4 641 résultats
1958155556Vienna: Verein für Soziale Wohnkultur 1958. Two vintage furniture and home decor booklets produced by Austrian furniture maker Soziale Wohnkultur for subsidized housing in Vienna circa 1958. One booklet illustrated throughout with black-and-white and color photographs the other illustrated with black-and-white photographs only. Text in German. <br /> <br /> In 1952 in the midst of rebuilding the city after WWII the government of Vienna formed a furniture initiative called Soziale Wohnkultur or "Social Living Culture" a project spearheaded by architect Franz Schuster. The project introduced a line of furniture for low-income municipal housing residents that was designed to be attractive and high quality but also inexpensive and practical for small apartments. A number of prominent Austrian designers were commissioned to work on the project and the resulting designs ranged from kitchen bedroom and living furniture to wall shelving and lamps all emblazoned with the "SW" logo. The furniture and fittings produced by the SW are considered to have had a significant influence on mid-century Austrian design and extant furniture from the period is still highly in demand today. <br /> <br /> Booklets 5.75 x 7 inches. One booklet with perfect binding the other saddle stapled. Both booklets with brief curling else about Near Fine. Verein für Soziale Wohnkultur unknown
1928059012London Uk: Gollancz 1928. 1st Edition 1st Printing. No Binding. No Book Included/Good. Dust Jackt Only For First Edition Gollancz 1928. Would Be Near Fine No Wear Or Tear But A Little Pinkish Dampstaining To Flaps And Rear Panel. Se Wikipedia: Edward Mcknight Kauffer 1890 -1954 Was An American Artist And Graphic Designer Who Lived For Much Of His Life In The United Kingdom. He Worked Mainly In Poster Art But Was Also Active As A Painter Book Illustrator And Theatre Designer. Edward Leland Kauffer Was Born On 14 December 1890 In Great Falls Montana. By 1910 He Had Moved To San Francisco Working As A Bookseller And Studying Art At The California School Of Design From 1910 To 1912. At Around This Time Professor Joseph Mcknight Of The University Of Utah Became Aware Of Kauffer's Work Sponsored Him And Paid To Send Him To Paris For Further Study. In Gratitude Kauffer Took His Sponsor's Name As A Middle Name. Kauffer Stopped In Chicago For Six Months In 1912/1913 And Studied At The Art Institute Of Chicago. While There He Witnessed The Armory Show One Of The First Major Exhibitions To Introduce The Styles Of Modernism To American Viewers. This Likely Had A Major Impact On Kauffer Who Would Work In Many Of The Same Styles Throughout His Career. He Arrived In Paris In 1913 And Studied At The Académie Moderne Until 1914. In Paris In 1923 He Met The Textile Designer Marion Dorn 1896-1964 And Subsequently Lived With Her In London From Late 1923 To July 1940. They Married In 1950 And Moved To New York Until His Death In 1954. Kauffer Moved To London Upon The Start Of The First World War And Remained There For Most Of His Career. He Was Briefly Associated With Robert Bevan's Cumberland Market Group And Had A One-Man Show At The Omega Workshops. In Brighton On The South Coast He Designed A "Novel" Mural For The Lobby Of Embassy Court A Modernist Block Of Flats Designed By Wells Coates In 1935. The Mural Consisted Of "Monochrome Photographs . Printed Directly On To A Light-Sensitive Cellulose Coating". Kauffer May Be Best Known For The 140 Posters That He Produced For London Underground And Later London Transport. The Posters Span Many Styles: Many Show Abstract Influences Including Futurism Cubism And Vorticism; Others Evoke Impressionist Influences Such As Japanese Woodcuts. He Created Posters For Shell Oil The Great Western Railway And Other Commercial Clients And Also Illustrated Books And Book Covers. Later He Also Became Interested In Textiles Interior Design And Theatrical Design. He Returned To New York City In 1940 At The Beginning Of The Second World War And Tried To Find Work In Advertising. He Struggled In The More Competitive Atmosphere Until He Was Approached To Do A Series Of Posters For American Airlines In 1947. American Airlines Remained His Primary Client Until His Death In 1954. <br/> <br/> Gollancz unknown
2000157523London: Duckworth Literary Entertainments 2000. First edition signed limited issue number 74 of 500 copies signed by the author on the title page and by Hirst on the rear panel of the dust jacket. Boogie-Woogie was based on Moynihan's experiences of working in the contemporary art world where he met Hirst who said of the book: "Art is about life; the art world is about money. Boogie-Woogie is where the two collide" quoted in Federico. It was made into a film of the same name in 2009 with screenplay by Moynihan. It was directed by Duncan Ward and starred among others Gillian Anderson Alan Cumming Heather Graham and Christopher Lee. Octavo. Original red cloth spine lettered in gilt yellow endpapers red silk bookmarker. With dust jacket by Damien Hirst. A fine copy in like jacket. Cherie Federico "When Art Takes on a Life of Its Own" Aesthetica available online. hardcover
1894886851894. DESIGN HARUNA Shigeharu editor. Kogei Oyo ZUAN ZASSHI 7 issues. No.'s 20-26 Tokyo Meiji 26-27 1893-4. 24.5 x 16.6 cm. Stab-bound wrapper's in woodblock printed paper covers. Haruna Shigeharu 1847-1913 was a pottery painter born into the upper classes in Ishikawa prefecture here using his artistic and design skills to organize and edit this "PRACTICAL ARTS DESIGN MAGAZINE" full of black and white design ideas and articles on such topics as the Columbian Exposition etc. Very unusual periodical here in very good condition inside and out. A short but continuous run. unknown
2012207331Los Angeles CA: AMMO Books 2012. First edition and first printing. Large oblong hardcover. 408 pages. Massive monograph on the furniture and design of Charles and Ray Eames. Edited by Gloria Fowler and Steve Crist. Features essays and quotes by Charles & Ray Eames Lucia Eames Carla Hartman Byron Atwood Lucia Dewey Atwood Eames Demetrios and Llisa Demetrios. Includes illustrations of furniture graphics textiles toys & games and numerous other works A fine copy and in a very near fine slipcase with some color shift from light exposure. No dust jacket as issued. Still in the publisher's shrinkwrap. One of most comprehensive books on the Eames who helped define the Mid-Century Modern style. This is a heavy and oversized book and will require extra shipping. AMMO Books unknown
19242438Paris 1924. During the 1920s a number of Russian artists living and working in Paris formed the L'Union des Artistes Russes. To help raise funds they held several spectacular charity balls organized primarily by Natalie Goncharova 1881-1962 and her husband Mikhail Larionov. These included the Grand Bal des Artists in 1923; the Bal Banal in 1924; the Bal Olympique also in 1924; and the Grand Ourse Bal in 1925." Princeton University Graphic Arts Collection blog 2012 The guest list included Braque Brancusi Cocteau Diaghilev Juan Gris Mayakovsky Picasso Picabia and many others. The ticket is perforated at the bottom edge and untorn numbered 524 with the Union's stamp. Alexey Brodovitch designed an award-winning poster for the event; Picasso's design came in second. Short closed tear to right edge. unknown
201032012David Bull 2010 First Printing full # line in dust jacket with signed Christmas Card from the Phil Hill Family for the season 2006 to their close friend & Santa Monica neighbor film director Joe Pytka with other Hill family memorabilia laid in Fine in Fine no markings trifling edge wear to dj top panel else bright tight exemplary copy with signed card from the great Formula One race car driver - unique association copy dj in mylar protector; folio; 191pp illus. Extra shipping charge REQUIRED for shipment of this heavy oversize book additional charge WILL BE SUBSTANTIAL for expedited or overseas shipment. Signed by Author. First Edition. Hard Cover. As New/As New. David Bull hardcover
21913Fine. A cohesive archive of experimental letterpress books 9 from Indiana University 2001-2010 issued as keepsakes for the Fine Arts Library Benefit Dinner.<br /> <br /> Produced for Indiana University's Fine Arts Library this cohesive archive of experimental letterpress books-created by students of the Graphic Design Press for annual Benefit Dinners between 2001 and 2010-explores structure typography and the act of reading itself. These small-format works document a decade of design pedagogy tracing the evolution from early exploratory forms to increasingly refined editioned pieces aligned with a growing institutional patron base.<br /> <br /> Issued as keepsakes for the Indiana University Fine Arts Library Benefit Annual Banquets.<br /> <br /> Bibliographic Line - Bloomington Indiana: Graphic Design Press Indiana University 2001-2010. A group of multiple letterpress-printed works produced by members of the S451 Letterpress course for annual Fine Arts Library benefit events.<br /> <br /> Overview - This archive represents a rare surviving group of student-produced yet institutionally anchored letterpress works each conceived as both a functional printed object and a conceptual exercise. Formats include accordion-fold structures sculptural paper constructions and dual-surface designs integrating text and image.<br /> <br /> The works explore themes ranging from typography and modernist theory to riddles ornament and environmental awareness. Several pieces explicitly reference design history including engagement with Adolf Loos' 'Ornament and Crime' while others operate as visual or tactile problem-solving exercises intended to challenge conventional reading.<br /> <br /> By the mid-2000s the series demonstrates increasing refinement with clearly stated edition sizes structured colophons and alignment with donor or patron distribution indicating a transition from classroom experiment to semi-formal fine press production.<br /> <br /> Physical Description: A group of small-format artist books and letterpress objects generally measuring approximately 3 to 5 inches in their closed state. Printed primarily in monochrome or limited color palettes often on colored stock.<br /> <br /> Structures include:<br /> Accordion-fold sequences<br /> Multi-panel narrative strips<br /> Sculptural folded forms<br /> Dual-sided text/image constructions<br /> <br /> Typography is handset or digitally composed for letterpress output with consistent emphasis on spacing pacing and interaction between form and content.<br /> <br /> CONDITION: Fine - The pieces are in excellent condition. Paper is clean with strong color retention. Fold structures remain crisp and fully functional. Minimal evidence of handling consistent with careful storage. No notable tears losses or restorations observed. Individual Components -<br /> 2001 - Keepsake Piece named student designers<br /> Early example with credited participants; establishes program origin and collaborative structure.<br /> c. early 2000s - Riddle Structure Piece<br /> Complex sculptural accordion work integrating puzzle logic and sequential reading; among the most visually and conceptually advanced in the group.<br /> 2005 - 'Ornament and Crime' Interpretation<br /> Text-driven typographic exploration referencing Adolf Loos; strong conceptual grounding in modernist design theory.<br /> 2007 - Amphibian / Environmental Decline Piece No. 44 of 134<br /> Accordion strip with dual-surface design; addresses ecological themes and demonstrates formalized edition structure with patron allocation.<br /> 2008-2010 - Later Benefit Series Pieces multiple<br /> Increasingly refined works showing consistency in production expanded edition sizes and continued experimentation in folded form and typographic layout.<br /> <br /> Significance - This archive provides a compact but meaningful record of early 21st-century letterpress pedagogy within an academic setting. It reflects the continued relevance of handset and relief printing in design education not merely as a technical exercise but as a conceptual discipline.<br /> <br /> The progression visible across the group illustrates:<br /> The integration of historical design theory into contemporary practice<br /> The use of book structure as a communicative device<br /> The relationship between academic production and institutional fundraising<br /> <br /> Such material occupies a growing area of interest for collectors and institutions focused on book arts design history and the preservation of teaching presses. Produced and distributed through the Fine Arts Library Benefit events at Indiana University Bloomington.<br /> <br /> Additional Information - The Graphic Design Press at Indiana University has long served as a teaching laboratory for letterpress printing emphasizing both craft and conceptual design. Works produced in this environment often blur the line between student exercise and collectible artist book particularly when tied to formal events such as library benefit programs.<br /> <br /> Subjects: Book arts typography letterpress printing graphic design education Indiana University conceptual book design modernist design theory environmental themes in print Artist books fine press printing letterpress ephemera design pedagogy. unknown
18972111902160201434Kazuki Yoshida Dainippon Textile Association 1897. Soft Cover. Fine. Volume: 1 Kazuki Yoshida Dainippon Textile Association paperback
197410122New York: Doubleday & Company Inc 1974. Octavo 21.5 x 14.5 cm. 215 pages. FIRST EDITION. The first work in Trillin's classic "Tummy Trilogy" and the first volume of his food writing in book form. Very good in publisher's red over blue cloth; the unclipped dust jacket with a design by Seymour Chwast has some light soiling but is otherwise very good. Signed by the author on the half-title. Doubleday & Company, Inc hardcover
193945407Warsaw: Wydawnictwo Biblioteka Polska 1939. First edition. Hardcover. g to vg. Quarto. xvi 527pp. 3. Dark blue pebbled leather with gilt-stamped illustration on the front cover and spine. Red label with gilt lettering on the spine. Top edge gilt. <br /> <br /> Published shortly before the German invasion this work is a groundbreaking literary report on the state of the ongoing industrial and economic progress of the Second Polish Republic during the inter-war period. The book's author acclaimed Polish journalist Melchior Wańkowicz conducted research and interviews from across the economic and political spectrum from factory workers miners and and teachers to politicians including the president Ignacy Mościcki ministers and captains of industry. The book is profusely illustrated throughout with countless finely-printed full page and in-text b/w photogravure image and photomontage as well as few images in color including a two page spread after p.56. Also included are some charts maps and other illustrations.<br /> <br /> Text in Polish.<br /> <br /> Binding with some rubbing to extremities and some minor chipping along the side edge of the covers. Title page with previous owners ink stamp. Interior with a few minor sporadic pencil markings in the text and a few minor water stains throughout. Image unaffected binding tight. Binding in good interior in very good condition overall. Protected by modern mylar. Scarce. Melchior Wańkowicz 1892 – 1974 was a polish military officer popular writer and journalist. Wydawnictwo Biblioteka Polska hardcover
2004SONG3764368551Brand: Birkh 2004-04-02. 2004. hardcover. Used: Good. 9.75x2.00x9.75. Buy with confidence. Excellent Customer Service & Return policy. Brand: Birkh hardcover
54917Moscow: IZOGIZ 1932. Octavo 27 × 19 cm. Original embossed cloth over boards; 185 2 pp. The original pictorial dust jacket rather worn and chipped; title toned and with pencil owner note; else very good. A celebratory overview of Western modernist architecture with detailed analysis of the works of architects such as Frank Lloyd Wright Walter Gropius Richard Neutra Laszlo Moholy-Nagy Le Corbusier Bruno Taut and Ernst May among others. The volume is illustrated with numerous photographs of architectural plans as well as finished constructions. The author architectural and art historian David Arkin 1899-1957 published this work at a critical moment when the official Soviet policy was starting to turn away from Western and early modernist examples. A professor at the Moscow Architectural Institute he was accused of "cosmopolitanism" for publishing this work though he managed to avoid deportation. The dust jacket and layout were designed by El Lissitzky. unknown
195014633AB1950. Vienna ca. 1950. 31 : 23 cm. Many designs on 97 pages some with mounted textile samples. Desgins for woman clothes coats pants etc. on plate with children's cloth 8 plates in colour with mounted textile samples. A few marked with 'Dior falte' Dior pleat some 'Dior Rock' Dior scirt some marked model summer model Margit etc. one plate with applications in different colours. hardcover
54107Kyiv: Derzhavne Vydavnytstvo Ukrainy 1928. Octavo 23.8 × 16 cm. Original decorative wrappers on yellow stock printed in black and green; 169 2 pp. Wrappers somewhat worn and soiled; front wrapper creased; light nicks to overlapping wrapper edges; internally about very good. Scarce Ukrainian anthology of foreign short stories and tales in translation with works by authors including Henri Barbusse Jules Romains Paul Morand Pierre Mille Grazia Deledda Stefan Zweig Carl Sternheim Kasimir Edschmid Philip Gibbs Sherwood Anderson and Theodore Dreiser.<br /> <br /> The translators include H. Iar M. Deinar O. Hordon O. Kyrychyns'kyi M. Ivanov O. Burhardt V. Hladko and E. Kariakin M. Lysychenkov and M. Ivchenko. No compiler is credited. Little is known about the designer of the wrapper who appears to have been on the faculty of the Kyiv Art Institute KKhI in the 1920s where he would have worked alongside such noted artists as Kazimir Malevich Vladimir Tatlin Viktor Pal'mov and Mykhailo Boichuk. Initially founded as the Ukrainian Academy of Arts the Institute became known as the Ukrainian Bauhaus in Europe in the 1920s.<br /> <br /> As of December 2023 KVK OCLC only show two non-microform holdings at Harvard and Cleveland Public Library. unknown
1996x-0471968579John Wiley & Sons Inc 1996. Hardcover. New. 1st edition. 516 pages. 10.00x7.00x1.50 inches. John Wiley & Sons Inc hardcover
2006046073New York: Thames & Hudson 2006. 1st Edition 1st Printing. Soft cover. Fine/Fine. 227 Pp. White Cloth Spine White Covers Printed In Grey With French Flaps Matching White Dust Jacket And Endpapers Printed In Grey. First American Printing. Fine In Fine Dust Jacket. Signed By Nicolas Ghesquiere On The Title Page. Nicolas Ghesquière 1971- Is A French Fashion Designer Who Has Been The Creative Director Of The House Of Louis Vuitton Lvmh. After Working As An Assistant To Designer Jean-Paul Gaultier From 1990 To 1992 He Went On To Work At Pôles Designing Its Knitwear Line Followed By A Series Of Inauspicious Assignments With Different Companies Including The Italian House Of Callaghan. Ghesquière Eventually Landed A Job Doing The Licensing For Paris Fashion House Balenciaga And Designing For The Asian Market. In 1997 At The Young Age Of 25 Ghesquière Was The Surprise Choice To Head Balenciaga Promoted To Creative Director Of Balenciaga After His Dutch Predecessor Josephus Thimister Was Fired Following A Highly Unsuccessful Show. He Was Put In Charge Of The Brand's Entire Image From Clothing And Accessories To Store Design And Advertising. While Working As The Label's Creative Director Ghesquière Continued To Design Two Italian Collections - Trussardi Then Callaghan - Until 2001. Callaghan's Spring 2001 Ready-To-Wear Show Was The First Ever In New York For The Then 35-Year-Old Fashion House And Also Served As The Us Debut For Ghesquière. At Balenciaga Ghesquière Soon Became Known For His Sense Of Contrast Such As Pairing High-Waisted Skinny Pants With A Voluminous Blouson Or A Tightly Cut Wool Jumpsuit With Billowing Sleeves. His Work Soon Turned Balenciaga Into A Critically Acclaimed Fashion House. His Biggest Commercial Success Was The Lariat Bag With Braided Handles And Dangling Zipper Pulls. The Gucci Group Ppr Bought Balenciaga In 2001. Ghesquière Who Wanted To Stay And Expand Balenciaga Could Only Be Bought Through The House. "It Is A Happy Relationship" Ghesquière Said. "It Has Worked Because They Wanted Me To Explain What I Wanted To Do With Balenciaga Not The Other Way Around." Ghesquière's Collections Have Had A Considerable Commercial Impact Particularly Through His Influence On Other Designers Including His Former Staff Members Julien Dossena Camille Miceli And Natacha Ramsay-Levi. During His 15-Year Tenure At Balenciaga Ghesquière Is Widely Credited With Having Helped Turn The Fashion Label Into One Of The Fastest-Growing And Most Profitable Brands Of Parent Ppr. During That Time He Assembled One Of The Largest Production Teams In Paris With Upwards Of 30 People In The Design Studio And 50 In The Fabrication Ateliers. In November 2012 Ppr Announced His Departure From Balanciaga. On 4 November 2013 Ghesquière Officially Replaced Marc Jacobs At Louis Vuitton As Creative Director For The Women's Collections. On 5 March 2014 Ghesquière Had His First Show Under The Lv Brand. Since Joining Louis Vuiton Ghesquière Has Regularly Showcased His Designs With Shows In Architectural Landmarks Including The Louvre In Paris - It Was The First Time The Museum Had Allowed A Fashion House To Stage A Show There -; Monaco's Palace Square 2014; Bob Hope's House In Palm Springs 2016; The Niterói Contemporary Art Museum In Rio De Janeiro 2016; The Miho Museum Near Kyoto 2017. Fondation Maeght In Saint-Paul De Vence 2018 And The Twa Flight Center 2019. Ghesquière Designed A Series Of Character Skins For The Video Game League Of Legends In 2019. In October 2000 Ghesquière Was Named Avant-Garde Designer Of The Year At The Vh1/Vogue Fashion Awards And A Year Later He Was Named Womenswear Designer Of The Year By The Cfda. In 2006 He Was Among The Time 100 Most Influential People. Ghesquière Was Described As "Fashion's Most Sought-After And Influential Figure" By American Vogue And Was Also Cited As The International Designer Of The Year In 2014 By The British Fashion Awards. <br/> <br/> Thames & Hudson paperback
197024613New York: Holt Rinehart and Winston 1970. hardcover in dust jacket with cardstock envelope containing 29 prints all in an illustrated slipcase as issued. a yellow paper banner stating signed limited edition is likely incomplete and now laid-in. the front free endpaper is signed corita with a heart shape in black pen. the dj has some shallow edge-wear at top of front panel including one small chip. dj flap is price-clipped. slipcase has some rubbing with some minor puckering along the illustration glue-line. in all other regards complete and well preserved. no markings. no bumps. strong binding. the 29 prints are in fine condition. a major work of 1960s-era graphic design. Signed by Artist. First Edition. Hardcover. Near Fine Plus/Very Good. Illus. by Corita Kent . Square 4to. Holt, Rinehart and Winston Hardcover
58062London George Allen 1894 1895. . Eins von 650 handschriftlich num.en Exemplaren nach deren Druck die Platten zerstört wurden. Duncan Campbell Dallas schuf das Dallastype-Facsimile eine Art photographisches Gravurverfahren das Cranes Federzeichnungen täuschend echt wiedergibt. - Im Druckvermerk von Walter Crane 1845-1915 britischer Maler und Illustrator und Duncan Campbell Dallas eigenhändig SIGNIERT. Aus der Zusammenarbeit Campbells mit Walter Crane waren zuvor bereits mit der gleichen Technik reproduzierte Illustrationen Cranes zu Shakespeares "Sturm" und "Zwei Herren aus Verona" hervorgegangen. - Außen fleckig Vorsatzblätter braunfleckig; innen gut und sauber erhalten London, George Allen, 1894 [1895]. unknown
2016154177IDW / Marvel 2016. First Edition. Hard Cover. Fine/Pictorial Boards. Huge book: 15"" w x 22"" h an ode to Jack Kirby creator of Captain America The Fantastic Four The X-Men The Incredible Hulk Ant-Man Iron Man The Silver Surfer and many other Marvel characters. Full page plates throughout of the original b&w pages showing tones of the India ink white-out marks marginalia by the artist printers info written at the edges proposed copy tape marks etc. Unpaginated about 200 pages. As-new condition. All stories penciled by Jack Kirby scripted by Stan Lee. Contains: Journey into mystery #111 #117 #118 Thor #134 135 Thor Annual #2 Thor covers #132 133 134 138 140 with 10 ""splashes"" and 28 assorted pages from either Journey into mystery or Thor series. This is a very large object and will require special shipping to be arranged by seller at time of purchase. Lower spine end has small impact mark on front cover side. IDW / Marvel hardcover
1964KOS03400044The National Museum of modern art 1964. Soft Cover. Fine. KOS03400044 The National Museum of modern art paperback
53918KIMONO DESIGN - MANUSCRIPT. 10 1/2" x 14 1/2" oblong design book bound in single backed sheets on the short side with string not fukuro-toji. With a brushed title label sealed throughout but otherwise anonymous. As often happens with manuscripts the name of the shop which used it as a pattern book has been excised. There are 25 black and white design sketches for elaborate kimono. More of a Kano rather than a Rimpa style. The album probably dates from the first half of the 19th Century. A lovely item which suffers from very bad worming throughout. Though the damage is worse at the extremities of the work holes are shot through the paper and effect the design images as well. Sold with all faults. unknown
192945821Leningrad: ИздательÑтво ПиÑателей в Ленинграде Izdat. Pisatelej 1929. First edition. Softcover. g. Square 12mo. 93pp. 3. Illustrated grey stiff paper wrappers with blue and black lettering on the front cover. A first edition of this masterpiece work of avant-garde Russian poetry from Mikhail Kuzmin 1872-1936. The eleventh and final book of poetry from Kuzmin divided into six parts it has been seen as marking a new direction in the poet's work and a departure from Russian literary tradition. Based on the principles of free association and dream logic the style of this work has been noted to be influenced by surrealism cinema and Freudian thought. The poems contain homoerotic elements occult influences and coded references to the author's personal life. The modernist front cover was designed by Russian poet Vladislav Khodasevich 1886-1939.<br /> <br /> Text in Russian.<br /> <br /> Wrappers with some light smudges and stains. Minor rubbing to extremities. Interior with sporadic minor to light water stains and/or smudges throughout. Book block tight. Wrappers and interior in good condition overall. Scarce. Protected with modern mylar. Russian transliteration: Forel Razbivaet Led <br /> Bibliographic references: Turchinsky p. 281 Rozanov No. 3138 Lesman No. 1231. ИздательÑтво ПиÑателей в Ленинграде (Izdat. Pisatelej) unknown
Dickson, Thomas. PhotograIn Pristine Condition. English Edition unknown
1943234201943. MAGAZINE Complete with No torn loose or missing pages but a FRONT Left Edge has FOXING STAINS AT EDGE & Also inside Stains edges soem pgs so Magazine is SOLD AS-IS. VG/GOOD It is still well worth adding to your collection. Address LABEL ON FRONT The Varioni Brothers by J. D. Salinger first-ever printing of this short story. With illustrations by A. C. Moore Rescue in the Night by Maxwell Hawkins with drawings by John F. Gould Queenie by Ross Annett Condition is Good. The Front Cover is in good condition with some liquid damage in the upper right corner and side which goes through several front pages. The Back cover is also in great condition with some moisture damage on the spine. The spine is intact with all pages in tack no pages missing or torn away. While I was paging through I did not notice any tears on the inside the pages and the pages are nice and white. The pages are not stuck together they turn well and are very readable. This is an old magazine . Uncollected #7 Meaning 1st Appearance anywhere Now or Anytime with Color Cover by Rutherford Boyd of Dalmatian Dog with Black & white Spots on Cover with RibbonsContents include: Go Fly a Kite by Robert Lewis Taylor about Oklahoma senator Edward H. Moore My Studio Burns Down by Norman Rockwell spirited drawings about the true story of his studio burning down. First Edition. Soft Cover. paperback
