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Large 4to (180 x 255 mm). 24 watercolours on 22 ff. With several additional pencil sketches. Original black half leather with green cloth covers and pen holder. Impressive album of vibrant watercolours documenting the extensive Ceylonese journey of a female British artist, Frances de la Poer. The volume opens with a depiction of a "Madras Conjurer" in Kandy, performing the "great mango trick" with two cobras, wherein the performer gives the illusion of the sudden germination and growth of a mango tree (drawn from life and dated Kandy, 31 Dec. 1895). The second drawing shows a crowd gathered before a Buddhist temple in Kandy. - Setting out from Kandy, the artist explored the countryside, drawing landscapes in Yattawatta, the tea harvest on Coolbawn estate in Navalapitiya, a pandal in Bandarawala, the surroundings of Haldummulla, a verandah in Pelmadulla, two views of Adam's Peak, men riding elephants in Ratnapura, the famous Elephant Rock (Ethagala) of Kurunegala, and four impressions from the beaches of Bentota. The final watercolour in the album is a beautiful impression of a beach sunset, dated 18 February 1896. - Frances de la Poer (ca. 1850-1925) was the youngest daughter of the Irish nobleman John William de la Poer (1816-51). In 1881 she married Thomas William Gaston Monsell, 2nd Baron Emly, son of the liberal politician William Monsell. - Spine professionally restored; generally well preserved. Album bought from Roberson & Co., London, with his ticket to front pastedown.
52,8 x 37 cm. Woodcut on paper (two conjoined sheets). Rare pirated copy of the famous south-west view of the Strasbourg Cathedral by Daniel Specklin (1536-1589). A "Matthias Huebner" from Schneeberg in Saxony, who is presented as the author of the print in the modified text in the strapwork frame to the right ("Matthias Huebner Schnebergensis faciebat Argent. Cal. Ian M. D. LXVI"), has not been identified. The monumental view of the Cathedral, including the staffage figures and the strapwork cartouche with the date, correspond with the original published by Bernhard Jobin in Strasbourg (as depicted in Hollstein). - Trimmed, insignificant marginal damage, two restored tears on the left. Smoothed, slightly soiled, somewhat toned. Hollstein LXXIII, 67, 1 (with illustration on p. 66). Strauss, German single-leaf woodcut, III, S. 975, I (of II; with fig. II). Cf. Passavant III, p. 350f. Drugulin I, 290f. Bartsch IX, 303, 1.
Gestochene Kupferplatte (118:66 mm). Kupferplatte mit zwei Andachtsbildchen: das Minoritenwappen (ein bloßer und ein kuttentragender Arm mit Stigmata vor einem Kreuz, von einem Strick umkränzt) sowie der Hl. Franziskus, kniend und die Stigmata empfangend. Unter der letzteren Darstellung findet sich die Legende, die auf den schon 1221 begründeten Dritten Orden der Franziskaner hinweist.
Oblong folio (ca 370 x 240 mm). With 11 (of 24) numbered leaves containing 52 hand-coloured lithographic pen-drawings of people, animals, equipment & gear and goods, from a caravan travelling to Mecca, each drawing including a base for cutting out, mounting on card stock or wood, and arranging them upright in three-dimensional scenes. Lacking 12-24 (of 24). Loose leaves. The first eleven leaves of a very rare lithographic print series issued in parts. Most copies were probably cut up by children and destroyed in play. The human figures to be cut out include Turkish, Arabic, African and Middle Eastern men and women in Islamic costume, including both masters and servants, some of the men with a variety of firearms, spears, daggers, and various gear and goods. There are also camels, horses and donkeys, often with their gear for riding or for carrying loads. The series must have provided many children and adults with their first notion of Muslim society and culture and is rich in authentic details. "Kleine Welt des Bilderbogens" dates the series to ca. 1855, just after Sir Richard Burton's famous visit to Mecca disguised as an Afghan in 1853 (he was one of the few Europeans who had ever visited Mecca and lived to tell of it). The complete series of 24 leaves comprised four groups of leaves, each leaf with the title, relevant subtitle and imprint (without date) at the foot: 1-6: Die Ueberbringung des heiligen Teppich; 7-13: Die Reise durch die Wüste (not present here: 14-16: Das Lager in der Wüste; 17-24: Die Gefahren der Wüste). The artist is not named. The drawings are printed on unwatermarked wove paper. The paper is fairly thin and the drawn bases have no folding tabs, as the publisher intended the cut-outs to be pasted onto card stock with a folding tab at the foot of the base or wood so that they could stand without support. - Occasional pencil marks. Some edge flaws and duststains, waterstains and browning. Includes two uncoloured sheets (numbered 10 and 23) on somewhat later, stronger paper. Kleine Welt des Bilderbogens: der Wiener Verlag Trentsensky (1977), 111. Katharina Siefert, ed., Paläste, Panzer, Pop-up-Bücher: Papierwelten in 3D (2009), with a chapter, "Die Carawane nach Mecca", pp. 31-38. Not in KVK; WorldCat.
467:393 mm. Unter Passepartout. Sehr hübsch ausgeführte aquarellierte Federzeichnung des Historismus, in der Art ihrer Darstellung den Turnierbüchern der maximilianischen Zeit nachempfunden; links oben vier Wappen, darunter möglicherweise die der Familien Montfort, Stauf von Ehrenfels, Gemmingen oder Schellenberg; rechts unten monogrammiert "H.W.M.". - Einige kleine Einrisse im rechten weißen Rand, stellenweise leicht fleckig und angestaubt, im ganzen jedoch sehr ordentliches Blatt in kräftigen Farben.
1200 x 400 mm. Gerahmt hinter Glas. Schöne Ansicht von Leipzig, gestochen von Friedrich Salathé (1793-1858) nach der Zeichnung von Adolf Eltzner. Aus dem Besitz des gebürtigen Leipzigers Walter Ulbricht (1893-1973), rückseitig in Bleistift bezeichnet: "Geschenk an den Vorsitzenden des Staatsrates, Gen. Walter Ulbricht, anlässlich des 75. Geburtstages. 30.6.1966 [!] überreicht von Prof. Dr. Dieckmann". Händleretikett Erwin Paetzel, Berlin, Linienstraße 155.
325 x 280 mm. Ink and wash on drawing cardboard. Framed and glazed. This beautiful study, most likely for a lithograph, can be attributed to Carle Vernet, the youngest son of the painter Claude-Joseph Vernet. The monumental central motif of an Arabian cavalier on a dark Arabian stallion is elaborately executed, whereas the backdrop of a tent and a battle scene remain sketchy. - A passionate horseman himself, Carle Vernet is most famous for his cavalry scenes and other equestrian motifs. - Trimmed on the upper margin. Abrasions throughout, mostly affecting the background.
First edition, large folio, [2], 2pp., without the list of subscribers, engraved frontispiece and 10 engraved plates with a total of 26 portraits of royalists, letter-press title and preface, some minor spotting and light browning but overall the plates are very clean and bright, expertly rebound in cont. style calf calf, marbled boards, red morocco spine label, an attractive copy. Rare: ESTC locates only three copy in the UK (all at Oxford) and four copies in North America. A reason for the scarcity of the complete volume may be found in a note on the title page, which advises that: "As these Prints are an agreeable Ornament for Rooms, they may be had of the Proprietors in neat black Frames and Glasses". Vertue's parents had served in the court of the exiled James II, and the publication of this volume in praise of loyal servants to the Stuart crown in the year of Culloden may well suggest Jacobite sympathies. This may be signalled by couplet from Pope quoted in the frontispiece: "Rich Industry Sat Smiling on the Plain | And Peace, and Plenty, told a Stuart's reign."
Ca. 477 x 326 mm (neat line). Etching on paper. Only known specimen of an anonymous copy after Georg Daniel Heumann’s monumental 1735 copper print engraving based on a design by Salomon Kleiner, with additional portraits of Empress Maria Theresa and the later Emperor Joseph II and his wife. This faithful, though qualitatively inferior copy was probably made on the occasion of the wedding of Archduke Joseph of Austria and Princess Isabella of Parma on 6 October 1760 in Vienna. The couple is shown in a double portrait presented by a crowned eagle flying on the right side of the tower. They are opposed by a similarly presented profile portrait of Maria Theresa on the left side. Superimposed, the two medallion-bearing eagles would form the double-headed Habsburg eagle. - Joseph's first and happiest marriage lasted only three years, as Isabella died of smallpox on 27 November 1763 at the age of 21, leaving behind a devastated widower. 1763 is thus the latest possible date for the creation of this beautiful etching. - Good impression with some minor stains and a larger brown stain to the upper left margin.
Oblong folio (400 x 320 mm). 93 pp. A privately compiled album comprising 138 engravings, either full-page or as four smaller engravings to one leaf, mostly hand-coloured. Includes one watercolour, signed "Fedor Comte Karaczay, Wien 1822". All mounted on brown paper with black borders, mostly with manuscript captions in French and watermarks to tissue guards. Contemporary red morocco, finely decorated with gilt borders; gilt title to upper cover, metal clasp fastening with key. Green silk guards. A charming album comprising numerous views of Vienna's grand buildings, palaces, and parks as well as landscapes of the surrounding areas. Notable sites of the Austrian capital are depicted in all their splendour, including Klosterneuburg monastery, the Kohlmarkt, St Stephen's Cathedral, and the Circus Gymnasticus in the Prater park. - Landscape views of Leopoldsberg, the route to Mariazell, and the nearby spa town of Baden are presented in all their idyllic majesty, as are lively social scenes of the Habsburg Empire's carnivals and café culture. The ensemble also includes 13 plates of professions and three military figures, one of which is a watercolour by Fedor Graf Karaczay (1787-1859), an Austrian colonel and dilettante artist, later in Persian services. The occupations include lantern lighter, laundry woman and hawkers selling brushes, apples and honey, straw hats, ribbons, carpets and laurel leaves. - Some minor staining. Tissue guards and covers somewhat worn, but otherwise a fine work.
Kupferstich. 300 x 205 mm. Brustbild Webers von Albert Henry Payne (1812-1902), umrahmt von Szenen aus seinem "Freischütz".
Kupferstich. 125 x 85 mm. Brustbild im Oval.
Lithographie. 355 x 276 mm. Lithographisches Portrait des österreichischen Komponisten und Dirigenten Joseph Weigl (1766-1846).
Handkolorierter Kupferstich (100 x 120 mm), Blattmaß 125 x 193 mm. Unter Passepartout. Hübsche Ansicht der Brunnenstube, die im Zuge des Baus der Albertinischen Wasserleitung 1804 in der Nähe der Otto-Wagner-Villa in Wien-Hütteldorf errichtet wurde. Tafel Nr. 49 aus dem 1812 von Maria Geissler publizierten Ansichtenwerk "Collection de vues des principaux palais, eglises, bâtimens publies, campagnes & jardins tant de Vienne [...]". Mit Legende in deutscher und französischer Sprache sowie der seltenen Verlagsadresse "Graben No. 1200". - Die Albertinische Wasserleitung war das erste Wasserleitungsprojekt in der Geschichte der Wiener Wasserversorgung mit weiträumig angelegtem Rohrnetz. Sie wurde 1804 fertiggestellt und bis 1890 betrieben. Cf. Nebehay/Wagner 193.
Oblong folio (345 x 283 mm.). 109 engraved plates (some folding). Later mottled calf. Extremely rare, complete series of the New Year's engravings issued by the "Society of Constables and Fireworkers of Zurich". A single comparable set is known in libraries and special collections (Berne University Library). "Durch die von 1689 bis 1798 fortgesetzte Herausgabe von Neujahrsblättern, welche eine belehrende Reihe bildlicher Darstellungen über das Artilleriefach, begleitet von zweckmäßigen Erläuterungen, enthalten, beurkundete die Gesellschaft der Constaffler und Feuerwerker in Zürich eine fruchtbringende Theilnahme an der militärisch-wissenschaftlichen Erziehung der Jugend; seit 1806 setzt dieser Verein auf ähnliche Weise seine anerkennenswerthen Bemühungen fort, obschon die äußern Merkmale einer militärischen Genossenschaft nicht mehr vorhanden sind" (Leemann, Abriss der Militär-Statistik der Schweiz [1839], p. 249). Other Zurich military societies issued similar series for the New Year. The splendid engravings show artillery, drill, maneuvers, fortification, guns, ordnance, and powder-making; engravers include Johann Balthasar Bullinger, Johannes Meyer, Johann Melchior Füssli, David Herrliberger, Johannes Lochman, David Scheuchzer, A. G. Schübler, Johann Heinrich Lips, D. Böyel, and Schellenberg. The 1751 plate ("Einleitung zur Artillerie-Wissenschafft") doubles as a half-title. - Traces of old folds to a few plates, occasionally somewhat stained in the margins or remargined altogether; one (for 1788) trimmed to the plate edge and rebacked. A fine, complete set from the collection of Thomas Fremantle, 3rd Baron Cottesloe (1862-1956), commander of the Territorial Army and president of the Society for Army History Research. Spaulding/Karpinski 198. Lipperheide Qf 1 (only 89 plates: wants 1776-77 and 1780ff.)
24pp., stitched as issued, 346 lots. Not in B.M. Catalogue of English Book Sales.
cm. 17 x 24, xxviii-106 pp. con 79 ill. f.t. Gabinetto disegni e stampe degli Uffizi - Cataloghi Carlo Lasinio (Treviso 1759 - Pisa 1838) ? una delle figure pi? significative della grafica europea fra Settecento e Ottocento. Firm? una vasta ed eterogenea produzione di stampe con soggetti storici, folcloristici, umoristici, caricaturali, ritrattistici e di riproduzione da opere d?arte, tramandandoci anche aspetti sociali e ricordi della vita fiorentina. La sua passione per le tecniche incisorie lo port? ha sperimentare nuovi mezzi, con eccellenti risultati. Realizz? volumi completamente incisi da lui e collabor? alla collezione de ?I Proverbi? Carlo Lasinio (Treviso 1759 - Pisa 1838) is one of the most significant figures in late 18th and early 19th century European graphics. He produced a vast heterogeneous range of prints on historical, folkloristic and humoristic topics as well as caricatures, portraits and reproductions of works of art thus preserving for us various aspects of Florentine life. He experimented with new engraving techniques obtaining excellent results, completed entire volumes with his own engravings and collaborated on the collection of ?I Proverbi? 315 gr. xxviii-106 p.
Mm 140x215 Brossura editoriale catalogo di stampe e alcuni disegni, della Colnaghi & Co. di Londra, 175 opere d'arte in vendita dal 13 aprile al 13 maggio 1972, con immagini in bianco e nero, in buono stato. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
9 ex libris presentati al XXV Congresso di Exlibri di Milano da Fumiko Yokoyama (xilografie, cm 10 x 6,5 e 7,8 x 6), Takao Yokoyama (xilografia 15 x 7,5), Yu Yuen-hong (xilografia cm 10 x 15), F. I. Van Damme (xilografia cm 15 x 12,5), Jens Rusch (Acquaforte cm 8 x 19,6), Rudolf Kuenzi (xilografia, cm 17 x 9), Jakob Demus (acquaforte, cm 11,6 x 9), Gunter Egger (Acquaforte, cm 9 x 9,8) . . pp.. . Ottimo (Fine). . . .
Cartella contenente 28 litografie originali, firmate solo su lastra, dei principali scultori italiani degli anni Sessanta: Giò e Arnaldo Pomodoro, Leoncillo, Bini, Minguzzi, Ramous, Fabbri, Cappello, Calò, Mastroianni, Mascherini, Pirozzi, Guasti, ed altri . Folio (cm 50x40). pp. 30. . Ottimo (Fine). . . . La Cartella venne pubblicata in occasione della mostra alla Galleria Il Cancello, Bologna, 28 gennaio - 8 febbraio 1964. Le litografie applicate su cartoncino bianco di cm 30 x 40 sono firmate solo su lastra dagli artisti e non sono numerate.
Includes a folded picture. 30x21 cm. 69+19 pages. Paperback. In good condition.
IN HEBREW AND ENGLISH. 30X22 cm. 56+XVII pages. Softcover. In good condition.
Serigrafia originale a colori Firma e numerazione a matita. Esemplare X/XV. cm 30x60 (Foglio 50x70). . . Ottimo (Fine). . . .
Acquaforte originale Firma e data a matita dell'Artista. Esemplare 79/99 . Cm 40x44 (Foglio 49,5x64). . . Ottimo (Fine). . Tiratuta 99 + alcune p.d.a.. .
Litografia originale dalla cartella ''El circulo de piedra'' Firma e numerazione a matita. Timbro a secco dell'Editore Giorgio Upiglio. Stampata su carta delle Cartiere Filicarta. cm 45x55. . . . . Tiratura 125 + XXV. .