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1776DEMO016704IGeneve SW 1776. Revised & Enlarged edition. Hardcover. Very Good. Copperplate engravings. 12mos contemporary full tree calf extra extra-gilt spines marbled papers. <br/><br/>Edited by Mons. Voltaire. Originally published in 1774. Very handsome set for one of France's greatest dramatists. Ex libris Sir Richard Bedingfeld probably the 5th Baronet Bedingfeld of Oxborough 1767-1829; however vol. 8 has an inked inscription indicating it was given to C. Bedingfeld -probably his wife Charlotte Georgiana Jerningham Bedingfeld. Note: the frontispiece to vol. 1 identifies its artist as Elizabeth Thiebau. Copperplate engravings. hardcover
17944736CB2 Bände. (Zürich, o. Dr. 1794). 24°. 4 S. Vorwort, Jan.-Nov. 72 S., Dez. 71 S. Kalbleder der Zeit, reiche Rückenvergoldung mit rotem Titelschild und grünem Bandzahlschildchen, Schnitt grün gefärbt.
17231015CGLeiden, Petri Vander Aa, 1723. Kupferstich von Mattäus Merian. Plattengrösse: 26,2 x 34,6 cm. Blattgrösse: 29,2 x 39,5 cm.
17116487CBZürich, Heinrich Bodmer, 1711. 8°. Titel, 133 S. Etwas spätererHalbpergamentband mit maschinengeschr. Rückenschild.
1737487427Halle, Waisenhaus, 1737-45. 4to. Mit gestochenem Porträt u. 4 gestochenen Titelvignetten. Pergament d. Zeit mit Rückenschild (fleckig, 3 Rücken mit kurzen Einrissen). [3 Warenabbildungen]
179946241Philadelphia: Robert Campbell 1799. First American edition. Hardcover. g to vg. Large octavo 8 1/2 x 5 1/2". xxiii 1 297 1pp Vol. 1; 267 1 xxivpp Vol. 2. Modern brown cloth with gold lettered leather title label to spine. Engraved frontispiece to both volumes. Lacking the separately printed atlas as usual.<br /> <br /> First American edition of this official report on the British Macartney Embassy to China that took place between 1792 and 1794. It was written after the return to England by the Secretary to the mission Sir George Leonard Staunton 1st Baronet 1737-1801 based on his own observations and notes from other crewmembers including his twelve-year-old son Sir George Thomas Staunton 2nd Baronet. <br /> <br /> "The account offers rich insights into the beginnings of British Imperialism in China and thus makes it an important primary source for the historiography of Sino-Western relations. There is an academic dispute whether the account marks a sudden turning point in British-Chinese dynamics or reflects a slow and complex divergence. <br /> <br /> While the political and economic ambitions of the embassy failed the account by Staunton brought back detailed descriptions of and observations on the Chinese culture that were received with curiosity in the West and led to the commercial success of the book and the publication of several translations and subsequent writings on the Macartney Mission." From Wikipedia<br /> <br /> This work is splendidly illustrated throughout with eight stunning engravings by Samuel Seymour two in volume one six in volume two including the frontispieces as called for in the directions to the binder. The xxiv page appendix contains detailed tables and charts dealing with population and socio-economic information.<br /> <br /> Previous owner's stamp E. W. Sage at verso of first frontispiece and at upper margin of first title. Moderate and sporadic foxing / age-toning throughout. Binding in very good interior in good to very good condition. Robert Campbell hardcover
176626550Naples 1766-1776. A single aquatint plate drawn and engraved after the original pieces in the Hamilton collection. The colour aquatint shows a bacchanal scene-- a youth in peplos reclines on an ornate couch he holds a large bowl in his left hand his right gestures toward a kylix above--all within a Greek-key tondo. Above him there are three dancing satyrs. This is a nicely detailed image on a black background coloured in shades of brown tan terracotta and gold. Printed on a single folio sheet measuring approximately 20" x 15" the image approximately 8.25" X 10". Now presented in cream mounting boards 22" x18" behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> While widely recognized for their beauty the reproductions from Hamilton's vases have become evidence of the irreconcilable problem of neoclassicism in the Romantic period. Significant changes in the way the vases were engraved over a span of thirty or forty years demonstrate how an immutable collection of objects is subject to radical shifts in representation in response to the social and artistic styles of the time. hardcover
1776486468Göttingen, Dieterich, 1776-97. Folio. Halbleder d. 20. Jahrhunderts (Rücken u. Ecken berieben u. teilw. verblaßt).
17015890CBGedruckt zu Bern, in Hoch-Oberkeitlicher Truckerey, durch Andreas Huegenet, 1701. 2°. (8) Bl., 489 (recte 487) S., (5) Bl., 151, (1) S. Mit Holzschnitt-Titelvignette. Pergamentband der Zeit. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Einband und Titelblatt Auffs newe widerum gedruckt.
17879408Paris, Méquignon, 1787 ; in-8 ; plein veau havane marbré, dos à nerfs décoré de filets dorés, pièce de titre grenat (reliure de l'époque) ; 32, 430, (2) pp. de Privilège et 7 planches dépliantes dessinées par William Bell et gravées par Dupin.
178042842[Paris], [Esnauts et Rapilly], sans date, 1780 circa. Gravure en taille-douce (16 x 11,2 cm), encadrée.
1751PHO-1679Londres, Nourse, 1751. 2 volumes in-12, veau marbré, dos à nerfs orné, pièces de titre et de tomaison, tranches rouges (Reliure de l'époque), coiffes usées, manque les pièces de titre et tomaison au tome 2
17231014CGLeiden, Petri Vander Aa, 1723. Kupferstich von Hans Caspar Nüscheler nach Merian aus dem Werk von Johann Jacob Scheuchzer (1672?1733). Plattengrösse: 21 x 36,7 cm. Blattgrösse: 23 x 40,5 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A
176693022Frankfurt und Leipzig, Fleischer, 1766. 4to. 35 Bl., 416; 260 S., 15 Bl. Mit gestochener Titelvignette u. 4 Textkupfern. Halbpergament d. Zeit mit goldgeprägtem Rückentitel (berieben). [2 Warenabbildungen]
177930020ABZürich, Orell, Gessner Fuesslin, 1779. Folio. 152 S, (31) Bl. Mit 1 ges. Titelblatt, 29 Kupfertafeln und 14 Tabellen (davon 2 gef.) Halblederband der Zeit. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, bild
17015890CBAuffs newe widerum gedruckt. Gedruckt zu Bern, in Hoch-Oberkeitlicher Truckerey, durch Andreas Huegenet, 1701. 2°. (8) Bl., 489 (recte 487) S., (5) Bl., 151, (1) S. Mit Holzschnitt-Titelvignette. Pergamentband der Zeit.
17231014CGLeiden, Petri Vander Aa, 1723. Kupferstich von Hans Caspar Nüscheler nach Merian aus dem Werk von Johann Jacob Scheuchzer (1672–1733). Plattengrösse: 21 x 36,7 cm. Blattgrösse: 23 x 40,5 cm.
177930020ABZürich, Orell, Gessner Fuesslin, 1779. Folio. 152 S, (31) Bl. Mit 1 gest. Titelblatt, 29 Kupfertafeln und 14 Tabellen (davon 2 gef.). Halblederband der Zeit.
179531016AB2 Bände. Berlin, bei Friedr. Vieweg, dem Ältern, 1795–1796. 8°. (1) Bl., 244 S., (2) Bl.; (1) Bl., 283 S. Pappbände mit Rückenschild.
1711703550Dresden und Leipzig, J.Ch. Zimmermann, 1711. Gr.-4°. 9 nnr. Bl., 1332 Spalten, 52 nnr. Blätter. Kupferfrontispiz. Pergament der Zeit auf 5 Bünden. Handschriftlicher Rückentitel. Einband gering fleckig. Rückentitel etwas verblaßt. Pergament am Vordergelenk beschädigt. Titelblatt rückseitig gestempelt und gebräunt und schwacher Abklatsch dieser Bräunung auch auf dem folgenden Blatt. Geringer Wasserschaden am unteren Rand der letzten Blätter. Sonst innen sauber und ohne nennenswerte Altersspuren.
1759848041759. T. Kinnersley. London. 1759. In Two Volumes II and III and contains the whole set for the year 1759. Bound in 18th century quarter brown calf gilt very worn and rubbed and lacking portions of leather from heads and tails of spine. Joints tender but holding. Vol. II; ii 372 pages plus 4pages of index. Vignette to general title-page and engraved head-piece for each month. 6 engraved plates of unusual and more ordinary fauna including the dodo the rhinoceros sea hedge-hog the horned didapper flying fish and cassowary. 1 portrait plate of Magliabechi 14 full page engraved maps and plans. Vol. III; ii. 404 pages plus 4 page index. Engr. vignette to general title-page and engraved head-pieces or decorations to each month 4 engraved plates of fauna one portrait plate of Major General Wolfe 1 incredible engraved plate displaying the Torments Inflicted by the Dutch on the English in Amboyna plus the engraved frontis. to Pope's Essay on Man. Three engraved plates - 1 map and 2 plans. A wonderful insight into what interested people in the mid-18th century. Pages browned and occasionally foxed but otherwise a very useful set. hardcover
17845543Eau-forte et burin 320 x 390 D’après Lavreince. Importante et célèbre estampe. Belle épreuve, sans marges mais à la bonne adresse de Dequevauvillers (1er tirage) et avant la correction du mot Stockholm. Cadre moderne, passe-partout. cadre 1784
17911102871791. In der Platte signiert "H. Wüest pinx. / W. F. Gmelin sculps.", datiert und betitelt. Ausgezeichneter malerischer Druck mit gleichmäßigem Rand um die Darstellung und mit Schriftrand. Auf festem Bütten. 35 x 47,5 cm (Darstellung).
1740258691740 A Paris, Chez Huquier [1740--] leaves of plates : illustrations ; 34 cm- Chinoiseries- feuillets de planches gravées sur cuivre : eau-forte ; - serie A: pl.2,3,4,5,6,7,8,9,10 - soit 9 eau-fortes marges inegales,mouillures claires éparses,trés rare
17042091CBZürich, Joh. Rudolf Simmler, 1704. 12°. (8) 408 S. Mit 23 Kupfer-Ansichten (davon 20 auf sich wiederh. ornament. Holzschnitt-Tafel montiert und eine Kupfer-Tafel mit 3 Ansichten). Pappband der Zeit. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +