Adams, ClintonMareMagnum
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Ex-library book with the usual stamps and markings. Interior pages clean and unmarked; tight binding. 228 pages. Large format: 9 1/4"w x12 1/4"h. Artists include: James McNeill Whistler, Joseph Pennell, Albert Sterner, Margaret Lowengrund, Tatyana Grosman, June Wayne, George Bellows, Thomas Hart Benton, Rockwell Kent, and others.
Ouvrage publié par 3 conservateurs de la Bibliothèque Nationale, Jean ADHEMAR, du Cabinet des estampes (1908-1987), Michèle HEBERT (1905-1994), et Jacques LETHEVE, directeur du Département des Imprimés (1914-1992), avec la collaboration du journaliste Pierre MAZARS, spécialiste d'histoire de l'art (1921-1985): histoire de la gravure, de la fin du XIVè au XXè siècle, la lithographie contemporaine, la gravure populaire, les techniques de gravures; avec chapitre introductif présentant des conseils aux amateurs (identification, faux, classement...); nombreuses reproductions, dont 8 planches couleurs; tableaux synoptiques; bibliographie. Dans la collection dirigée par Pierre Mazars; exemplaire bien complet de sa jaquette, et enrichi de 2 articles de Catherine BEDEL sur l'achat d'estampes (coupure de "Le Monde" du 15/1/1994). Français
WITH ONE OF KIYOSHI HASEGAWA'S MOST IMPORTANT PRINTS. *** 12 pp. plus 6 loose engravings. *** A monograph on engraving followed by short biographies of each of the six artists, accompanied by a suite of six large engravings, one each by Cami, Cottet, Decaris, Jeannisson, Hasegawa, and Lemagny. From a total edition of 320 copies, all printed on fine Marais wove paper. Hasegawa's engraving, "Anemones et fleurs de champs dans un verre a facettes" (Kyoto 368, also known as "Bouquet sur fond de dentelle"), is considered one of his masterpieces. Folio (38 x 28 cm). Loose as issued. Missing title-page and justification, but with complete text and all prints. The Cami and Jeannisson prints have a bit of mat burn on the recto and the Lemagny a bit on the verso. The other three prints, including the Hasegawa, are FINE AND BRIGHT.
WITH TWO IMPRESSIONS, IN FIRST AND SECOND STATES, OF ONE OF KIYOSHI HASEGAWA'S MOST IMPORTANT PRINTS. *** Etched half-title, 16 pp. plus 12 loose engravings. *** A monograph on engraving followed by short biographies of each of the six artists, accompanied by a suite of large engravings by Cami, Cottet, Decaris, Jeannisson, Hasegawa, and Lemagny. From a total edition of 320 copies, all printed on fine Marais wove paper, this is ONE OF ONLY 60 SETS WITH THE ENGRAVINGS IN TWO STATES: THE FIRST STATE ON RIVES WOVE PAPER, SIGNED IN PENCIL, AND THE SECOND STATE ON MARAIS WOVE PAPER. Hasegawa's engraving, "Anemones et fleurs de champs dans un verre a facettes" (Kyoto 368, also known as "Bouquet sur fond de dentelle"), is considered one of his masterpieces. Folio (38 x 28 cm). Loose as issued in the original folding case. Folding case lightly worn and spotted. CONTENTS FINE AND BRIGHT. ALL OF THE PRINTS IN BRILLIANT CONDITION.
Acquaforte Firma e numerazione a matita. Carta Fabriano Rosaspina. Timbro a secco dello stampatore Romero. Esemplare 37/60. cm 32,3x41,9 (Foglio 49,7x65). pp.. . Ottimo (Fine). . Tiratura 60. .
Acquaforte originale Firma e numerazione a matita. Carta Fabriano Rosaspina. Timbro a secco dello stampatore Romero. Esemplare 21/40. cm 8,7x11,8 (Foglio 36x50). . . Molto buono (Very Good). Piccole macchioline di umidità (Mildew spotting overall). Tiratura 40. .
Twenty Volumes. Illustrated with Etchings, proofs-before-letters on Japan Vellum, and impressions of the Historical Portraits on India Paper. Offsetting from tissue guards marring a few illustrations. Title pages printed in red and black. Uncut. Top edges gold. 8vo. Original full blue cloth bindings, some wear. Original spine paper labels. Spines faded. Victorian Edition. Limited Edition. Number 996 of only 1000 copies. Nice set. Impressive. SET/W49
IN HEBREW. 285x230 mm. 60+679 pages. Hardcover with dust jacket. Dust jacket slightly worn. Cover yellowing and slightly stained. Spine yellowing. Spine edges slightly bumped. Front white page slightly worn. Rear inner cover and few pages slightly stained with no damage to text. Two back pages slightly torn with no damage to text. Pages yellowing. Else in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
28.5x20.5 cm. Unnumbered pages. Softcover. Cover slightly chafed. Else in good condition.
Acquaforte originale Firma a matita. Esemplare p.d.a. 3/10. Cm 29,5x24 (Foglio 50x35). . . . . Tiratura 40 + 10 p.d.a.. .
IN ENGLISH AND HEBREW. 14X18 cm. 55 pages. Softcover. Cover slightly stained. Else in good condition.
Aquatint measuring 4.0 x 14.0 ins (approx. 10.0 x 35.5 cms), with orignal hand-colouring, etched by Henry Alken, aquatinted by T. Sutherland; unmounted, a trifle dust-soiled else in very good state. One of several hunting scenes by Alken with this title; this is the uncommon 'panorama' format showing considerable distance and perspective. An attractive image ideal for framing and display
RARE LIMITED EDITION of 500 COPIES - COPY No.26. Contains a woodcut illustration by William Aguet and Alexandre Noll (1890-1970) as frontispiece. 260x190mm. 30 pages. Blue cloth rebound Hardcover with gilt lettering on spine. Cover and spine rubbed and stained. Rear cover upper corner and spine yellowing. Spine edges bumped. Stamp on front whitepage bottom corner. Small green pencil cross-mark on page 4 (blank page). Title page, inner cover and several pages slightly age-stained. Pages yellowing. [SUMMARY]: This extremely rare book is otherwise in good condition.
28x22 cm. Unpaginated. Softcover with dust jacket. In good condition.
RARE SIX ORIGINAL SIGNED prints of Mendoza artists of the "Mendoza Engravings Club", which attempted to combine folk art with socialist realism. Most prominent of those artists was Carlos Alonso, whose print "La Lampa" is included in this volume. Photographs of the prints may be provided on demand; inquire with us for additional details. 345x490mm. 6 plates. Beige cloth Hardcover. No binding (folder format). Cover slightly worn and lightly stained. Cover leafs partly torn on edges. Pages slightly yellowing. Queralp's print edges wavy (no damage to print). Baumann's print left edge partly creased (no damage to print). [SUMMARY]: This rare collection of signed engravings is in good condition.
A keepsake with an original type relief print by Alper and a wood-engraving by Kalman. Very scarce. Large square 8vo. Prints loose as issued in wraps. Light wear to wraps, prints fine.
Dodici opere grafiche originali, numerate e firmate, di Filippo Alto (litografia a 14 colori, cm 33x23), Fabio Bertoni (puntasecca, cm 18x11), Giorgio Bompadre (rilievo, cm 15,5x12,5), Renato Bruscaglia (acquaforte, cm 18x13), Adriano Calavalle (acquaforte, cm 18x10,5), Marcello Lani (acquaforte, cm 10,3x19,5), Mario Logli (acquaforte-acquatinta, cm 20x14,5), Walter Piacesi (acquaforte-puntasecca, cm 19x11,5), Dante Panni (acquaforte, cm 19,5x13,5), Enrico Ricci (incisione a rilievo, cm 18,5x12), Ernesto Treccani (acquaforte, cm 18,5x11,5), Renato Volpini (acquaforte-acquatinta, cm 17x10) Con una nota dell'Editore Grafiche eseguite a mano su carta Magnani di Pescia sui torchi della Stamperia Posterula di Urbino che ha anche curato la stampa dei testi. Cm 33,5x23. pp. 14 quartini contenenti le incisioni, cartellette. . Ottimo (Fine). . Prima edizione di 180 esemplari numerati e firmati. .
285p., illus. Edited by Wendy Wick Reaves. Pub. for National Portrait Gallery, Smithsonian Institute. Hardcover Very good condition good
IN HEBREW AND ENGLISH. 27.5X21 cm. 29+142 pages. Softcover. Spine slightly yellowing. Else in good condition.
IN HEBREW AND ENGLISH. 27.5X21 cm. 29+142 pages. Softcover. Inner front cover page slightly stained. Library copy with usual signs. Else in good condition.
Profusely-illustrated monograph which provides the only catalogue raisonne of the work of Lunois, an important late-19th-century French artist fascinated by Spain, the Maghreb, and Scandinavia. ONE OF ONLY 50 NUMBERED COPIES PRINTED ON FINE OLD JAPAN PAPER. Illustrated with about 100 text illustrations and 26 full-page plates, each in two states. Most of the full-page plates are original etchings or lithographs by Lunois (some printed in color). Also includes the etching "Dame turque", which appears ONLY in this deluxe edition. 4to, original illustrated wraps. Uncut and unopened. With the prospectus. A bright, excellent copy of a rare book.
Grande foglio sciolto che contiene, in 5 lastre di rame incise differenti, una raffigurazione di Madonna col bambino, ai lati le personificazioni della Fede e della Costanza, in alto e in basso due motivi ornamentali, e la parte di testo al centro. Il foglio misura cm 77x50.
Exhibition catalogue 14-28 April 2010. Illustrated. 32 pages.
Large number of illustrations. xxxiii, 217 pages. Green buckram covers with gilt title on spine and front cover. Dust jacket worn and creased to edges, with rubbing to surfaces.
- s.n., Paris 1912, 14x22,5cm, une feuille. - Estampe originale en couleur, tirée sur papier vergé, signée en bas à droite de la planche. Quelques petites piqûres, principalement en marge haute, presque sans atteinte à la gravure. L'une des premières revues de mode françaises, parue quelques temps avant la fameuse Gazette du bon ton et réunissant les grands artistes français de la mouvance Art déco. Le Journal des dames et des modes est une revue trimensuelle de mode française illustrée créée en 1797. Sa publication est stoppée en 1839 avant d'être reprise en juin 1912 sous l'impulsion de Tommaso Antongini, le secrétaire, ami et biographe de Gabriele d'Annunzio. Elle disparaîtra en août 1914 à l'aube de la Première Guerre mondiale. La revue était tirée à 1279 exemplaires ce qui en fait, pour l'époque, une publication relativement confidentielle. Les 186 planches, d'une grande finesse, sont gravées sur papier fort puis coloriées au pochoir. Elles représentent, la majorité du temps, des femmes, mais aussi des hommes et des enfants. Les modèles ne sont pas, à la différence de ceux de la Gazette du bon ton dont la publication verra le jour quelques mois plus tard, ceux des couturiers de renom mais sont le fruit de l'imagination des illustrateurs eux-mêmes. Les pochoirs sont, la plupart du temps, exécutés par George Barbier, mais d'autres artistes collaborent à la revue : Léon Bakst, B. Berty, Bernard Boutet de Monvel, Roger Broders, Jan van Brock, Umberto Brunelleschi, H. Robert Dammy, Étienne Drian, Abel Faivre, Marie-Madeleine Franc-Nohain, Xavier Gosé, Paul Iribe, Kriegck, Victor Lhuer, Pierre Legrain, Charles Martin, Fernand Siméon, Ismael Smith, Armand Vallée et Gerda Wegener. Nombre de ces illustrateurs seront également associés à La Gazette du bon ton. Leurs travaux, emblématiques du mouvement Art déco, soulignent l'influence de l'orientalisme et des costumes des ballets russes tout en les inscrivant dans les activités quotidiennes des Français aisés de l'époque. Dès la préface du premier numéro de 1912, Anatole France déclare : « Au bout de soixante-quinze ans, il renaît. Il renaît par les soins de quelques esprits ingénieux et artistes. Il renaît pour les curieux (s'il en est encore) que ne contentent pas les journaux de modes tirés à plusieurs milliers et illustrés par la photographie. Et si les éditeurs nous rendent très exactement, dans son format, avec son papier, son impression, ses procédés de gravure et de coloris, le vieux classique des modes d'autrefois, c'est qu'ils entendent le continuer agréablement et devenir les classiques charmants de la mode d'aujourd'hui et de demain. » [ENGLISH DESCRIPTION ON DEMAND]
