411 résultats
196010167New York: Crown Publishers 1960. Hardcover. Fine/Fine. 11.2x8.6x0.8in. Dust jacket in clear protector. <br>With 172 illustrations. <br>186pp 1.81lb 11.2x8.6x0.8in Crown Publishers hardcover
197414503London: Faber & Faber 1974. 1st. Hardcover. Very Good/Very Good. 10.0x7.8x0.8in. toning to endpapers gift inscription on verso of front endpaper dust jacket with tiny stain at top edge of front panel tiny chip at bottom edge of back panel. Dust jacket in clear protector. <br>The Biedermeier style was born during the death-throes of the Napoleonic Empire and matured in the succeeding decades. Like Empire and Louis Seize it was in essence a neo-classical style but there its similarities end. For Biedermeier furniture was the product of a radical upheaval. It was the outcome for a striving for comfort and innovation among the bourgeoisie of Germany and Austria who were laying the foundations for the industrial age in their countries and it was made by ordinary craftsmen living beyond the confines of the court. A major inspiration technical and artistic was England. Dr. Himmelheiber's book which was commissioned for the Furniture Monographs series is the first comprehensive treatment of the subject to appear in either English or German. Illustrated with 118 monochrome plates and 4 plates in color. <br>115pp 1.79lb 10.0x7.8x0.8in Faber & Faber hardcover
192046296Newton Highlands Massachusetts approx. 1920-1923. original three-ring binder. Some photographs detached from their mounts etc; some minor edgewear; binder dusty. 8-1/2 x 11 inches. Riley worked for the Heywood-Wakefield Company from approximately 1920-1923. He invented the "Riley Fibre Loom" and after selling the use of the loom for paper and reed fabric based applications to Heywood-Wakefield left in 1923 to form his own venture pursuing the technology with stranded metal applications. Included in the archive are copies of contracts agreements and licenses; numerous samples of various types of wicker weave and reinforced fabric for furniture; photographs of the inventor machinery looms and factories; and related drawings and other materials. unknown
200924684Oslo: H. Aschehoug & Co 2009. 1st. HC. New/New. 13.4x11.1x1.2in. Helene Hennie is one of Norway's most successful interior architects. In 2007 she was elected Designer of the Year by the internationally renowned magazine Andrew Martin Interior Design Review. <br>6.03lb 13.4x11.1x1.2in <br>EXTRA SHIPPING CHARGES NECESSARY H. Aschehoug & Co hardcover
199715634New York: Acanthus Press 1997. Hardcover. New/New. 10.6x8.6x0.9in. reprint edition; in shrinkwrap. <br>First issued in 1952 the book remains of contemporary value because of its expansive view of mid-century American furniture design. With nearly 500 photographs covering works by 114 designers. B&W photos throughout. <br>296pp 3.01lb 10.6x8.6x0.9in Acanthus Press hardcover
196511631New York: McGraw Hill 1965. 1st. Hardcover. Fine/Fine. 13.7x10.5x1.7in. Dust jacket in clear protector. <br>1177 objects are described and illustrated. <br>320pp 5.97lb 13.7x10.5x1.7in McGraw Hill hardcover
BOOKS8495Bllomsburg PA: Hawley-Slate Furniture Co. Good plus condition-staincoffee on front cover/No Dustjacket. oblong 8vo. 22 pp. . Hawley-Slate Furniture Co. unknown
196417750New York: Frederic A. Praeger 1964. 1st. Hardcover. Very Good/Very Good. 12.0x9.0x0.6in. light foxing to text block edges small bump to bottom corner of rear board sunning to board edges dust jacket with some soiling darkening to spine wear at head of spine wrinkling at top edge of front panel and a small tear at the bottom front fold. Dust jacket in clear protector. <br>The seventh volume in this important series on contemporary furniture of the 1960s. 441 pieces of furniture are described and illustrated in black and white. Parallel text in English German Spanish and French. <br>162pp 2.13lb 12.0x9.0x0.6in Frederic A. Praeger hardcover
0265578728.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0282906665.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
199224539New York: Doubleday 1992. 1st. Hardcover. Very Good/Fine. 9.3x8.3x1.0in. Inscribed by Authors. inscribed by author on half-title page; light foxing to edges of text block. Dust jacket in clear protector. <br>Mark Hampton's landmark survey of interior design in the twentieth century. Covering twenty-two decorators who have left an indelible stamp on the spaces in which we live the text is illustrated with the author's own watercolors. <br>293pp 2.25lb 9.3x8.3x1.0in Doubleday hardcover
1958BOOKS027899ICambridge MA: Harvard University Press 1958. HC. good w/good dustjacket hardcover. 358 B&W and color plates. CONDITION NOTE - LIGHT EDGEWEAR TO BOARDS. Introduction by John Gloag 65 pages notes and commentary follow plate 96 pages. An essential reference for the furniture collection. Harvard University Press unknown
198314403Leipzig: Seeman 1983. 1st. HC. New/New. 12.0x9.5x1.3in. Contents: The Role of Furniture in Dresden Art; The Guild System of Dresden Cabinetmakers; Materials and Craftsmanship; Late Baroque Furniture during the reign of Friedrich Augustus I. 1694-1733; Rococo Furniture during the reign of Friedrich Augustus II. 1733-1763; Late Rococo and Zopfstil Furniture during the reign of Friedrich Augustus III. 1763/68 - 1806/07. The text is illustrated with 192 plates about half in color. A catalog section describes 260 objects which are illustrated in black and white. An appendix contains notes biographies of cabinetmakers bibliography and explanations of technical terms. Text in German. <br>389pp 4.60lb 12.0x9.5x1.3in Seeman hardcover
Meyer, AnneIn Pristine Condition. unknown
200419581Stuttgart: Arnoldsche Art Publishers 2004. 1st. Hardcover. New/New. 12.0x9.0x1.0in. With over 600 illustrations in color and black and white. Text in English and German. <br>226pp 3.46lb 12.0x9.0x1.0in Arnoldsche Art Publishers hardcover
197921317Richmond VA: Virginia Museum of Fine Arts 1979. 1st. Hardcover. Very Good/Very Good. 11.4x9.3x1.0in. owned by Atlanta architectural author William Mitchell with his signature at top of half-title page; dust jacket price-clipped small abrasion at bottom edge of front panel tear at bottom edge of back panel tiny chip near rear fold. Dust jacket in clear protector. <br>126 objects are described and illustrated many with multiple images. <br>194pp 2.71lb 11.4x9.3x1.0in Virginia Museum of Fine Arts hardcover
199724153New York: Lin-Weinberg Gallery 1997. 1st. Soft cover. Near Fine. 11.0x8.5x0.2in. slight curl to edges of cover. <br>The catalogue of an exhibition at the Lin-Weinberg Gallery New York February 20 - March 16 1997. <br>76pp 0.74lb 11.0x8.5x0.2in Lin-Weinberg Gallery paperback
200823787New York: Acanthus Press 2008. 1st. Hardcover. New/New. 10.6x12.5x2.7in. limited to 400 copies; in slipcase in shrinkwrap. <br>This slipcased set is limited to 400 copies and contains both Inventors of Tradition and Masters of Modernism with original numbered renderings by Albert Hadley and R Scott Bromley created especially for this work. <br>616pp 10.40lb 10.6x12.5x2.7in <br>EXTRA SHIPPING CHARGES NECESSARY Acanthus Press hardcover
139609945X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
29318London: Faber & Faber 1966. 1st. Hardcover. Very Good. 10.0x7.7x0.8in. rubbing to bottom edge of boards name stamp on front pastedown dust jacket lightly edge worn. <br>Illustrated with 4 color plates and 96 monochrome plates. <br>120pp 1.82lb 10.0x7.7x0.8in Faber & Faber hardcover
196619085New York: Taplinger 1966. 1st. Hardcover. Near Fine/Near Fine. 10.0x7.6x0.8in. light toning to endpapers dust jacket with tiny tear at top edge of front panel. Dust jacket in clear protector. <br>French furniture has long been admired in America but our knowledge and appreciation of it has often seemed to stop short at the Louis Seize period. Today however there is a growing admiration for furniture made at the time of Napoleon Bonaparte of which this is the first serious study to appear in English. Illustrated with 96 monochrome plates and 4 plates in color. <br>120pp 1.93lb 10.0x7.6x0.8in Taplinger hardcover
0484387278.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
190951711210056GRFR Co 1909-01-01. Paperback. Acceptable. Fair Hardcover. No DJ. Issues April 1909 through April 1910 bound in hardcovers. PAGES CLEAN AND UNMARKED. Covers show edge wear with rubbing/scuffing and bumped corners. Spine edge wear/tears with heavy tearing down front cover hinge. Front Hinge loosening but binding still intact. Covers heavily worn but pages still quite good.; 100% Satisfaction Guaranteed! Ships same or next business day! GRFR Co paperback
0267899513.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1968ABE-372116582<p>Cambridge: published for The Metropolitan Museum of Art by Harvard University Press distributed by New York Graphic Society Greenwich CT 1968. 1968. 4to. pp. lxv 95 1. 413 illus. some colour on 179 double-sided plates. biblio. index. quartercloth corners bit worn. dw. short tear to lower right corner. First Edition.</p> Cambridge: published for The Metropolitan Museum of Art by Harvard University Press, distributed by New York Graphic Society, Gr hardcover