11 206 résultats
1976R160059235SEGHERS. 1976. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 155 pages illustrées de nombreuses photographies en noir et blanc et en couleurs.. . . . Classification Dewey : 749-Mobilier et accessoires
1977R160059238SEGHERS. 1977. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 125 pages illustrées de nombreuses photographies en noir et blanc et en couleurs.. . . . Classification Dewey : 749-Mobilier et accessoires
1976R160059237SEGHERS. 1976. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 141 pages illustrées de nombreuses photographies en noir et blanc et en couleurs.. . . . Classification Dewey : 749-Mobilier et accessoires
1976R160059236SEGHERS. 1976. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 141 pages illustrées de nombreuses photographies en noir et blanc et en couleurs.. . . . Classification Dewey : 749-Mobilier et accessoires
198861133Apple Press 1988 Jaquette défraîchie.
196874182N.p.: N.p. ca. 1968. Modern working collection of over 100 original stencils tracings and hand painted samples of Federal furniture decorations. All laid in enveloped or taped into a modern three ring binder. These were used for furniture projects mainly chairs so signs of use are to be expected. A treasure trove for researchers and practitioners.Up until the 1840s stencils were widely used in America for walls and furniture. The use of stenciling declined as wallpaper became more economically viable as a decorative finish but it did not die out entirely. This collection dates from the 1960s and the designer perhaps named M. Robertshaw has taped in two pages of the catalog of stenciled American Federal furniture by Hitchcock Chair Company of Connecticut so it is likely he worked there. In 1818 Lambert Hitchcock founded an innovative chair company in the northwestern hills of Connecticut where he produced beautiful hand stenciled furniture. The company was ver successful and didn't close its doors in 2006 although it has recently been revived. N.p. unknown
18903212Paris 1890. Oblong folio 395 x 260 mm. 135 drawings of ornate furniture in lead and watercolor highlighted in gum arabic on 104 leaves of heavy paper later pencil foliation including four mounted drawings on tinted paper and two smaller loose drawings one of the latter signed A. Archambaut del. both with notes of measurements and pattern or stock numbers the second with specifications of colors and material. No. 93 a bed apparently unfinished. Foxing and soiling to first and last leaves occasional light foxing elsewhere marginal soiling especially to first few leaves fol. 104 detached two drawings on fols. 15 and 25 with small abraded areas 5 other drawings with tiny abrasions or white flecks the rest of the drawings in fine condition. The drawings on guards bound in half shagreen and pebble-grained cloth rubbed spine gilt lettered “Album Meubles Fantaisies.â€<br /> <br /> A spectacular manuscript album of watercolor designs of colorfully decorated painted and inlaid furniture in Louis XV Louis XVI and Second Empire styles by a female artist and furniture designer.<br /> <br /> Depicted are commodes large and small tables desks cabinets wardrobes sideboards dressers armchairs mirrored stands stands holding manicure sets multi-drawered sécrétaires beds clocks and even bellows and brooms for the chimney. Most are highly ornate and include colorful painted or inlaid decoration meticulously rendered often in minute detail by the artist-designer. With their cabriole legs serpentine curves and lavish inlay and marquetry these delightful creations express to a sometimes impractical degree the late 19th-century vogue for Louis XV and Louis XVI-style furniture. <br /> <br /> The artist can be identified as Aline Anne Archambault née Carrausse 1847-1908 thanks to the one signed drawing  loosely inserted which matches stylistically those of the album. The only child of the Paris furniture designer Jean Marie Carrausse Archambault moved in artistic and artisanal circles: in 1877 she married Arthur Eugène Archambaut a graveur ciseleur or engraver of luxury metalwork; the four witnesses at their marriage were his uncle a sculptor; his cousin a printer; and two friends identified respectively as a printer and a furniture maker this information from Geneanet.org. The Victoria and Albert Museum holds six furniture drawings by her also signed with her first initial and last name and a few lithographs after her one of the drawings V&A accession number E.284-1952 has an additional printed signature “P. Levant Carrausse del.†clearly a member of her family. Since Aline was married and died in the 4th arrondissement in Paris it is likely that this album was created there. <br /> <br /> The title on the binding “Album of Furniture Fantasies†implies that at least some of the pieces were not intended to be built: they abound in bright colors and witty details such as the tree-branches wrapping around two basket stands fol. 17 or the wildly ornate bed with which the album ends. While the element of fantasy in these accomplished paintings is thus clear many probably did function as specimens of furniture that could be ordered from members of the artist’s entourage of furniture makers. This is evident from the two inserted drawings both of chests of drawers which have measurement notes and stock numbers. One has the inkstamped name “G. Cauvet†on the verso.<br /> <br /> The archival records indicate that Aline lost a daughter in infancy in 1877 when she was 30. She had no other children. The ebullient drawings in this album betray no hint of tragedy and it is tempting to view them as a work of youth before shadows arrived to dim the joy of creation.<br /> <br /> “The best known of the nineteenth-century revivals was that for Louis XV and Louis XVI furniture. The Louis XV revival intensified during the Second Empire when it departed so much from the 18th-c. prototype that it is best called `Rococo’.†H. Osborne ed. The Oxford Companion to the Decorative Arts 1988 p. 359 unknown
1923BOOKS068268IGrand Rapids MI: Periodical Publishing Co 1923. HC. good faux limp leather boards hardcover with light edgewear. A Collection of Measured Drawings of Furniture in The Metropolitan Museum of Art Accompanied with Photographs and Text. Periodical Publishing Co unknown
Text in Persian language. This book does not have a publication date. It was not published in 1900. Hardcover with slightly faded spine, bumped foot of spine, very slightly worn lower leading corner and a few superficial scores and grubby marks. Pages are very slightly warped. Page edges are lightly tanned. Text remains clear, and binding is tight throughout. No dust jacket. T Used
194556162Seattle WA: Roger Dudley Commercial Photographers 1 Stuart Building ca. 1945. 4to. 27 linen-backed silver gelatin photos cream- & gray-coloured linen backings all w/ linen hinges at gutter margin all stamped in lower fore-edge of blank or on verso w/ professional photographer’s stamp. Contemporary black limp simulated leather post-binder rounded corners nickel-plated screw posts at inner gutter margin minor edgewear slight soiling some rubbing still VG exemplar w/ images all having bright strong contrast. This salesman sample photo catalogue of Mid-Century Modern cabinetry was apparently produced for a Seattle based manufacturer offering a wide range of products. The photos encompass Scandinavian Modern-inspired kitchen cabinets with very clean lines stylish hardware and laminate countertops; an entire array of counters display cabinets and sales counters for a Seattle Pharmacy including night shot showing the sales floor through the glass brick lined door showing the prescription counter products on the shelves pharmacist and assistant as well as the soda fountain counter fitted with a Coca Cola Multiplex dispenser. Also included are photos of several styles of glass-fronted display cabinets the window casements for a florist shop and a beautifully created bedroom set featuring his & hers twin beds each with built-in radio vanity and stylish dressers. Of special interest are the series of images of a post-World War II sporting goods store fitted with knotty-pine cabinetry all filled with displays of fishing gear a Martin 60 Outboard Motor ca. 1946-47 fishing tackle hunting rifles and shotguns cartridge boxes tennis rackets taxidermy trophies for deer and elk racks and much more. Dudley Sr. 1895-1954 began his career as a photographer with Walter Miller 1877-1938 who had apprenticed and partnered with Asahel Curtis in Seattle and later set up his own Dorpat Studio in the Seattle Post-Intelligencer Building. Dudley bought out the business in the mid-1930s and would continue working the business until his death in 1954 followed by his son Roger Dudley Jr. who had joined the firm in 1945. See: A Guide to the Walter P. Miller Photographs Circa 1920-1932 Golden Gate National Recreation Area National Park Service GOGA-00789; Sherrard Seattle Now & Then: Street Photography Nov. 27 2010. Roger Dudley, Commercial Photographers, 1 Stuart Building, hardcover
23665Paris Librairie Eugène Rey, Editeur, 1924-1926 1924 in 8 (25,5x16,5) 3 volumes brochés, 302 pages [1], 304 pages, 304 pages. Volume 1 : illustré de 990 documents graphiques in texte en noir et blanc et 897 marques et poinçons. Volume 2 : illustré d'une lettre fac-similé, 550 documents in texte et cartes géographiques dressées par H. Barrère, 168 blasons, couronnes et ordres de chevaleries, 335 chiffres et monogrammes historiques, 940 différents d'orfèvres et de bijoutiers, Consulat, Directoire, Premier Empire, Restauration, 1798, 130 poinçons de garantie, bigornes et contre-marques, 1838. Volume 3 : Formes - décors - styles: Antiquité, Moyen-Age, Renaissance, Temps modernes, illustré d'une lettre fac-similé, 760 documents, 3 cartes, 100 blasons pour reliures, étuis et coffrets, de la Maison Royale de France. Important et utile corpus complet en 3 volumes. Collection "Connaissances nécessaires aux Amateurs et Antiquaires". Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
19242304Paris, Rey, 1924, 17 X 26 cm., broché, 302 pp. Ouvrage abondamment illustré en noir. Dos en morceaux, première de couverture détachée, couture faible. Bien propre.
IN 4. BR [MOY]. 304 PP. 760 REP EN NOIR. [MOY]
75436Lausanne, Gazette de Lausanne-Spes 1930, 300x225mm, 116pages, reliure demi-parchemin à coins. Plats papier fantaisie. Couverture et dos conservés. Très belle reliure. Très bel exemplaire.
78297Lausanne, Gazette de Lausanne-Spes 1930, 305x220mm, 116pages, reliure demi-chagrin à coins. Plats papier fantaisie. Couverture supérieure conservée. Belle reliure. Cachet de possesseur sur le haut de la page de garde supérieure. Très bel exemplaire.
85293Lausanne, Gazette de Lausanne-Spes 1930, 310x215mm, 116pages, broché.
1967ROD0007361Drouot. 1967. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 10 pp. environ, quelques photographies noir et blanc - Tableaux, pastels anciens, bel ameublement du XVIIIè siècle. . . . Classification Dewey : 749-Mobilier et accessoires
français In-12 carré de 48 pages de texte et plus de 56 planches d'illustrations hors texte en noir et couleurs ; cartonné toile sous jaquette de l'éditeur.