1 091 résultats
0364541490.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
a88179London 1842 first edition Longman Brown Gree. Hardcover. Large octavo 268p. illustrated with 21 engravings by Allom original lime green cloth with full floral gilt trim and original yellow end papers. All edges gilt. Good Plus light foxing on initial pages and on some of the plates spine faded to tan. Uneven discoloration on cover cloth. Binding secure; no ownership marks. . hardcover
1960018241New York : Philadelphia Museum of Art. American Federation of Arts 1960. Soft cover. Near Fine. 1960 B00K: Near Fine/ . B00K: Near Fine/ $100.98 Reduced From. MAURICO LASANSKY ZIGROSSER Carl Vice~Director and Curator Prints and Drawings. Philadelphia Museum of Art. American Federation of Arts New York 1960 UnStated 1sT Edition Small Square S/c Sun Browning On A Tan Spine With Title In Black Letters Soft Cover B00K: Near Fine/ Slight Shelf Edge And Corner Wear. Pages Appear To Be Lightly Read Clean And Tight To The Spine Printed On 0ff~White Paper In Fine/ Condition. Right Side Of Pages Have Spotting From Aging. D/j: None. This Item Will Be Sent Wrapped In Plastic Taped Shut And In A = Padded Mailing Envelope Prevent Shipping Damage So That It Will Arrive In The Description Described Which Applies To This B00K Only. = No Odors No Writing No Names No Rippling Not Stuck Together No Book Plate Not X~Library No Other Marks. = Will Make It An Excellent Addition To Your Own Personal Library Collection Or As A Gift For The Discriminating Reader / Collector. = WORLD WIDE SHIPPING AVAILABLE <br/> <br/> Philadelphia Museum of Art. American Federation of Arts paperback
1848690Thomas Cowperthwait & Co Phil 1848. HBNODJ issued 1848 1st US Edition Stated from Third English Edition Brown cloth with leather at spine Lettered in Gold Gilt spine Cover rub wear & Scuff extremities & edges & tiny chips creases spine 444 pages Chronological Index Interior nice tight clean Light wear & FoxingNF/VG AS-IS NODJ Pencil note on Page. First Edition. Hard Cover. Thomas, Cowperthwait & Co, Phil hardcover
111926The Golden Cockerel Press London 1945. . 8vo 109pp black and white illustrations top edge gilt. A good hardback copy in marbled cloth with cream cloth spine. Covers rubbed corners lightly bumped. Edges foxed. . Number 225 in a limited edition of 500 copies. . The Golden Cockerel Press, London, 1945. hardcover
1982005329New York NY U.S.A.: James Pott & Company 1982 1982. Hardcover. Near Fine. Dark Rose Cloth Gilt. Very Good/NA. 8vo - over 7" - 9" tall. ND 1870's/90's . probable First edition. Beveled and Illustrated front cover. Very Scarce one by this author with over 200 Wood Engravings many are full-page. A very nice Early Poetry & Prose gift book. <br/> <br/> New York, NY, U.S.A.: James Pott & Company, 1982 hardcover
1845006785Paris: P. Amic l'Ainé 1845. Near Fine. 1 leaf 26 x 16 cm. with engraving of Maximilien de Robespierre 1758-1794 by Florensa after a drawing by Lacauchie. Printed by Rigo Freres et Cie. No date of publication. The publisher Pierre Amic l'Ainé and the printer produced prints in the 1840s. Robespierre is standing holding a bunch of flowers in his right hand and looking to his left. In Near Fine Condition: margin is lightly soiled; otherwise clean and bright. P. Amic l'Ainé unknown
56973Wien Edition Totius Mundi ca. 1965. . Nach einem von zwei Platten gedruckten Kupferstich von Friedrich Bernhard Werner 1690-1776 bedeutender Schöpfer von Stadtansichten um 1730 verlegt bei Jeremias Wolff in Augsburg. - Von der Elbe aus gesehen reicht das Panorama vom Morgenwegschen Garten im Westen bis zur St. Pauli-Kirche "aufm Berge" die schon zur Hamburger Vorstadt St. Pauli gehörte. Mit Legende unter der Darstellung. - Mit winzigen Braunfleckchen im äußeren weißen Rand. (Wien, Edition Totius Mundi, [ca. 1965]). unknown
52150ohne Verlag ca. 1840. . Blick vom Nikolaifleet aus auf die 1558 als erste ihrer Art gegründete 1578-1583 nach Plänen des Amsterdamer Architekten Jan Andresen erbaute u. im Großen Brand von 1842 zerstörte Hamburger Börse an der Trostbrücke im Vordergrund Boote u. Lastkähne. - Zu dem Landschafts- u. Marinemaler Alfred Gomersal Vickers 1810-1837 siehe Thieme/Becker 34 S. 328; zu dem Maler Lithographen u. Kupferstecher John Frederick Lewis 1805-1876 siehe ebda. 23 S. 164. - Mit Eiweiß gehöht. Blatt etwas wellig im weißen Rand gebräunt. ohne Verlag, [ca. 1840]. unknown
64016Hamburg 1838. . Blatt 23 in der oberen rechten Bildecke in der Platte bezeichnet aus Chr. Suhr: Hamburgische Trachten vgl zu dem Bild den Nachdruck Bl. Barsdorf 1908 S. 31 f. der Einführung von Heckscher. - 10 schwarzgekleidete Männer mit gefältelten breiten weißen Rundkragen u. Manschetten lange schwarze Mäntel weite Kniebund-Hosen schwarze Strümpfen u. Schuhe mit großen Schnallen den Dreispitz in der Hand geleiten den schlichten hellen kleinen Sarg einer jungfräulichen Leiche wie die richtkranzähnliche grüne Totenkrone belegt. Ihnen voran schreitet ein elfter der statt des Kragens ein weißes Halstuch trägt. Mehrere der Männer halten einem alten Brauch folgend eine Zitrone in der Hand die die Hoffnung auf Auferstehung u. ewiges Leben symbolisierte u. meist dem Verstorbenen mit ins Grab gegeben wurde nach anderer Auslegung aber auch über den Leichengeruch überdecken sollte. Frauen waren von einem Leichenzug der Zünfte ausgeschlossen vgl. Dülmen Kultur u. Alltag in der frühen Neuzeit S. 219 f. - Der Trockenstempel zur Hälfte abgeschnitten sonst gutes Exemplar [Hamburg, 1838]. unknown
63952Eindrucksvolle Szene aus einem Hamburger Leichenbegängnis bei dem dem vierspännigen "Himmelwagen" ein offenen Gefährt auf dem der Sarg zum Friedhof trans portiert wurde sage und schreibe 12 "reitende Diener" - in ihren prächtigen schwarzen Uniformen mit Degen und gepuderten Perücken - zu Fuß folgen. Etwas gebräunt Trockenstempel halb beschnitten kl. Eckeabriß im oberen weißen Rand unknown
1963biblio233Paris: BERGER-LEVRAULT 1963. Very Good. <p>in 8 rel toile frottée 409p ill couverture originale conservée feuillet d'errata</p> BERGER-LEVRAULT unknown
1877biblio359London dec.29 1877. Fine. Sue. <p>Chomolithography 265x395mm original proof impression<br /> <em>“The second versions of the Vanity Fair caricatures are the proof prints or proofs before lettering First versions are the original watercolors; third versions are the widely available weekly/album prints  Produced to verify the colours and lines of the lithograph no more than twenty copies were printed </em><strong>Not true many more than that</strong><em> These prints have no captions or dates or other descriptive type and the magazine bound them in numbered albums in green leather with gilt tooling They were offered for sale and also awarded as prizes in the magazine’s acrostic contests At the front of each volume is a printed note from Vanity Fair giving the number of the proof volume and the numbered volume in the series </em><strong>However these volumes were "broken" to sell individually and one never sees the complete volume </strong><em>The quality of the colours in the proof prints their clarity of line and detail and their scarcity make them of considerable interest to the collectorâ€<br /> <br /> </em>Roy T Matthews and Peter Mellini <em>In “Vanity Fairâ€</em> Berkeley: University of California Press 1982 203</p> hardcover
1986505294.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
130095826X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
385413 April 1880; on letterhead of the 'Print Room British Museum.'. Keeper of Prints and Drawings at the British Museum 1819-87. One page 12mo. Docketed in ink on blank second leaf of bifoliate. 'I feel it my duty to publish a second edition of our Catalogue of Duplicates before the Sale takes place as there are so many mistakes. As you went through the prints so carefully I should be glad to avail myself of your notes if you would kindly lend them to me for a day at the same time I should wish to fullhy acknowledge the favour'. Signed 'Geo. Wilm Reid'. 13 April 1880; on letterhead of the 'Print Room, | British Museum.' unknown
188917537Very Good. 1889. Etching. This antique etching is lightly toned with the metal border plate mark as expected with this intaglio printmaking technique. Overall size: 12" x 9". Etching size: 8.5" x 5.75". . unknown
188917542Very Good. 1889. Etching. This antique etching is lightly toned with light soiling in the margins and the metal border plate mark as expected with this intaglio printmaking technique. Overall size: 12" x 9". Etching size: 7.55" x 5.15". . unknown
188917536Very Good. 1889. Etching. This antique etching is lightly toned with the metal border plate mark as expected with this intaglio printmaking technique. Overall size: 12" x 9". Etching size: 8" x 3". . unknown
188917548Very Good. 1889. Etching. This antique etching is lightly toned with 2 stains in the outer margins and the metal border plate mark as expected with this intaglio printmaking technique. Overall size: 12" x 9". Etching size: 9.5" x 6.75" . . . unknown
188917535Very Good. 1889. Etching. This antique etching is lightly toned with the metal border plate mark as expected with this intaglio printmaking technique. Overall size: 12" x 9". Etching size: 8.25" x 2.75". . unknown
188917544Very Good. 1889. Etching. This antique etching is lightly toned with modest soiling in the border and the metal border plate mark as expected with this intaglio printmaking technique. Overall size: 12" x 9". Etching size: 7.75" x 5.15" . . . unknown
188917543Very Good. 1889. Etching. This antique etching is lightly toned with a stain near the outer edge of the right border and the metal border plate mark as expected with this intaglio printmaking technique. Overall size: 12" x 9". Etching size: 9.5" x 6.5". . unknown
189218645Keystone Publishing Company. Good. 1892. Prints. Antique advertising lithograph on the reverse side of Souvenir of the Grand Review. Several short tears in margin and one longer tear of 1.25" that extends slightly into the lithograph. Toned but with 3 fold lines only 1 as issued. . Keystone Publishing Company unknown
186288917New York: Currier & Ives N.d. ca 1862. Original hand-colored lithograph. Small folio; sheet size 14-3/4" x 11-1/4"; printed area approximately 13" x 9". Background slightly darkened; more heavily toned at margins with old stains at extremities; image itself remains clean with coloring bright - about Very Good.<br /> <br /> A three-quarter length portrait of Winfield Scott at the very end of his career. Scott retired from his position as Commanding General of the Army in 1861. PETERS 19972. Currier & Ives unknown
