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1954064381Great Britain: The Golden Cockerel Press 1954. Book. Very Good. Hardcover. 158 pages 4to. No DJ. Missing prospectus. Shelfwear: scuffing along edges and covers many smudges and some staining on cover boards light tanning and foxing. Tight binding. Volume is in Very Good condition. The Golden Cockerel Press Hardcover
24720David Bogue London . HB NO DJ Decorative red cloth Gold Gilt designs & title Poetry stated 6th edition no date early 1850s style cloth gilt decorated binding on bevelled boards NF/GOOD NOJACKET AS-IS Cvr light rub wear Extremities Front & Back cvrs nice Conditon Spine Cvr Beveled edges rub wear edges & ends & gold gilt slight Fade Interior nice tight with few small Stains light FOX 102 pgs Notes ADS Outer pgs edges gold gilt approx 7.5 X 5 in. light tears along spine edge corner bumps wear. Hard Cover. David Bogue London, hardcover
189369768Paris France: Galerie Georges Petit. Very Good. 1893. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - TEXT PRISTINE-- IN STOCK AND AVAILABLE IMMEDIATELY-- - EXEMPLAIRE SUR IMPÉRIAL JAPON NO. 72 --Text in French; 1465 works catalogued. Many lovely b/w illustrations. Pages tight to spine. Leather-trimmed marbled coverboards; decorated endpapers; top fore-edge gilt -- with a bonus offer--; Folio - over 12" - 15" tall . Galerie Georges Petit hardcover
189337839Paris France: Galerie Georges Petit. As New. 1893. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - TEXT PRISTINE Text in French; 1465 works catalogued. Many lovely black and white illustrations. Cover wear front hinge cracked; pages tight to spine. Gold-embossed red coverboards top fore-edge gilt. -- with a bonus offer--; Folio - over 12" - 15" tall . Galerie Georges Petit hardcover
198559810Great Barrington MA: Penmaen Busyhaus Publications 1985. Limited Edition "Out of Series" Print Set not numbered not in linen slipcase/box. Prints. Near Fine. Folio 39 cm Two suites of loose prints the suites are issued in two states. 13 prints printed on white paper 12 of which are signed; 13 prints printed on cream-colored paper 12 of which are signed. The images on the cream-colored paper are the same as the images on the white paper the only difference being the paper. The 13th print in each suite is by Lynd Ward which are not signed as he passed away in June of 1985 just before the project was completed. Does not contain the introduction by Leonard Baskin or the descriptive letterpress text. With signed self-portraits by the following artists: <br /> <br /> -Fred Becker 1913-2004. Born in Oakland California and active in St. Louis Missouri and New England. <br /> <br /> -Jack Coughlin b. 1932. Born in Greenwich Connecticut. He studied at the Rhode Island School of Design in Providence and the Art Students League of New York. He is most known for his portrait wood engravings etchings and lithographs of literary figures and musicians. Information obtained from Brier Hill Gallery Boston MA. <br /> <br /> -John DePol 1913-2004. A New York printmaker and wood engraver. His press was Endgrain Press. <br /> <br /> -Fritz Eichenberg 1901-1990. A German/American artist. Considered a master of wood engraving. Eichenberg's first big commissions came with Crime and Punishment and Gulliver's Travels for the Limited Editions Club. His images often depict suffering and poverty. His positions included director of Graphic Arts Center in Brooklyn and a teacher of Graphics at New York's Pratt Institute. Westmont Ridley-Tree Museum of Art <br /> <br /> -Raymond Gloeckler 1928-2022. Born in Portage Wisconsin. While still a student he taught art via a government program in rural schools. Later he was employed as a professor at UW-Madison between 1961-1993. "Gloeckler is known for his highly detailed caricatures and bold expressive satire and commentary. His prints and paintings comment on humanity's follies and foibles in a unique light-hearted style defying art world trends." - Gallery of Wisconsin Art <br /> <br /> -James Grashow b. 1942. An American sculptor and woodcut artist. "James Grashow was born in Brooklyn in 1942 and has been creating works that address themes of man nature and mortality since the 1960's" "The scale of his work ranges from large environmental installations through which the viewer traverses to the delicate and contained world of his houseplants where homes and buildings replace flowers and buds in intricately constructed bouquets." - The artist's website <br /> <br /> -Judith Jaidinger b. 1941. One of the two female artists represented here. Born in Chicago Illinois. "Judith Jaidinger's obsession with cutting began in her 1960s student days at the School of the Art Institute and is linked to her equally long frankly sensuous relationship with boxwood. She was introduced to both in an engraving class taught by British-born print-master Adrian Troy. "At the same time printing industry technology had moved on supplanting woodblock engravings with line drawings and photography. 'A dying art' Jaidinger says. It was also a seriously slumping industry. But in the 1960s in Chicago hub of an enormous catalog business there were still a few commercial wood-engraving establishments turning out the precise detailed images more typical of the previous century. One of them Sander Wood Engraving on Dearborn Street was where Professor Troy a committed modernist sent his students to buy the best material: rare English-grown boxwood blocks. "'He warned us' Jaidinger recalls 'If you go to Sander and buy your wood from them don't look at what those engravers are doing. I don't want you to be influenced by them.' "That made it irresistible." - Reader- Chicago's alternative nonprofit newsroom <br /> <br /> -Stefan Martin 1936-1994. Born in Elgin Illinois and a graduate of the Art Institute of Chicago. He was also active in Roosevelt New Jersey. His work is held in private museums and collections throughout the world including the Metropolitan Museum and the Smithsonian Institution. <br /> <br /> -Michael McCurdy 1942-2016. American author illustrator and publisher. Born in New York City. McCurdy served as an instructor at the School of the Museum of Fine Arts at Concord Academy and at the Book Arts Laboratory of the Wellesley College Library. He founded Penmaen Press 1968-1985. Information obtained from Brier Hill Gallery Boston MA. <br /> <br /> -Barry Moser b. 1940. The owner and operator of The Pennyroyal Press and the illustrator of over 250 books including Moby Dick The Divine Comedy and a highly regarded edition of The Bible. "Barry Moser is probably the most important book illustrator working in America today." - Nicholas Basbanes <br /> <br /> -Gillian Tyler b. 1935. Born in Baltimore Maryland. She is an illustrator that works primarily in children's books. <br /> <br /> -Herbert Ogdon Waters 1903-1996. Born in China. Waters came to the United States and studied at the Pennsylvania Museum School of Industrial Art in Philadelphia the Art Institute of Chicago and Harvard University. He was a public school art instructor under the auspices of the Works Progress Administration's Federal Arts Project. He later taught art at the University of New Hampshire at Durham and at the Holderness School in Plymouth New Hampshire. Information obtained from Brier Hill Gallery Boston MA. <br /> <br /> -Lynd Ward 1905-1985. The 13th print in each suite is by Lynd Ward which are not signed as he passed away in June of 1985 just before the project was completed. <br /> <br /> Originally issued in an edition of 250 boxed sets. Penmaen Busyhaus Publications unknown
1866Q1211Chicago: Chicago Lithography & Engraving Co. 1866. First Edition. None. Good. Civil War era ornate family record with elaborate Spencerian style calligraphy and flourishingincluding imagery of angels cherubs birds and flowers"designed and wholly executed with a pen by R.H. Trumbull." Single sheet 24 x 20 inches. In Good condition with shallow dampstaining along the bottom edge small chip at the top edge and puncture in the lower right. The areas for recording births marriages and deaths have been filled with information about the Sweet family beginning with William Sweet b. 1829 and his wife Anna b. 1839. It descends to six children born throughout the 1860s their marriages in the 1880s and the death of William and Anna Sweet in 1895. Some of the writing is quite faded but helps illustrate how the record was kept in use through several generations. The lithograph will ship rolled in a tube; cost will be calculated based on buyer location. <br/><br/> Chicago Lithography & Engraving Co. unknown
1929004149Paris: The Pleiad 1929. Hardcover. Fine. Giauque Fernand. 57 1 p. 1 hand-colored frontispiece 1 addition leaf of a hand-colored plate and 10 in-text illustrations; 28 cm. Original red cloth with gilt-rooled spine title. Burgundy slipcase with printed paper label on front section with handwritten copy number. Designed by Frederic Warde. This is no. 172 of a limited edition of 550. "The twelve illustrations ten in lithography and two hand-coloured have been made by Mr. Fernand Giauque. The Lutetia type used for the text designed by Mr. J. van Krimpen has been composed and printed by Joh. Enschedé en Zonen Haarlem Holland." -- Colophon. Former owner's name on front free endpaper Theodore W. Bozarth dated 1946. Inscribed by same hand at lower edge of back fixed endpaper: "S-- Trenton N.J." Theodore W. Bozarth 1918-2005 was a lieutenant colonel in the U.S. Air Force who served overseas in England and Japan. Book is in Fine Condition: clean and bright. Slipcase is in Very Good- Condition: edges are rubbed; minor separation at opening; otherwise solid; label is intact. The Pleiad hardcover
1981mon0000104556Easton Press 1981T. hardcover. New. 1.4173 in x 9.2913 in x 6.3386 in. Easton Press hardcover
19811591270543Easton Press 1981. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Shelf and handling wear to cover and binding with general signs of previous use. Foxing to fore-edge. Secure packaging for safe delivery.Dust jacket quality is not guaranteed. Easton Press hardcover
19897372Lebanon PA: Red Howler Press 1989. Soft Cover. Near Fine binding. Octavo. 20 pp. plates. Limited edition numbered 22 of 50 copies signed by Zundenfel and Moyer on the colophon. As issued in Japanese stab-sewn stiff papers wrapper with blind-stamped title on the front cover; 6 striking prints were engraved on end grain maple blocks and printed on Kitakata Japanese paper. Each engraving is additionally signed by Moyer and numbered 22/75. A bright copy without wear. Uncommon and delightful. Red Howler Press unknown
19777560Norwalk CT: The Easton Press 1977. Collector's Edition. Leather Bound. pp. x 234. Royal 8vo. Bound in full textured black leather over boards with elaborate gilt lettering rules and ornamentation to the spine and boards; four raised bands to spine five compartments textured terracotta silk moire endpapers like silk ribbon-marker all edges gilt. Black-and-whte illustrated frontispiece of Turgenev of Melville accompanied by many additional full-page black-and-white illustrated plates. No detectable flaws contents bright clean and unmarked with tight sound binding; near fine. Appears unread; as new. <br/><br/> The Easton Press hardcover
1826ABE-90785021091826 Faust was Goethe's most celebrated creation with international editions in his lifetime and subsequently in films and books across the world with translations in most languages. This is a complete set of the 26 engravings Moritz Retzsh produced as an illustration of Goethe's text; the book has no words in it not even a publisher or date. What it does have is a fabulous set of the original plate pulls complete with plate marks. Friedrich August Moritz Retzsch was a German painter draughtsman and etcher; much celebrated in his day. This is in a way a fine example of what would now called a graphic novel. The 26 etched pictures tell the story and words are not needed. In Germany there were many such books without words and this one in particular influenced the English Pre Raphaelites. This volume is in its original binding with a very fragile leather spine which turns around to the original marbled cover boards which are also in a fragile state. There is no title page or date and no publishing house is mentioned. The corners are leather also and the spine has five subtly raised bands and no title. A much poorer copy of this was featured in the exhibition of Pre Raphaelites at Tate Britain. My copy is considerably better but it is by no means a fine one. It has been used and looked at probably a great deal over the last 200 years or so. The leather is very worn the marbled cover boards are patinated and there is a mixture of hand written names and an inscription on the front end paper. It is very rare in any state at all because it was easily broken up so the plates could be framed. This is I must stress a complete bound full set and as such it is very rare indeed. The earlier of the two dated inscriptions states 1826; but it cannot be viewed as an accurate issue date. An edition exists which has a German title page and text but this is not one of those. It's a bit of a mystery. The exhibited copy in the Tate exhibition was inspected by me I knew one of the curators and it was also without any text. International Edition. Hardcover. Very Good. hardcover
13183Vevey: Musee Jenisch / Somogy / Editions D'Art. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - -- with a bonus offer-- . Musee Jenisch / Somogy / Editions D'Art paperback
186726902Melbourne: Hamel & Ferguson 1867. Print. Very good overall. From Eugene von Guérard's Australian Landscapes 1866-68. Von Guerard is said to have painted the work "at the entrance to Dobson's Gully in the Dandenong's'. The area was the location where Thomas Dobson made his home and established a timber camp. He called it 'Lightwood Gully' the original name for Ferntree Gully.<br /> <br /> "His remarkable image of a fern-tree gully in the Dandenong Ranges some 40 kilometres east of Melbourne conveys a sense of the landscape as a spiritual sanctuary. Painted on return to the artist's Melbourne studio Ferntree Gully in the Dandenong Ranges is a work that combines von Guerard's meticulous observation of local plant species with his artiistic interest in compositional arrangement and the creation of a 'mood' particular to this environment. In this case we are privy to the magical world of a bower - an enclosed gully of natural foliage created by towering tree ferns. A pool of light on the forest floor leads us to two male lyrebirds cast in shadow one withits characteristic tail feathers raised.: Tiom Bonyhady Australian Colonial Paintings in the Australian National Gallery Canberra; Australian National Gallery 1986 p. 171. <br /> <br /> Color lithograph signed in the plate with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 14 x 20 1/4" on paper 19 x 24 1/2". Archivally cleaned and backed color tastefully enhanced. Hamel & Ferguson unknown
199716817Brighton MA: Abigail Furey Fine Prints and Drawings. As New. 1997. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - TEXT PRISTINE -- with a bonus offer-- . Abigail Furey Fine Prints and Drawings paperback
199926841Brighton MA: Abigail Furey - Fine Prints and Drawings LLC. As New. 1999. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - TEXT PRISTINE -- with a bonus offer-- . Abigail Furey - Fine Prints and Drawings, LLC paperback
200036152Brighton MA: Abigail Furey - Fine Prints and Drawings LLC. New. 2000. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Slight cover crease; remnants of mailing label on back cover; else flawless. 119 works catalogued & illustrated in black and white. Among the artists represented: Hassam Geroge Wright H. W. Heller Rockwell Kent Kerr Eby and many others. -- with a bonus offer-- . Abigail Furey - Fine Prints and Drawings, LLC paperback
2013019874Istanbul: Denizler Kitabevi 2013. Soft cover. New. Folio - over 12 - 15" tall. In original decorative cloth bdg. Folio. 41 x 31 cm. In English. Color ills. 218 1 p. A very heavy volume. Fisher's illustrations of Constantinople and its environs. Constantinople and the scenery of the Seven Churches of Asia Minor. Illustrated. In a series of drawings from nature by Thomas Allom. With an historical account of Constantinople and descriptions of the plates by the rev. Robert Walsh LL. D. ISTANBUL - Constantinople Ottoman culture Engraving Illustrations History of art Travel Voyage Memoirs Archeology Byzantium Western travellers. <br/> <br/> Denizler Kitabevi paperback
63836333Indiana University Press USA . Papeback. New. Indiana University Press (USA) unknown
FREDERIC013688Pawlet Vermont. Various dates. First editions. Printed by Claude Fredericks for presentation to his friends at Christmas.A A Plan for the ''Sonnets'' of a Proposed Shakespeare. 1960. Wrappers. Sonnets xxxiii to xlvi are printed. Fine in printed tissue dustwrapper.B A Page from Bacon's ''Essays''. 1956. Wrappers. Number 20 of 180 copies. Spine faded. Near fine.C Psalms cl & cxxxiii. 1958. Wrappers. Single leaf in loose wrappers. Covers lightly tanned at edges. Near fine.D Meister Eckhart's Sermon on Beata Pauperes Spiritu. 1960. Wrappers. 220 copies printed. Taken from R.B. Blakney's translation. Very near fine. Pawlet, Vermont. unknown
1991909001991. Non-Book. Very Good with no dust jacket; Framed Civil War Print Hanging Out Till The Smoke Clears. Signed by John Warr. Print is 5" high and 8 1/2" across Frame is 13" across and 9" high. Very good condition. ; Prints . unknown
93656N.D. Non-Book. Very Good with no dust jacket; Framed Civil War Print Colonel Nathan Bedford Forrest. Signed by John Warr. 9 1/2" across and 9 1/2" high Framed. Print is 5 3/4" by 5 3/4". Good condition; Prints . unknown
48946N.D. Print. Very Good with no dust jacket; Colored Fashion Print of Two Victorian Ladies in Wooden Frame. Picture is 19" high and 15" wide. Very good condition frame does have some wear. ; Prints . unknown
1850006783S.l.: s.n. 1850. Very Good. 1 leaf 27 x 18 cm. with engraving of Francis Hopkinson from a portrait by Robert Edge Pine. Sitting at a table holding a quill in his right hand. Several books are to Hopinson's right. Image is 11 x 9 cm. Facsimile signature of Hopkinson below image. No date of publication. The Engraver James Barton Longacre died in 1869. Stauffer Check-list 2002. Baker 3222. Scarce. In Very Good Condition: upper edge is creased and darkened with one chip; otherwise clean and crisp. s.n. unknown