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195527200Paris France: Bibliotheque Nationale. As New. 1955. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Volume 8. -- with a bonus offer-- . Bibliotheque Nationale paperback
195055275London: The Collectors Book Club 1950. Limited edition. Hardcover. Good- to fine condition. 1/100. Folio. Unpaginated with six tissue-guarded copper engravings. Original green Morroco with five inch black cloth strip laid to covers gilt decorated grape motif across front cover and raised bands with gilt ruling on spine. Gilt top edge. Purple ribbon marker. Title page printed in red-brown. Signed by the artist on dedication page.<br /> <br /> Printed with the permission of the University Presses of Oxford and Cambridge. Contains six beautiful copperplate engravings by the decorated Dutch sculptor Ru van Rossem well known for his sculptures pen drawings lithographs wood and copper engravings as well as set and costume designs. Printed on English handmade paper by John Roberts Press engravings on Japanese vellum. <br /> <br /> A pupil of Jam van Tongeren and Arend Hendriks Ru van Rossem 1924-2007 taught at the Great Yarmouth College of Art while he lived in England. For almost twenty years he was a lecturer at the Tilburg Academy and among other awards was appointed Knight of the Order of the Netherlands Lion in 2003.<br /> <br /> Spine and left Moroccan panel on front cover faded with very light wear at along edges slightly more pronounced at head and tail of spine. Some offsetting of leather edges to endpapers. Binding in good- interior in very good to fine condition. The Collectors Book Club hardcover
19401262991940. New York: Lee A. Ault & R. C. von Ripper 1940. <br /> <br /> Huge folio 50 pp. text and illustration engraved throughout on folded leaves separated with tissue guards in stiffened wrappers with an additional suite of 22 plates lacking some together in the original cloth portfolio and card slipcase. Together with seven sheets of proof plates and a folder of five related press clippings bearing the printed label of Monica McCall Inc. Wrappers lightly toned portfolio worn and splitting slipcase considerably worn and stained and lacking spine panel plates themselves are very good throughout with only a hint of age-toning to the outer margins.<br /> <br /> § Copy V signed by Von Ripper and Muriel Rukeyser one of three Rives paper with a suite of etchings on Velin de Normandie from a total edition of 67 copies. This copy belonged to Muriel Rukeyser who has extracted some of the suite of prints they now number 22 and added seven proof sheets some showing and annotating alternate inking options as well as a small collection of related press clippings gathered for her by Monica McCall her literary representative and sometime lover.<br /> <br /> An important collaboration between Rukeyser and the Austrian-born surrealist etcher Rudolph von Ripper 1905-1960 on the eve of America's entry into the Second World War. Rukeyser's poem looks to the legacy of John Brown the militant abolitionist of the 1850s and celebrates the possibility of spiritual renewal through resistance to injustice. It first appeared in the June 1940 edition of Poetry Magazine. Here the poem is fully engraved and illustrated with original etchings by von Ripper and interleaved with the etched verses of the old Civil War marching song. By the time Von Ripper was engaged on this project he was only 35 but had already fought for the French Foreign Legion been imprisoned and tortured by the Gestapo and been wounded while fighting on the Republican side in the Spanish Civil War. His direct physical experience of the rise of fascism is evident in his visceral Goya-like etchings. The series was exhibited in the Bignou Gallery in New York in 1941. A contemporary review described it is "an unusal undertaking brilliantly executed the drawings forming not so much illustrations or decorations as actual parts of the poem. Realism symbolism powerful design and dramatic presentment mark these plates which form a distinguished piece of bookmaking. unknown
1954biblio229New York: Alfred A. Knopf 1954. Fine. <p>8vo quartercloth 261 p ill lower corners rubbed</p> Alfred A. Knopf hardcover
1987BIB317555London: The Hermit Press. 1987. Octavo Size approx 15.5 x 22.8cm. Very Good condition. Illustrated with lovely wood-engravings by Anthony Christmas. Limited edition of 250 of which this is no. 238. A charming book printed by hand at the Hermit Press on Zerkall mould-made paper using an 1834 Imperial Press. The book is bound by Woolnough Fine Binding the boards are covered in a genuine Curwen pattern paper. Unpaginated. A short excerpt from the narrative length poem originally published in 1926. . Limited Edition. Hardback. The Hermit Press hardcover
19882091502135417077Ko-gei so 1988. Soft Cover. Fine. Number of books: 1 Ko-gei so paperback
1763144421763. Horse Saddle Prints Published in 1763 Original engraving from: Diderot:Recueil de Planches sur les Sciences les Arts liberaux et les Arts mechaniques Paris France Published: 1763 Sheetsize: 39 x 26 cm. unknown
189427806London: Printed for The Society of English Bibliophilists 1894. 1st edition. Leather. Near Fine. 1st edition. 5 volume set complete. A Near Fine set. 8vos. In period Fine binding of half light blue leather and cloth over boards. Six compartment spine with title volume and design in gilt. t.e.g. A handsome set. A collection of 72 short stories written by Marguerite de Navarre published posthumously in 1558. It was originally intended to contain 100 stories but Marguerite's untimely death cut it at the second story of the eighth day. Printed for The Society of English Bibliophilists unknown
197754000El Paso: Ei Paso Public Library Association 1977. 1977. TEXAS MEXICO. First edition. 4to. Limited edition of 3000 copies and the plates destroyed. Designed by Carl Hertzog. 11 3/4' x 12 3/4" maroon cloth titles stamped in gilt on front cover and spine front and rear endpapers decorated with the repeated words "Otis A. Aultman Commercial Photographer" xiii 1 100 1 pp. introduction illustrated from photographs portraits acknowledgments. 100 striking full-page photographs taken in and around El Paso Texas Columbus New Mexico and northern Mexico during the time of the Mexican Revolution. Non-authorial inked gift inscription on the half title page else a fine copy without dust jacket as issued. Ei Paso Public Library Association, 1977. hardcover
173642844Amsterdam: J. Wetstein; G. Smith 1736. First French-language edition. Hardcover. g to vg. Quarto 10 1/4 x 8". 14 lxxv 1 696pp; 4 848pp. Modern half brown calf over light green cloth with gold lettering and tooling to spines retaining the original gilt-lettered leather titles. All paper edges red. Marbled endpapers. Engraved frontispiece portrait of the author and engraved portrait of Caroline of Brandenburg-Ansbach Queen of Great Britain as the wife of King George II by George Vertue. Title vignettes. Title pages in red and black lettering. <br /> <br /> This work was originally published in London in 1619 by Paolo Sarpi 1552-1623 an Italian historian prelate scientist canon lawyer and statesman active on behalf of the Venetian Republic during the period of its successful defiance of the papal interdict 1605-1607 and its war 1615-1617 with Austria over the Uskok pirates. The author published it under the name of Pietro Soave Polano an anagram of Paolo Sarpi Veneto plus o. <br /> <br /> The book's emphasis was on the role of the Papal Curia and its slant on the Curia hostile. Sarpi's work attained such fame that the Vatican opened its archives to Cardinal Pietro Sforza Pallavicino whom it commissioned to write a three volume rebuttal entitled the "Istoria del Concilio di Trento scritta dal P. Sforza Pallavicino della Comp. di Giesù ove insieme rifiutasi con auterevoli testimonianze un Istoria falsa divolgata nello stesso argomento sotto nome di Petro Soave Polano" "The History of the Council of Trent written by P. Sforza Pallavicino of the Company of Jesus in which a false history upon the same argument put forth under the name of Petro Soave Polano is refuted by means of authoritative testimony" 1656-1657.<br /> <br /> Sporadic foxing and offsetting throughout. Bindings in overall very good interior in good to very good condition. J. Wetstein; G. Smith hardcover
1835006330Philadelphia: John Sartrain 1835. Very Good -. 1 mezzotint engraving of Benjamin Carr 1768-1831 American composer singer music teacher and music publisher. Sheet is 30 x 24 cm.; image is 14 x 11 cm. John Sartain 1808-1897 pioneered mezzotint engraving in the United States. He engraved this portrait of Benjamin Carr from a painting by John Clarendon Darley 1808-1863. Undated but probably produced in the 1830s. Number in pencil in lower right-hand corner: 7/882. In Very Good- Condition: light soiling and foxing; a crisp mezzotint image. John Sartrain unknown
1860006727Philadelphia: William Smith 1860. Good. Sheet is 48 x 57 cm. Image is 33 x 38 cm. Hand-colored lithograph produced by Magee's Lithograph Press 48 S. 3rd St. Philadelphia. No date of publication. John L. Magee artist lithographer and engraver was located at 48 or 49 S. 3rd St. Philadelphia only in 1860. Engraved by A. Biggerman after an engraving by John Sartain. Print of deathbed scene of the Reverend John Wesley. Others shown in the image as identified by Sartain: Sarah Wesley a medical assistant the Rev. J. Bradford the Rev. P. Dickinson Mrs. Charles Wesley the Rev. T. Rankin Mrs. E.A. Rogers Miss Ritchie the Rev. J. Rogers the Rev. J. Creighton Master Rogers R.C. Brackenbury the Rev. T. Broadbent the Rev. A. Mather the Rev. J. Broadbent J. Horton the Rev. G. Whitfield Dr. Whitehead and the Rev. J. Edmonson. Scarce one copy on WorldCat. In Good Condition: some mat burn; closed tear of 2.5 cm. fromt upper edge; closed years of less than 2 cm. from lower edge; lower corner creased; image is clean and bright. William Smith unknown
Erik van Mingroot and EduNot in perfect condition. unknown
ria9781953987143_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; 130 Diary PagesHardback CoverMatte FinishSized at a large 8.5" x 11"Great for writing note taking sketching doodling journaling and jottingPerfect for school home or officeFor use with gel metallic glitter pastel and florescent hardcover
B9781953987143Hardback. New. hardcover
1953987141.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
14930005337Nuremberg Germany: Anton Koberger 1493. First edition. Very Good. Woodcuts by the Workshop of Michael Woldgemut & Wilhelm Pleydenwurff. Folio conjoined leaves measuring approximately 455mm by 320mm very minor breaks at fold minor soiling matted but not glazed or framed. <br/><br/>LIBER CHRONICARUM is the most famous travel book of the 15th century and the most exhaustively illustrated book of the incunable era. The complete work contains 1809 woodcuts of which only 29 are double-page town views:: these conjoined leaves is one of those 29 town views specifically "Colonia" i.e. Cologne Germany. The verso of leaf XCI is a half-page view of "Augusta" i.e. Augsburg Germany with descriptive text. Also smaller portraits of historical personages including Cleopatra Alexander the Great Herodias L. Pomponius Leoneus and M. Agrippa. et alios Notes: this is from the Latin edition. The German-language edition DAS BUCH DER CHRONIKEN has different woodblock portraits for Pomponius Leoneus and Agrippa. Also the view of Augsburg is only the left half of the scene which is one of the double-page views. Goff S-307; Hain - Cop 14508x; Klebs 889.1; Oates 1026; Procter 2084; BMC II 437 . Woodcuts by the Workshop of Michael Woldgemut & Wilhelm Pleydenwurff. Anton Koberger unknown
77-0616New York NY: Scott Screen Prints Inc. . 4to. Very Good. Stapled binding. 10 pp. B & W Plates. Service flyer and order form for Screen Printing company. New York, NY: Scott Screen Prints, Inc. unknown
18344533London: Charles Tilt 1834 . First edition. Hardcover. Fine. 8vo 149 unnumbered pages 19th century 3/4 green leather marbled boards extra-gilt spine; ex libris B. G. Astley <br/><br/>The Preface by John Martin largely covers the difficulties with the 3 illustrations by J. M. W. Turner which appear within and competed with Turner's works for the PROVINCIAL ANTIQUITIES OF SCOTLAND upon which he collaborated with Sir Walter. Tilt apparently issued this in 12 parts in 1833-1834 with each part containing 5 plates. This bound collection has 40 plates listed on its Contents pages: this copy appears never to have had the plate for "Margaret". With some text by Thomas Moule. Other plates by Cattermole Nixon Dewint Copley Fielding Pugin and others. Charles Tilt hardcover
192098240Paris : Claude Barbin 1920. 235x190mm. frontispice broch. couverture remplie. Exemplaire numrot sur papier vlin van Gelder n.¡ 106 / 500. Petites dchirures sur le haut et le bas du dos autrement bel exemplaire. 387 Claude Barbin unknown
1916898711916. Seitei KachÅ çœäºèб鳥 Prints Bird and Flower<br /> <br /> Watanabe Seitei 渡辺çœäº also ShÅtei artist <br /> <br /> Tokyo: Okura Shoten Okura Yasugoro<br /> <br /> Taisho 5 1916<br /> <br /> Brown cloth clasped portfolio 28.2 x 38 cm. A complete collection of the 22 color prints the preface and table of contents page 24 sheets in all with a colophon label on the inside of the rear cover. <br /> <br /> A wonderful production in color woodblock of the work of the important artist Watanabe Seitei 渡辺çœäº 1851-1918. Okura Shoten was also the publisher of Seitei's other two books the 3 volume Seitei KachÅ Gafu çœäºèŠ±é³¥ç”»èœ of 1890-1 and the KachÅ Gafu èŠ±é³¥ç”»èœ of 1903 but this portfolio is by far the rarest of all his works. Prints from the series are seldom seen and much prized complete sets like this one are vanishingly rare. <br /> <br /> After studying under Kikuchi YÅsai èŠæ± 容斎 1788-1878 also known as Kikuchi Takeyasu and Kawahara RyÅhei and established artist Shibata Zeshin 柴田是真 1807-1891 in his youth he traveled to Europe in 1878. One of the early practitioners of the Nihonga 日本画 style of Western-influenced traditional painting he is primarily known for his work with bird and flower subjects which he revolutionized with his delicate and playful ability to capture the reality of color plumage and other details. <br /> <br /> Overall the condition of the covers is quite good and the prints are well printed. The heavy paper on which the prints are mounted are a bit toned but the prints themselves are quite good and clean with wonderful colors and impressions. A cornerstone of any Japanese bird and flower collection. Enclosed in a custom clasped cloth box. unknown
19751108267New York: Harry N. Abrams Inc. Publishers. Good hardcover copy with d/j 260 pp 1 pp ack text and B/W and 45 4/C illustrations throughout 185 total illustrations biographical outline 4 pp selected biblio 3 pp index. . Good. Hardcover. 1975. Harry N. Abrams Inc. Publishers hardcover
1981003980New York: Harper & Row 1981. Near Fine. 1 publisher's press sheet 41 x 36 cm. Color image 23 x 25 cm. of the main character Ida hold her baby sister as she and her mother watch her father's ship sailing away. In Near Fine Condition: slightly creased; clean and bright. Harper & Row unknown
1935050551New York City: E. P. Dutton 1935. First American Edition 1st Printing. Hardcover. Fine/Very Good. Xv 110 Pp. Red Cloth Gilt. First American Printing 1935 In The Dutton Dust Jacket With This Title Fifth From End In List On Rear Flap. Book Fine Gift Inscription Dated 1937. Dust Jacket With Light Wear 1" Tear At Bottom Of Rear Spine Edge. Complete Sets Of The New Temple Shakespeare In Jacket Are Available But Not In First Printings. <br/> <br/> E. P. Dutton hardcover
009237Los Angeles: Zeitlin & Ver Brugge Booksellers 1974. Book. Fine. Hardcover. SIGNED AND INSCRIBED BY PUBLISHER. Limited and Numbered First Edition. 8vo - over 7¾" - 9¾" tall. #105 of 120 copies printed by Saul & Lillian Marks at The Plantin Press Los Angeles completed April 1974. "The entire edition subscribed for by Jacob Israel Zeitlin & Josephine ver Brugge Zeitlin." Association Copy SIGNED AND INSCRIBED BY PUBLISHER at colophon page "for Gary Jake". From the collection of Gary Steigerwald at the time of publication a young bookseller working for Jake Zeitlin. In lovely Max J. Adjarian binding his small label to upper left corner of front pastedown of quarter brown morocco over patterned paper boards.and complementary custom clamshell case of quarter brown morocco over grey buckram boards with beige felt lining stamp-signed "Frank Burton". Both are Fine. SCARCE Association Copy. Zeitlin & Ver Brugge Booksellers, Hardcover