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15-11117San Francisco CA: Zimmerman Crowe Design ca. 1992. Five Full Color Compositions & Eight Text Panels mounted on 39 x 54 cm. Boards. Zimmerman Crowe Design marketing campaign for Object Technologies International Job # 1067. Very Good. San Francisco, CA: Zimmerman Crowe Design, [ca. 1992]. hardcover
15-11118San Francisco CA: Zimmerman Crowe Design ca. 1992. Black and White Compositions Mounted on Five Boards 39 x 54 cm. plus related material including Xeroxed Mechanicals laid in manilla envelope. Zimmerman Crowe Design marketing campaign for Wells Fargo Job # 561. Very Good with tears to envelope. San Francisco, CA: Zimmerman Crowe Design, [ca. 1992]. hardcover
1966stela890Providence: 1966. 1966. 8vo. unpaginated. profusely illus. in b/w. essay by Daniel Robbins. biblio. wrs. spine sunned back cover scuffed lower corner bumped. Exhibition catalogue. Soft cover. Very Good. Providence: 1966. Paperback
2008L3 box161 a10<p>A La Mode - The Third Way of Fashion. Editing and design: Whyart Aude Lehmann & Tan Waelchli. English translations: Peter Routledge; German translations: Tan Waelchli; English proofreading: Doris Tranter. Published by Nieves 2008. Hardcover 206 pp.</p> NIEVES hardcover
1955047209Garden City NY: Doubleday & Co. Inc. 1955. First American edition 1955. Exceptionally well kept copy of this autobiographical novel portraying life in the Weimar Republic era Germany prior to World War II also during wartime along with its transition into the postwar period all in the format of a response to the Fragebogen - a questionnaire required of German residents to disclose political ties and help identfy those who may have helped the Nazis. Gray cloth printed in red and black with a stark looking dustjacket designed by Edward Gorey. The book looks and feels new and unread with tight binding pristine pages no names or other markings. The mylar protected dustjacket is not priceclipped 6.00 and has some minimal rubbing to the spine ends and two very tiny closed tears to the top edge of the rear panel no paper loss. First US Edition. Hard Cover. Near Fine/Very Good. 8vo - over 7¾" - 9¾" tall. Doubleday & Co., Inc. Hardcover
24436ONE: 14 January 1856; Queen’s College. TWO: ‘Valentines Day’ 14 February 1870; 33 Queen Anne Street W. London THREE: 3 April 1870; Doncaster. The third of these letters in particular gives a good indication of his Yorkshire bluntness his entry in the Oxford DNB describes him as ‘a man of arrogance and bile . capable of generosity strong friendships and kindness towards people in need of help’. The three items are in good condition lightly aged; the third with slight wear along one edge. All three are signed ‘E B Denison’ and the second and third are addressed to ‘My dear Plumptre’. ONE 14 January 1856: 3pp 4to. This letter concerns Queen’s College the girls’ school founded in 1848 by Denison’s relation Frederick Denison Maurice of which Plumptre would be Head 1875-1879. Subscribed ‘Chairman of the meeting of the Council this day’ and addressed ‘To the Chairman of the Committee of Education’. Begins: ‘Mr Nicolay is anxious that the Committee of Education should be informed of the opinion of the Council respecting the taking of Boarders in the new house No 68 Harley St.’. He reports the resolutions of the council who ‘think that the matter is now so far advanced that we may ask the Committee to come to a decision on the subject of taking boarders . We beg also to suggest that it is desirable that the meeting or meetings on this subject should be attended by as many of the Professors as possible as it is a matter seriously affecting their pecuniary interests’. TWO ‘Valentines day’ 1870: 2pp 16mo. ‘By this time you have possibly got my letter of yesterday which I took to the College expecting to see you & not observing that it was dated on Monday.’ After a brief discussion of College business he gives this in a postscript: ‘Crassweller came this morning wanted us to guarantee him in an action which a livery stable man is bringing against him for what he calls a nuisance in carrying off the rubbish through the Mews which Spooner referred to in his letter to you. Of course I did no such thing. It may or may not turn out that we shall have to do nothing but Crassweller will settle very differently for himself & yours.’ THREE 3 April 1870: 2pp 12mo. ‘Spooner’s account’ of Crassweller is ‘not very satisfactory’ but he has signed the cheque to him. ‘I have told Bailey that his continued employment is a disgrace to the Portland Estate after all that Bailey knows of him - & the Duke i.e. the Duke of Portland extensive London landowner too - By allmeans sic try the Duke again if you think it will do any good. I have a strong persuasion that in spite of Spooner we ought to have tried to get the building condemned by the M. Board & made it a landlord’s job’. He continues: ‘I have never heard of a 60 year marriage continuans before my father & mother’s. I shall not be in London on Wednesday for more than sleeping at any rate especially as our kitchen boiler is bust.’ Postscript refers to ‘Bickley liberality towards Q. C.’ and Lady Stanley. ONE: 14 January 1856; Queen’s College. TWO: ‘Valentines Day’ [14 February] 1870; 33 Queen Anne Street W. [London] THREE: 3 unknown
25415Hamburg Boysen & Maasch 1929. . Möller/Tecke I 2869. - Hrsg. aus Anlaß des 70jährigen Jubiläums des Architekten- und Ingenieurvereins zu Hamburg. - Aus dem Inhalt: Wohnungsfragen / Sanierungen / Sonderfürsorge beim Wohnungsbau / Grünanlagen u. Friedhöfe / Verkehr / Hafen / Technisch-hygienische Aufgaben / Baupolizei / Gas- Wasser- u. Elektrizitätsversorgung / Bauten der Reichspost u.a. Mit Namen- u. Sachregistern. BEIGABE: Ein Blatt Errata. - Außen und innen etwas stockfleckig Schnitt begriffen Hamburg, Boysen & Maasch, 1929. unknown
2008001882De Rijp: Stichting Kunst op Kamers 2008. Book. Near Fine. Hardcover. 1st Edition. Perforated cardboard slipcase containing two centre-stitched paperbacks in cover with flaps both illustrated throughout with color plates. 232 and 64 pp. 20x19 cm. Comes with a booklet 9 x 6 cm. with entry permits for the exhibition Kunst op Kamers Art in Rooms and a poster both also designed by Irma Boom. Kunst op Kamers presents 26 artists on 21 locations in the village De Rijp near Amsterdam. Text in Dutch. Stichting Kunst op Kamers Hardcover
54608Lubłin: BWA 1977. Quarto 28 × 15.7 cm. Original photo-illustrated staple-stitched wrappers; 12 pp. Wrappers lightly rubbed still about very good. A catalog of this November 1977 exhibition of the Polish conceptualist artist and theoretician Jerzy Rosołowicz 1928-1982 illustrated with reproductions of the artist's work and containing a brief bio list of exhibitions and publications. Rosołowicz studied at the Wrocław Academy of Fine Arts in 1948-1953 becoming an active participant in the Wrocław neo-avant-garde and was one of the co-founders of the Wrocław Group associated with Galeria Pod Moną Lizą. Starting out with matter paintings Rosołowicz moved on to creating a variety of conceptual machines which resembled scientific instruments such as the Neutrodrom pictured in this catalog. The introductory essay in the catalog by the art historian Bożena Kowalska explains the functioning of the Neutrodrom: "The artist designed the construction of an inverted cone one hundred meters high set with its tip on a concrete base. A slow-running elevator installed inside would take people up through a phase of darkness directing them into the dazzling brightness of the space under the sky to a mirror platform crowning the top of the building." Some machines such as Neutronikon pictured on the cover of the catalog were made out of lenses and mirrors. "This object suspended for example in a window overlooking the street transmits the entire street traffic in a binocular reduction and multiplication and both this multiplication of the image and its inversion make it unreal in a special way. The images observed in the lenses of "Neutronicon" are random and neutral in nature in accordance with Rosołowicz's theoretical assumptions." Rosołowicz took part in all the most important artistic events of the 1970s such as the Koszalin plein-airs in Osieki the Biennale of Spatial Forms in Elbląg as well as in the Wrocław '70 symposium. His early death during the Martial Law in 1982 led to his work being understudied outside of Poland. <br /> <br /> One of 200 copies printed.<br /> <br /> As of June 2025 KVK OCLC show no copies of this catalog outside of Poland. unknown
195073641-A-64379IBB 1950. 2 orig foto's in z/w met sticker van d'Oliveira en 4 orig foto's in sepia zonder verdere info. Enkele foto's staan tevens in het boek afgebeeld alle foto's zijn van het schakelstation in Lutterade. Orinele groene linnen band vergulde belettering. Groot 4to 72pp. Ontworpen door Piet Zwart met architecturele foto's van Cas Oorthuis en Jaap d'Oliveira. Kleuren- en z/w illustraties. Met een aanbiedingskaartje d.d. maart 1951. IBB unknown
193105294Moscow: Gos. nauchnotekhnicheskoe izd 1931. Soft cover. Good. 305 x 215 cm - 1253 pgs - original cover - a total of 6 issues published - back restorated frequent underlining see pictures - traces of use and a bit dusty - Getty 743 - Senkevitch 74 <br/> <br/> Gos. nauchno*tekhnicheskoe izd paperback
1928032542New York: Dodd Mead & Company 1928. 1st Edition . Hardcover. Good/Good. Plates Facsimiles Etc.; . Xvi 470 Pp. First Binding Of Blue Cloth Spine With Paper Label Blue And White Patterned Boards. First American Edition Using British Sheets Containing An Additional Chapter Written By One Of Wilde's Prison Wardens But Otherwise A Reprint Of The First Unexpurgated Edition. Ownership Signature Of Actress Elizabeth Talbot-Martin. Light Wear Tiny Frays At Tips But Bump To Upper Tip And Small Bump At Lower Edge Of Front Cover; Water Tide-Mark To Paper Spine Label But No Other Trace Of Damp Staining; Front Hinge Cracked. In The Scarce Dj Browned At Spine Internal Tape Repairs 1" External Tape Repair Across Top Of Spine 1/2" Tape Repair Along Lower Front Flap Fold 1 1/2" X 1" Chip At Bottom Of Spine Removing Most Of Publisher's Name 1/8" Chipping Across Top Of Spine With 1/2" Deep V-Chip At Top Front Spine Edge Some Other Small Losses And Short Tears. Small Bookstore Label Of Hampels Bookshop Milwaukee. <br/> <br/> Dodd, Mead & Company hardcover
1971007161New York Random House 1971 1971. 1st Edition 1st Printing. Hardcover. Fine/Fine. 1st edition 1st printing ; xi 209 p. 8 p. of plates : ill. facsims. ; 23 cm. ; ISBN: 0394467574; 9780394467573 LCCN: 79-102324 ; LC: PN1995.9.P7; Dewey: 791.43/023 ; OCLC: 238943 ; brown and black cloth in color photographic dustjacket ; "A frank personal story of the joys and pitfalls of making movies by a world famous film-maker." ; "Jerry Lewis is the only American director who has made progressive films. he was much better than Chaplin and Keaton."--Jean-Luc Godard ; "Filled with anecdotes and personal experiences this book covers just about everything that can happenduring the adventure of putting films together: the producer's job writing a script dealing with actors the stage crew preparing for the day's shooting actual filming; Mr. Lewis also takes the reader into the cutting room shows how to create and fit music to the sound track and then wage battles with the distributors and exploiters of the film industry. THe final section of the book dealas with the art of comedy how it is created what makes it work and who the great comedians are and why." ; Contents: To the reader -- Prologue -- Production -- The humanities of film -- The total film-maker -- The money man -- Script and writer -- Actors -- The million-dollar hug -- Pre-production chores -- The crew -- Homework -- Filming it! -- Post-production -- Editing -- Music and dubbing -- Distribution and exploitation -- Other film-makers other films -- Comedy -- Laughs are our thing -- The visuals of comedy -- The comedians ; slight foxing crease on front dustjacket inside flap ; water stain to top inside of dustjacket lightened top edge of cloth cover see scan ; early dustjacket dated 9/71; several black and white photos of Lewis at work ; one of the most important books on film written by a master ; FINE/FINE <br/> <br/> New York, Random House, 1971 hardcover
1931193111LParis: Les Etablissements Nicolas 1931. 1st edition. Very Good/no dj as issued. Paul Iribe. Paris Les Etablissements Nicolas 1931 1st edition softcover. 13 x 10 inches 16 pages incl. 9 full-page pink & black silk prints by Paul Iribe <br /> --- --- ---<br /> Preceded by a modern dialogue in three parts and three cocktails by Rene Benjamin. Well designed advertising brochure from wine seller Nicolas deploring the use of 'foreign alcoholic drinks and cocktails in France. <br /> <br /> Very Good condition. Les Etablissements Nicolas unknown
2017x-1940750121Schoolhouse Partners 2017. Paperback. New. 26 edition. 1188 pages. 11.02x8.50x2.32 inches. Schoolhouse Partners paperback
199823553Hong Kong: Kan and Lau Design Consultants 1998. soft cover illustrated folded card covers in original black slipcase. minor bit of wear at top edge of spine. no other wear or flaws. no markings. no other bumps tears creases. tight binding sewn and glued.; text in parallel chinese and english.; this copy is inscribed to graphic designer milton glaser and signed by kan tai-keung on the title page. there is typed and signed personal letter from kan tai-keung to milton glaser laid-in.; 123pp. illustrated in color throughout. 15 colleagues and graphic designers contributed texts. Signed by Artist. First Edition. Soft Cover. Near Fine. 4to - over 9¾" - 12" tall. Kan and Lau Design Consultants Paperback
2003033720Culver City: Design Studio Press 2003. 1st Edition 1st Printing. Hardcover. Fine/Fine. 191 Pp. White Illustrated Boards. First Printing. Fine In Fine Dust Jacket. Signed By The Six Author/Illustrators. <br/> <br/> Design Studio Press hardcover
19892111902158500753business index 1989. Soft Cover. Fine. Number of pages: 1 volume without pages Size: 37cm business index paperback
1930041389Reno: Walter Van Tilburg Clark / Reno Printing Co 1930. 1st Edition . Soft cover. Near Fine. 1 Pp. A Story In Verse. Tilburg's First Book. Near Fine A Few Traces Of Rubbing At Corners No Marks Or Damage. <br/> <br/> Walter Van Tilburg Clark / Reno Printing Co paperback
1933877691933. DESIGN NAITO Ryoji. SOSHOKU KATTO GASHU. Tokyo Sosaku Zuan Kankokai Showa 8 1933. Western bound in incised leatheroid over boards. 26.8 x 19.5 cm. 78 bw images mostly full page of "Decorative Cuts" drawing on the female form - flappers vamps and decadent androgynous beauties in many roles pirates a cowgirl a nun etc. etc. Ero-guro meets Beardsley. Very good condition in the original publisher's slipcase. Very unusual showing a different side of the decorative impulse in the Japanese 1930s. unknown
2002B7487Natl Academy of Design in Ny 2002-09-01. Paperback. Like New. Book is in nice condition text is unmarked and pages are tight. Cover has slight edge wear. Natl Academy of Design in Ny paperback
91071RokÅ no Hiketsu 露光ã®ç§˜è¨£ The Secrets of Photographic Exposure<br /> <br /> Sawa KurÅ ä½å’Œä¹éƒŽ author<br /> <br /> Onchi KÅshirÅ æ©åœ°å四郎 book design<br /> <br /> ARS アルス Arusu-sha アルス社 publisher<br /> <br /> ShÅwa 29 æ˜å’Œ29 1954 <br /> <br /> Hardcover volume 21.3 x 15cm bound and opens Western style. Yellow front cover with black geometric design and silver line accent and printed title and black rear cover. Vol 1 in a series by the publisher entitled Sawa Shashin Gijutsu KÅza ä½å’Œå†™çœŸæŠ€è¡“講座 Sawa Course in Photography Techniques by author Sawa KurÅ ä½å’Œä¹éƒŽ. 240pp of Japanese text and reproduced photos. Colophon has a publisher’s seal and a photo negative with in glassine tipped in. <br /> <br /> Author Sawa KurÅ ä½å’Œä¹éƒŽ was employed as an engineer in a job related to electrical engineering when he took up photography as hobby. In 1921 he opened the photography shop Hinomaru ShÅsha æ—¥ã®ä¸¸å•†ç¤¾ in Ginza; the same year he founded the photo magazine Kamera カメラ Camera. He went on to write numerous books on the subject of cameras and photography.<br /> <br /> Book design by Onchi KÅshirÅ æ©åœ°å四郎 1891–1955. The accomplishments of Onchi KÅshirÅ æ©åœ°å四郎 throughout the first half of the 20th century begin with his eminence as a printmaker. He was an innovator who domesticated the ideals of abstraction and "creative printmaking" in Japan when still in art school. From his early years working with Takehisa Yumeiji 竹久夢二 among others he began a long career as a printmaker book designer and book illustrator. From the very beginning of his life in the arts he was the center and focus of the Creative Print Movement SÅsaku Hanga 創作版画 surrounding himself with fellow artists who took inspiration from his dedication to the cause of self-expression. His works are held in institutions internationally.<br /> <br /> Publisher sheet folded to 18.3 x 12.7cm laid in. The title of the publisher sheet is Dokusha to Chosha èªè€…ã¨è‘—者 Reader and Author and the text on the first page is by the author. The inside pages feature essays by two university professors in the field of photography and information about the course. The rear page features a photo illustration and ad for the next book in the series カメラã¨ãƒ¬ãƒ³ã‚º Cameras and Lenses. <br /> <br /> Housed in a yellow and black case 21.7 x 15.6cm with printed title author and publisher that opens Japanese style with the opening to the left. Wear and dust staining to case and stain on front cover of book as well as a chip. unknown
2001DADAX1564967476Brand: Rockport Publishers 2001-01-01. hardcover. New. 8.75x1.00x11.00. Buy with confidence. Excellent Customer Service & Return policy. Brand: Rockport Publishers hardcover
59282Leipzig Hiersemann 1923. . Die erste Ausgabe erschien 1921 1922 1923; Bd 1 und 2 wurden - wie hier vorliegend - 1923 unverändert nachgedruckt. Bereits 1908 begonnen machte die Monographie über die älteste süddeutsche Porzellan-Manufaktur mehrere Wandlungen durch. Ursprünglich als einbändiges Werk gedacht entschloß man sich nach 1920 zu einer Dreiteilung des Werkes das nun außerdem als selbständige Publikation und nicht mehr als erster Band einer geplanten Reihe des Bayerischen Nationalmuseums erschien. - 1. Wirtschaftsgeschichte und Organisation; 2. Werkbetrieb und Personal; 3. Produktion und Verschleiss. - Einbde angestaubt u. etwas begriffen minimal fleckig innen etwas gebräunt mit schwarzem Filzstift durchgestrich. Besitzvermerk jew. auf Vorsatz. Leipzig, Hiersemann, 1923. unknown
9673Nuth 1980. Spirale Binding. l 14 pagina´s. Pagina 12 heeft een vouw omslag gesleten op rand. unknown