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Baud-Bovy, Auguste (Roger Marx, introduction) (Charles Morice, poem) (Maurice Baud, wood engravings)Biblio.com

Drach, Paul-Louis-Bernard; A R Fremin (Maps by); Antonio Lanzani, Johann Jacob Falkeisen, Angelini (Engravings by)Biblio.com

Sacra Bibbia di Vence : prima edizione italiana - opera dedicata a S. M. I. R. A. Francesco 1. Atlante contenente le carte geografiche ed iconografiche relative al testo ed alle dissertazioni

183318856Milano: Fortunato Stella e Figli 1833. First Italian edition. Hardcover. f to vg. Oblong folio 12 6/8 x 18 1/2". 1 leaf Title 38 leaves Plates 1 leaf List of content. Original half morocco over burgundy paper covered boards. Gold lettering and tooling on spine. Rare first Italian edition of Paul-Louis-Bernard Drach's atlas volume of his "Sainte Bible de Vence" a series which was originally published in 27 volumes in Paris from 1827 to 1833. The striking 38 engraved plates featured in this atlas are composed of 13 maps by A. R. Fremin and 25 engravings signed by Falkeisen Angelini and Lanzani. The engraved plates have been laid down on beautiful hand-made paper and describe the following: 1. Map of the place of Eden Mesopotamy and Persian Gulf; 2. Noah's Arch construction; 3. Noah's Arch; 4. Map of the land divided among Noah's sons; 5. The Babel Tower; 6. Map of the Land of Canaan; 7. Map of Jews' Pilgrimage; 8. The Jerusalem Sahnedrin; 9. The Temple of Jerusalem plans and sections; 10. The Temple of Jerusalem square plan; 11. Map of ancient Jerusalem; 12. The Temple of Salomon; 13. The Temple's foundations; 14. The East Gate; 15. The Buildings of the Temple; 16. Musical Instruments of the Jews; 17. Hebrew Alphabet; 18. Jew's Vestments and worship's objects; 19. Two Menorah; 20. High Priest's vestments and Golden Menorah; 21. Moses' Tabernacle; 22. The Loaves of Proposition; 23. Plan and section of the Tabernacle; 24. The encampment of the Israelites; 25. Map of the Holy Land South; 26. Map of the Holy Land North; 27. Map of Syria; 28.Map of Israel under Salomon; 29. Plan of the House of the Forest of Lebanon; 30. The House of the Forest of Lebanon; 31. The Bronze Sea; 32. The Washings; 33. The Altars of the Holocausts; 34. Map of the Persian Empire; 35. Map of the Land of Canaan according to Ezechiel; 36. Map of Herod's Reign; 37. Zachary's Vision; 38. Map of the travels of Saint Peter and Saint Paul. The plates measure appr. 12 1/2 x 18 1/4" image size appr. : 9 1/2 x 14 6/8". Binding rubbed on covers and along edges. Head and tail of spine chipped. Previous owner's Ex-libris Calvin Bullock on inside of front cover. Minor and sporadic foxing along paper margin not affecting plates. Title and captions in Italian. Binding in overall fair interior in very good plates in near fine to fine condition. About the author: "David Paul Drach aka Paul-Louis-Bernard Drach after his conversion 1791-1865 was a Catholic convert from Judaism and librarian of the College of Propaganda in Rome. Drach received his early education from his father who was a rabbi. After spending some time in various Talmudic schools he became a teacher at Rappoltsweiler though only sixteen years of age. The love of the secular sciences brought him to Paris where he was welcomed by his coreligionists and became tutor in a wealthy Jewish family. His reputation as a teacher brought him Christian pupils; and this may have had some influence on his subsequent conversion; in fact he had always manifested some leaning toward Christianity. Drach had already begun the study of Greek and Latin so as to become acquainted with the Christian doctrines in their original sources. Struck by the accusation of some of the Fathers that the Jews had corrupted the Hebrew text he began a comparative study of the Hebrew and the Septuagint which study he continued in spite of the remonstrances of the president of the Central Consistory. Drach was received into the Catholic faith in 1823 together with his two daughters and his son Paul who afterward became a priest and a distinguished Biblical scholar. In 1827 Drach accepted the position of librarian of the Propaganda in Rome which position he held until the year of his death." From the Jewish Encyclopedia. Fortunato Stella e Figli hardcover

Eric Chaim Kline - Bookseller · États-Unis1 750,00 $US≈ 1 480,68 €

Hamilton Sir William; [Antiquities; Art Prints]Biblio.com

An Original Hand-Coloured Aquatint Engraving From SIR WILLIAM HAMILTON'S Collection of Etruscan Greek and Roman Antiquities.

176629450Naples 1766-1776. A single aquatint plate drawn and engraved after the original pieces in the Hamilton collection. An aquatint printed as a black background over terracotta with highlighting in light gray/white. The image shows three figures one a warrior draped in animal skins carries a club stands before another figure with a thin staff who stands next to a flaming brazier. A third figure with a shorter staff walks way from the scene. Printed on a single folio sheet measuring larger than 18" x 12" the image approximately 12" X 7.75" now very handsomely presented in cream mounting approximately 24 by 18 inches with ornate gilt framework design around the leaf glazed and now under archival glass in a very attractive frame of gilded red wood and black enamel. In all a very impressive display. Very fine and in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes. While widely recognized for their beauty the reproductions from Hamilton's vases have become evidence of the irreconcilable problem of neoclassicism in the Romantic period. Significant changes in the way the vases were engraved over a span of thirty or forty years demonstrate how an immutable collection of objects is subject to radical shifts in representation in response to the social and artistic styles of the time. unknown

Buddenbrooks, Inc. · États-Unis1 595,00 $US≈ 1 349,53 €

Hamilton Sir William; [Antiquities; Art Prints]Biblio.com

An Original Hand-Coloured Aquatint Engraving From SIR WILLIAM HAMILTON'S Collection of Etruscan Greek and Roman Antiquities.

176629242Naples 1766-1776. A single aquatint plate drawn and engraved after the original pieces in the Hamilton collection. An aquatint printed as a black background over terracotta with highlighting in light gray. The image shows a woman bending to pick up a child who squats before her. Objects hover above one is a shield another is a rope or cord. The image is numbered T6 in the top left corner and P6 in the top right it is numbered in Roman VIII at the bottom. Printed on a single folio sheet measuring larger than 18" x 12" the image approximately 9" X 7.25". Now very handsomely presented in cream mounting approximately 24 x 18 inches with ornate gilt framework design glazed under archival glass within a very attractive frame of gilded red wood and black enamel. In all a very impressive display. A very beautiful presentation and in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes. While widely recognized for their beauty the reproductions from Hamilton's vases have become evidence of the irreconcilable problem of neoclassicism in the Romantic period. Significant changes in the way the vases were engraved over a span of thirty or forty years demonstrate how an immutable collection of objects is subject to radical shifts in representation in response to the social and artistic styles of the time. unknown

Buddenbrooks, Inc. · États-Unis1 595,00 $US≈ 1 349,53 €

Geoffrey Gambado [Henry Bunbury, Francis Grose], Thomas Rowlandson engravingsBiblio.com

An Academy for Grown Horsemen with Annals of Horsemanship

1809Flo542Near fine copy of this classic of equestrian humourFirst edition with the improved Thomas Rowlandson engravings of this popular book that went through many editionsComplete copy with 29 handcoloured copperplates engraved by Rowlandson after designs by Henry BunburyAn Academy for Grown Horsemen; containing the Completest Instructions for Walking Trotting Cantering Galloping Strumbling and Tumbling with Annals of Horsemanship: Containing Accounts of Accidental Experiments and Experimental Accidents both Successful and Unsuccessful Communicated by Various Correspondents.The text has been attributed to the artist Henry Bunbury and Francis Grose the antiquarian and compiler of a Classical Dictionary of the Vulgar Tongue. In the 19th century the humorous text was ascribed to Grose in Catalogue of the library of the late Sir Francis Feeling 1836 John Bohn's Catalogue of English Books 1843 Samuel Halkett's Dictionary of the Anonymous and Pseudonymous Literature of Great Britain 1882 D.C. Sapp's The Honey Jar 1898 etc. John C. Riely however in The Age of Horace Walpole in Caricature 1973 claims that Grose only contributed the introduction.Henry William Bunbury 1750-1811 "drew chiefly in pencil or black and red chalk; but although he seems to have used the needle he was never successful as an etcher and his designs were generally reproduced by engravers mostly in stipple or dot. The three works by which he is best known belong to 1787: A Long Minuet The Propagation of a Lie and the volume of equestrian misadventures called An Academy for Grown Horsemen by Geoffrey Gambado. In 1791 appeared the Annals of Horsemanship a kind of sequel to the Academy for Grown Horseman." D.N.B. His other published works include Angelica Kauffman's Angelica's Ladies Library 1794 Bunbury's Illustrations of Shakspear engraved by Bartolozzi 1796 Tales of the Devil 1801 etc.Full tree-calf leather binding by Myers and Co 80 New Bond Street London rebacked with mottled spine with gilt title boards a little dry and rubbed new endpapers book block solid. Interior very clean all plates under tissue guards copperplates with vivid and delicate hand-colour. One text page 124 with repaired 3cm tear and paper fault that has caused a printing error with no loss to text. Vernor, Hood and Sharpe hardcover

Florilegius · Japon1 500,00 $US≈ 1 269,15 €

Guerard, Eugene von [1811-1901]. [Victoria; Prints]Biblio.com

Cabbage-tree forest American Creek N.S.W. Near Wollongong

186726900Melbourne: Hamel & Ferguson 1867. Print. Plate XV from Eugene von Guérard's Australian Landscapes 1866-68. American Creek Mt. Kembla. Trees pictured include cabbage trees bangalow palms and flame trees. Timbermen are working in the foreground to fell the huge trees. Von Guerard describes the scene thus: This sylvan scene is situated at a distance of little more than ten miles from Wollongong near the junction of a little stream upon which some prosaic devotee of the bottle has bestowed the dishonouring appellation of the Brandy and Water Creek with the American Creek and at the foot of a noble range of mountains. With the lofty bangalow palm the cabbage palm the gigantic wild fig-tree the fire tree otherwise known as the blaze tree with its vividly scarlet blossoms are intermingled the nettle tree the rose-wood the sassafras the white-wood the wild rose numerous varieties of the fern tree and parasites innumerable the whole being woven together into one dense and almost impenetrable mass of foliage. Unfortunately the progress of settlement is necessitating the destruction of some of these magnificent forests which in many instances clothe a rich chocolate soil of especial value to the farmer. At the time this view was sketched numerous fires had been kindled by the wood-cutters and the stately giants were rapidly falling before the pitiless axe of the hardy pioneers of civilization. Color lithograph signed in the plate with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 14 1/4 x 20 3/4" on paper 25 x 18 3/4". Archivally cleaned and backed repairing some marginal splits including one that would be visible when matted. Color tastefully enhanced. Libraries Australia ID 774462. Hamel & Ferguson unknown

Antipodean Books, Maps & Prints · États-Unis1 500,00 $US≈ 1 269,15 €

Geoffrey Gambado [Henry Bunbury, Francis Grose], Thomas Rowlandson engravingsBiblio.com

An Academy for Grown Horsemen with Annals of Horsemanship

1809Flo540Very good copy of this classic of equestrian humourFirst edition with the improved Thomas Rowlandson engravings of this popular book that went through many editionsComplete copy with 29 handcoloured copperplates engraved by Rowlandson after designs by Henry BunburyAn Academy for Grown Horsemen; containing the Completest Instructions for Walking Trotting Cantering Galloping Strumbling and Tumbling with Annals of Horsemanship: Containing Accounts of Accidental Experiments and Experimental Accidents both Successful and Unsuccessful Communicated by Various Correspondents.The text has been attributed to the artist Henry Bunbury and Francis Grose the antiquarian and compiler of a Classical Dictionary of the Vulgar Tongue. In the 19th century the humorous text was ascribed to Grose in Catalogue of the library of the late Sir Francis Feeling 1836 John Bohn's Catalogue of English Books 1843 Samuel Halkett's Dictionary of the Anonymous and Pseudonymous Literature of Great Britain 1882 D.C. Sapp's The Honey Jar 1898 etc. John C. Riely however in The Age of Horace Walpole in Caricature 1973 claims that Grose only contributed the introduction.Henry William Bunbury 1750-1811 "drew chiefly in pencil or black and red chalk; but although he seems to have used the needle he was never successful as an etcher and his designs were generally reproduced by engravers mostly in stipple or dot. The three works by which he is best known belong to 1787: A Long Minuet The Propagation of a Lie and the volume of equestrian misadventures called An Academy for Grown Horsemen by Geoffrey Gambado. In 1791 appeared the Annals of Horsemanship a kind of sequel to the Academy for Grown Horseman." D.N.B. His other published works include Angelica Kauffman's Angelica's Ladies Library 1794 Bunbury's Illustrations of Shakspear engraved by Bartolozzi 1796 Tales of the Devil 1801 etc.Full red morocco leather binding by Root and Son spine with five raised bands gilt title and tooling neatly rebacked at some time with original spine relaid marble endpaper TEG book block solid. Interior very clean all plates under tissue guards copperplates with vivid hand-colour. "Capt. Grose" in ink in parentheses next to author's name Gambado on the front title page.Engraved bookplate of Cortlandt Field Bishop American pioneer aviator balloonist autoist traveller and book collector on front endpaper. Vernor, Hood and Sharpe hardcover

Florilegius · Japon1 250,00 $US≈ 1 057,63 €

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