1 091 résultats
199716817Brighton MA: Abigail Furey Fine Prints and Drawings. As New. 1997. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - TEXT PRISTINE -- with a bonus offer-- . Abigail Furey Fine Prints and Drawings paperback
186726902Melbourne: Hamel & Ferguson 1867. Print. Very good overall. From Eugene von Guérard's Australian Landscapes 1866-68. Von Guerard is said to have painted the work "at the entrance to Dobson's Gully in the Dandenong's'. The area was the location where Thomas Dobson made his home and established a timber camp. He called it 'Lightwood Gully' the original name for Ferntree Gully.<br /> <br /> "His remarkable image of a fern-tree gully in the Dandenong Ranges some 40 kilometres east of Melbourne conveys a sense of the landscape as a spiritual sanctuary. Painted on return to the artist's Melbourne studio Ferntree Gully in the Dandenong Ranges is a work that combines von Guerard's meticulous observation of local plant species with his artiistic interest in compositional arrangement and the creation of a 'mood' particular to this environment. In this case we are privy to the magical world of a bower - an enclosed gully of natural foliage created by towering tree ferns. A pool of light on the forest floor leads us to two male lyrebirds cast in shadow one withits characteristic tail feathers raised.: Tiom Bonyhady Australian Colonial Paintings in the Australian National Gallery Canberra; Australian National Gallery 1986 p. 171. <br /> <br /> Color lithograph signed in the plate with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 14 x 20 1/4" on paper 19 x 24 1/2". Archivally cleaned and backed color tastefully enhanced. Hamel & Ferguson unknown
13183Vevey: Musee Jenisch / Somogy / Editions D'Art. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - -- with a bonus offer-- . Musee Jenisch / Somogy / Editions D'Art paperback
1826ABE-90785021091826 Faust was Goethe's most celebrated creation with international editions in his lifetime and subsequently in films and books across the world with translations in most languages. This is a complete set of the 26 engravings Moritz Retzsh produced as an illustration of Goethe's text; the book has no words in it not even a publisher or date. What it does have is a fabulous set of the original plate pulls complete with plate marks. Friedrich August Moritz Retzsch was a German painter draughtsman and etcher; much celebrated in his day. This is in a way a fine example of what would now called a graphic novel. The 26 etched pictures tell the story and words are not needed. In Germany there were many such books without words and this one in particular influenced the English Pre Raphaelites. This volume is in its original binding with a very fragile leather spine which turns around to the original marbled cover boards which are also in a fragile state. There is no title page or date and no publishing house is mentioned. The corners are leather also and the spine has five subtly raised bands and no title. A much poorer copy of this was featured in the exhibition of Pre Raphaelites at Tate Britain. My copy is considerably better but it is by no means a fine one. It has been used and looked at probably a great deal over the last 200 years or so. The leather is very worn the marbled cover boards are patinated and there is a mixture of hand written names and an inscription on the front end paper. It is very rare in any state at all because it was easily broken up so the plates could be framed. This is I must stress a complete bound full set and as such it is very rare indeed. The earlier of the two dated inscriptions states 1826; but it cannot be viewed as an accurate issue date. An edition exists which has a German title page and text but this is not one of those. It's a bit of a mystery. The exhibited copy in the Tate exhibition was inspected by me I knew one of the curators and it was also without any text. International Edition. Hardcover. Very Good. hardcover
19777560Norwalk CT: The Easton Press 1977. Collector's Edition. Leather Bound. pp. x 234. Royal 8vo. Bound in full textured black leather over boards with elaborate gilt lettering rules and ornamentation to the spine and boards; four raised bands to spine five compartments textured terracotta silk moire endpapers like silk ribbon-marker all edges gilt. Black-and-whte illustrated frontispiece of Turgenev of Melville accompanied by many additional full-page black-and-white illustrated plates. No detectable flaws contents bright clean and unmarked with tight sound binding; near fine. Appears unread; as new. <br/><br/> The Easton Press hardcover
19897372Lebanon PA: Red Howler Press 1989. Soft Cover. Near Fine binding. Octavo. 20 pp. plates. Limited edition numbered 22 of 50 copies signed by Zundenfel and Moyer on the colophon. As issued in Japanese stab-sewn stiff papers wrapper with blind-stamped title on the front cover; 6 striking prints were engraved on end grain maple blocks and printed on Kitakata Japanese paper. Each engraving is additionally signed by Moyer and numbered 22/75. A bright copy without wear. Uncommon and delightful. Red Howler Press unknown
1981mon0000104556Easton Press 1981T. hardcover. New. 1.4173 in x 9.2913 in x 6.3386 in. Easton Press hardcover
19811591270543Easton Press 1981. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Shelf and handling wear to cover and binding with general signs of previous use. Foxing to fore-edge. Secure packaging for safe delivery.Dust jacket quality is not guaranteed. Easton Press hardcover
1929004149Paris: The Pleiad 1929. Hardcover. Fine. Giauque Fernand. 57 1 p. 1 hand-colored frontispiece 1 addition leaf of a hand-colored plate and 10 in-text illustrations; 28 cm. Original red cloth with gilt-rooled spine title. Burgundy slipcase with printed paper label on front section with handwritten copy number. Designed by Frederic Warde. This is no. 172 of a limited edition of 550. "The twelve illustrations ten in lithography and two hand-coloured have been made by Mr. Fernand Giauque. The Lutetia type used for the text designed by Mr. J. van Krimpen has been composed and printed by Joh. Enschedé en Zonen Haarlem Holland." -- Colophon. Former owner's name on front free endpaper Theodore W. Bozarth dated 1946. Inscribed by same hand at lower edge of back fixed endpaper: "S-- Trenton N.J." Theodore W. Bozarth 1918-2005 was a lieutenant colonel in the U.S. Air Force who served overseas in England and Japan. Book is in Fine Condition: clean and bright. Slipcase is in Very Good- Condition: edges are rubbed; minor separation at opening; otherwise solid; label is intact. The Pleiad hardcover
1866Q1211Chicago: Chicago Lithography & Engraving Co. 1866. First Edition. None. Good. Civil War era ornate family record with elaborate Spencerian style calligraphy and flourishingincluding imagery of angels cherubs birds and flowers"designed and wholly executed with a pen by R.H. Trumbull." Single sheet 24 x 20 inches. In Good condition with shallow dampstaining along the bottom edge small chip at the top edge and puncture in the lower right. The areas for recording births marriages and deaths have been filled with information about the Sweet family beginning with William Sweet b. 1829 and his wife Anna b. 1839. It descends to six children born throughout the 1860s their marriages in the 1880s and the death of William and Anna Sweet in 1895. Some of the writing is quite faded but helps illustrate how the record was kept in use through several generations. The lithograph will ship rolled in a tube; cost will be calculated based on buyer location. <br/><br/> Chicago Lithography & Engraving Co. unknown
198559810Great Barrington MA: Penmaen Busyhaus Publications 1985. Limited Edition "Out of Series" Print Set not numbered not in linen slipcase/box. Prints. Near Fine. Folio 39 cm Two suites of loose prints the suites are issued in two states. 13 prints printed on white paper 12 of which are signed; 13 prints printed on cream-colored paper 12 of which are signed. The images on the cream-colored paper are the same as the images on the white paper the only difference being the paper. The 13th print in each suite is by Lynd Ward which are not signed as he passed away in June of 1985 just before the project was completed. Does not contain the introduction by Leonard Baskin or the descriptive letterpress text. With signed self-portraits by the following artists: <br /> <br /> -Fred Becker 1913-2004. Born in Oakland California and active in St. Louis Missouri and New England. <br /> <br /> -Jack Coughlin b. 1932. Born in Greenwich Connecticut. He studied at the Rhode Island School of Design in Providence and the Art Students League of New York. He is most known for his portrait wood engravings etchings and lithographs of literary figures and musicians. Information obtained from Brier Hill Gallery Boston MA. <br /> <br /> -John DePol 1913-2004. A New York printmaker and wood engraver. His press was Endgrain Press. <br /> <br /> -Fritz Eichenberg 1901-1990. A German/American artist. Considered a master of wood engraving. Eichenberg's first big commissions came with Crime and Punishment and Gulliver's Travels for the Limited Editions Club. His images often depict suffering and poverty. His positions included director of Graphic Arts Center in Brooklyn and a teacher of Graphics at New York's Pratt Institute. Westmont Ridley-Tree Museum of Art <br /> <br /> -Raymond Gloeckler 1928-2022. Born in Portage Wisconsin. While still a student he taught art via a government program in rural schools. Later he was employed as a professor at UW-Madison between 1961-1993. "Gloeckler is known for his highly detailed caricatures and bold expressive satire and commentary. His prints and paintings comment on humanity's follies and foibles in a unique light-hearted style defying art world trends." - Gallery of Wisconsin Art <br /> <br /> -James Grashow b. 1942. An American sculptor and woodcut artist. "James Grashow was born in Brooklyn in 1942 and has been creating works that address themes of man nature and mortality since the 1960's" "The scale of his work ranges from large environmental installations through which the viewer traverses to the delicate and contained world of his houseplants where homes and buildings replace flowers and buds in intricately constructed bouquets." - The artist's website <br /> <br /> -Judith Jaidinger b. 1941. One of the two female artists represented here. Born in Chicago Illinois. "Judith Jaidinger's obsession with cutting began in her 1960s student days at the School of the Art Institute and is linked to her equally long frankly sensuous relationship with boxwood. She was introduced to both in an engraving class taught by British-born print-master Adrian Troy. "At the same time printing industry technology had moved on supplanting woodblock engravings with line drawings and photography. 'A dying art' Jaidinger says. It was also a seriously slumping industry. But in the 1960s in Chicago hub of an enormous catalog business there were still a few commercial wood-engraving establishments turning out the precise detailed images more typical of the previous century. One of them Sander Wood Engraving on Dearborn Street was where Professor Troy a committed modernist sent his students to buy the best material: rare English-grown boxwood blocks. "'He warned us' Jaidinger recalls 'If you go to Sander and buy your wood from them don't look at what those engravers are doing. I don't want you to be influenced by them.' "That made it irresistible." - Reader- Chicago's alternative nonprofit newsroom <br /> <br /> -Stefan Martin 1936-1994. Born in Elgin Illinois and a graduate of the Art Institute of Chicago. He was also active in Roosevelt New Jersey. His work is held in private museums and collections throughout the world including the Metropolitan Museum and the Smithsonian Institution. <br /> <br /> -Michael McCurdy 1942-2016. American author illustrator and publisher. Born in New York City. McCurdy served as an instructor at the School of the Museum of Fine Arts at Concord Academy and at the Book Arts Laboratory of the Wellesley College Library. He founded Penmaen Press 1968-1985. Information obtained from Brier Hill Gallery Boston MA. <br /> <br /> -Barry Moser b. 1940. The owner and operator of The Pennyroyal Press and the illustrator of over 250 books including Moby Dick The Divine Comedy and a highly regarded edition of The Bible. "Barry Moser is probably the most important book illustrator working in America today." - Nicholas Basbanes <br /> <br /> -Gillian Tyler b. 1935. Born in Baltimore Maryland. She is an illustrator that works primarily in children's books. <br /> <br /> -Herbert Ogdon Waters 1903-1996. Born in China. Waters came to the United States and studied at the Pennsylvania Museum School of Industrial Art in Philadelphia the Art Institute of Chicago and Harvard University. He was a public school art instructor under the auspices of the Works Progress Administration's Federal Arts Project. He later taught art at the University of New Hampshire at Durham and at the Holderness School in Plymouth New Hampshire. Information obtained from Brier Hill Gallery Boston MA. <br /> <br /> -Lynd Ward 1905-1985. The 13th print in each suite is by Lynd Ward which are not signed as he passed away in June of 1985 just before the project was completed. <br /> <br /> Originally issued in an edition of 250 boxed sets. Penmaen Busyhaus Publications unknown
189369768Paris France: Galerie Georges Petit. Very Good. 1893. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - TEXT PRISTINE-- IN STOCK AND AVAILABLE IMMEDIATELY-- - EXEMPLAIRE SUR IMPÉRIAL JAPON NO. 72 --Text in French; 1465 works catalogued. Many lovely b/w illustrations. Pages tight to spine. Leather-trimmed marbled coverboards; decorated endpapers; top fore-edge gilt -- with a bonus offer--; Folio - over 12" - 15" tall . Galerie Georges Petit hardcover
189337839Paris France: Galerie Georges Petit. As New. 1893. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - TEXT PRISTINE Text in French; 1465 works catalogued. Many lovely black and white illustrations. Cover wear front hinge cracked; pages tight to spine. Gold-embossed red coverboards top fore-edge gilt. -- with a bonus offer--; Folio - over 12" - 15" tall . Galerie Georges Petit hardcover
24720David Bogue London . HB NO DJ Decorative red cloth Gold Gilt designs & title Poetry stated 6th edition no date early 1850s style cloth gilt decorated binding on bevelled boards NF/GOOD NOJACKET AS-IS Cvr light rub wear Extremities Front & Back cvrs nice Conditon Spine Cvr Beveled edges rub wear edges & ends & gold gilt slight Fade Interior nice tight with few small Stains light FOX 102 pgs Notes ADS Outer pgs edges gold gilt approx 7.5 X 5 in. light tears along spine edge corner bumps wear. Hard Cover. David Bogue London, hardcover
19547400London: Golden Cockerel Press 1954. Hard Cover. Very Good binding. Quarto. 2 158 pp. frontis plates. Limited edition number 205 of 260. As issued in paper over boards backed in buckram; 8 full page wood engravings and two in-text vignettes. Generally an attractive copy; spine a trifle sunned; tail of the spine bumped; bookseller's pencil notes to front free endpaper; bottom edges of many pages are just a bit toned quite subtle; a beautiful copy. <br /> <br /> "First published in 1603 in Latin this very early picaresque novel immediately became a European best-seller. Written by a Scotsman who was born and bred in France it was reprinted in Latin twenty times with the first seventy years and was also translated into French Dutch and German. It was never translated into English although the original was widely read in England at the time. Our translation was thus the first to introduce Euphormio's bizarre and unpredictable adventures to the ordinary reader" Cock-A-Hoop 196. Golden Cockerel Press unknown
1954064381Great Britain: The Golden Cockerel Press 1954. Book. Very Good. Hardcover. 158 pages 4to. No DJ. Missing prospectus. Shelfwear: scuffing along edges and covers many smudges and some staining on cover boards light tanning and foxing. Tight binding. Volume is in Very Good condition. The Golden Cockerel Press Hardcover
200512014PARIS: Galerie Terrades. New. 2005. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY AVOID WEEKS OF DELAY ELSEWHERE. -- clean and crisp tight and bright pages with no writing or markings to the text. Text in French. Includes lovely illustrations of works by Goya Prianesi Felix Braquemond Manet Delacroix and others. -- with a bonus offer--; 16mo - over 5¾" - 6¾" tall . Galerie Terrades paperback
19903115851Boston: David R. Godine. Fine in Fine dust jacket. 1990. First Edition; First Printing. Hardcover. 0879238534 . First American edition. Fine in fine dust jacket. 478pp. 9 1/4" X 12 1/4" Lovely copy. ; 9 1/4" 12 1/4"; 478 pages . David R. Godine hardcover
1928990602.23Benno Schwabe & Co. Basel 1928. Hardcover. Good. 4to hardcover in slipcase. Spine faintly browned under dj else vg condition in lightly edge-worn otherwise good dj. Slipcase browned moderately scuffed & edge-rubbed otherwise solid though not very attractive. 248 pp. Benno Schwabe & Co., Basel hardcover
52140Darmstadt G. G. Lange ca. 1850. . Blick über die Alsterbrücke die Winterhude mit Eppendorf verbindet heutige Meenk-Brücke auf das idyllische Dörfchen mit dem Turm der St. Johanniskirche; im Vordergrund Schwäne u. Boote auf der Alster Hunde u. Passanten auf der Brücke. - Zu dem Zeichner u. Lithographen Friedrich Carl Alexander Lill 1807-1879 siehe Der Neue Rump S. 261; zu dem Stahlstecher H. Huber der u.a. für G. G. Lange arbeitete siehe Thieme/Becker 18 S. 7. Darmstadt, G. G. Lange, [ca. 1850]. unknown
1893biblio364Hartford Conn: American publishing company 1893. Fine. <p>Chromolitography 7 3/4 x 12 1/4 Print provided from the portofolio: Our Navy Its Growth and Achievements</p> American publishing company unknown
1997Biblio862Montréal: Author 1997. in8 oblong rel toile brune sous emboîtage 32 p ; 28 x 30 cm 12 lithographies 143 x 153cm couleur rehaussées Éd limitée à 22 ex dont 2 ex hors commerce notre ex signé et numéroté 19/20 Livre d'artiste<br /> Author unknown
1979007446Edinburgh : A. Bell and C. Macfarquhar 1771 c1979 1979. Hardcover. Fine/No Jacket. 3 volumes :160 plates including facsimiles maps music; some folded ; 27 cm ; by a society of gentlemen in Scotland.; LC: AE5.E3631771 ; OCLC: 277954529 ; 5 raised bands spine labels in red and black leather with decorations and lettering in gold rubric textblock ; an exact facsimile of a 3-volume set of the 1st edition of the Encyclopedia Britannica reproducing the plates with foxing ; "For three years sections of the encyclopaedia were issued periodically. The first two numbers came in December 1768 . The first volume 'Aa' to 'Bzo' was completed and bound in 1769 the second 'Caaba' to 'Lythrum' a year later and the third 'Macao' to 'Zyglophyllum' in 1771"--Herman Kogan The great EB./ Edited by William Smellie who was employed by Colin Macfarquhar publisher and Andrew Bell engraver./ "In order to give some idea of the materials of which this dictionary is composed we shall conclude the preface with a list of the principal authors made use of in the compilation."--Preface.; thick heavy volumes ; FINE <br/> <br/> Edinburgh : A. Bell and C. Macfarquhar, 1771, c1979 hardcover
1873004109Helsinki Finland: F. Tilgmanns förlag 1873. Hardcover. Very Good. 100 p. 35 steel-engraved plates; 26 x 33 cm. Red cloth with gilt-tooled cover title; gilt rules on spine. Blind-ruled border on both boards with additional gilt ruled border on the front board. White moire endpapers. Bound without the engraved title page and preliminary pages 1-viii. The author Zacharias Topelius 1818-1898 through his work as a writer journalist and professor of history played a pivotal role in the creation of the Finnish identity in the 19th century. En Resa i Finland Travel in Finland employs illustrations by the most famous Finnish artists of the time. The beautiful steel-engraved plates are based on original paintings by Berndt Lindholm A. v. Becker B. Reinhold Hjalmar Munsterhjelm Karl Emanuel Jansson Robert Wilhelm Ekman J. Knutson W. Holmberg Oslar Kleineh and Albert Edelfelt. Originally issued in parts in 1872 and 1873 this copy was apparently taken to the binder without the title page and 8 preliminary pages. The text is in Swedish. The plates were engraved by A. Weger and are captioned in Finnish Swedish and French. This is the first edition not the modern reprint. In Very Good Condition: corners rubbed; cover slightly soiled; spine faded; corners of a few leaves faintly dampstained not impacting image or text; light foxing on a few plates; otherwise clean and bright. F. Tilgmanns förlag hardcover