781409447214Hardback. New. This book provides the optimum starting point for readers to come to terms with the important issues associated with defence training and simulation. It provides brief easy-to-understand summaries of the key issues as well as guidance for further reading. It consists of a collection of short essays and frequently asked questions. hardcover
24754880like new. unknown
24754880-nnew. unknown
19398303The Limited Editions Club New York 1939. Limited Edition. Hardcover Original Cloth. Very Good Condition/No Dust Jacket. Illustrator: Demetrius Galanis. One of a limited edition published in series 1939 by The Limited Editions Club of New York. this being from set number 1249 of the original edition of 1950 sets published for subscribers only. Internally the text and all illustrations are in Near Fine to Fine condition. Pages on front edge are uncut at section ends. An excellent copy of a member of a now-scarce matching set all thirty-seven of which have been offered for sale individually at different prices by this bookseller. All those of which are still unsold are listed separately on this site under their individual titles. Size: Large Book - between A4 and A3. Text body is clean and free from previous owner annotation underlining and highlighting. Binding is tight covers and spine fully intact. Previous owner's book-plate laid in. Deckled edges rough cut browned. Top edge gilt in good condition. Illustrator: Demetrius Galanis. Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: Theatre & Plays; Antiquarian & Rare. All our pictures shown here are of the actual item not stock photos. Inventory No: 8303. . This book is extra heavy and may involve extra shipping charges to some countries. The Limited Editions Club hardcover
2014S8171<p><em><strong>Demetrios Galanis - The Illustrated Books</strong></em></p><p>Exhibition catalogue. In greek. Hard coverjacket 32 cm 400 pp. ill.: 881 images.</p><p>==============================================================</p><p><strong><i><b>IMPORTANT: The shipping cost estimated by the system covers books weighing up to 750 gr.; a surcharge depending on the actual weight and destination applies for heavier books. You can also choose an international transporter and pay the shipping cost at delivery in your country.</b></i></strong></p> MIET hardcover
1801440824.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
51-3816Paris: Georges Crès & Nancy : Berger-Levrault : 1915-1916. 4to . Sheets loose as issued in original wraps. No. 11 with 8 of 9 lithograpphs lacking the Hansi. Vol. 13 with 8 lithographs.These issues not listed in OCLC and Gallica. Paris: Georges Crès, & Nancy : Berger-Levrault : [1915-1916] paperback
66155Impr. speciale du Frou-Frou - Paris 1902 In-4 29 cm 15pp. illustrations en couleurs de Galanis bon etat Ats15 unknown
2015x-1316601951Cambridge Univ Pr 2015. Paperback. New. 302 pages. 8.75x6.00x0.75 inches. Cambridge Univ Pr paperback
192455129Paris: Lucien Vogel éditeur 1924. Fine. Lucien Vogel éditeur Paris 1924-1925 18 x 24 cm une feuille Original color print printed on vergé paper non signed. An original print used to illustrate the Gazette du bon ton one of the most attractive and influential 20th century fashion magazines featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication was aimed at bibliophiles and fashionable society Françoise Tétart-Vittu La Gazette du bon ton in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff the sister of Jean creator of Babar to set up the Gazette du bon ton subtitled at the time: Art fashion frivolities. Georges Charensol noted the reasoning of the editor-in-chief: In 1910 he observed there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists I was assured of success because when it comes to fashion no country on earth can compete with France. Un grand éditeur dart. Lucien Vogel in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrators conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together for the first time the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that little dying paper that Nast had bought a few years earlier: Vogue. Lucien Vogel éditeur unknown
