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16914006BBZürich, Joh. Rudolf Simler, 1691. 8°. (6) S., (1) Bl., 126 (1) S. Pergamentbd. der Zeit + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden + (Kapital restauriert. Mit 1 x 1 mm Loch auf vorderer Decke. Fleckig u. berieben).
1930A1869S.l., s.e., s.d. (vers 1930) ; 140/143 mm, 1 pp., une feuille encadrée. Exemplaire N° 1 sur papier vergé ancien. Bon état.
1930B2658S.l., s.e., s.d. (vers 1930) ; 140/143 mm, 1 pp., une feuille encadrée. Exemplaire N° 1 sur papier vergé ancien. Bon état.
S.l., s.e., s.d. (vers 1930); 140/143 mm, 1 pp., une feuille encadrée. Exemplaire N° 1 sur papier vergé ancien. Bon état.
S.l., s.e., s.d. (vers 1930); 140/143 mm, 1 pp., une feuille encadrée. Exemplaire N° 1 sur papier vergé ancien. Bon état.
1850247341850. Very good condition. An archive of 27 portraits of the founding fathers of botany including Dodoens Leeuwenhoek Grew Hill Aldrovandi Smith Desfontaines Palisot Gessner Everard Bonnet Banks Buffon Gray Evelyn Linnaeus Cuvier Klein Clusius and Agassiz.<br /> <br /> 1. Rembert Dodoens born Rembert Van Joenckema 1517 – 1585 was a Flemish physician and botanist. Rembert Dodoens Rembertus Dodonaeus was one of the great botanists of the 16th century who pursued a knowledge of plants in their own right not simply for medicinal uses. Contemporary copper engraving 4 7/8 x 7" on 7 3/8 x 10 1/2".<br /> <br /> 2. Antonius Leeuwenhoek 1632 - 1723 Dutch "Father of Microbiology" with botanical importance who worked with William III of Orange and his wife Mary II of England and Tsar Peter the Great of Russia. Copper engraving 5 1/2 x 7 1/8".<br /> <br /> 3. Nehemiah Grew 1641 – 1712 was an English plant anatomist and physiologist known as the "Father of Plant Anatomy". Copper engraving 5 3/4 x 9 1/4".<br /> <br /> 4. John Hill ca. 1714 – 1775 was an English author and botanist who contributed to contemporary periodicals including the botanical compendium 'The Vegetable System'. Copper engraving 8 7/8 x 11 1/4" on 9 5/8 x 12 1/2".<br /> <br /> 5. Ulisse Aldrovandi 1522 – 1605 was an Italian naturalist professor of botany and one of the founders of the Bologna's botanical garden one of the first in Europe. Carl Linnaeus and the Comte de Buffon considered Aldrovandi the father of natural history studies. 5 7/8 x 8 3/8".<br /> <br /> 6. Sir James Edward Smith 1759 – 1828 was an English botanist and founder of the Linnean Society 5 x 7" on 8 7/8 x 11 5/8".<br /> <br /> 7. Rene Louiche Desfontaines 1750 – 1833 was a French botanist who studied medicine. His interest in botany originated from lectures given by Louis Guillaume Lemonnier at the Jardin des Plantes 9 1/4 x 12 1/4".<br /> <br /> 8. Charles-François Brisseau de Mirbel 1776 – 1854 was a French botanist and politician. He was a founder of the science of plant cytology 9 1/2 x 12 1/2".<br /> <br /> 9. Ambroise Marie François Joseph Palisot Baron de Beauvois 1752 - 1820 Paris was a French naturalist who was trained as a botanist and published an important paper on American entomology 9 x 12".<br /> <br /> 10. Antoine Laurent de Jussieu 1748 – 1836 was a French botanist notably the first to publish a natural classification of flowering plants; his system remains largely in use today 9 1/2 x 12 1/2". <br /> <br /> 11. Conrad Gessner 1516 – 1565 was a Swiss physician and naturalist regarded as the father of modern scientific bibliography zoology and botany. Gessner was working on a major botanical text at the time of his early death from the plague 3 5/8 x 5 1/8" on 6 1/8 x 7 7/8".<br /> <br /> 12. Michael Rotenbeck 1569 - 1623 physician and collector of botanical works. Copper engraving 7 5/8 x 4 3/4" on 13 x 8 1/2".<br /> <br /> 13. Dr. Giles Everard or Gilles Everaerts 16th century; active in 1580s Dutch physician who wrote works on the beneficial medicinal effects of tobacco smoking. Copper engraving 4 7/8 x 6" on 8 1/2 x 10".<br /> <br /> 14. Charles Bonnet 1720 – 1793 Naturalist and philosophical writer. He coined the term phyllotaxis to describe the arrangement of leaves on a plant. 8 1/2 x 12 1/2".<br /> <br /> 15. Georges-Louis Leclerc Comte de Buffon 1707 – 1788 was a French naturalist mathematician cosmologist and encyclopediste. Buffon was the director at the Jardin du Roi now called the Jardin des Plantes. Buffon published 36 quarto volumes of his 'Histoire Naturelle' during his lifetime. Ernst Mayr wrote that "Truly Buffon was the father of all thought in natural history in the second half of the 18th century". 4 1/2 x 6 3/8" on 9 x 11 1/2".<br /> <br /> 16. Sir Joseph Banks 1st Baronet GCB PRS 1743 – 1820 English naturalist botanist and patron of the natural sciences. 7 x 10 3/8".<br /> <br /> 17. Asa Gray 1810 – 1888 is considered the most important American botanist of the 19th century. His Darwiniana was significant as an explanation of how religion and science were not necessarily mutually exclusive. Gray was convinced that a genetic connection existed between all members of a species. He was opposed to the idea of hybridization within one generation and believed evolution was guided by a Creator. 6 x 8 5/8".<br /> <br /> 18. John Evelyn 1620 - 1706 author and botanist noted for his knowledge of trees. Evelyn's treatise Sylva or A Discourse of Forest-Trees 1664 was written as an encouragement to landowners to plant trees to provide timber for the English navy. 8 x 10".<br /> <br /> 19. Carl Linnaeus 1707 – 1778 Carl von Linne was a Swedish botanist physician and zoologist who formalized binomial nomenclature the modern system of naming organisms. 6 images: 4 1/2 x 6 1/2" 6 x 8 1/2" 4 7/8 x 8 5 1/2 x 9" 7 x 10 1/2" 6 1/4 x 8 1/2".<br /> <br /> 20. Jean Leopold Nicolas Frederic Baron Cuvier 1769 – 1832 known as Georges Cuvier was a French naturalist and zoologist instrumental in establishing the fields of comparative anatomy and paleontology through his work in comparing living animals with fossils. 4 images: 5 x 8 1/4" 6 3/4 x 9 7/8" 6 x 9" 7 1/2 x 10".<br /> <br /> 21. Jacob Theodor Klein 1685 – 1759 was a German jurist historian botanist zoologist mathematician and diplomat in service of Polish King August II the Strong. 9 x 14 5/8" on 9 1/2 x 15 1/2".<br /> <br /> 22. Charles de l'Ecluse L'Escluse or Carolus Clusius 1526 – 1609 was an Artois doctor and pioneering botanist perhaps the most influential of all 16th-century scientific horticulturists. 4 5/8 x 6 5/8".<br /> <br /> 23. Jean Louis Rodolphe Agassiz 1807 – 1873 was a Swiss-American biologist and geologist recognized as an innovative and prodigious scholar of Earth's natural history. 9 1/4 x 12 1/4".<br /> <br /> 24. John Lindley 1799 - 1865 English botanist and orchidologist whose orchid collection was housed at Kew's herbarium noted for his 'Theory and Practice of Horticulture'.<br /> <br /> 25. Joseph Decaise 1807 - 1882 French botanist and agronomist. 5 1/2 x 8 3/4".<br /> <br /> 26. Louis Van Houtte 1810 -1876. Belgian horticulturist. Published the "Journal Flore des Serres et des Jardins de l'Europe". 5 1/2 x 8 3/4".<br /> <br /> 27. Georg Eberhard Rumphius Rumpf 1627 - 1702 Batavian botanist best known for his work Herbarium Amboinense a catalogue of the plants of the island of Amboina Indonesia. 9 1/2 x 14".<br /> <br /> The portraits mainly steel engraved some lithographic mostly 4to. All in very good condition. unknown
1646D6064Paris: de l'imprimerie de Louys Sevestre et chez Pierre Daret graveur ordinaire du Roy 1646. First Edition. Hardcover. Good. Modern morocco gilt-stamped lettering in black and green leather spine labels; folio; two parts in one volume. Lacking the main title-p. and engraved plates introducing part 1 but otherwise complete with full-page engraved frontis. pp. 24 illustrated text poem author portrait then 103 large plates engraved on coppy by Pierre Daret accompanied by text comprising the substance of the work. Light stains and marginal browning to first 20 or so pages otherwise text is in excellent condition with nice bright plates and ornate chapter headings and illuminated initials. Incomplete and sold as is. <br/><br/> de l'imprimerie de Louys Sevestre (et) chez Pierre Daret graveur ordinaire du Roy hardcover
199938518Barcelona: printed by Roser S. Noguera for the Galeria Alejandro Sales 1999. Four poems by Dachs illustrated with six original prints by Arbós: three etchings printed on Japanese paper laid down on fine wove paper and three silkscreens. EDITION LIMITED TO 25 NUMBERED COPIES. The first etching is SIGNED by Arbós and the justification is SIGNED by both the artist and the poet. Large folio. Loose as issued in publisher's cloth folding case. FINE AND BRIGHT with no defects. RARE. <br/><br/> printed by Roser S. Noguera for the Galeria Alejandro Sales hardcover
186726899Melbourne: Hamel & Ferguson 1867. Print. Otherwise very good condition. Plate 5 in Eugene von Guérard's Australian Landscapes 1866-68.<br /> <br /> "The bold and romantic headland which bears this title forms one of the most picturesque "bits" of scenery on the Victorian coast. The rocks have been worn into the most grotesque and fantastic shapes by the action of the waves which rush in with a majestic sweep from the Southern Ocean . the artist has indicated the entrance of Port Phillip by the position of the steamer faintly visible in the offing." NGV. <br /> <br /> Color lithograph signed in the plate with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 14 1/4x19 1/4" on paper 25 x 18 3/4". Archivally cleaned and backed repairing some marginal splits including one that would be visible when matted. Color tastefully enhanced. Libraries Australia ID 7744596. Hamel & Ferguson unknown
1948008728New York: Printed at The Spiral Press 1948. First edition. Paperback. This original Robert Frost 1948 Christmas Card features a trifecta of virtues. This is the first published appearance of this poem which had an unusual text history detailed further below. Of 2275 copies printed for 9 different names this is one of 375 printed for the poet himself. Last but certainly not least this is not only one of Frost's copies but is inscribed and signed by him. Following the first and second printed lines on the presentation page "This new poem brings Holiday Greetings from Robert Frost December 1948" Frost wrote "the Hendersons" and signed "Robert Frost". <br /> <br />Condition is near fine. The gray-green card wraps are clean bright and sharp cornered the binding staple firmly intact and uncorroded. We note only a tiny blemish above the title on the front cover and a trivial hint of wear to the spine heel. The contents are crisp and clean lightly age-toned but with no spotting or soiling. <br /> <br />With the permission of Frost and his publishers in 1929 the Spiral Press began printing an annual Robert Frost Christmas Card featuring one of his poems. The tradition continued until 1962 Frost's final Christmas. Each annual Christmas poem publication was printed with varying names on the title page to accommodate their being sent by various Frost publishers artists and important friends. This copy is one of those printed for Frost himself. <br /> <br />The 1948 Christmas poem "Closed for Good" has an unusual textual history. After it was first printed here it appeared in a number of other Frost collections including in the 1949 edition of Complete Poems and the 1954 1955 and 1963 editions of selected poems. In 1962 a revised version of Closed for Good was published as part of In the Clearing. There the poem is altered; the first stanza lines 1-6 is deleted And becomes They in line 7 and the word brush becomes spread in line 24. <br /> <br />This is clearly how Frost wanted the poem to evolve. In the Clearing was his final new collection and in 1958 Frost told Elizabeth Shepley Sergeant that he was trying out a new version of four stanzas. Nonetheless When Edward Connery Lathems edition of The Poetry of Robert Frost was published in 1969 the poem was presented in five stanzas and the two word changes restored to original. Given both Frosts manifestly deliberative use of words and the fact that the poem is a commentary on Frosts inheritance from the past and his legacy to the future the changes do not seem incidental. <br /> <br />By 1948 when this poem first appeared in his annual Christmas card and he inscribed this copy Robert Frost 1874-1963 had already entered the final decades of his life as the most highly esteemed American poet of the twentieth century with an accumulating hoard of academic and civic honors. Half a decade had passed since he had won his still-to-this-day-unrivalled fourth Pulitzer Prize for Poetry. This is all the more remarkable given that he did not publish his first volume of poetry until he was nearly 40 years old. <br /> <br />References: Crane B19; Tuten and Zubizarreta; ANB <br/><br/> Printed at The Spiral Press paperback
1959008606New York: Henry Holt and Company 1959. First edition first printing. Hardcover. This strikingly clean jacketed copy of the first edition first printing of Robert Frosts 1959 collection of Favorite Poems for Young Readers is signed by him "Robert Frost" on the title page just above his printed name. <br /> <br />This collection takes its title from the words repeated at the end of each stanza of this book's first poem "The Pasture" first published as the prefatory to North of Boston in 1914. Of this collection the publisher said Frost "has gathered a group of his poems to be read to and by young people. To Robert Frost a great-grandfather with a remarkable number of small friends this was a labor of love. Frost dedicated the volume to his mother Belle Moodie Frost who knew as a teacher that no poetry was good for children that wasnt equally good for their elders. Evoking Frosts famous poem Mending Wall Frosts friend Edward Hyde Cox 1914-1988 who contributes a Foreword to this volume said of Frost that he had never added a single stone to the wall that so often separates age from youth. Prevalent among the 51 poems herein is Frost's gently subversive inclination to write verse that is superficially accessible "lovely dark and deep" upon sounding. <br /> <br />This is a handsome book bound in orange-yellow linen cloth with a vignette of a bird on a fence post stamped in black on the lower right front cover corner and spine print stamped in black with a red acorn and leaf device between at the spine's center. The contents feature wood engravings by Thomas W. Nason and are bound with endpapers of heavy light gray wove paper and red and yellow head and tail bands. The dust jacket printed on beige laid paper features a wood engraving of birches spanning the lower front face spine and extending onto the rear face. The rear face prominently features Yousuf Karsh's famous portrait photograph of Frost. <br /> <br />Condition is truly fine in a truly fine dust jacket. The illustrated cloth binding is immaculately clean and bright with sharp corners and only the most trivial hints of shelf wear to extremities. The contents are likewise pristine with no spotting soiling toning or previous ownership marks. "FIRST EDITION" is so stated on the title page verso. The contents retain a pleasingly stiff feel The dust jacket is crisp bright clean and entirely complete with no loss or tears and retaining the original "$3.00" upper front flap price. We note only a hint of wrinkling to the spine heel and a touch of soiling to the lower rear face. The jacket is protected beneath a clear removable archival cover. <br /> <br />Publisher's statements are often hyperbolic. In this case the dust jacket's front flap description of Robert Frost as "America's beloved poet ageless and for the ages" was and remains more accurate than advertising. Before this volume was published on 26 March 1959 Robert Frost 1874-1963 reached the age of eighty-five. His stature had risen to an apex arguably unequalled by any American poet since. Frost had long-since won all of his still-unrivaled four Pulitzer Prizes for poetry 1924 1931 1937 and 1943. He spent his final years as the most highly esteemed American poet of the twentieth century with an accumulating hoard of academic and civic honors. Two years before his death he became the first poet to read in the program of a U.S. Presidential inauguration Kennedy January 1961. <br /> <br />Reference: Crane A39; Tuten and Zubizarreta; ANB <br/><br/> Henry Holt and Company hardcover
179946241Philadelphia: Robert Campbell 1799. First American edition. Hardcover. g to vg. Large octavo 8 1/2 x 5 1/2". xxiii 1 297 1pp Vol. 1; 267 1 xxivpp Vol. 2. Modern brown cloth with gold lettered leather title label to spine. Engraved frontispiece to both volumes. Lacking the separately printed atlas as usual.<br /> <br /> First American edition of this official report on the British Macartney Embassy to China that took place between 1792 and 1794. It was written after the return to England by the Secretary to the mission Sir George Leonard Staunton 1st Baronet 1737-1801 based on his own observations and notes from other crewmembers including his twelve-year-old son Sir George Thomas Staunton 2nd Baronet. <br /> <br /> "The account offers rich insights into the beginnings of British Imperialism in China and thus makes it an important primary source for the historiography of Sino-Western relations. There is an academic dispute whether the account marks a sudden turning point in British-Chinese dynamics or reflects a slow and complex divergence. <br /> <br /> While the political and economic ambitions of the embassy failed the account by Staunton brought back detailed descriptions of and observations on the Chinese culture that were received with curiosity in the West and led to the commercial success of the book and the publication of several translations and subsequent writings on the Macartney Mission." From Wikipedia<br /> <br /> This work is splendidly illustrated throughout with eight stunning engravings by Samuel Seymour two in volume one six in volume two including the frontispieces as called for in the directions to the binder. The xxiv page appendix contains detailed tables and charts dealing with population and socio-economic information.<br /> <br /> Previous owner's stamp E. W. Sage at verso of first frontispiece and at upper margin of first title. Moderate and sporadic foxing / age-toning throughout. Binding in very good interior in good to very good condition. Robert Campbell hardcover
19774780DBFaksimile-Ausgabe. 2 Bände. Luzern, Faksimile-Verlag, 1977-1981. Folio. (682) S. davon 443 Seiten mit farb. Miniaturen; 724 S. (Kommentarband). Begleitheft in Fotokopie. Schweinslederband mit Blindprägung, 2 Schliessen u. 10 Beschläge, in Holzkiste.
176626550Naples 1766-1776. A single aquatint plate drawn and engraved after the original pieces in the Hamilton collection. The colour aquatint shows a bacchanal scene-- a youth in peplos reclines on an ornate couch he holds a large bowl in his left hand his right gestures toward a kylix above--all within a Greek-key tondo. Above him there are three dancing satyrs. This is a nicely detailed image on a black background coloured in shades of brown tan terracotta and gold. Printed on a single folio sheet measuring approximately 20" x 15" the image approximately 8.25" X 10". Now presented in cream mounting boards 22" x18" behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> While widely recognized for their beauty the reproductions from Hamilton's vases have become evidence of the irreconcilable problem of neoclassicism in the Romantic period. Significant changes in the way the vases were engraved over a span of thirty or forty years demonstrate how an immutable collection of objects is subject to radical shifts in representation in response to the social and artistic styles of the time. hardcover
VERY RARE HORS COMMERCE LIMITED EDITION COPY with velvet Solander (clamshell) case. Trilingual Hebrew, English & French edition of the Torah illustrated by the eminent Jewish artist Abel Pann (born Abba Pfeffermann) (1883-1963), renowned for his paintings and lithographs on Biblical themes. Pann spent most of his adult life in Jerusalem and was a teacher at the Bezalel Academy from 1920 to 1924. In 1924 he resigned from his teaching position to devote himself full-time to lithography, writing that he was about to embark on his life's work: the painting and drawing of scenes from the Hebrew Bible. Pann began work on a series of lithographs intended to be published in an enormous illustrated Bible, and although that series was never completed, he is widely admired for the series of pastels inspired by Bible stories that he began in the 1940s. The Hebrew text is set in the Vilna font; the English translation is that of The Jewish Family Bible, which appeared in London in 1884; the French translation, prepared by the French Rabbinate, was first published in 1889. 340x335mm. 700 pages. Red leather hardcover with gilt lettering on front cover. Page edges gilded. Includes red velvet Solander case ("clamshell") with front window. Printed on 140GSM Rivoli rag paper, specially produced by Arjomari Paper Works in France for this publication. This is an unnumbered "Hors Commerce" copy originally gifted to one of the participants in creating the book. [CONDITION:] Front cover leather slightly chipped in two places. Otherwise, this unique, high-quality edition of the Abel Pann bible is in excellent condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
RARE DELUXE LIMITED EDITION of 298 copies of Arthur Rimbaud's poems magnificently illustrated with 15 SIGNED lithographs by the renowned French painter, sculptor and illustrator Raymond Moretti (1931-2005). 415x315mm. 88 pages [+20] & 16 double-page plates (5 monochrome & 10 polychrome). Unbound pages and plates laid in blue folder and illustrated cobalt blue slipcase. Elaborate brass handle embedded into slipcase, engraved with Moretti's signature. All plates signed by the artist. This extraordinary limited edition of Raymond Moretti's illustrations to Rimbaud's poems, all signed by the artist, is in very good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
2406Paris, Cadart, 1874, 54 pp, tables Petit in-8 bradel, demi-percaline vert d’eau à coins, couverture conservée (signée Alfred Farges). Ex-libris symboliste gravé du grand bibliophile Victor Mercier.
1850806CG(um 1850). Aquarell. Bildgrösse: 41 x 53 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Abb.
1776486468Göttingen, Dieterich, 1776-97. Folio. Halbleder d. 20. Jahrhunderts (Rücken u. Ecken berieben u. teilw. verblaßt).
19347575CBBasel, Mähly & Schabelitz, 1934-1835. 4°. (1) Bl., Mit lithogr. Titelblatt, 4 S. lithogr. Notenbeilagen, 1 gef. Plan (Basler Fasnacht) und 61 Aquatinta-Tafeln. Orig.-Pappband. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 7575CB|7575CB_2 [2 Warenabbildungen]
17015890CBGedruckt zu Bern, in Hoch-Oberkeitlicher Truckerey, durch Andreas Huegenet, 1701. 2°. (8) Bl., 489 (recte 487) S., (5) Bl., 151, (1) S. Mit Holzschnitt-Titelvignette. Pergamentband der Zeit. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Einband und Titelblatt Auffs newe widerum gedruckt.
In-8°; pp. 118, 1 cb. Catalogo delle stampe conservate presso la Calcografia della Reverenda Camera Apostolica che nacque nel 1738 con Clemente XII dal fondo degli eredi De Rossi Il catalogo si suddivide nelle sezioni: antichità di Roma, Roma moderna, Opere di artisti: Carracci, Mantegna Sacchi, Tempesta, Correggio, Ciro Ferri, Maratta, Domenichino, Parmigianino, Poussin, Lanfranco, Guercino, Giulio Romano, Guido Reni, Callot, Michelangelo, Testa, Perin del Vaga, Raffaello, Rosa, Mengs, della Bella, Tiziano; Opere sacre, profane, diverse, Ritratti, Libro dei ritratti dei Cardinali, Nuovo Atlante generale geografico, il Mercurio geografico, L’Indice.
805CGo.J. Kol. Aquatinta auf festem Papier. Bildgrösse: 27,8 x 43 cm. Blattgrösse: 32,3 x 47 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Abb.
16411ABo.J. 114, 9 pages, 25 (6 coloured woodblock-prints) coloured plates, many double-page, 36 b/w plates and many illustrations in the text. Original cloth binding, housed in original wooden box with title-label.
18017661CBZürich, 1801?1840. 4°. Mit 40 Kupfertafeln und 5 Kupfer am Anfang des Textes. Pappbände der Zeit mit Marmorpapierbezug. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 7661CB|7661CB_2 [2 Warenabbildungen]