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1751PHO-1273LONDRES (CHEZ NOURSE) 1751 2 VOL. RELIES EN 1, IN-12°, 17 X 10 CMS, RELIÉ VEAU MOUCHETÉ, DOS A 5 NERFS ORNÉ DE FLEURONS DORÉS, TR. ROUGE. 2FF-285PPS; 1FF-148PPS. PREMIÈRE ÉDITION FRANÇAISE TRADUITE PAR RAULIN, ANCIEN OFFICIER DES DRAGONS.
1809Flo542<p>Near fine copy of this classic of equestrian humour</p><p>First edition with the improved Thomas Rowlandson engravings of this popular book that went through many editions</p><p>Complete copy with 29 handcoloured copperplates engraved by Rowlandson after designs by Henry Bunbury</p><p><em><strong>An Academy for Grown Horsemen</strong>; containing the Completest Instructions for Walking Trotting Cantering Galloping Strumbling and Tumbling with <strong>Annals of Horsemanship</strong>: Containing Accounts of Accidental Experiments and Experimental Accidents both Successful and Unsuccessful Communicated by Various Correspondents.</em></p><p>The text has been attributed to the artist Henry Bunbury and Francis Grose the antiquarian and compiler of a <em>Classical Dictionary of the Vulgar Tongue.</em> In the 19th century the humorous text was ascribed to Grose in <em>Catalogue of the library of the late Sir Francis Feeling </em>1836 John Bohn's <em>Catalogue of English Books </em>1843 Samuel Halkett's <em>Dictionary of the Anonymous and Pseudonymous Literature of Great Britain </em>1882 D.C. Sapp's <em>The Honey Jar </em>1898 etc. John C. Riely however in <em>The Age of Horace Walpole in Caricature</em> 1973 claims that Grose only contributed the introduction.</p><p>Henry William Bunbury 1750-1811 "drew chiefly in pencil or black and red chalk; but although he seems to have used the needle he was never successful as an etcher and his designs were generally reproduced by engravers mostly in stipple or dot. The three works by which he is best known belong to 1787: <em>A Long Minuet</em> <em>The Propagation of a Lie</em> and the volume of equestrian misadventures called <em>An Academy for Grown Horsemen</em> by Geoffrey Gambado. In 1791 appeared the <em>Annals of Horsemanship</em> a kind of sequel to the <em>Academy for Grown Horseman</em>." D.N.B. His other published works include Angelica Kauffman's<em> Angelica's Ladies Library </em>1794 <em>Bunbury's Illustrations of Shakspear</em> engraved by Bartolozzi 1796 <em>Tales of the Devil </em>1801 etc.</p><p>Full tree-calf leather binding by Myers and Co 80 New Bond Street London rebacked with mottled spine with gilt title boards a little dry and rubbed new endpapers book block solid. Interior very clean all plates under tissue guards copperplates with vivid and delicate hand-colour. One text page 124 with repaired 3cm tear and paper fault that has caused a printing error with no loss to text.</p> Vernor, Hood and Sharpe hardcover
186726900Melbourne: Hamel & Ferguson 1867. Print. Plate XV from Eugene von Guérard's Australian Landscapes 1866-68.<br /> <br /> American Creek Mt. Kembla. Trees pictured include cabbage trees bangalow palms and flame trees. Timbermen are working in the foreground to fell the huge trees. Von Guerard describes the scene thus: This sylvan scene is situated at a distance of little more than ten miles from Wollongong near the junction of a little stream upon which some prosaic devotee of the bottle has bestowed the dishonouring appellation of the Brandy and Water Creek with the American Creek and at the foot of a noble range of mountains. With the lofty bangalow palm the cabbage palm the gigantic wild fig-tree the fire tree otherwise known as the blaze tree with its vividly scarlet blossoms are intermingled the nettle tree the rose-wood the sassafras the white-wood the wild rose numerous varieties of the fern tree and parasites innumerable the whole being woven together into one dense and almost impenetrable mass of foliage. Unfortunately the progress of settlement is necessitating the destruction of some of these magnificent forests which in many instances clothe a rich chocolate soil of especial value to the farmer. At the time this view was sketched numerous fires had been kindled by the wood-cutters and the stately giants were rapidly falling before the pitiless axe of the hardy pioneers of civilization.<br /> <br /> Color lithograph signed in the plate with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 14 1/4 x 20 3/4" on paper 25 x 18 3/4". Archivally cleaned and backed repairing some marginal splits including one that would be visible when matted. Color tastefully enhanced. Libraries Australia ID 774462. Hamel & Ferguson unknown
186727483Melbourne: Hamel & Ferguson 1867. Print. Plate XVI from Eugene von Guérard's Australian Landscapes 1866-68. The location is now named Budj Bim and is a dormant volcano near Macarthur in southwestern Victoria Australia. The volcanic history of this part of Victoria is remarkable and the quarried black volcanic rock is seen throughout buildings & walls.<br /> <br /> Color lithograph signed in the plate with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 13 x 19" on paper 18 x 24 1/2". Archivally cleaned and backed color tastefully enhanced. Libraries Australia ID 7744685. Hamel & Ferguson unknown
186727435Melbourne: Hamel & Ferguson 1867. Print. From Eugene von Guérard's Australian Landscapes 1866-68.<br /> <br /> Two horsemen are approaching a punt to cross the Goulbourn. A boat in the foreground holds two fishermen. <br /> <br /> Color lithograph signed in the plate with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 14 x 20 1/4" on paper 18 x 24 1/2". Archivally cleaned and backed color tastefully enhanced. Two small marginal cracks repaired. Not recorded on Trove. Hamel & Ferguson unknown
1910140940357Paris: Charles Carrington 1910. First Illustrated Edition. Very Good. First illustrated edition. 312 pp. with publisher's tipped-in slip announcing delay and frontispiece. Original white three-quarter faux vellum over gray boards with gilt ruling and spine lettering. Very Good with dampstaining to foot toning to head contents generally bright and in nicer shape. In a serviceable example of the rare original jacket chipped at head 2" and tail small closed tear to top of front panel rubbed along edges toning and dampstaining to spine. Oscar Wilde's classic Gothic horror tale with full-page wood engravings by Eugene Dété from drawings by Paul Thiriat each with a tissue guard titled in crimson. Charles Carrington unknown books
RARE! 7 ORIGINAL LITHOGRAPHS by Pablo Picasso, in folder format, from an unknown publication (no details within), probably circa 1954. All seven lithographs are based on the same templates used for the 1954 Verve no. 29-30 publication. Presented in folder format. The folder itself is an additional (8th) lithograph, very similar to the one used for the cover of "The Human Comedy", printed on harder, criss-crossed cloth paper. Also included: a small photograph of another Picasso print, in b&w. 330x250mm. Soft folder format, with larger red and white lithograph serving as cover for the other lithographs. Folder split halfway along the spine. Front cover stained in several places. Edges worn around cover and all lithographs. One small tear affects cover and all lithograph frames near the corner. Only one lithograph very slightly damaged by this tear. No bending, creasing or staining inside. [SUMMARY]: Overall, this extremely rare collection of original Picasso lithographs is in good condition.
1840598DG(um 1840). Kol. Lithografie. Bildgrösse: 20,2 x 30,7 cm. Blattgrösse: 28,5 x 38 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, bild
With 50 hand-coloured full-page plates (c. 200 x 125 mm) heightened with egg-white, (44 lithographs, 3 engravings, 3 wood-engravings), of which 33 are after drawings by Heinrich Jessen. Contemporary blindstamped decorated red cloth, front cover with title lettered in gold. Charming colour plate book mainly with military costumes. Some of these plates were published earlier in F.G. Buek's "Album hambürgischer Costüme", 1843-1847. The plates depict messenger boys, maidservants, a police officer, several military men on horseback, etc. - Hinges weak, top and lower part of spine damaged. Coloured costumes in good condition. Colas 1547. Hiler 479. Lipperheide 809.
Portfolio of 10 exquisite landscape etchings by Pierre Bazire, each of which is JUSTIFIED (10/15) AND SIGNED IN PENCIL. These etchings evoke the rustic, pastoral landscapes of southern France, bathed in soft sunlight. Additionally there is a title/justification leaf (signed by Gustave Arthur Dassonville, for whom the edition was printed) with an eleventh etching, and another signed proof of that etching (so 12 etchings in all, of which 11 are full-page, loose, signed, and justified). Printed on fine Arches wove paper. Folio. Loose as issued in cloth portfolio with paper label. FINE AND BRIGHT, with no defects. Very rare (only 20 sets were printed: 1-15 and I-V).
196221561ABBern, Francke, 1962-2003. Quer-Folio, Quarto Orig.-Leinen- und Leberbände (Einführung). + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 21561AB|21561AB_2 11 Bände, 8 Tafelbände; 2 Einführungsbände, Abschlussband mit Register. [2 Warenabbildungen]
1740703979Ulm, Verlag Daniel Bartholomäi und Sohns, 1739-1740. 31 nnr. Bl., Text zweispaltig, 2304 Sp.; 25 nnr. Bl., Sp. 2305-4752, 3 3 nnr. Blätter (Gesamtregister). Schlichte Ganzpergamentbände der Zeit mit handschriftlichen Rückentiteln. Neueres Exlibris eines Vorbesitzers auf Innendeckel, Seiten teils schwach gebräunt, sonst von sehr guter Erhaltung.
Two volumes, complete. FIRST AND ONLY EDITION--dedicated to Talleyrand--OF ONE OF THE EARLIEST AND MOST IMPORTANT WORKS ON THE CONNOISSEURSHIP AND HISTORY OF PRINTS, PAPER (including watermarks), MANUSCRIPTS (including calligraphy), AND BOOKS. [8], ii, 4, [2], 407 pp + 20 folding plates (one hand-colored); [4], 373 pp. Printed on fine laid paper. With the early-19th century engraved label of Edouard FrËre, the leading bookseller in Normandy, in volume I. Armorial bookplates of eminent Italian jurist Luigi Majno (1852-1915) in both volumes. 8vo. COMPLETELY UNCUT, IN ORIGINAL BOARDS. Joints chipped but solid, boards a bit soiled. Internally FINE AND BRIGHT. Bigmore & Wyman I, 368; Hunter, p. 12; Bourcard, p. 83: "Ouvrage extrÍmement recommandable et abondant en documents de toutes sortes...". Very rare complete with all 20 plates.
8 volumes, complete. The monumental catalogue raisonne of the prints of Andre Dunoyer de Segonzac. 1,595 items reproduced, usually as full-page plates, and thoroughly described. Folio, boards, djs. Minimal wear to djs of volumes 1 and 2, else a FINE AND BRIGHT SET. Extremely scarce as a complete set.
1790704257Stuttgart, Christian Gottlieb Erhard, 1789-1790. XXXII, 432 Seiten, 8 Kupfertaf.; XII, 1 Blatt, 432 Seiten, 4 nnr. Bl. Halbleder-Bände der Zeit mit goldgeprägten Rückenschildern und dezenter Rückenvergoldung. Einbände etwas berieben. Titelblätter jeweils mit Beschädigungen und alten Besitzeinträgen. Insgesamt aber sehr sauber und Kupfertafeln, sowie Kupferstich-Karte und Stammtafeln unbeschädigt und tadelsfrei.
19853949CBLuzern, Faksimile Vlg., 1985. Gross-4°. (2)1035 (1) faksimil. S.; 306 S.534 S.; 13 S. Mit 199 farb. faksimil. Buchillustr. u. vielen Textillustr. (im Kommentar). Blindgepr. alaungegerbter Orig.-Schweinslederbd. über Holzdeckeln mit 2 Metallschliessen im Stile d. Zt. sowie Orig.-Halblederbd. mit goldgepr. Rücikenschild u. beiliegendem Orig.-Heft. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden + 2 Bde. (Faksimile + Kommentar + Verzeichnis der Abbildungen).
183044550S.l.n.d. (Belfort, Jean-Pierre Clerc, vers 1830). Grande estampe gravée sur bois coloriée au pochoir (43 x 62 cm).
182044549Montbéliard, Deckherr, sans date, (vers 1820). Grande estampe gravée sur bois coloriée au pochoir (43 x 32 cm).
189244363Paris, Prouté, 1892-2019. [Victor et Robert Prouté. 1892-1933. 26 catalogues et archives sous chemise]. Catalogues trimestriels Estampes et livres Victor Prouté, n°11 à 17 et 26 (1892-1897) ; catalogues annotés Victor et Robert Prouté n°39 à 53 (1920-1933).[Catalogues agrafés et tapuscrits «Victor et Robert Prouté», «Veuve et Robert Prouté», «Robert Prouté» (1933-1981) sous chemise]: Catalogue Exposition, 1933 ; listes n°54-66 (mai 1934-novembre 1938), listes n°67-76 (mars 1954-novembre 1958), catalogue n°77-81 (1962-1966), catalogue Exposition Imagerie populaire 1961, Catalogue vente estampes Drouot 1981, cartes de visite «Maison Robert Prouté».[Paul Prouté S.A. Dessins - Estampes]. 16 catalogues in-4 présentés au Salon annuel du dessin. Années 1990, 1996 à 2009 et 2012.[Paul Prouté]. 117 catalogues périodiques biannuels in-8, n°4, 6 (1922), n°16 (1925), n°29 (1931), n°36 à 157 (1962-2019, sans les n°47, 98, 99, 136, 150) [Catalogues annuels « Paul Prouté et ses fils » puis « Paul Prouté S.A .»]. 36 catalogues in-4 1961-1994 (manque 1971) et 1 catalogue « Architecture » 2012[Galerie Monique Breton-Prouté (Pehem)]. 4 jeux complets des catalogues dépliants n°1 à 27 (1982-2001) dont un présente plusieurs exemplaires de chaque catalogue ; livre d'or pour la fermeture définitive de la Galerie en 2003 ; 58 feuillets de croquis et 10 vignettes de portraits dessinés par la galeriste au crayon et à l'encre noire ; 2 portraits dessiné et gravé de Victor et Hippolyte Prouté ; cartes de visite etc.
1911258761911 Affiche en Lithographie,trés rare,grand format +160x100 cm
2928Paris, Chez Aliamet, 1755. 2 gravures sous cadre doré et vitre ancienne avec passe-partout (500 x 400 mm). Les originaux de Teniers faisaient partie du cabinet du comte de Vence d’après Aliamet. Ils sont aujourd’hui perdus. On connaît une copie peinte du Départ d’après l’original conservée à la Staatliche Kunsthalle de Karlsruhe (Maxime Préaud, Sorcières, BNF, p. 42), et une autre gravure par Vivant-Denon. CÉLÈBRES GRAVURES SUR LE SABBAT, FORMANT PENDANTS. BnF, catalogue Sorcières, n°62.
1895991DGZürich, Orell Füssli, 1895. Farb. Lithographie von 1895. Bildgrösse: 95 x 63 cm. Blattgrösse: 100 x 68 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 991DG
19005532S.l., S.D. [vers 1900]. 1900 1 vol. in-8° oblong (155 x 245 mm) de: 11 photogravures en noir (certaines subdivisées représentant 23 lieux au total) ; 1 plan de de Buenos Aires. Percaline cerise de l'éditeur, dos lisse muet, grande plaque décorative à motifs noirs et dorés sur le plat supérieur.
1364Sans date : vers 1860-1880. 51 RARES CARTES À ILLUSION OPTIQUE OU CARTES MAGIQUES
1695ARC-114188Un volume in f° : 24,5 x 34,5 cm Carton recouvert de papier vert ( usures) dos à nerfs avec fleurons dores ( restaurations). Titre manuscrit sur papier beige. Album composite de 33 gravures, réalisé fin XVII ème Siècle Début XVIII ème Siècle. Certaines des gravures signées POILLY ; monogramme "C P R" (Cum Privilegio Regis.)