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18800054081880. Near Fine. 1 albumen print 224 x 272 mm. Mat is 16 x 18 inches. No identification of photographer publisher or location. On the hill above the river are a tent and a small structure with smoke coming out of the chimney. On the board walkway over the shallow river sit two women with parasols and behind them two women stand; all are dressed primarily in white. In the carriage pulled by two horses are a man and a woman. Some cattle stand in the river and next to them are a man and a woman on horses the woman sidesaddle. On the far sde of the river are three men with cattle pulling a wagon. In Near Fine Condition: slight vertical creasing on left side; clean and bright. unknown
20151379124Monterey: Larkspur Press 2015. Hardcover. Octavo 58 pages. In Very Good condition with Very Good dust jacket. White spine with black text. Dust jacket is protected by mylar covering and has mild shelf wear. Textblock clean. Shelved Poetry. 1379124. Shelved Dupont Bookstore. Larkspur Press hardcover
447Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown
18890054051889. Very Good. 2 albumen prints. The first Rouen -- Fontaine de la Grosse Horloge is 255 x 199 mm. on a cardboard mount 297 x 239 mm. Caption printed in photograph in lower right: "54. Rouen_Fontaine de la Grosse horloge." Written in ink at lower edge of image: "Rouen August 25/89." Written in pencil next to photograph on mount: "Printed by the house of T. Herlyison." The fountain was designed by Jean-Pierre Defrance and built next to the famous Gros Horloge in 1743; the bas relief depicts the mythological scene of the river Alpheus and the nymph Arethusa and Cupid flying above them. This photograph includes a man waiting for a bucket to fill at the fountain and a woman carrying a bucket and moving off to the right. The window to the right of the fountain says "Debit de la Fontaine." The second photograph 209 x 270 mm on the other side of the card mount is an albumen print identified along the lower mount edge as only "Rouen." It shows the Fontaine Sainte-Marie built in 1879 with the original lights on either side. In Very Good Condition: lower right-hand corner of Fontaine de la Grosse Horloge slightly creased; both photographs are clean and bright. unknown
1970000243Amsterdam / New York: Van Gendt / Abner Schram 1970. First Edition. . Hardcover. See Description. 4to. pp. 247 1. Contains many b&w illustrations. Green cloth with dust jacket. Near fine condition. Miniscule dusting/foxing to upper edge of text block. Dust jacket is vg/fine. "The present bibliography describes over 100 titles containing ca. 2800 etchings by De Hooghe." -d.j. Contains indexes. <br/> <br/> Van Gendt / Abner Schram hardcover
1840lib55342BC5Charles Tilt 1840. Hardcover. Good. original orange binding with gold design 3o engraved views by Cooke Charles Tilt hardcover
18453466<p> Original publisher's binding of brown cloth with decorative gilt Romulus/Remus motif to front cover blindstamped to rear board Front cover detatched; Lacking spine covering. Complete with 30 plates 29th plate "Piazza Barberini" as frontispiece. Infrequent foxing throughout some markings to page edges. A nice copy without previous owners' names or other markings. ; 4to 11" - 13" tall; viii 216 pages;</p> David Bogue hardcover
1845006785Paris: P. Amic l'Ainé 1845. Near Fine. 1 leaf 26 x 16 cm. with engraving of Maximilien de Robespierre 1758-1794 by Florensa after a drawing by Lacauchie. Printed by Rigo Freres et Cie. No date of publication. The publisher Pierre Amic l'Ainé and the printer produced prints in the 1840s. Robespierre is standing holding a bunch of flowers in his right hand and looking to his left. In Near Fine Condition: margin is lightly soiled; otherwise clean and bright. P. Amic l'Ainé unknown
1912292504Richmond: Clarence E. Weaver; W. C. Hill Print. Co 1912. Original Wrappers. Good binding. Issued in the Spring of 1912 this tourist guidebook has photographic illustrations throughout accompanied with explanatory text. 48 pp. plus 2 ads. Rebound in burgundy cloth with the printed wrappers bound in. Illustrations throughout. Because of the protection of the later binding the wrappers are quite bright.~With the bookplate of Claude Monteiro of Richmond descendant of Confederate surgeon Aristides Monteiro.~~This guidebook is local item for us. Having said that this is but the second copy we have had. Uncommon with but a single copy found on OCLC. Good binding. Clarence E. Weaver; W. C. Hill Print. Co unknown
1893biblio368Hartford Conn: American publishing company 1893. Fine. <p> </p><p>Chromolitography 7 3/4 x 12 1/4 Print provided from the portofolio: Our Navy Its Growth and Achievements</p><p> </p> American publishing company unknown
1887DEMO013716IBoston: Roberts Brothers 1887. Deluxe Limited edition. Hardcover. Very Good. Wilhelm von Kaulbach. 4to 342 pages new full dark morocco leather spine label original pictorial top cover bound in at rear .top edge gilt fore-edge untrimmed; ex libris A. Freiberg of Cincinnati. <br/><br/>No. 224 of 400 copies printed for America of the English Edition De Luxe. Twelve India Proof steel engravings after Joseph Wolf engraved by Augustus Fox. Modern form of the traditional legend of REINHART FUCHS. "Under the veil of animals the symbolic representations of the diverse passions of men stand boldly in relief ." Roberts Brothers hardcover
1886BIBLIO-31166Trustees of the British Museum London first edition 1886 - 1906. 15 fascicules each in its own portfolio 52 cm parts I-IV and 66 cm parts V-XV. introductions of a few pages each and a total of 233 plates on stiff card. . Uncommon. A complete set of this series which comprises 15 portfolios each with a short introduction list of plates and between 11 and 22 finely-printed plates as follows: Part I. Early Italian. 20 plates; Part II. Early German and Flemish 22 plates; Part III. German Dutch and Italian. 18 plates; Part IV. Italian 16th century. 18 plates; Part V. Specimens of early mezzotint engraving. 16 plates; Part VI. Specimens of line-engraving by Masters of Germany and the Low Countries 1530-1620. 15 plates; Part VII. Specimens of line-engraving by Masters of the Netherlands Schools under the influence of Rubens and Vandyck about 1620-1660. 12 plates; Part VIII. Specimens of line-engraving by Masters of the French School about 1580-1680. 14 plates; Part IX. Specimens of line-engraving by the earliest Masters practising in England about 1545-1695. 18 plates; New Series Part X. Additional specimens of line-engraving by the earliest Masters working in England about 1580-1670. 21 plates; Part XI. Specimens of line-engraving by French Masters of the Eighteenth Century. 14 plates; Part XII. Specimens of line-engraving by French Masters of the Eighteenth Century continued. 12 plates; Part XIII. Specimens of line-engraving by English Masters of the Eighteenth Century. 11 plates; Part XIV. Specimens of line-engraving by Italian Masters of the Eighteenth Century. 11 plates. Part XV. Specimens of line-engraving by German Masters of the Eighteenth Century. 11 plates. The plates are generally Very Good clean copies: the versos of the final plate in each potrtfolio and the title-page rectos are in most cases tanned from contact with the portfolios. Some plates have small 'British Museum facsimile' stamps on the versos and there is sometimes a small library blindstamp in the lower margin well away from the image. The portfolio boards are generally rather duststained and a little rubbed the portfolio for Part VI has bumping and tearing to its top edges and that for Part XV is torn at the head of spine with trifling edgewear to a few plates a few other portfolio corners have minor edgewear. The porfolio flaps are generally in very good condition and seem to have been renewed in most cases; a few others are broken. A few portfoilios have library bookplates on their front inner boards. Overall a well-preserved set of a series rarely found complete. Trustees of the British Museum, London, first edition, 1886 - 1906 hardcover
1907BIBLIO-31165Trustees of the British Museum London first edition 1907 - 1913. 7 portfolios half cloth and printed boards 20 x 15 in. Introductions and contents indexes of 8 pp per part in all 175 plates 25 per part. A complete set now hard to find of this series of high-quality facsimile reproductions. Each of the 7 portfolios has an introductory text by Sidney Colvin and 25 plates. The portfolios comprise: I. Specimens of etching by German masters 1475-1575; II. Specimens of etching by Italian masters 1525-1550; III. Specimens of etching by French masters 1620-1670; IV. Specimens of etching by Flemish masters 1520-1650; V. Specimens of etching by Dutch masters 1615-1650; VI. Specimens of etching by Rembrandt Livens and Bol 1630-1680; VII. Specimens of etching by the later Dutch masters 1640-1700. A mildly ex-library set with library bookplates on the inside front boards minor library marks to portfolios unobtrusive blindstamps to some margins a few leaves only with minor creasing and very occasional chipping at the edges. Portfolio boards duststained and darkened contents generally Very Good and clean. Trustees of the British Museum, London, first edition, 1907 - 1913 hardcover
1860DEMO010833IWashington: Thomas H. Ford 1860. First & Quarto edition. Hardcover. chromolithographs b&w pls. Quartos 358 40; 399 pages 21stC 3/4 calf marbled boards waterstains <br/><br/>House Exec. Doc. no. 56. Howes P3; Wheat TRANSMISSISSIPPI 822ff; Wagner - Camp - Becker 261ff; Rittenhouse 442. Vol.I has 70 chromolithographed scenes. With 3 folding maps. Vol.1 has the Report. Vol.2 has the Botany Zoology Ornithology Fish Mollusks & Crustaceans. "The plates in Book 1 are all really tinted. Book II has 8 fine colored plates of birds; 45 black & white plates of fish animals insects and plants -Whitman Bennett in his PRACTICAL GUIDE TO AMERICAN NINETEENTH CENTURY COLOR PLATE BOOKS p.101." Thomas H. Ford hardcover
1528140834.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
025947262X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ZZ90526Album 33 x 28 cm with 20 pages of relief stamps. The first 7 pages are filled with monograms stamps thereafter some names and French logo's in relief print. The last pges with address stamps in relief mainly Dutch and many in The Hague Den Haag.Unique collection.Unieke collectie van relief stempels frans en nederlands prachtige monogrammen. 20 pagina's gevuld met relief drukwerk. unknown
63950Hamburg Berendsohn ca. 1850. . Trachtendarstellung in feinem Altkolorit und mit Eiweißhöhung. Die eindrucksvolle schwarze Uniform mit Schnallenschuhen halblanger Pumphose Jacke Kummerbund hüftlangem Plissee-Umhang gefälteltem weißen Kragen Degen und gepuderter Perücke trugen die Diener zu Leichenbegängnissen.- Gering gebräunt verso kleiner Sammlerstempel Hamburg, Berendsohn, [ca. 1850]. unknown
63952Eindrucksvolle Szene aus einem Hamburger Leichenbegängnis bei dem dem vierspännigen "Himmelwagen" ein offenen Gefährt auf dem der Sarg zum Friedhof trans portiert wurde sage und schreibe 12 "reitende Diener" - in ihren prächtigen schwarzen Uniformen mit Degen und gepuderten Perücken - zu Fuß folgen. Etwas gebräunt Trockenstempel halb beschnitten kl. Eckeabriß im oberen weißen Rand unknown
19711391357Santa Cruz CA: Kayak Books Inc 1971. First Paperback Edition First Printing. Softcover. Octavo 55 pages. In Good condition. Tan spine with red lettering. Covers have mild shelving wear moderate bending wear along the tail fore corners mild water damage along the front fore edge and moderate age-toning throughout. Textblock has mild water damage along the fore edges from the front end-page to page 20 light soiling throughout mild wear along the edges and moderate age-toning throughout. Signed flat by Philip Levine on the title page. Shelved Room C. 1391357. Special Collections. Kayak Books, Inc unknown
51679Hamburg Carl Gassmann 1856. . Salamon 41a. - Im unteren weißen Blattrand 2 Stockflecke. - Marktleben u. Kutschenverkehr vor dem Altonaer Rathaus das 1716 bis 1721 vom kgl. dänischen Stadtbaumeister Claus Stallknecht 1681-1734 in der Königstraße / Ecke Lange Straße - zwischen dem Nobistor und der Hauptkirche St. Trinitatis - erbaut und Ende des zweiten Weltkriegs zerstört wurde. Es hatte zuletzt als eines der beiden Altonaer Standesämter und als Stadtarchiv gedient. Das "neue" Rathaus wurde 1898 im ehemal. Bahnhofsgebäude eingerichtet. - Blattrand u. Schrägschnittkante unten mit 2 Braun-/Stockflecken die lithogr. Bordüre in blassem Farbton; Mahagonirahmen 36 x 42 cm mit kleinen Stoßstellen. Hamburg, Carl Gassmann, ( 1856). unknown
51674Hamburg Carl Gassmann 1854. . Salamon 15a. - Der Himmel mit kleinen weißen Fleckchen. - Blick auf die Alsterarkaden die Lombardsbrücke mit Mühle und die Häuser zwischen Reesendamm Plan und Hermannstraße. Im Vordergrund der Platz auf dem 1885 bis 1897 das neue Rathaus erbaut worden ist. Eine Abordnung des Bürgermilitärs ist auf dem Rathausmarkt angetreten. - Im lackierten Mahagonirahmen 40 x 465 Hamburg, Carl Gassmann, ( 1854). unknown
18051317131London; Edinburgh: William Miller; The Letter Press by James Ballantyne 1805. Hardcover. Quarto iii 197 pages; VG; bound in period blind and gilt calf newly rebacked with brown leather paneled spine with a black label and gilt lettering; marbled text block and endpapers; mild rubbing and wear to boards; bookplate of the Countess of Beauchamp on the ffep; ownership stamp on sfep; with 4 engraved plates and an engraved headpiece vignette; wide margins. Shelved Room A Oversize. The History of Rasselas Prince of Abissinia originally titled The Prince of Abissinia: A Tale though often abbreviated to Rasselas is an apologue about happiness by Samuel Johnson. Early readers considered Rasselas to be a work of philosophical and practical importance and critics often remark on the difficulty of classifying it as a novel.1 Johnson was a staunch opponent of slavery revered by abolitionists and Rasselas became a name adopted by emancipated slaves. wikipedia. 1317131. Special Collections. William Miller; The Letter Press by James Ballantyne hardcover
191317862Very Good. 1913-1914. Print. This antique letterhead sheet is toned along the outer edges but is clean bright and in very good condition. 10" x 7.75". . unknown
