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1779D7139Paris et Dijon: les Auteurs et Frantin 1779-1781. First Edition. Hardcover. Very Good. Contemporary mottled calf lavishly gilt-stamped spine gilt-stamped lettering in red leather spine label original decorative endpapers; 8vo 120x 202 mm 3 volumes; with half-titles 3 additional titles 2 allegorical frontispieces 50 plates 39 of them with double views of Paris and 2 full-page vignettes. Some very light scuffing at spine tips and along joints; occasional light toning and marginal soiling. A handsome set with the bookplates of John D. Rockefeller Jr. and Abby Aldrich. Cohen-de Ricci 692. <br/><br/> les Auteurs, et Frantin hardcover
1970STEADMAN001332Steam Press London. 1970. First edition. Sheet folded twice. Broadsheet number 2. A nine line poem. Designed and printed by Ralph Steadman on Swedish paper at Steam Press.Number 24 of fifty numbered copies signed by Stephen Spender.Fine. Steam Press, London. unknown
55105382-6Used - Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. unknown
71-1254Europe: Metz circa 1850s. Hand-colored lithograph. 35.5 x 25.4 cm sheet. Very Good sheet lightly toned and soiled colors still fresh.Provenance: From the Collection of the late Frederick G. Ruffner Jr. founder of Gale Research Detroit. Europe: Metz, circa 1850s. unknown
1841V74754Wien Vienna: Mayer & Compagnie 3rd revised edition. 1841. Hardcover. Good. Frontisplate 59 other steel-engraved plates lacking pl.50 Sisyphus originally engraved on copper in 1815 by Franz St ber 1795-1858. Large octavo 24cm x 15.5cm newer linen-spined boards with old paper relaid on covers and spine has title but lacks original paper at spine head and foot. Unpaginated but each numbered plate has tissue guard and facing leaf of text in German to explain each myth. Lacks plate 50 maybe cut out by censor. Some foxing and light marginal damp marks at gutter not touching engraved part of plates. The steel-engraved images of gods nymphs and heroes are quite small 9.5cm x 6.5cm printed on strong paper at centre of each plate but of very fine quality and detail. They are closely based on similarly numbered copperplate engravings by Franz Xaver St ber first published Vienna 1815 in similar large octavo format but with completely different anonymous German text. The detail of these later steel engravings only differs from St ber's original 1815 copperplates by covering up some female breasts better to comply with 1840s more prudish moral code. They still retain the strongly erotic impression given by many of the originals thus helping to maintain their popularity over more than 25 years. Mayer & Compagnie 3rd revised edition. hardcover
52094Hamburg B. S. Berendsohn ca. 1845. . Panorama des Großneumarkts in der Hamburger Neustadt mit Markthalle sowie Verkaufsständen u. figürlicher Staffage im Vordergrund. - Zu dem Maler Julius Gottheil 1850-1864 in Hamburg siehe Der Neue Rump S. 148. Hamburg, B. S. Berendsohn, [ca. 1845]. unknown
192517670Munchen und Leipzig: Georg Muller und Hans Von Weber c 1925. Second edition. Hardcover. Very Good. 4 Volumes each 5 1/4 x 8 inches. Second edition with the plates of the 1767 edition 1st was 1913 these not dated but circa 1925. Text in German. Condition is Very Good; Rubbing and soiling to the spines text and illustrations are perfect with no toning foxing stains markings etc. bindings are tight. STK Georg Muller und Hans Von Weber hardcover
52102Hamburg B. S. Berendsohn ca. 1850. . Schrägansicht des Gebäudes mit figürlicher Staffage im Vordergrund. - 1824 gründete der Hamburger Weinhändler Georg Andreas Knauer 1759-1828 in Eppendorf einen Brunnenbetrieb künstlicher Mineralwässer der sich bald schon zu einem "mondänen" Gesellschaftstreffpunkt entwickelte. Den Mittelpunkt des Betriebes bildete das hier dargestellte 1828 Ecke Eppendorfer Landstr./Loogestieg errichtete "Konversationshaus" nach Knauer "Andreasbrunnen" genannt. Nach 1850 verlor der Kurbetrieb an Bedeutung u. wurde eingestellt; an seine Stelle trat ein Gartenrestaurant. Im Zuge der Industrialisierung wurde dann das alte Konversationshaus zum "ersten Reihenhaus" Eppendorfs umgebaut u. 1910 abgerissen. - Zu dem Maler Julius Gottheil 1850-1864 in Hamburg siehe Der Neue Rump S. 148. Hamburg, B. S. Berendsohn, [ca. 1850]. unknown
1330399242.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
52138Hamburg B. S. Berendsohn ca. 1845. . Blick auf die Gebäude des "Rauhen Hauses" mit Teich u. figürlicher Staffage im Vordergrund. - 1832 gelang es dem Hamburger Theologen u. Sonntagsschullehrer Johann Hinrich Wichern 1808-1881 mit seinen Berichten über die erschütternde Armut die er bei verwaisten Kindern in St. Georg erlebte einflußreiche Hamburger zur Gründung einer "Rettungsanstalt für verwahrloste Kinder" zu bewegen. Er gewann u.a. den Senatssyndikus Karl Sieveking dafür der in Horn damals ein kleines Dorf im Osten Hamburgs ein Grundstück mit einem Bauernhaus besaß das im Volksmund schon lange Rauhes Haus genannt wurde. Am 31. Oktober 1833 zog Wichern hier ein Ende des Jahres lebten dort bereits zwölf Jungen. Die Zahl der Zöglinge stieg ständig neue Gebäude wurden errichtet bald war das Rauhe Haus ein eigenes kleines Dorf. - Zu dem Maler Julius Gottheil 1850-1864 in Hamburg tätig siehe Der Neue Rump S. 148. Hamburg, B. S. Berendsohn, [ca. 1845]. unknown
52097Hamburg B. S. Berendsohn ca. 1840. . Schräge Frontal-Ansicht des alten Rathauses mit den Statuen deutscher Kaiser mit Kutschen u. figürlicher Staffage im Vordergrund. - Zu dem Hamburger Maler u. Lithographen Carl Martin Laeisz 1803-1864 siehe Der Neue Rump S. 212; zu dem Zeichner u. Radierer James Gray Mitte des 19. Jhdts. in Hamburg tätig siehe ebda. S. 150. Hamburg, B. S. Berendsohn, [ca. 1840]. unknown
52105Hamburg B. S. Berendsohn ca. 1855. . Frontal-Ansicht des 1854 "auf dem Käthnerkamp vor Barmbek" eingeweihten neuen Werk- u. Armenhauses mit figürlicher Staffage im Vordergrund. Heute befindet sich hier das Pflegezentrum "Die Oberaltenallee". - Zu dem Maler Julius Gottheil 1850-1864 in Hamburg siehe Der Neue Rump S. 148. Hamburg, B. S. Berendsohn, [ca. 1855]. unknown
52095Hamburg B. S. Berendsohn ca. 1845. . Schräge Frontal-Ansicht aus Richtung Hamburger Berg mit Kutsche u. figürlicher Staffage im Vordergrund des von dem jüdischen Bankier Salomon Heine 1767-1844 zum Andenken an seine verstorbene Frau Betty gestifteten u. 1841-1843 in St. Pauli errichteten Krankenhauses Simon-von-Utrecht-Straße. Heine war bekannt als Wohltäter Hamburgs u. als Mäzen seines Neffen Heinrich Heine. - Zu dem Zeichner Lithographen u. Radierer James Gray Mitte des 19. Jhdts. in Hamburg tätig siehe Der Neue Rump S. 150. Hamburg, B. S. Berendsohn, [ca. 1845]. unknown
52098Hamburg B. S. Berendsohn ca. 1845. . Hafentor u. Hafendamm links im Bild Segelschiffe u. Dampfer mit Kutsche u. figürlicher Staffage im Vordergrund. - Zu dem Maler Lithographen u. Radierer James Gray Mitte des 19. Jhdts. in Hamburg tätig siehe Der Neue Rump S. 150. Hamburg, B. S. Berendsohn, [ca. 1845]. unknown
52022Hamburg B. S. Berendsohn Ca. 1850. . Papier nachgedunkelt u. mit leichten Stockflecken Rahmen mit kl. Stoßstellen. - Hotel de l'Europe an der Ecke Alsterdamm heute Ballindamm / Jungfernstieg war ein Haus erster Klasse mit über 200 Zimmern. Es war mit allen Bequemlichkeiten ausgestattet: Elektrizität Fahrstuhl Telegraphenstation und Eisenbahnbilletverkaufsstelle und diskreter Wageneinfahrt für anonyme hohe Besuche und gekrönte Inkognitos. 1908 Abriß zugunsten des Kontorbaus "Europahaus". 2003 begannen hier die Bauarbeiten für die heutige "Europa-Passage Hamburg, B. S. Berendsohn, [Ca. 1850]. unknown
1866biblio544Montréal: John Lovell 1866. Very Good. <p>Tinted lithograph after photograph 255x330 mm brownished margins not affected image</p> John Lovell unknown
68433Limited Edition. Very Good. Slim quarto 28 cm Thirty loose woodcut plates on age-toned paper measuring 18.5 cm wide by 27 cm tall. No text or publication information present only the plates. Housed in a folder of 1/4 brown cloth with tan paper over boards and a gilt stamped title on the front board. The folder is toned and lightly rubbed at the edges. The first plate is signed by Molnár in pencil and numbered # 20 in an edition of only 36. <br /> <br /> The painter and graphic artist Pál Molnár-C. 1894-1981 born in Battonya Hungary lived and worked in a villa located in Ménesi Street on the hillside of Gellért Hill Budapest for 50 years. He held the surrealist style close to his heart throughout his life and he was also heavily inspired by the Symbolist works of Ferdinand Hodler. His illustrations of Shakespeare's Corialanus and Rostrand's Cyrano de Bergerac earned him gold medals at salons in Paris Milan and Warsaw. After his death his younger daughter Dr. Éva Csillag Pálné set up a family-owned private museum in 1984.<br /> <br /> “As a matter of fact all art is more or less surreal. The reality of everyday life differs from the reality of art which stands above reality.†- Pál Molnár-C. unknown
96510<p>Paris circa 1805 through 1814. . Very good. - A suite of 18 plates by Jean Duplessis-Bertaux engraved on creamy white stock measuring between 10-1/2 inches by 8 inches and 11 inches by 8-1/2 inches with large margins there is one smaller exception. The images depict the various cries of Paris merchants. All but three are signed "JDB" in the plate. Most of the images are identified and titled in French in pencil by a previous owner. The collection is as follows:</p><p>"Marchand de gravures etalagiste" portrays street vendors of engravings offering their merchandise to customers some of whom are handling the prints. Several prints hang from a wire stretched between poles in the background and a large blank canvas hangs from the center of the pole. In some editions what is here a blank canvas bears the printed title "Suite de Marchands ambulants de Paris par J.D. Bertaux" and serves as frontispiece to the work. The image measures 3-1/4 inch high by 2-1/4 inch wide within 4 inch high by 3-1/4 inch wide plate marks. The edges are very slightly creased with two tiny tears to the left edge and a couple of tiny stains or spotting to the bottom margin of the page.</p><p>"Decrotteur et ramoneur" portrays a man shining the shoes of an officer as chimney sweeps and other shoe-shiners are pictured in the background. A small dog stands at the side of the officer. The image measures 2-1/4 inches high by 3-1/4 inches wide within 3-1/4 inch high by 4 inch wide plate marks. There is some minor faint foxing.</p><p>"Parade de comediens ambulants" portrays traveling actors performing and parading on the porch of a house with spectators in the foreground. The image measures 2-3/8 inch high by 3-3/8 inches wide within 3-1/2 inch high by 4-1/4 inch wide plate marks. There is light foxing throughout.</p><p>"Colleur d'affiches" portrays a bill-poster perched on a ladder pasting a poster or bill to the corner wall of a building. Another worker stands around the corner and a family looks on with their dog. The image measures 2-3/8 inches high by 3-3/8 inches wide within 3 inch high by 3-7/8 inch wide plate marks. There are some minor faint stains and minor foxing to the margins.</p><p>"Gagne petit" portrays a knife grinder or sharpener carrying his grinding wheel on his back with a dog at his side. Another knife grinder wheels his equipment in a wheelbarrow. A house and people are pictured in the background. The image measures 2-3/8 inches high by 3-1/4 inches wide within 3 inch high by 3-7/8 inch wide plate marks. There is minor foxing to the margins.</p><p>"Remouleur" although the title differs the image is identical to the prior one. "Gagne petit" and "remouleur" both translate to knife grinder or sharpener. There is some scattered foxing and the paper is lightly darkened.</p><p>"Titre" possibly the title page to the work. The image portrays men filling water containers from a city's monument fountain with water pouring from the mouth of a troll. The image measures 2-1/2 inches high by 3-3/8 inches wide within 3-1/8 inch high by 3-7/8 inch wide plate marks. The edges of the plate are darkened with a short tear to the top edge and just a hint of foxing to the margins.</p><p>"Serrurier" portrays a locksmith grinding keys near the open gate leading to a mansion. The image measures 2-3/8 inches high by 3-3/8 inches wide within 3-1/8 inch high by 3-7/8 inch wide plate marks. There is a minor crease to the bottom right corner with just a hint of foxing to the margins.</p><p>"Cardeuses de matelats" portrays mattress carders. 3 women are seated with their carding tools and sections of stuffed fabric. The image measures 3-3/8 inches high by 2-3/8 inches wide within 4-1/4 inch high by 3-1/4 inch wide plate marks. There are minor creases to the corners with a couple of faint specks to the margins.</p><p>"Menuisiers" portrays carpenters working on furniture at their work table. The image measures 2-1/4 inches high by 3-1/4 inches wide within 3-1/8 inch high by 3-7/8 inch wide plate marks. There is light scattered foxing mostly to the margins.</p><p>"Marchands de parapluies et de soufflets" portrays an umbrella merchant carrying several on his back and a bellows merchant with several fireplace bellows attached to this clothing. The image measures 3-1/4 inches high by 2-3/8 inches wide within 4 inch high by 3-1/4 inch wide plate marks.</p><p>"Batteurs de platre" portrays plaster beaters. A man is beating away at plaster spread out upon the ground as another carries a basket of plaster to spread over it. The image measures 2-3/8 inches high by 3-3/8 inches wide within 3-1/4 inch high by 3-7/8 inch wide plate marks. There is some minor foxing to the margins.</p><p>"Charrons" portrays wheel builders constructing wooden carriage wheels. The image measures 2-1/4 inches high by 3-1/4 inches wide within 3-1/8 inch high by 3-7/8 inch wide plate marks. There is some minor faint foxing throughout.</p><p>"Scieurs de bois" portrays sawyers at work as an empty horse-drawn cart rides away and another stacks wood upon a ramp leading to a barn's loft. The image measures 2-3/8 inches high by 3-1/4 inches wide within 3-1/8 inch high by 4 inch wide plate marks. There are some minor sports of foxing or browning to the print.</p><p>"Lingere au petit crochet" portrays an elderly woman cloth merchant carrying her linens in a basket on her back. Several dogs are near her and another cloth merchant can be seen speaking to a man in the background. The image measures 3-3/8 inches high by 2-3/8 inches wide within 4-1/8 inch high by 3-1/4 inch wide plate marks. There are minor creases to the edges.</p><p>"Porteur d'eau" portrays a water carrier and his wife pulling a large barrel of water on a cart. Another water cart and houses are depicted in the background at left. The image measures 2-3/8 inches high by 3-1/4 inches wide within 3-1/4 inches high by 3-7/8 inches wide plate marks. There is creasing to the bottom right corner and some foxing to the margins.</p><p>"Tomeliers" portrays coopers at work constructing wooden barrels to which they affix metal rings. The image measures 2-3/8 inches high by 3-1/4 inches wide within 3-1/8 inch high by 3-3/4 inch wide plate marks. There is some minor foxing throughout.</p><p>An untitled image portrays barbers working on customers hair and beards and a wigmaker at her loom. Several wigs hang from the wall. The image measures 2-1/4 inches high by 3-1/4 inches wide within 3-1/2 inch high by 4-7/8 inch wide plate marks. This print is engraved on a sheet which is slightly smaller than the others measuring 7-3/8 inches high by 9-1/4 inches wide. There is a piece chipped from the bottom left corner with some foxing and darkening to the margins. The artist's name here spelled "Duplessis-Berteaux" by an early owner is penned on the verso.</p><p>The engravings are in overall very good condition with a paper tab mounted along one edge of the verso of each print.</p><p>The French painter and draughtsman Jean Duplessis-Bertaux 1747-1819 produced etchings and burin engravings. Having taken part in the French Revolution Duplessis-Bertaux produced a series of prints entitled "Scenes de la Revolution" followed by "Campagnes de Napoleon" which illustrated scenes from Napoleon Bonaparte's Italian campaigns engraved after paintings by Carle Vernet. He also produced a series of engravings portraying the street cries of Paris "Cris de Paris". Duplessis-Bertaux also collaborated on some prints with Jean-Louis Delignon and produced several pornographic prints many of which were printed anonymously but were later re-attributed to him. The work entitled "Recueil de cent sujets de divers genres" published in 1814 gathered together in one volume 100 of Duplessis-Bertaux' engravings from eight of the suites including military scenes and those from his Cries of Paris which had previously been distributed seperately.</p> Paris, circa 1805 through 1814. hardcover
186727483Melbourne: Hamel & Ferguson 1867. Print. Plate XVI from Eugene von Guérard's Australian Landscapes 1866-68. The location is now named Budj Bim and is a dormant volcano near Macarthur in southwestern Victoria Australia. The volcanic history of this part of Victoria is remarkable and the quarried black volcanic rock is seen throughout buildings & walls.<br /> <br /> Color lithograph signed in the plate with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 13 x 19" on paper 18 x 24 1/2". Archivally cleaned and backed color tastefully enhanced. Libraries Australia ID 7744685. Hamel & Ferguson unknown
192017238Good. 1920. Magazine. Rare. Contains a story by Basil King with 4 pages of F. X. Leyendecker illustrations of semi-nude men and and a semi-nude woman. Magazine cover is soiled along right edge and pink damp staining. Pages are lightly toned with a rust stain on the inner margins from the staples otherwise clean and very good. Some of the pages are detached or loose and one page has been partially trimmed. No address label. . . unknown
CORV-BBP-14980Unknown. Loose Leaf. Very Good. Very good. Folio sheet. 6 inch by 9 1/8 inch illustration on a page pulled from the News. No text accompanies it. > Language: English > Size: Folio > Media/Binding: Unbound Unknown unknown
19659900038062Kansas City MO: Excalibur Press 1965. Hardcover. etchings. Unpaginated. Large 4to. Small rubber stamp of Carnegie Public Library to copyright page and evidence of pocket removal from rear free endpaper. Slight trace of accession number to base of spine. No other such markings. Contents clean and tight. Corners of boards bumped. Slight wear to edges of boards. Else in good plus to very good condition. Each plate numbered and signed by the artist with limitation of 50 noted in pencil. This book is one of only 50 copies produced. The text was set in Bulmer and printed on a Chandler and Price hand press on Rives lightweight; etchings are intaglio: inked wiped and printed by hand on a Charles Brand etcher's press using dampened Rives heavyweight. Binding is sewn on cords and covered with Fabriano and raw linen. Headbands hand-sewn. Printed and bound by Louise A. Moss Excalibur Press in 1965. Excalibur Press hardcover
1886278361886. Print. Otherwise very good condition. Multiple views in Constantinople in chromolithographs entitled Bridge of Galata Cemetery Street in Pera Sultan's Palaces Turkish Scissors Grinder Howling Dervish. Color chromolithographs. 6 plates 8 x 10.5" some marks in margins. unknown
20131670<p>Istanbul: Demirören 2013. Hardover. New. 31x41 cm. In English. Cloth bdg. In publisher's special slip case. B/w and colour ills. Linen binding on cardboard with gold foil logo printing; color printing on fancy paper; magnetic fancy paper tassel box on cardboard; special plush ribbon and bag additions. Limited edition. Thomas Allom'un 1838'de Londra'da yayınlanan eşsiz eserinin tıpkıbasımı gerçekleştirildi. Kitap elle renklendirilmiş 97 adet Türkiye gravürü ve İstanbul'un çeşitli görünümlerini içeriyor. Ayrıca Bursa Manisa İzmir Efes Bergama ve Pamukkale gibi tarihi antik kentlerin gravürlerine de yer veriliyor. Kitabın sayfalarını çevirirken binalar manzaralar ve dönemin sosyal hayatına dair kesitler göreceksiniz. Bu kitap 19. yüzyıl seyahat edebiyatının temel örneklerinden biri olarak kabul edilirken Osmanlı tarihçileri toplum bilimcileri ve şarkiyatçılar için önemli bir kaynak ve çalışma alanı sunuyor.</p> Demirören hardcover
