10 865 résultats
17483647DB3 Teile in 1 Band. Zürich, Bey David Herrliberger, 1748–1751. Quer-8°. 3 Titelblätter. Mit 156 kolorierten in Kupfer gestochenen Darstellungen von David Herrliberger. Neuer Halbpergamentband im Stile der Zeit.
17937353BBZurich, bey Orell, Gessner, Füssli und Compagnie, 1793. 8°. (4), 75 S., Mit gest. Titel, 12 gest. Taf. u. 1 gest. Schlussvignette von Johann Heinrich Meyer nach Meyer und Ludwig Hess. Pappband der Zeit.
18523127CBErster - vierter Jahrgang. Erlangen, Enke, 1852-55. Gr.-8°. Mit 144 lith. Tafel, gedr. bei A. Kolb, Nbg. Marmor. Ppde. d. Zt. mit roten Rückenschildchen.
17147878CB4 Bände. Leiden, Pierre van der Aa, 1714. Kl.-8°. (18) Bl., 220 (recte 224) S.; (2) Bl. S. 221–228, 233–434; (2) Bl. S. 435–676; (2) Bl., S. 677–1027. Mit gest. Titelblatt (doppelblattseitig), 1 gest. Frontispiz (doppelblattseitig), 68 (davon 50 gef.) und 5 (von 6) gef. Kupferkarten. Lederbände der Zeit mit reicher Rückenvergoldung.
17787902CBNouvelle édition. 2 Bände. Neuchâtel, Fauche, 1778. 4°. (4), IV, 454, (2) S.; (4), 391, (1) S. Mit 2 gest. Frontisp. und 77 Kupfertafeln (davon 15 gef.) Lederbände der Zeit mit Rückenschild und Rückenvergoldung.
18617238AB3 Bände. Darmstadt, G.G. Lange, 1861–1866. 8°. 2 Bl., 319 S.; 2 Bl., 300 S.; 2 Bl., 408 S. Mit 3 gestochenen Titeln mit Vignetten und 195 Stahlstiche von L. Rohbock mit Ansichten aus der Schweiz. Blaue, goldgeprägte Orig.-Leinenbände.
17306483CBTiguri, Typis Gessnerianis, 1730. 2°. (9) Bl. incl. gest. Titel und gest. Widmung, 22 Tafeln auf 21 Bl., gest. von Lochmann nach Wirz, ein zusätzl. Bl. eingebunden. Halbleder d. Zt. mit marmor. Deckeln, vergold. Wappen-Supralibros der Bibliothek des Klosters St. Urban.
17716273Barcelona, Thomas Piferrer, 1771. 2 volumes petit in-8 de [24]-479 pages [16]-488 pages, plein veau moucheté brun, dos lisses ornés de filets et fleurons dorés, pièces de titre et de tomaison rouges et vertes. Petit manque à la coiffe supérieure du tome 1. Au tome 2, manque de peau à un coin et mouillure à un autre. Intérieur très frais, sans défaut.2 small in-8 volumes of [24] -479 pages and [16] -488 pages, full brown speckled calf, smooth backs decorated with gilt fillets and floral ornaments, red and green title and number label. Small wear in the turn in at the top of volume 1. In volume 2, wear of skin at one corner and waterstain at another. Very fresh interior, without defects.
51575Hamburg B. S. Berendsohn 1850. . Schönes Sammelbild von Hamburg nach dem Brand von 1842. Mittig die große Ansicht der Binnenalster von der Lombardsbrücke aus betrachtet umgeben von 20 kl. Ansichten vom alten und neuen Jungfernstieg Hafen und Hafentor Stadttheater Thalia-Theater Post Börse Raineville's Garten Alsterarkaden Bazar Blankenese Tivoli Landungsbrücken Spielbudenplatz u. a. Mit dreisprachigem Titel im unt. Plattenrand. Hamburg, B. S. Berendsohn, 1850. unknown
Acquaforte su zinco. Esemplare in tiratura coeva Riprodotta alla tav. XXVI del catalogo "Giovanni Fattori. L'Opera incisa", A cura di Andrea Baboni, Edizioni Over 1983. Cm 21x14,2 (Foglio 31x24). . . Molto buono (Very Good). Leggere fioriture della carta (Lightly yellowed). . .
155830348DBBasel, Hieronimus Curion, impensis Henricpetri, Mense Martio, 1558. Folio. 292 (recte 282) S. Schlichter Halblederband der Zeit. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 30348D
Acquaforte originale in nero. L'opera faceva parte della cartella Il Trittico, comprendente opere di Guccione, Guttuso e Morlotti Firma e numerazione a matita. Carta a mano Fabriano. Timbro a secco dello stampatore/editore. Esemplare p.d.a.. cm 49x59 (Foglio cm 56x76). . . Ottimo (Fine). . Tiratura: 150 + X. .
Acquaforte acquatinta originale a 3 colori (arancio, rosso e nero) Firma e numerazione a matita. Carta Magnani. Timbro a secco dello stampatore/editore. Esemplare 31/100. Cm 37x49,5 (Foglio 50x70). . . Ottimo (Fine). . Tiratura 100 + XX. .
Grande incisione ad acquaforte (cm. 55 x 42) realizzata da Giorgio Hackert sul quadro del fratello Philipp: rappresenta il porto di Taranto. Gli Hackert lavorarono molto in Italia e all’epoca di quest’incisione, probabilmente non di molto posteriore al 1789, data del quadro, erano pittore e incisore di corte presso Ferdinando IV. Il quadro è nel museo della Reggia di Caserta. Negli ultimi anni del secolo sono numerosi i porti italiani ritratti da Philipp: la didascalia recita “Preso dal quadro originale che fu parte della collezione dei porti delle due Sicilie ordinata da S.M. il Re. Ottime condizioni, molto raro. A big etching engraved by Georg Hackert on a painting of his brother Philipp: the subject is Taranto’s port. Hackert brothers worked in Italy for a long time, and at this etching time, around 1789 (it’s the painting year), they were painter and engraver of the Ferdinand’s Court, in Caserta (where the painting is still in the collection). Many Italian ports were painted by Philipp in the late XVIII, when the king asked him to do a recognition (and a series of paintings) of southern Italy coast. Very good conditions, much rare.
Acquaforte acquatinta a colori Firma, data, titolo e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Esemplare BAT (Bon à tirer). cm 64x50 (Foglio 90x70). . . Ottimo (Fine). . . .
Acquaforte acquatinta a colori Firma, data, titolo e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Esemplare BAT (Bon à tirer). cm 63,5x49,5 (Foglio 90x70). . . Ottimo (Fine). . . .
Acquaforte acquatinta a colori Firma, data, titolo e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Esemplare p.d.a.. cm 64x50 (Foglio 90x70). pp.. . Ottimo (Fine). . . .
19643325Paris Michel Cassé 1964 in-4 en feuilles Paris, Michel Cassé, 1964. 26 x 26 cm, in-4, 16 ff. n. ch. dont 3 bl. - 10 lithographies originales en couleurs signées hors texte, en feuilles sous chemise cartonnée imprimée et illustrée au palladium sur fond noir, étui.
19581381LITHOGRAPHIE EN COULEURS (36 x 52,8 cm) exécutée par Mourlot, d'après l'œuvre originale de 1952 en papiers découpés d'Henri Matisse, pour figurer dans Verve 35-36 (1958). BELLE ÉPREUVE SUR VÉLIN D'ARCHES À GRANDES MARGES, non pliée au centre. Tirage non mis dans le commerce, il était réservé à Tériade, à ses collaborateurs et amis. Parfait état.
1990703602Ludwigsburg und Leipzig, Edition libri illustri und Edition Leipzig, 1990. Folio, 44,3 x 30,8 cm. 596 Seiten. Reichst farbig illustriert. Orig.-Pergament im illustrierten Orig.-Pappschuber. Tadellos.
1907BIBLIO-31165Trustees of the British Museum London first edition 1907 - 1913. 7 portfolios half cloth and printed boards 20 x 15 in. Introductions and contents indexes of 8 pp per part in all 175 plates 25 per part. A complete set now hard to find of this series of high-quality facsimile reproductions. Each of the 7 portfolios has an introductory text by Sidney Colvin and 25 plates. The portfolios comprise: I. Specimens of etching by German masters 1475-1575; II. Specimens of etching by Italian masters 1525-1550; III. Specimens of etching by French masters 1620-1670; IV. Specimens of etching by Flemish masters 1520-1650; V. Specimens of etching by Dutch masters 1615-1650; VI. Specimens of etching by Rembrandt Livens and Bol 1630-1680; VII. Specimens of etching by the later Dutch masters 1640-1700. A mildly ex-library set with library bookplates on the inside front boards minor library marks to portfolios unobtrusive blindstamps to some margins a few leaves only with minor creasing and very occasional chipping at the edges. Portfolio boards duststained and darkened contents generally Very Good and clean. Trustees of the British Museum, London, first edition, 1907 - 1913 hardcover
1929ARC93326The Cresset Press London 1929. Book. Very Good. Hardcover. 1st Edition. First edition printed at the Curwen Press and limited to 450 numbered copies on mould-made paper plus a further thirty deluxe copies this one of the 450 examples but un-numbered. Large 4to. 406pp. Bound in full brown buckram with two red leather spine labels lettered and bordered in gold this binding unusual as the 'correct' binding should be white vellum; the fact that this example is un-numbered may suggest that it was intended as a trial or proof copy or perhaps a file copy. Fore- and bottom edges untrimmed. A touch of very light spotting to the edges and endpapers and to very occasional leaf margins. Backstrip ends very gently rubbed. A very good copy of an uncommon and quite delightful production: a tour-de-force collaboration featuring some of the finest wood engravers of the post-Great War period each one tackling one of the fourteen books classified as apocryphal by the King James Bible. The Cresset Press, London Hardcover
1809Flo540<p>Very good copy of this classic of equestrian humour</p><p>First edition with the improved Thomas Rowlandson engravings of this popular book that went through many editions</p><p>Complete copy with 29 handcoloured copperplates engraved by Rowlandson after designs by Henry Bunbury</p><p><em><strong>An Academy for Grown Horsemen</strong>; containing the Completest Instructions for Walking Trotting Cantering Galloping Strumbling and Tumbling with <strong>Annals of Horsemanship</strong>: Containing Accounts of Accidental Experiments and Experimental Accidents both Successful and Unsuccessful Communicated by Various Correspondents.</em></p><p>The text has been attributed to the artist Henry Bunbury and Francis Grose the antiquarian and compiler of a <em>Classical Dictionary of the Vulgar Tongue.</em> In the 19th century the humorous text was ascribed to Grose in <em>Catalogue of the library of the late Sir Francis Feeling </em>1836 John Bohn's <em>Catalogue of English Books </em>1843 Samuel Halkett's <em>Dictionary of the Anonymous and Pseudonymous Literature of Great Britain </em>1882 D.C. Sapp's <em>The Honey Jar </em>1898 etc. John C. Riely however in <em>The Age of Horace Walpole in Caricature</em> 1973 claims that Grose only contributed the introduction.</p><p>Henry William Bunbury 1750-1811 "drew chiefly in pencil or black and red chalk; but although he seems to have used the needle he was never successful as an etcher and his designs were generally reproduced by engravers mostly in stipple or dot. The three works by which he is best known belong to 1787: <em>A Long Minuet</em> <em>The Propagation of a Lie</em> and the volume of equestrian misadventures called <em>An Academy for Grown Horsemen</em> by Geoffrey Gambado. In 1791 appeared the <em>Annals of Horsemanship</em> a kind of sequel to the <em>Academy for Grown Horseman</em>." D.N.B. His other published works include Angelica Kauffman's<em> Angelica's Ladies Library </em>1794 <em>Bunbury's Illustrations of Shakspear</em> engraved by Bartolozzi 1796 <em>Tales of the Devil </em>1801 etc.</p><p>Full red morocco leather binding by Root and Son spine with five raised bands gilt title and tooling neatly rebacked at some time with original spine relaid marble endpaper TEG book block solid. Interior very clean all plates under tissue guards copperplates with vivid hand-colour. "Capt. Grose" in ink in parentheses next to author's name Gambado on the front title page.</p><p>Engraved bookplate of Cortlandt Field Bishop American pioneer aviator balloonist autoist traveller and book collector on front endpaper.</p> Vernor, Hood and Sharpe hardcover
63186E-075. Very Good. Hardcover. Hardcover. 4to. Published by Pied Oxen Printers Hopewell NJ 2002. This is copy number 73 of the Limited edition of 125 copies. Illustrated with 2 intaglio plates. Signed by Paul Muldoon on the half title page and Diarmuid Delargy on the intaglio plates and the printer David Sellers on the limitation page. Bound in original green Asahi cloth printed paper labels on spine and upper cover printed on Somerset Book Wove soft white the prints on Somerset Textured. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. 'Unapproved Road' is a masterpiece. For one so long and falsely charged with emotional evasiveness Muldoon will survive as one of our laureates of marriage and fatherhood. Paul Muldoon born 20 June 1951 is an Irish poet. He has published more than thirty collections and won a Pulitzer Prize for Poetry and the T. S. Eliot Prize. At Princeton University he is currently both the Howard G. B. Clark '21 University Professor in the Humanities and Founding Chair of the Lewis Center for the Arts. He held the post of Oxford Professor of Poetry from 1999 to 2004 and has also served as president of the Poetry Society UK and Poetry Editor at The New Yorker. EB; 8vo 8" - 9" tall . hardcover
157447005Venice Venetia: Printed by Simon Calignani 1574. First edition. Hardcover. Very good condition. Quarto. 8 109 1pp. Rebound in full leather with ornate period blind-stamped decor on covers gilt lettering on spine; raised bands. Red edges. Title page with elaborate architectural framing. Historiated woodcut initials. Twenty-three headpiece copper engravings 3 3/4 x6" for each chapter and tailpiece vignettes. Contains author's dedication to Ottaviano Manini and five page table of notable facts Index with errata note. Woodcut on colophon at rear is the printer's device initialed S. C. K. with his motto "The Tower and the Strength of my God."<br /> <br /> Famous work on ancient customs of funeral rites and ceremonies among Romans Egyptians Greeks Indians Scythians Cavemen and Christians by author and cartographer Thomaso Porcacchi illustrated by Girolamo Porro. Written as a dialog between author and two characters praising the talent of Girolamo Porro and the quality of his work. Porro who's eyesight was impaired is also credited with the design of a "flying machine" able to transport many man. Porro also illustrated Porcacchi's 1572 publication "Isole piu famose del Mondo Most Famous Islands of the World." Porcacchi's work on funeral rites known to have been consulted in arranging high profile funerals e.g. that of Cosimo I. de Medici. Text in Italian. Page 51 misnumbered 15. Binding with light wear along edges light streaking to boards. Some offsetting along edges of free endpapers form leather binding. Original endpapers and title page with some age-toning else only minor blemishes in block. Printed by Simon Calignani hardcover