Renaud, PhilippeBiblio.com
411 résultats
199214255Paris: Michel Aveline Editor 1992. 1st. Hardcover. New/New. 13.2x9.5x1.1in. in shrinkwrap. <br>Alberto Pinto 1945-2012 was a French interior designer of considerable acclaim. This is the first monograph on Pinto highlighting the first 20 years of his work. Exquisite photographs illustrate some of the sumptuous interiors he created including his own apartment in Paris. <br>301pp 4.74lb 13.2x9.5x1.1in Michel Aveline Editor hardcover
198818910New Haven CT: Yale University Art Gallery 1988. 1st. Hardcover. Fine/Fine. 10.3x9.8x1.4in. Dust jacket in clear protector. <br>This catalogue contains detailed entries and photographs of 233 objects ranging from the 1650s to the 1950s with the vast majority before 1850. With 25 color plates 395 black and white illustrations and 13 line drawings. <br>485pp 4.95lb 10.3x9.8x1.4in Yale University Art Gallery hardcover
199526213Milwaukee WI: Chipstone Foundation 1995. 1st. Soft cover. Fine. 11.0x8.5x0.8in. 298pp 2.65lb 11.0x8.5x0.8in Chipstone Foundation paperback
200425224Milwaukee WI: Chipstone Foundation 2004. 1st. Soft cover. New. 11.0x8.5x1.1in. in shrinkwrap. <br>316pp 3.28lb 11.0x8.5x1.1in Chipstone Foundation paperback
200118615Milwaukee WI: Chipstone Foundation 2001. 1st. Soft cover. New. 11.0x8.5x1.0in. in shrinkwrap. <br>300pp 3.14lb 11.0x8.5x1.0in Chipstone Foundation paperback
199625128Milwaukee WI: Chipstone Foundation 1996. 1st. Soft cover. New. 11.0x8.5x0.9in. in shrinkwrap. <br>344pp 3.01lb 11.0x8.5x0.9in Chipstone Foundation paperback
199324014Milwaukee WI: Chipstone Foundation 1993. 1st. Soft cover. Fine. 11.0x8.5x0.8in. 298pp 2.67lb 11.0x8.5x0.8in Chipstone Foundation paperback
200725226Milwaukee WI: Chipstone Foundation 2007. 1st. Soft cover. New. 11.0x8.5x1.0in. in shrinkwrap. <br>308pp 3.16lb 11.0x8.5x1.0in Chipstone Foundation paperback
199418601Milwaukee WI: Chipstone Foundation 1994. 1st. Soft cover. New. 11.0x8.5x0.7in. in shrinkwrap. <br>276pp 2.42lb 11.0x8.5x0.7in Chipstone Foundation paperback
200325223Milwaukee WI: Chipstone Foundation 2003. 1st. Soft cover. New. 11.0x8.5x1.0in. in shrinkwrap. <br>328pp 3.40lb 11.0x8.5x1.0in Chipstone Foundation paperback
199926096Milwaukee WI: Chipstone Foundation 1999. 1st. Soft cover. New. 11.0x8.5x0.9in. in shrinkwrap. <br>340pp 2.89lb 11.0x8.5x0.9in Chipstone Foundation paperback
200825227Milwaukee WI: Chipstone Foundation 2008. 1st. Soft cover. New. 11.0x8.5x0.9in. in shrinkwrap. <br>276pp 2.88lb 11.0x8.5x0.9in Chipstone Foundation paperback
198623587Washington: National Gallery of Art 1986. 1st. Hardcover. Fine/Fine. 12.3x10.4x1.1in. Dust jacket in clear protector. <br>Published to accompany the exhibition at the National Gallery of Art Washington DC October 12 1986 - April 19 1987. 101 objects are described and illustrated in color. Contains three essays: "American Furniture Styles in the Colonial Period" by Morrison H. Heckscher; "The Neoclassical Style in New England and New York 1785-1840" by Wendy A. Cooper; "The Neoclassical Style in Philadelphia and the South 1785-1840" by Gregory R. Weidman. Also illustrated by color comparative details of Queen Anne and Rococo Legs and Federal tapered and turned legs as well as unupholstered frames and an illustrated glossary. <br>263pp 4.53lb 12.3x10.4x1.1in National Gallery of Art hardcover
199712205New York: Clarkson Potter 1997. 1st. Hardcover. New/New. 11.3x9.3x0.8in. Profusely illustrated in color. <br>223pp 2.93lb 11.3x9.3x0.8in Clarkson Potter hardcover
199223771New Haven CT: Yale University Art Gallery 1992. 1st. Hardcover. Fine/Fine. 10.3x9.9x1.3in. Dust jacket in clear protector. <br>This volume contains detailed entries on 140 tables 22 related objects and 47 looking glasses ranging in date from the 1670s to 1990. <br>423pp 4.19lb 10.3x9.9x1.3in Yale University Art Gallery hardcover
1992009774Yale University Press New Haven and London 1992. Edition Unstated. Hardcover. Near Fine Condition/Very Good. Illustrator: Uht Charles Photographs. Size: 4to. Text body is clean and free from previous owner annotation underlining and highlighting. Binding is tight covers and spine fully intact. Small 4to. Bright blue gilt stamped cloth over boards 423 pages Notes to the Catalogue Index Diagrams of Terminology Donors to the Collection Bibliographical Abbreviations Concordance of Art Gallery Ascension Numbers and Catalogue Numbers essays by Elisabeth Donaghy Garrett and Gerald W. R. Ward illustrated in black and white 30 color plates. Book is very slightly bowed. In a color illustrated dust jacket that has a 7 inch diagonal tear starting at top edge near spine. In a Brodart jacket. "This volume contains detailed entries on 140 tables 22 related objects and 47 looking glasses ranging in date from the 1670s to 1990. Each entry includes at least one illustration of the object extensive information on the construction materials and history of each piece and a commentary discussing its importance. Two interpretive essays place the objects in their social context and provide an introduction to the volume. Forty-three fake altered or misidentified objects are catalogued in a special section." This is a heavy book and may require extra shipping charges especially to International destinations Illustrator: Uht Charles Photographs. Quantity Available: 1. Shipped Weight: 5 lbs 2 oz. Category: Art & Design; Furniture; Books; ISBN: 0300052405. ISBN/EAN: 9780300052404. Pictures of this item not already displayed here available upon request. Inventory No: 009774. . 9780300052404 Yale University Press hardcover
196874182N.p.: N.p. ca. 1968. Modern working collection of over 100 original stencils tracings and hand painted samples of Federal furniture decorations. All laid in enveloped or taped into a modern three ring binder. These were used for furniture projects mainly chairs so signs of use are to be expected. A treasure trove for researchers and practitioners.Up until the 1840s stencils were widely used in America for walls and furniture. The use of stenciling declined as wallpaper became more economically viable as a decorative finish but it did not die out entirely. This collection dates from the 1960s and the designer perhaps named M. Robertshaw has taped in two pages of the catalog of stenciled American Federal furniture by Hitchcock Chair Company of Connecticut so it is likely he worked there. In 1818 Lambert Hitchcock founded an innovative chair company in the northwestern hills of Connecticut where he produced beautiful hand stenciled furniture. The company was ver successful and didn't close its doors in 2006 although it has recently been revived. N.p. unknown
18903212Paris 1890. Oblong folio 395 x 260 mm. 135 drawings of ornate furniture in lead and watercolor highlighted in gum arabic on 104 leaves of heavy paper later pencil foliation including four mounted drawings on tinted paper and two smaller loose drawings one of the latter signed A. Archambaut del. both with notes of measurements and pattern or stock numbers the second with specifications of colors and material. No. 93 a bed apparently unfinished. Foxing and soiling to first and last leaves occasional light foxing elsewhere marginal soiling especially to first few leaves fol. 104 detached two drawings on fols. 15 and 25 with small abraded areas 5 other drawings with tiny abrasions or white flecks the rest of the drawings in fine condition. The drawings on guards bound in half shagreen and pebble-grained cloth rubbed spine gilt lettered “Album Meubles Fantaisies.â€<br /> <br /> A spectacular manuscript album of watercolor designs of colorfully decorated painted and inlaid furniture in Louis XV Louis XVI and Second Empire styles by a female artist and furniture designer.<br /> <br /> Depicted are commodes large and small tables desks cabinets wardrobes sideboards dressers armchairs mirrored stands stands holding manicure sets multi-drawered sécrétaires beds clocks and even bellows and brooms for the chimney. Most are highly ornate and include colorful painted or inlaid decoration meticulously rendered often in minute detail by the artist-designer. With their cabriole legs serpentine curves and lavish inlay and marquetry these delightful creations express to a sometimes impractical degree the late 19th-century vogue for Louis XV and Louis XVI-style furniture. <br /> <br /> The artist can be identified as Aline Anne Archambault née Carrausse 1847-1908 thanks to the one signed drawing  loosely inserted which matches stylistically those of the album. The only child of the Paris furniture designer Jean Marie Carrausse Archambault moved in artistic and artisanal circles: in 1877 she married Arthur Eugène Archambaut a graveur ciseleur or engraver of luxury metalwork; the four witnesses at their marriage were his uncle a sculptor; his cousin a printer; and two friends identified respectively as a printer and a furniture maker this information from Geneanet.org. The Victoria and Albert Museum holds six furniture drawings by her also signed with her first initial and last name and a few lithographs after her one of the drawings V&A accession number E.284-1952 has an additional printed signature “P. Levant Carrausse del.†clearly a member of her family. Since Aline was married and died in the 4th arrondissement in Paris it is likely that this album was created there. <br /> <br /> The title on the binding “Album of Furniture Fantasies†implies that at least some of the pieces were not intended to be built: they abound in bright colors and witty details such as the tree-branches wrapping around two basket stands fol. 17 or the wildly ornate bed with which the album ends. While the element of fantasy in these accomplished paintings is thus clear many probably did function as specimens of furniture that could be ordered from members of the artist’s entourage of furniture makers. This is evident from the two inserted drawings both of chests of drawers which have measurement notes and stock numbers. One has the inkstamped name “G. Cauvet†on the verso.<br /> <br /> The archival records indicate that Aline lost a daughter in infancy in 1877 when she was 30. She had no other children. The ebullient drawings in this album betray no hint of tragedy and it is tempting to view them as a work of youth before shadows arrived to dim the joy of creation.<br /> <br /> “The best known of the nineteenth-century revivals was that for Louis XV and Louis XVI furniture. The Louis XV revival intensified during the Second Empire when it departed so much from the 18th-c. prototype that it is best called `Rococo’.†H. Osborne ed. The Oxford Companion to the Decorative Arts 1988 p. 359 unknown
1923BOOKS068268IGrand Rapids MI: Periodical Publishing Co 1923. HC. good faux limp leather boards hardcover with light edgewear. A Collection of Measured Drawings of Furniture in The Metropolitan Museum of Art Accompanied with Photographs and Text. Periodical Publishing Co unknown
194556162Seattle WA: Roger Dudley Commercial Photographers 1 Stuart Building ca. 1945. 4to. 27 linen-backed silver gelatin photos cream- & gray-coloured linen backings all w/ linen hinges at gutter margin all stamped in lower fore-edge of blank or on verso w/ professional photographer’s stamp. Contemporary black limp simulated leather post-binder rounded corners nickel-plated screw posts at inner gutter margin minor edgewear slight soiling some rubbing still VG exemplar w/ images all having bright strong contrast. This salesman sample photo catalogue of Mid-Century Modern cabinetry was apparently produced for a Seattle based manufacturer offering a wide range of products. The photos encompass Scandinavian Modern-inspired kitchen cabinets with very clean lines stylish hardware and laminate countertops; an entire array of counters display cabinets and sales counters for a Seattle Pharmacy including night shot showing the sales floor through the glass brick lined door showing the prescription counter products on the shelves pharmacist and assistant as well as the soda fountain counter fitted with a Coca Cola Multiplex dispenser. Also included are photos of several styles of glass-fronted display cabinets the window casements for a florist shop and a beautifully created bedroom set featuring his & hers twin beds each with built-in radio vanity and stylish dressers. Of special interest are the series of images of a post-World War II sporting goods store fitted with knotty-pine cabinetry all filled with displays of fishing gear a Martin 60 Outboard Motor ca. 1946-47 fishing tackle hunting rifles and shotguns cartridge boxes tennis rackets taxidermy trophies for deer and elk racks and much more. Dudley Sr. 1895-1954 began his career as a photographer with Walter Miller 1877-1938 who had apprenticed and partnered with Asahel Curtis in Seattle and later set up his own Dorpat Studio in the Seattle Post-Intelligencer Building. Dudley bought out the business in the mid-1930s and would continue working the business until his death in 1954 followed by his son Roger Dudley Jr. who had joined the firm in 1945. See: A Guide to the Walter P. Miller Photographs Circa 1920-1932 Golden Gate National Recreation Area National Park Service GOGA-00789; Sherrard Seattle Now & Then: Street Photography Nov. 27 2010. Roger Dudley, Commercial Photographers, 1 Stuart Building, hardcover
192910486London: B. T. Batsford 1929. Hardcover. Very Good/Good. 11.3x9.0x0.7in. light shelf wear to bottom of boards dust soiling to top edge of text block dust jacket with chips at tears at head and foot of spine and at corners. Dust jacket in clear protector. <br>The book is subtitled: Being the Tour of an Antiquary with Pencil and Camera through the Churches of Middlesex Hertfordshire Essex Kent and Surrey. Map on endpapers showing church locations. Illustrated with 95 black and white figures. <br>130pp 2.06lb 11.3x9.0x0.7in B. T. Batsford hardcover
1902FURNITUR007482Bernard Quaritch London. 1902. First edition. Folio. pp vi 84. 74 photographic plates by Eustace Calland. Original parchment-backed grey-blue cloth lettered in black on the spine. Top edge gilt. Printed on laid paper. An architectural gem Parnham House was built during the reign of Elizabeth I and redesigned by John Nash in the early nineteenth century. It was utterly destroyed in 2017 when the owner Michael Treichl was thought to have deliberately set fire to the place. He committed suicide a couple of months later. Free endpapers lightly tanned. Very good indeed in the rare dustwrapper which is heavily chipped and torn in places. Bernard Quaritch, London. hardcover
1527738701.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2003BOOKS063693IItaly: Artioli Editore 2003. HC. fine w/fine dustjacket hardcover. color illustrations. ISBN 8877920904 319pp. Artioli Editore unknown
196754601Dallas TX & New York: Artes de Mexico Internacionales Inc. Rees & Orr Inc. 225 -- 5th Ave. ca. 1967. 8vo. 190 leaves unnumbered. Frontisp. photo showing Mexican artisans most plates in black & white some colour all w/ product information all w/ decorated initials. Limp brown suede split-pin binding decorative wrought iron split-pins lettering stamped on front cover in gilt & brown stamps on frontisp. & rear cover minor edgewear rubbing remnants of brown spine on rear cover still VG copy. First edition thus of this scarce Mexican Colonial Furniture catalogue touting the Rustic Hacienda and Wrought Iron styles available with most based on 15th through 18th-century Spanish Colonial pieces. These include beautifully carved bench storage chests Apostles chests painted with Byzantine-inspired icons woven palm Aragonese chairs wrought iron chairs designed by James Ely wrought iron chandeliers wall sconces and lighting fixtures. Rees & Orr Inc. was originally founded in 1943 by John Orr and continued to operate as a specialty furnishings and art dealer until 1987.Worldcat locates 2 copies Univ. of Toronto Royal Ontario Museum. Artes de Mexico Internacionales, Inc., Rees & Orr, Inc., 225 -- 5th Ave., unknown
