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1901011700New York: Charles Scribner's Sons 1901. Book. Near Fine. Cloth. Second Printing. 4to - over 9¾" - 12" tall. 2nd ptg.: 1902. Originally issued Dec. 1901. Newly rebound in burgundy cloth with white lettering on front panel approximating the original binding new endpapers. xix352 pp. illus. w/ 12 artotypes 293 half-tone cuts. Fore-edge slightly shaved to tidy up top gilt edge and bottom deckled edge untouched. Light scattered internal soiling a few leaves showing short closed tears or minor loss along bottom edge. Acceptable interior presenting "as new" exterior thus evaluated as Near Fine with note to rebinding. Excellent reference copy. Charles Scribner's Sons Hardcover
1574867660.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2002B7487Natl Academy of Design in Ny 2002-09-01. Paperback. Like New. Book is in nice condition text is unmarked and pages are tight. Cover has slight edge wear. Natl Academy of Design in Ny paperback
15-11123San Francisco CA: Zimmerman Crowe Design ca. 1992. Fabric swatches and design elements mounted to board 32 x 33 cm.; Black and white design oblong mounted to folded board 38 x 51 cm. covered with tracing paper; Fabric swatches and design elements mounted to tri-fold board each panel 38 x 51 cm.; Black and white designs mounted to single board 38 x 51 cm.; Logo Design Mock-Up ink on board with overlaid tracing paper both with inked notes 38 x 51 cm.;Color Design Mounted Inside Folded Board 38 x 51 cm. for videogame Skatin Hitchin'; Zimmerman Crowe Design promotional brochure color plates in 6 page ring binder; 9 Photo Slides documenting ZDC designs; 26 Color Photographs taped to manilla folder of gray building exterior walls; four transparencies with the phrase "Something Unexpected" in a specially-designed font. Very Good. San Francisco, CA: Zimmerman Crowe Design, [ca. 1992]. unknown
19932082502113903743design institute 1993. Soft Cover. Fine. Number of books: 1 design institute paperback
19912081502112304257Visual Design Institute 1991. Soft Cover. Fine. Number of books: 1 Visual Design Institute paperback
1927004758Detroit: Fisher Body Corporation Fleetwood Body Corporation General Motors 1927. First edition. Wraps. Very Good. An extraordinarily beautiful sales catalogue organized around vivid colors as the title suggests. Folio 33 by 25 cm. xxx 30 2 pp. plus wraps. The colors are "Bird of Paradise" "Midnight Blue" "Angel Fish" "Morpho Menelans" emerald curite "Forest Green" "Th Grand Canyon" "Rose Coral" "Italian Waters" "Orchid" "Autumn" and the cars are all Cadillacs. All the cars have in fact two colors both of which are suggested by the color designation and each color and car receives a luxuriant two-page spread with three color illustrations: one for the inspiration for the particular color one of the car interior and one for the outer body. Accompanying the illustrations are fluid intoxicating descriptions that conjure up the imagery the sensate experience the fantasy with only passing mentions of some of the design specifics. The cars include Cabriolets a Roadster a Phaeton Imperials a Brougham a Town Sedan and a Convertible Coupe. One can see designs that both reach back to the fine coaches of a quickly receding era and the more comfortable sleeker cars to come. The brochure was released in conjunction with a road show showcase of the vehicles staged at fine hotels in New York Chicago Los Angeles and San Francisco the Commodore the Drake the Biltmore and the Palace respectively. Wear to the edges of the dust jacket the decorative paper covering the bound card-stock wrap0 with a few scratch lines on front soiling on rear and a few minor closed tears along edges. A hole to the white front fold-in of this jacket. Other than some light pencilled lettering a child's hand clean and bright within. Fisher Body Corporation, Fleetwood Body Corporation, General Motors unknown
20051-0810958880Harry N Abrams Inc 2005. Hardcover. New. new title edition. 224 pages. 11.00x7.75x1.00 inches. Harry N Abrams Inc hardcover
2005O2770 Nh 4 19 03 71Harry N. Abrams 2005 New Hardcover and Price clipped dj. Cover is in excellent condition has no flaws. DJ is Price clipped and has very minor shelf wear but no tears. Pages are crisp tight clean and new looking. Spine is in straight & in excellent condition. Ships NEXT DAY M-F We give you an honest competitive prices ship next day provide tracking guarantee & exceptional customer service. If there is ever an issue we will resolve it for you so relax and smile. Be Wize. Make us your go-to bookseller. Harry N. Abrams hardcover
2005Q-0810958880Harry N. Abrams 2005-05-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Harry N. Abrams hardcover
19586632Chicago: American-Marietta Company 1958. First edition. 11x7" 16pp. Printed in several pastel colors with illustrations two pages of mounted samples and 4 brad-bound sample palettes each roughly 20 pages 4x2" and with technical info on versos laid in mounted pockets as issued. Spiral bound in printed card wrappers with samples mounted to front cover under glassine protector. Some waviness to pages hints of smudging and wear. Near fine. <br /> <br /> A beautiful piece of mid-century advertising from the American-Marietta Corporation of Chicago. The book is written as a manual for architects showing how the company's paints complete with technical information are best used in different lighting environments. American-Marietta was active from 1940-1961. <br /> <br /> OCLC cites 7 holdings for this booklet. American-Marietta Company unknown
19832110502150311961Visual Design Institute 1983. Soft Cover. Fine. Volume: 1 Visual Design Institute paperback
20042080502106509779Impress MDI Corporation 2004. Soft Cover. Fine. Volume: 1 Impress MDI Corporation paperback
197929747New York: Charles Scribner's Sons 1979. Hardcover. Fine/Fine. 11.3x8.8x0.9in. Dust jacket in clear protector. <br>Covers 48 sources of color--ceramics textiles artists etc.--with colors on tipped-in chips. <br>103pp 2.27lb 11.3x8.8x0.9in Charles Scribner's Sons hardcover
19802083002116410698Visual Design Institute 1980. Soft Cover. Fine. The book is in fine condition. Visual Design Institute paperback
19682091202133001539Naniwashobo 1968. Soft Cover. Fine. Number of books: 1 Naniwashobo paperback
2018BF12305310023Cognella Academic Publishing 2018. 4th ed. paperback. Very Good/None as issued. 8x0x10. Clean solid copy with crisp unmarked text. Cover has mild surface and corner wear. Binding is tight and square; no creases to spine or cover. Fourth edition. Books that sell for $9 or more ship in a box; under $9 in a bubble mailer. Expedited and international orders may ship in a flat rate envelope rather than a box due to cost constraints. All US-addressed items ship with complimentary delivery confirmation. Cognella Academic Publishing paperback
1464<p>Colordinamo 1975 1976 1977. Here all three installments of this rare publication. some parts missing in the 1975 issue but rare in any form or shape.</p><p><br /><strong>Colordinamo 1975.</strong> Manuale per uso professionale.</p><p>Il Colore dell'energia 40 nuovi colori per la progettazione dell'ambiente</p><p>Colordinamo 1975: The Color of energy forty new colours for environmental design</p><p>Milano: Montefibre S.p.A. 1975.</p><p>Grey colored blind stamped and printed portfolio 305 x 221 cm containing two pouches:</p><p>one pouch containing:</p><p>a manual for users missing</p><p>A parallel edition of the Colordinamo devoted to users is published and distributed by ACNA S.p.A. This contains the colour samples and the recipes for their reproduction onto certain types of support.</p><p>a colour isolator - being a sheet printed in white grey and black with 3 round and three square die-cut holes.</p><p>For a correct vision of the colour it is advisable to utilize the isolator comprised of two detachable sections: the first with a round punched hole is suitable for the comparison of one or more colours; the second with a square punched hole is suitable for isolating the sample on the colour chart. The black zone is to be used for the dark colours the grey zone for the middle colours and the white zone for the light colours.</p><p>a 6-page color illustrated foldout colour chart</p><p>The Colour Chart is the basic reference document of the handbook which must also be used for reading the dominant themes on the Composition Handbook. The sample colourants of the Colour Charts are the same as those of the Colour Cards; the guarantee and the precautions to be adopted are thus identical.</p><p>a composition handbook - nine foldout plates one complete plate missing 4 of which the 'environmental diagram is missing</p><p>The introductory part of the Composition Handbook is followed by the section dealing with the dominating themes. At the side of each iconographic subject there is an environmental diagram with the colours corresponding to the dominant theme visible through a window cut into the sheet after insertion of the Colour Chart</p><p>the second pouch containing: 40 color cards each measuring 296 x 105 cm</p><p>The reflectance spectra values R% and the tristimulus coordinates X Z Y given on the back of the Colour Cards can be utilized by Colorimetric centres for the instrumental matching of the colour onto any support fabrics of various types plastics natural materials etc. The values provided refer to the basic colour; the Colour Cards produced are guaranteed equal to the sample within /- 2 N.B.S. points. In order to prevent colour alterations of the Colour Cards it is recommended not to leave it exposed for a long time to direct light.</p><p><strong>Colordinamo 1976</strong>: Manuale per uso professionale.</p><p>The first reconstruction of the chromatic universe prior to the introduction of syntetic dyes. From original recipes the colors used by european dyers from XIV to XVI century.</p><p>Ricostruito per la prima volta l'universo cromatico precedente all'introduzione dei coloranti sintetici. Dalle ricette originali i colori usati nella tintoria europea<br />dal XIV al XVI secolo.</p><p>Milano: Montefibre S.p.A. 1976.</p><p>Grey colored blind stamped and printed portfolio 305 x 221 cm containing two pouches:</p><p>one pouch containing:</p><p>a monograph - 24 pages illustrated throughout in color printed stiff wrappers</p><p>This section contains a brief historical study of ancient dyeing up until the discovery of synthetic colouring materials complete with descriptive passages of the natural pigments most commonly used.</p><p>a colour isolator - being a sheet printed in white grey and black with 3 round and three square die-cut holes</p><p>a simulator – 3 silk-screened acetate sheets one sheet printed in white grey and black with 3 round and three square die-cut holes</p><p>Transparent sheets A and B are designed to permit the simulation of a chromatic family on a series of different types of objects outlined on A and B as they are superimposed on the Colour Cards. Sheet C similarly allows for the visualisation of colours distributed over vaster surfaces which simulate living areas.</p><p>a 6-page color illustrated foldout colour chart.</p><p>the second pouch with 40 color cards each measuring 296 x 105 cm</p><p>- First edition. This the personal numbered no. 720 copy addressed to the architect Giovanni Michellucchi.</p><p><strong>Colordinamo 1977</strong>: Manuale per uso professionale.</p><p>Colordinamo 1977: the environmental colour of the 70's for a new chromatic quality<br />of the environment.</p><p>Colordinamo 1977: il colore ambientale degli anni '70 per una nuova qualità cromatica dell'ambiente.</p><p>Milano: Montefibre S.p.A. 1977.</p><p>Grey colored blind stamped and printed portfolio 305 x 221 cm containing two pouches</p><p>one pouch containing:</p><p>40 color cards each measuring 296 x 105 cm</p><p>the second pouch:</p><p>a colour chart</p><p>the portfolio contains furthermore a 12-page one loose page color illustrated monograph with two texts entitled: 'the international culture of colour' and 'new environmental qualities' texts illustrated with examples of paintings by Frank Stella Adami and Ellsworth Kelly the architecture of Constantino Corsini and Girogio Wiskemann and the Trigondorf village by Justus Dahinden Zurich. in the monograph section furthermore 6 die-cut sheets 'Chromatic selection': vast horizontal surfaces vast vertical surfaces making new signpost colors cold colors hot colors; one page with 'munsell' codes referring to all the color codes as published in Colordinamo 1975 1976 and 1977 the colour isolater: being one sheet printed in white grey and black with 3 round and three square die-cut holes.<br />Attached on a yellow cord a folded bookmark with names of the 14 Italian businesses that helped realize this issue of Colordinamo</p><p>- All three first – unsalable - editions.</p> Montefibre S.p.A. hardcover
19912091502133536218Visual Design Institute 1991. Soft Cover. Fine. Number of books: 1 Visual Design Institute paperback
19912091502133534587Visual Design Institute 1991. Soft Cover. Fine. Number of books: 1 Visual Design Institute paperback
19912091502133537870Visual Design Institute 1991. Soft Cover. Fine. Number of books: 1 Visual Design Institute paperback
19830005866New York: Purgatory Pie Press 1983. First Limited edition. Wrappers. Fine. Octavo bright yellow wrappers <br/><br/>Copy no. 107 of only 180 copies signed with colored pencils by the author its designer and printers Esther K. Smith and Dikko Faust. Printed on their handpress with 22 impressions for all of the colors used in its making. Im-pressive and provocative. Scarce Purgatory Pie Press unknown
1954046877Newport Monmouthshire England: Ceramic Book Co. 1954. Book. Near Fine. Full-Leather. Signed by Authors. Limited Edition. 4to - over 9¾" - 12" tall. Full royal blue leather bordered lettered and with front cover ornament in gilt top text block edge in gilt. Edges rubbed with patches of surface loss; slight soiling to endpapers. ix305 pp. 31 color plates. Glassine dust sleeve shows soiling/spotting and is discolored by age but is not torn or chipped. No. 9 of an edition limited to 25 numbered and specially bound copies signed by the author from the total limitation of 1200 copies. Ceramic Book Co. Hardcover
19692481New York: A Helen and Kurt Wolff Book/ Harcourt Brace & World Inc 1969. Quarter cloth paper boards. Very Good. FIRST US EDITION SIGNED BY AUTHOR with TLS & hand-written postcard. 8vo. Quarter green cloth spine lettered and decorated in black and green grey boards with black-stamped decoration to upper board. Green top edge mostly faded. Pushing to spine ends bands of sunning to board edges dint to bottom edge. Signed by Bryher to ffep with "Best wishes from" else clean and tight. Two-page folded TLS and hand-written postcard featuring puffins laid in. In Paul Bacon's original illustrated dust jacket: spine gently darkened gently toned and soiled edges creased closed tear to rear panel. Still a lovely tight copy of Bryher's final novel. Unusual especially signed and with a TLS and hand-written postcard. Seemingly Mr J H Fall's copy the addressee of both the TLS and postcard. On Villa Kenwin-headed paper and written shortly after its publication Bryher discusses her novel advising Fall that "You never need feel you have to like the book." The letter also covered her liking of Akenside the change in approach to the T.L.S. and that she'd take In Aleppo Once "if it seems at all interesting". Dated three years later the postcard briefly outlines the novelist's travel plans: from a "wonderful week in the Scillies" she returned to London and then on to Kenwin: even in her seventies the novelist continued to travel. Bryher had deep emotional ties to both Switzerland the location of her Bauhaus-style home Villa Kenwin and the Isles of Scilly where she owned a daffodil farm and from which she had borrowed her adopted name. Perhaps indicating a note of formality both documents are signed "Winifred Bryher". Bryher and H.D. had long used Bumpus for sourcing books: perhaps Fall was a bookseller A Helen and Kurt Wolff Book/ Harcourt, Brace & World, Inc hardcover
18-5990San Francisco: San Francisco Photoscape 91 1991. Large format color print poster 24 x 36 inches. Very Good. Minor stain at bottom near logo not affecting images. Minor signs of handling. San Francisco: San Francisco Photoscape 91, 1991. unknown
