195 résultats
1898199819Essen-Altendorf, Selbstverlag, 1898. 1. Aufl. Mit zahlreichen Abbild., 176 S. 4°, dekorative OBrosch.
189928269ABParis, Lévy 1899. 4°. 2 Bll., 200, (4), (zus.) 24 S. (Supplement). HLwd der Zt mit Rückentitel. Einband etwas berieben; teils leicht gebräunt; zwei geringf. Randeinrisse; Name am hint. Spiegel.
187458335Stuttgart: W. Spemann 1874. 86 Bl. 40 x 30 cm. Original-Leinen.
189250176Berlin: Heichen & Skopnik 1892. 36 S., 2 Bl., 28 Tafeln. 21,5 x 28,5 cm. Originalhalbleinen.
188018114ABWien, ca. 1880. 16 : 41 cm.
1900049634Boston MA: Bates & Guild Co. 1900. Book. VG. Three-Quarter Leather. 1st Edition. Folio - over 12" - 15" tall. Dark brown 3/4 cloth tan cloth lettered in brown and gilt 5 raised spine bands marbled endpapers. Illus. w/ 100 plates showing 348 examples. Leather rubbed along both joints and lightly rubbed along fore-edge minor leather separation along upper front joint which is firm with cloth-reinforced hinge fully intact cloth lightly soiled. Firm binding clean interior. Bates & Guild Co. Hardcover
185713686ABCa 1857. 6.9 x 10.3 cm Unter Passepartout. 1
1874037589New York: Harper & Brothers 1874. 1st Edition . Hardcover. Very Good . No Pattern Supplements. 876 Pp. Quarter Morocco Over Marbled Boards Morocco Tips Marbled Boards And Matching Marbled Endpapers. 16" X 12". Light Wear To Binding On Al Edges Hinges Tight No Marks Pages Clean And Square But With Some Even Aging. Price Includes Media Mail Within U.S.; International Shipment At Usps Priority Mail Box Rate For 11 Pound Package. <br/> <br/> Harper & Brothers hardcover
1878037592New York: Harper & Brothers 1878. 1st Edition . Hardcover. Good. No Pattern Supplements. 840 Pp. Quarter Morocco Over Marbled Boards Morocco Tips Marbled Boards And Matching Marbled Endpapers. 16" X 12". Light Wear To Binding On All Edges Spine Panel Dried And Lightly Chipped Hinges Broken And Both Boards Detached But Present Lacking Pages 37-40. A Few Pages With Small Light Stains Clean And Square But With Some Even Aging And A Few Pages Short Edge Tears. Price Includes Media Mail Within U.S.; International Shipment At Usps Priority Mail Box Rate For 11 Pound Package. <br/> <br/> Harper & Brothers hardcover
18901160262Berlin, (etwa 1890). 48 Lichtdrucktaf. m. insges. 165 Abb. OBr. (etwas fleckig, Rücken m. kl. Läsuren u. winz. Fehlstelle, unvollst. Firmen-Etikett vorn auf dem Umschl.).
189630372ABLpzg, Hiersemann 1896. 4°. Titelbl. und 40 Tafeln. OLwd-Mappe mit Deckeltitel in Gold. Mappe etwas angestaubt; Rücken unten beschädigt; wenige Bll. minimal braunfleckig, einige am Rand etwas angestaubt und mit kleinen Knickspuren.
1894057091London: William Harland & Son 1894. Book. Very Good. Soft cover. 1st Edition. 12mo - over 6¾" - 7¾" tall. Green limp cloth lettered in gilt rounded corners original to issue. Covers lightly soiled and showing a bit of rubbing along edges. Firm binding. 98 pp. illus. w/ 12 color plates 66 b&w plates. Text block edges somewhat soiled/foxed mild foxing to several early/late leaves. Dated based on intro. text. William Harland & Son Paperback
1894060531London: William Harland & Son 1894. Book. Good. Hardcover. 12mo - over 6¾" - 7¾" tall. Limp olive cloth lettered in gilt. Circa 1894. Covers show rubbing along edges and joints modest surface rubbing partial moisture ring on front cover. Binding lean. 91 pp. 12 color plates 56 pp. b&w decorative motifs. William Harland & Son Hardcover
185347542London and New York. (1853). VIII, 324 Seiten und 27 (von 36) Stahlstichtafeln. Mit sehr zahlreichen Illustrationen u. Ansichten im Text. Halbleder-Einband mit reicher Rückenvergoldung (Einband an den Kanten stärker berieben. Papier vereinzelt etwas fleckig) 32x24 cm
1853014581Philadelphia PA: Leary and Getz 1853. Book. Good. Decorative Cloth. First Edition. 16mo - over 5¾" - 6¾" tall. Original publisher's dark red blind-decorated cloth lettered in gilt on spine panel. Undated. Moderate overall wear with soiled covers and surface abrasion along portions of lower front cover. Some exposure at corners and along fore-edges rubbed with a bit of loss at spine extremities. Lacks front and rear flyleaves. Light dampstaining evident at bottom binding corner through most of text block nothing objectionable. Scattered internal foxing generally light. 207 pp. illus. with engraved plates 24-pp. publisher's catalog at rear. Overall worn but not abused. Scarce. Leary and Getz Hardcover
188559000Düsseldorf. Verlag August Bagel. 1885. VIII, 198, (2), 20 Seiten. Mit zahlreichen Illustrationen im Text und auf 43 (richtig 45; davon drei farbig lithographierten) Tafeln. Halbleder-Einband auf 4 Bünden (Einband Gebrauchsspuren. Die ersten Seiten lose. Papier teils fleckig). 27x18 cm
189314250ABAachen, Cremer 1893. Gr.8°. 2 Bll., 355, (1) S. OKt. Rücken verstärkt. Umschlag etwas eingerissen. 1
189344041ABAachen, Cremer 1893. Gr.8°. 2 Bll., 355, (1) S. Private Halb-Leinwand mit hs. Rückenschild. Leicht gebräunt.
1890249781New York 1890. Approximately 34 items on various stock including George D. Thompson letterhead. Various sizes generally 7 x 3 1-2 in to 11 x 8 1/2 in. Some toning some designs show signs of previous mounting on verso generally very good. Approximately 34 items on various stock including George D. Thompson letterhead. Various sizes generally 7 x 3 1-2 in to 11 x 8 1/2 in. Watercolor designs in Classical Romantic and Chinoise styles for leather screens manufactured by George D. Thompson & Co. The company letterhead advertises "Hand tooled and painted chair leathers and wall panels . Period designs still life flower bird & fruit panels hand painted bellows trays humidors book covers." Some designs give dimensions and prices on verso. unknown
18512111902160201412Kawauchiya Shinjiro 1851. Soft Cover. Fine. Number of books: 5 Kawauchiya Shinjiro paperback
19006644CParis:, H. L., Lévymeuble., [around 1900]. ca. 24cm x 16,5cm. 112 p. Original boards (softcover) bound with cord, with illustrated title to cover. Spine with bursts but stable, inside with yellowing and in good condition.
1870_201801845New York, Published by Geo. E. Woodward, 1870 ; in-4 oblong (280 x 176 mm), 3-47 ff., reliure d'éditeur pleine percaline, coloris marron, dos lisse, 1er plat estampé et imprimé. Drawn and Arranged by Fred'k S. Copley. Engraved by Korff Bros.
1894886851894. DESIGN HARUNA Shigeharu editor. Kogei Oyo ZUAN ZASSHI 7 issues. No.'s 20-26 Tokyo Meiji 26-27 1893-4. 24.5 x 16.6 cm. Stab-bound wrapper's in woodblock printed paper covers. Haruna Shigeharu 1847-1913 was a pottery painter born into the upper classes in Ishikawa prefecture here using his artistic and design skills to organize and edit this "PRACTICAL ARTS DESIGN MAGAZINE" full of black and white design ideas and articles on such topics as the Columbian Exposition etc. Very unusual periodical here in very good condition inside and out. A short but continuous run. unknown
1815832561815. DESIGN Matsuoka Tokikata; Honma Hyakuri. SHOKUMON ZUE. 7 vols. privately published by Hyakuri apparently from 1815-25 as a completion of work begun by Tokikata in the late 18th very early 19th century. 19.3 x 26.9 cm string-bound Japanese-style fukuro toji with printed paper title labels - all bindings match. Hundreds of beautiful color textile designs reproduced in color woodcut. Nobleman Ladies Ceremonial dress Brocades Imperial costumes all are covered. Important and quite scarce as few sets were produced. Some worming otherwise the overall condition is very good. unknown
181956897Kyoto Japan: Marubeni Shoten Design Dept. Keimeikai Textile & Dyeing Studio Tanioka Shoten Design Dept. ca. 1918-1945. Folio. 61 original hand-painted inked and pencil designs with a few on a lightly toned but quality semi-translucent paper the majority on thick paper stock and still others with two pieces carefully pasted together with contiguous designs sized from 9 x 15 in. up to 19.25 x 38.5 in. with 13 of the pieces larger the larger size a number of them sized 18 x 32 in. and many in the 14.25 x 15.5 in. size colour painted; the majority feature the design studio chop or crest at lower corners throughout many w/ annotations in margins several w/ change orders neatly annotated or even the title of the design and still many others w/ Roman numeric inventory codes in margins as well two still retaining original small silk samples many with creasing or minor tears & edgewear or creasing to fore-edges a few w/ small & large closed tears while others show some creasing and thumbing from continued use still an exceptional group of manuscripts. This superb archive of 61 original hand-painted kimono designs furnishes an exceptional visual array of Taisho- and early Showa-era Japanese motifs and styles. A number of the designs evoke traditional Japanese Ukiyo-e woodblock prints with deep vivid colours and well rendered illustrations. Many of these designs incorporate floral patterns including Kiku Chrysanthemum Botan Mon Peony Pattern Manju Kiku Marigolds Japanese Irises Morning Glory Cockscomb Ivy Dahlias and many other botanical motifs. In addition there are many illustrating ornately embroidered designs austere bamboo mushrooms and intriguing landscapes some with a small portion fully painted in with brilliant colouring while the outline of the kimono fills out the drawing. Two of the designs still features their original small attached silk kimono sample more reminiscent of Western Design houses which often attached their chosen fabric samples to their clothing designs. A few of the designs are executed on translucent thin paper for the kimono draper to transfer the design to white silk or other fabrics via some type of carbon paper process. Another of the designs has been executed on a stunning silver metallic paper with palm or bamboo leaf fronds executed in vivid blues & browns. Some feature a nearly surrealist quality while several others include illustrations of doves or chickens. Two of the designs incorporate Art Deco representations of Chinese Junks and Japanese sailing vessels typical of the 1930’s prior to World War II. In the Taisho Era a new era opened for textile designers working with Kyoto drapers and department stores with many having trained at new art colleges and then working in the design studios of Marubeni Keimeikai Textile & Dyeing Studio and others. The Tachiki Artist design studio designs on thin translucent paper include one with designer stamp of character embedded within a skull. Some appear to have two different date stamps for the Marubeni Shoten Design and some are unsigned or stamped. The Taisho- and Showa-era kimonos featured brighter colours more groundbreaking designs as Japan’s designers embraced traditional dress and transformed it into a new garment equally appealing to the “Moga†or brazen “Modern Girl.†The designer notes include instructions to “leave a little more space between the fans;†“Drop the little fan crest;†“too much white bush clover†on the pine cones and even that Matsuo Taishichi had ordered a design for “clothes for paying a visit for a young person.†The Marubeni Shoten originated with Chubei Itho who began in 1858 as a salesman for linen cloth and by 1872 had opened his drapery store Benchu in Senba Osaka. By 1918 Chubei Itoh had expanded the business into Osaka and deciced to merge with Itochu Shoten Ltd. becoming Marubeni Shoten with their own drapers shops and many contracts with department stores. Later by the mid-1950s Marubeni merged with the company that operated the Takashimaya Dept. Store Chain all the while preserving their design studio and artists. See: Yuko Fukatsu-Fukuoka The Evolution of Yuzen-dyeing Techniques and Designs After the Meiji Restoration 2004; Arisa Shinko Tomikawa Hand Painted Kyo Yuzen Atelier “Arisa†A Brief Introduction 2020; Annie Van Asche Japanese Kimono Fashion of the Early Twentieth Century Textile Society of America Symposium Proceedings 2000; Our History Our Roots Marubeni Corporation 2020. Marubeni Shoten Design Dept., Keimeikai Textile & Dyeing Studio, Tanioka Shoten Design Dept., hardcover
