Pye, ThomasBiblio.com
1 091 résultats
1866biblio544Montréal: John Lovell 1866. Very Good. <p>Tinted lithograph after photograph 255x330 mm brownished margins not affected image</p> John Lovell unknown
52022Hamburg B. S. Berendsohn Ca. 1850. . Papier nachgedunkelt u. mit leichten Stockflecken Rahmen mit kl. Stoßstellen. - Hotel de l'Europe an der Ecke Alsterdamm heute Ballindamm / Jungfernstieg war ein Haus erster Klasse mit über 200 Zimmern. Es war mit allen Bequemlichkeiten ausgestattet: Elektrizität Fahrstuhl Telegraphenstation und Eisenbahnbilletverkaufsstelle und diskreter Wageneinfahrt für anonyme hohe Besuche und gekrönte Inkognitos. 1908 Abriß zugunsten des Kontorbaus "Europahaus". 2003 begannen hier die Bauarbeiten für die heutige "Europa-Passage Hamburg, B. S. Berendsohn, [Ca. 1850]. unknown
52098Hamburg B. S. Berendsohn ca. 1845. . Hafentor u. Hafendamm links im Bild Segelschiffe u. Dampfer mit Kutsche u. figürlicher Staffage im Vordergrund. - Zu dem Maler Lithographen u. Radierer James Gray Mitte des 19. Jhdts. in Hamburg tätig siehe Der Neue Rump S. 150. Hamburg, B. S. Berendsohn, [ca. 1845]. unknown
52095Hamburg B. S. Berendsohn ca. 1845. . Schräge Frontal-Ansicht aus Richtung Hamburger Berg mit Kutsche u. figürlicher Staffage im Vordergrund des von dem jüdischen Bankier Salomon Heine 1767-1844 zum Andenken an seine verstorbene Frau Betty gestifteten u. 1841-1843 in St. Pauli errichteten Krankenhauses Simon-von-Utrecht-Straße. Heine war bekannt als Wohltäter Hamburgs u. als Mäzen seines Neffen Heinrich Heine. - Zu dem Zeichner Lithographen u. Radierer James Gray Mitte des 19. Jhdts. in Hamburg tätig siehe Der Neue Rump S. 150. Hamburg, B. S. Berendsohn, [ca. 1845]. unknown
52105Hamburg B. S. Berendsohn ca. 1855. . Frontal-Ansicht des 1854 "auf dem Käthnerkamp vor Barmbek" eingeweihten neuen Werk- u. Armenhauses mit figürlicher Staffage im Vordergrund. Heute befindet sich hier das Pflegezentrum "Die Oberaltenallee". - Zu dem Maler Julius Gottheil 1850-1864 in Hamburg siehe Der Neue Rump S. 148. Hamburg, B. S. Berendsohn, [ca. 1855]. unknown
52097Hamburg B. S. Berendsohn ca. 1840. . Schräge Frontal-Ansicht des alten Rathauses mit den Statuen deutscher Kaiser mit Kutschen u. figürlicher Staffage im Vordergrund. - Zu dem Hamburger Maler u. Lithographen Carl Martin Laeisz 1803-1864 siehe Der Neue Rump S. 212; zu dem Zeichner u. Radierer James Gray Mitte des 19. Jhdts. in Hamburg tätig siehe ebda. S. 150. Hamburg, B. S. Berendsohn, [ca. 1840]. unknown
52138Hamburg B. S. Berendsohn ca. 1845. . Blick auf die Gebäude des "Rauhen Hauses" mit Teich u. figürlicher Staffage im Vordergrund. - 1832 gelang es dem Hamburger Theologen u. Sonntagsschullehrer Johann Hinrich Wichern 1808-1881 mit seinen Berichten über die erschütternde Armut die er bei verwaisten Kindern in St. Georg erlebte einflußreiche Hamburger zur Gründung einer "Rettungsanstalt für verwahrloste Kinder" zu bewegen. Er gewann u.a. den Senatssyndikus Karl Sieveking dafür der in Horn damals ein kleines Dorf im Osten Hamburgs ein Grundstück mit einem Bauernhaus besaß das im Volksmund schon lange Rauhes Haus genannt wurde. Am 31. Oktober 1833 zog Wichern hier ein Ende des Jahres lebten dort bereits zwölf Jungen. Die Zahl der Zöglinge stieg ständig neue Gebäude wurden errichtet bald war das Rauhe Haus ein eigenes kleines Dorf. - Zu dem Maler Julius Gottheil 1850-1864 in Hamburg tätig siehe Der Neue Rump S. 148. Hamburg, B. S. Berendsohn, [ca. 1845]. unknown
1330399242.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
52102Hamburg B. S. Berendsohn ca. 1850. . Schrägansicht des Gebäudes mit figürlicher Staffage im Vordergrund. - 1824 gründete der Hamburger Weinhändler Georg Andreas Knauer 1759-1828 in Eppendorf einen Brunnenbetrieb künstlicher Mineralwässer der sich bald schon zu einem "mondänen" Gesellschaftstreffpunkt entwickelte. Den Mittelpunkt des Betriebes bildete das hier dargestellte 1828 Ecke Eppendorfer Landstr./Loogestieg errichtete "Konversationshaus" nach Knauer "Andreasbrunnen" genannt. Nach 1850 verlor der Kurbetrieb an Bedeutung u. wurde eingestellt; an seine Stelle trat ein Gartenrestaurant. Im Zuge der Industrialisierung wurde dann das alte Konversationshaus zum "ersten Reihenhaus" Eppendorfs umgebaut u. 1910 abgerissen. - Zu dem Maler Julius Gottheil 1850-1864 in Hamburg siehe Der Neue Rump S. 148. Hamburg, B. S. Berendsohn, [ca. 1850]. unknown
192517670Munchen und Leipzig: Georg Muller und Hans Von Weber c 1925. Second edition. Hardcover. Very Good. 4 Volumes each 5 1/4 x 8 inches. Second edition with the plates of the 1767 edition 1st was 1913 these not dated but circa 1925. Text in German. Condition is Very Good; Rubbing and soiling to the spines text and illustrations are perfect with no toning foxing stains markings etc. bindings are tight. STK Georg Muller und Hans Von Weber hardcover
52094Hamburg B. S. Berendsohn ca. 1845. . Panorama des Großneumarkts in der Hamburger Neustadt mit Markthalle sowie Verkaufsständen u. figürlicher Staffage im Vordergrund. - Zu dem Maler Julius Gottheil 1850-1864 in Hamburg siehe Der Neue Rump S. 148. Hamburg, B. S. Berendsohn, [ca. 1845]. unknown
1841V74754Wien Vienna: Mayer & Compagnie 3rd revised edition. 1841. Hardcover. Good. Frontisplate 59 other steel-engraved plates lacking pl.50 Sisyphus originally engraved on copper in 1815 by Franz St ber 1795-1858. Large octavo 24cm x 15.5cm newer linen-spined boards with old paper relaid on covers and spine has title but lacks original paper at spine head and foot. Unpaginated but each numbered plate has tissue guard and facing leaf of text in German to explain each myth. Lacks plate 50 maybe cut out by censor. Some foxing and light marginal damp marks at gutter not touching engraved part of plates. The steel-engraved images of gods nymphs and heroes are quite small 9.5cm x 6.5cm printed on strong paper at centre of each plate but of very fine quality and detail. They are closely based on similarly numbered copperplate engravings by Franz Xaver St ber first published Vienna 1815 in similar large octavo format but with completely different anonymous German text. The detail of these later steel engravings only differs from St ber's original 1815 copperplates by covering up some female breasts better to comply with 1840s more prudish moral code. They still retain the strongly erotic impression given by many of the originals thus helping to maintain their popularity over more than 25 years. Mayer & Compagnie 3rd revised edition. hardcover
71-1254Europe: Metz circa 1850s. Hand-colored lithograph. 35.5 x 25.4 cm sheet. Very Good sheet lightly toned and soiled colors still fresh.Provenance: From the Collection of the late Frederick G. Ruffner Jr. founder of Gale Research Detroit. Europe: Metz, circa 1850s. unknown
55105382-6Used - Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. unknown
1970STEADMAN001332Steam Press London. 1970. First edition. Sheet folded twice. Broadsheet number 2. A nine line poem. Designed and printed by Ralph Steadman on Swedish paper at Steam Press.Number 24 of fifty numbered copies signed by Stephen Spender.Fine. Steam Press, London. unknown
1779D7139Paris et Dijon: les Auteurs et Frantin 1779-1781. First Edition. Hardcover. Very Good. Contemporary mottled calf lavishly gilt-stamped spine gilt-stamped lettering in red leather spine label original decorative endpapers; 8vo 120x 202 mm 3 volumes; with half-titles 3 additional titles 2 allegorical frontispieces 50 plates 39 of them with double views of Paris and 2 full-page vignettes. Some very light scuffing at spine tips and along joints; occasional light toning and marginal soiling. A handsome set with the bookplates of John D. Rockefeller Jr. and Abby Aldrich. Cohen-de Ricci 692. <br/><br/> les Auteurs, et Frantin hardcover
1332083226.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
189340313Paris: Damascène Morgand 1893. First edition no. 571 of 550 copies on Papier Vergé of a Total Edition of 600. 675 pp. 1 vols. Thick 8vo. Bound in three quarter green morocco and marbled boards t.e.g. Fine. First edition no. 571 of 550 copies on Papier Vergé of a Total Edition of 600. 675 pp. 1 vols. Thick 8vo. Damascène Morgand unknown
193748349NY: Holiday House. Very Good with no dust jacket. 1937. Hardcover. Original cloth-backed pictorial boards. Miniature format. Spine gap mid volume the occasional minor spot. Slight sunning/edgewear to boards spine sunned. 40pp. ; 24mo 5" - 6" tall . Holiday House hardcover
192110266Zurich: Art. Institut Orell Fussli 1921. Ask for a photograph. 23 plates--complete. 1921 facsimile of the plates from David Hess's book about the spa at Baden originally published in 1818 by Orell Fusslii & Cie. Collection of engravings is encased in folder numbered 18. Spilled liquid on front of folder; moderate general soil. Hard Cover. Very Good/No Jacket. 4to - over 9¾" - 12" tall. Art. Institut Orell Fussli Hardcover
184347974Leipzig: Verlagsbuchhandlung von J. J. Weber 1843. First edition. Hardcover. poor to vg. Quarto. 40 leaves 38 hand-colored plates some of them with tissue guards including frontispiece. Bound in three-quarter brown leather over marbled boards. Double-framed half-title. Frontispiece. Double-framed half-title and illustrated title page with black double frame. Collection of plates by the celebrated and decorated French military painter and printmaker Hippolyte Bellangé. His work was included into the 1855 Exposition Universelle a major event in France exhibiting agricultural and industrial products and the fine arts. All plates signed Bellangé in plates.<br /> <br /> OCLC lists only one copy with this title in the University and City Library of Cologne. This OCLC listing refers to an 1844 publication by the publisher J. J. Weber a volume with 364 pages and fifty original drawings of all types of military corps and uniforms of the French Republic and the Empire by Hippolyte Bellangé. Our copy with the original title page is dated 1843 and contains thirty-eight lithographs on the subject without any text but the captions in the double-framed pages. The collection contains images of generals officers and soldiers from different corps of the French army from 1795 to 1814 with many of the plates not dated.<br /> <br /> Conceivably this copy was a limited pre-publication bound by the publisher in 1843 during preparations for the 1844 copy. The indication of this being a limited edition is typed only onto a label glued to the front free endpaper. In addition our copy contains an oval paper label with handwriting pasted to the front cover as well as two strips with imagery of French soldiers lined up printed in color glued to top and bottom of the cover. The copy contains four additional color printed strips of soldiers one glued to the inside front cover two to the front free endpaper and one to the half-title. The number of soldiers depicted on each strip varies. The oval paper label on the front cover contains the name Adolf Brougier and the year 1877 in calligraphy and the title in English in a different handwriting. The front free endpaper also contains a paper label with typed title subtitle and publisher's information glued in between the two printed strips. Publisher's information on this label ends with "Limited" but no printed indication of limitation. The Ex Libris on the inside front cover is from Robert Florey the French-American film director screenwriter and actor. Laid in a cutout lithograph of a cavalry officer 7 x 5" cut with black printed borders partially visible.<br /> <br /> Text in German. Wear along edges small chips and scuffing with spine missing except two narrow leather strips at head and tail. Some sporadic foxing hardly effecting lithographs small closed tears and rubbing throughout. Some penciled numbers in margins outside of lithograph borders. Starting at two places with one plate loose held only with tan paper tape at top. Some of the plates reinforced with tape at gutter. Binding in poor plates in very good condition. Adolf Brougier. Painter etcher. Born in Stuttgart Germany in 1870. Brougier studied art in France and Germany. He exhibited portraits and landscapes in Los Angeles for ten years before his death in Santa Barbara CA on March 11 1926. Exh: Curtis Gallery LA 1924; Holland & Garrison Gallery LA 1924. Ben; AAW; SCA; DR; AAA 1926; LA Times 3-12-1926 obit. Verlagsbuchhandlung von J. J. Weber hardcover
1967B30978fParis: Leonce Laget 1967. Reprint. Hardcover. Ex-Library. Reprint of 1776 original 1967 folio 5 pages of text 20 engravings all loose sheets in gray cloth chemise illustrated in b&w. Book ex-library with only indications being sticker to front pastedown of chemise and pocket to bottom flap contents show mild foxing to front title page otherwise clean bright and unmarked. No DJ. Text in French. THIS LARGE HEAVY BOOK WILL REQUIRE ADDITIONAL SHIPPING FEES. Leonce Laget hardcover
1970011151Barre MA: Barre Publishers 1970. 1st Edition Lim. Hardcover. VG. This one of 100 copies that has a suite of single-sheet engravings each signed by the artist in envelope on pastedown at rear of book not one of the 1000 as usually seen. Quarter leather over marbelized boards which is slightly sun-faded else near fine. Signed by the artist on colophon. Barre Publishers hardcover
18402168-6Used - Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. unknown
69-6692San Jose California: M Lee Stone Fine Prints 1985. 22.5 x 28 cm. B&W Plates Very Good.From the collection of the late Frederick G Ruffner Jr founder of Gale Research Detroit. San Jose, California: M Lee Stone Fine Prints, [1985] unknown
