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20082409170276xbvkBlurb Creative Publishing Service, 2008. 116 (3) pages on stronger papier, mostly colour- partly erotic-photographically illustrated throughout. - Colour-illustr. publisher's hardcover binding; oblong-Folio (ca. 27 x 31,5 cm; ca. 1,3 kg.).
Very Good Turkish, Ottoman (1500-1928) Original pictorial wrappers. Cr. 8vo. (20 x 14 cm). In Ottoman script (Old Turkish with Arabic letters). 59 p., ills. First and only Ottoman edition of this richly illustrated and exceedingly rare pamphlet, translated and published by famous Turkish photographer Süleyman Sirri Bükey (1895-1974). Süleyman Süreyya [Bükey], (1895-1974), was an important person who opened a studio in the first years of Turkish Republic, signed beautiful portraits, and at the same time served photography for many years with magazines such as Foto, (1931-1934), Foto Magazin, (1938-1941), Halivud Dünyasi [i.e. Hollywood World], (1941-1946), Ufuk, (1943-1945) as well as the early guides and catalogs he published related cinema and photography. Bükey started photography as a commercial pursuit, first selling photographic material in Eminönü Flower Market in 1924. The catalog was printed depending on the agency of Gevart (Same year with Lumiere guide, in 1928 titled Gevart Fotograf Rehberi). In 1928, he founded Foto Süreyya in the Tünel district of Istanbul. He was the photographer of Mustafa Kemal Atatürk between 1936-1938. He received art medals and certificates in national and international exhibitions he participated in his photography life. The Lumière brothers were manufacturers of photography equipment, best known for their Cinématographe motion picture system and the short films they produced between 1895 and 1905. Their screening on 22 March 1895 for circa 200 members of the "Society for the Development of the National Industry" in Paris was probably the first presentation of films on a screen for a large audience. Their first commercial public screening on 28 December 1895 for circa 40 paying visitors and invited relations has traditionally been regarded as the birth of cinema. Either the techniques or the business models of earlier filmmakers proved to be less viable than the breakthrough presentations of the Lumières. Cameramen working for the Lumière Brothers, who had staged the world's first public screening of a moving picture at the Grand Café in Paris on December 28, 1895, filmed the Golden Horn and the Galata Bridge from the water in 1896, putting their signature on the first film shot in Turkey. The first public screening of a motion picture in Turkey also took place in 1896. From its inception in the Ottoman Empire, cinema gained instant popularity and soon became the cheapest and only form of public entertainment. After 32 years, the first book includes the Lumiere photographic pieces of equipment, and a guide to photography was published in 1928. Not in OCLC.; Özege 11810.
194143024Japan 1941. Loose in a black clamshell box. Very good copies with slight curl; some with small edge or corner tears; 23 have the name of the film or featured actors/actresses rubber-stamped on the back in Japanese. 47 b/w photos. Approximately 6 x 4 inches. One duplicate. Most are group scenes from dramas a few portraits a few without characters; subject matter ranges from early historical dramas to contemporary scenes to the war and its effects. The dates have been verified on a few and all fall during the years of the Pacific War including Tadashi Imai's Tanjiko-mura 1940 "Hanagoyomi hasshojin" 1940 based on the 19th century novel "Josei hongan" 1940 made in the same year as the novel by Kan Kikuchi Yasuki Chiba's "Kuso buraku" 1939. The balance of the stills appear to date within approximately the same period. unknown
1920157265N.p.: N.p. 1920. Vintage reference photograph from the 1926 film. Photograph shot at high film speed showing a roadster jumping a train crossing with the train approaching seconds before possible impact. The astute viewer will note that the guard rail has not yet been broken. <br /> <br /> With a lengthy annotation in manuscript pencil on the verso regarding guerilla production techniques taken by Poverty Row studios during the 1920s.<br /> <br /> An stunning photograph capturing a split-second moment from a common trope of early action cinema - motorists escaping capture by deftly crossing train tracks narrowly avoiding collision with an oncoming train. The production number in the bottom left of the photograph "4296" matches known photographs from the lost 1925 action serial film "The Scarlet Streak" directed by Henry MacRae and starring Jack Dougherty and Lola Todd. <br /> <br /> Just as fascinating is the extensive annotation on the verso:<br /> <br /> "Poverty Row crews were accustomed to film stories in the 1920s streets. The city of Los Angeles becoming inured to the novelty a license costing $400 was required for shooting on public thoroughfares. Camera crews were trained to set up fast complete the street scenes quickly and vanish before the police arrived to check for a license. So grab shots were common.<br /> <br /> "The favorite action sequence was the transfer of an actor from an automobile to a moving train or crossing the road in front of the train and breaking the guard rails at the last moment.<br /> <br /> "The best place to film this was in Pasadena where the Santa Fe Railroad passed along the blocks of paved streets. A director or camera man boarded the train there carrying their heavy luggage to the observation car. As soon as the train moved out of the station they hauled a camera and tripod out of the bags. The motorcycle or automobile appeared at the designated spot where another cameraman was set up. As the actor made the daring transfer or split second crossing the camera cranked out the action. The conductor generally came along to toss the film makers off the train at the next stop but it was a marvel of economy for the novelty of early film making."<br /> <br /> 10.25 x 8 inches. Very Good plus with a small chip to the top left margin chipping to the bottom right margin with a minutae of image loss to the bottom right corner and edgewear and creasing to the right margin. N.p. unknown
196017742New York: Living Theatre 1960. Silkscreen poster 36 x 21.5 cm.; printed cyan and red on pink-flecked yellow sheet. Slight scuff to top left corner; otherwise Fine. Poster for a Living Theatre programme of experimental cinema as curated by Amos and Marcia Vogel's pioneering film society Cinema 16. Comprised of short films from Kenneth Anger Fireworks and Inauguration of the Pleasure Dome Stan Brakhage Reflections on black and Stan VanDerBeek What Who How. Hosted on March 7th 1960 at the Living Theatre loft at 14th and 6th. Living Theatre unknown
1983WALTER-FILM004116Vintage original 30 x 20" 76 x 51 cm. double crown poster UK. Honey Adele Bertei dir: Lizzie Borden; Cinema of Women. London: Cinema of Women 1983. Folded as issued with small tears marginal chips and signs of light handling VERY GOOD-. <br /><br /> An exceedingly scarce poster from a landmark film in 1980s LGBTQ and African American film history. ""A documentary-style feminist fiction film by Lizzie Borden that explores racism classism sexism and heterosexism in an alternative United States socialist democracy.<br /><br />"<i>The plot concerns two feminist groups in New York City each voicing their concerns to the public by pirate radio. One group led by an outspoken white lesbian Isabel Adele Bertei operates 'Radio Ragazza'. The other group led by a soft-spoken African-American Honey Honey operates 'Phoenix Radio. 'The local community is stimulated into action after a world-traveling political activist Adelaide Norris Jean Satterfield is arrested upon arriving at a New York City airport and suspiciously dies while in police custody. Also there is a Women's Army led by Hilary Hurst Hilary Hurst and advised by Zella Flo Kennedy that initially both Honey and Isabel refuse to join. This group along with Norris and the radio stations are under investigation by a callous FBI agent Ron Vawter. Their progress is tracked by three editors Becky Johnston Pat Murphy Kathryn Bigelow for a socialist newspaper who go so far they get fired</i>.<br /><br />"<i>The story involves several different women coming from different perspectives and attempts to show several examples of how sexism plays out on the street and how it can be dealt with through direct action. At one point two men attack a woman on the street and dozens of women on bicycles with whistles come to chase the men away and comfort the woman. The movie shows women despite their various differences organizing in meetings doing radio shows creating art wheatpasting putting a condom on a penis wrapping raw chicken at a processing plant etc. The film portrays a world rife with violence against women high female unemployment and government oppression. The women in the film start to come together to make a bigger impact by means that some would call terrorism</i>.<br /><br />"<i>Ultimately after both radio stations are suspiciously burned down Honey and Isabel team up and broadcast 'Phoenix Ragazza Radio' from stolen U-Haul vans. They also join the Women's Army which sends a group of terrorists to interrupt a broadcast of the President of the United States proposing that women be paid to do housework followed by bombing the antenna on top of the World Trade Center to prevent additionally destructive messages from the mainstream</i>.<br /><br />"<i>Greg Baise of the </i>Metro Times<i> called it 'an early '80s landmark of indie and queer cinema.' The film has had experienced somewhat of a renaissance after the 35mm restoration print premiered in 2016 at the Anthology Film Archives. Richard Brody of </i>The New Yorker<i> wrote 'the free ardent spontaneous creativity of Born in Flames emerges as an indispensable mode of radical change -- one that many contemporary filmmakers with political intentions have yet to assimilate.' He also wrote 'Borden's exhilarating collage-like story stages news reports documentary sequences and surveillance footage alongside tough action scenes and musical numbers; her violent vision is both ideologically complex and chilling.' Melissa Anderson of </i>The Village Voice<i> wrote 'this unruly unclassifiable film -- perhaps the sole entry in the hybrid genre of radical-lesbian-feminist sci-fi vérité -- premiered two years into the Reagan regime but its fury proves as bracing today as it was back when this country began its inexorable shift to the right</i>.'" Wikipedia books
199017044JBurbank: Jacmac Film March 26 1990. Original 113 page fifth draft screenplay. Bradbound in printed studio wrappers. Near fine very lightly handled copy New Jack City is a 1991 American crime action film directed by Mario Van Peebles in his feature film directorial debut and written by Thomas Lee Wright and Barry Michael Cooper based on a screenplay by Wright. The film stars Wesley Snipes Ice-T Allen Payne Chris Rock Judd Nelson Bill Cobbs Bill Nunn and Van Peebles. Its plot follows Nino Brown Wesley Snipes a drug lord in New York City during the crack epidemic and Scotty Appleton Ice-T an NYPD detective who vows to end Nino's rise to power by going undercover to work for Nino's gang. New Jack City premiered at the Sundance Film Festival on January 17 1991 and was released in the United States by Warner Bros. Pictures on March 8 1991. The film initially premiered at the Sundance Film Festival on January 17 1991 before being released nationally on March 8 1991. The film produced with an estimated $8000000 budget grossed $7039622 during its opening weekend. It became the highest-grossing independent film of 1991 grossing a total of $47624253 domestically. Jacmac Film unknown
Edizione originale, tiratura di testa. Esemplare numero 29 dell’«edizione speciale di trenta esemplari impressi su carta a mano Miliani di Fabriano e numerati a macchina dall’uno al trenta». Ottimo, a fogli chiusi. Rarissima tiratura di testa dell’edizione originale.
This is a near fine softcover set of the two Alien vs Predator books. Both books SIGNED by the authors Alec Gillis and Tom Woodruff, Jr. Both books not inscribed just signed in silver marker pen. Otherwise completely clean. Both are stated frist editions. AVP Alien vs Predator published in 2004. Alien vs Predator Requiem published in 2007. In 1988 Tom Woodruff Jr. and Alec Gillis (both former Stan Winston Studio co-workers) founded Amalgamated Dynamics, which soon became one of the most sought after special effects studios in Hollywood. Illustrated throughout in color. 11" high X 8" wide, 128 & 125 pages. Rare signed. Heavy books, foreign shipping will be extra. This set will be securely wrapped and packed in a sturdy box and shipped with tracking.
1954AFF015MAffiche sous cadre aux dimensions : Cadre : 116 x 86 cm / Affiche : 98 x 68 cm.
196424302MOURLOT 1964 Les Peintres témoins de leur temps, Paris, Mourlot, 1964, lithographie en couleurs signée en haut à gauche dans la planche, 77 x 52 cm.
196424812MOURLOT 1964 Les Peintres témoins de leur temps, Paris, Mourlot, 1964, lithographie en couleurs signée en haut à gauche dans la planche, 77 x 52 cm.
15325Sans lieu Columbia vers 1960 1960 14 cm x 9 cm 1 carte postale carte postale de l'époque éditée par la Columbia. Tirage photographique en noir et blanc, portant la mention autographe manuscrite d'Edith Piaf: Cordialement, Edith Piaf. Edith Giovanna Gassion, dite Edith Piaf, chanteuse française, Paris 1915-1963. Bel exemplaire ( Photographies sur demande / We can send pictures on simple request )
"In-4° (cm. 33x23,6), tela gialla editoriale, solido, ma con mende a una cerniera e al bordo interno di un foglio. Complessive pp. (210) circa, galleria di indimenticabili importanti FOTOGRAFIE di mitici fotografi e registi e con testi di grandi scrittori e giornalisti, di forte impatto sociologico e culturale. A) FOTODOCUMENTARI. 1. La terra di LORCA (di Emilio Tadini e Carlo Cisventi), 2. Le INVASATE (di Chiara Samugheo e Emilio Tadini), 3. Ieri hanno vinto così (di Cecilia Mangini) [Protesta di ATTORI e registi], 4. Beatrice e Maorina [BAMBINE di BARACCOPOLI (di Gaby Lalonde), 5. RITRATTI di 25 persone (di Cesare ZAVATTINI e Paul STRAND) 6. IL SORATTE (di Jone Robinson). 7. Le BELLISSIME(di Antonio Ernazza e Franco Pinna). 8) Fronte della Libertà (di Ugo Casiraghi) [Film su NAZISMO LEGER GUERRA]. 9. L'operaio del PORTO [(di Emilio Tadini e Carlo Cisventi). 10. Narrare la LUCANIA (di Ernesto DE MARTINO e Benedetto Benedetti). 11. Borgo di Dio [SICILIA e Danilo DOLCI] (di Michele Gandin e Enzo Sellerio). 12. Una corsa incontro alla morte [CORSE AUTOMOBILITICHE e Antonio ASCARI] (di Oreste Del Buono). 13. I BAMBINI di NAPOLI (di Chiara SAMUGHEO e Domenico REA. 14. I padroni del cinema italiano (fototesto di Chiara SAMUGHEO). 15. POLICEWOMAN (di Emilio Tadini e Olga Neville). 16. Un fischio: linciaggio [RAZZISMO U.S.A. (di Oreste Del Buono). 17. ROMA PROIBITA [BARACCOPOLI] (di Roberto Manetti e Marisa Mastellini). B) INCHIESTE: 1. Le paghe degli ATTORI (a c. di Umberto Lisi). 2. I critici inglesi e i film italiani (di Massimo Olmi). 3. La legge sul cinema e i partiti politici (di Umberto Lisi) (24 pp.). 4. Che cosa pensano della critica (a cura di Michele Gandin e Stelio Martini). 5. Quanto costa la Mostra (fototesto di Chiara SAMUGHEO). 6. Natale e Luisa [Film ""il tetto"" di DE SICA e ZAVATTINI] (di Stelio Martini, foto Max G. Scheler e archivio De Sica). 7. HOLLYWOOD e il gusto (le più belle foto dalle Case cinematografiche americane). Da segnalare la SAMUGHEO, pioniera del fotogiornalismo italiano, (cfr. Antonella Russo per
195132334Editions André Bonne / Collection Encyclopédie du Cinéma de 1951. In-12 broché de 168 pages au format 18,5 x 12 cm. Couverture avec titre imprimé. Dos carré. Plats et intérieur frais. Exemplaire non coupé. Complet de la jaquette avec photographie de Sacha Masour. Entretiens recueillis par André Fraigneau avec de nombreuses photos des film de Jean Cocteau en hors texte. Complet du dépliant publicitaire de la collection, ainsi que de la feuille d'erratum. Edition originale. Rare dans un tel état de fraicheur, proche du neuf. Précieux exemplaire enrichi par superbe photographie originale argentique, en noir et blanc, au format 12 x 9,5m, avec une dédicace au verso probablement de la main de Jean Cocteau.
9162Editions Gallimard / Collection " Série Noire " n° 6 de 1947. In-12 broché de 255 pages au format 18,5 x 12 cm. Couvertures noires mates, avec titre en jaune et liste des titres parus au 4ème plat. Dos carré sans manque, avec minuscule partie recollée au milieu, et infimes traces blanches verticales. Un nom inscrit en page de garde. Mythique n° 6 et le plus rare avec " Neiges d'Antan " de la première version de la " Série noire " en broché, dont seuls 8 numéro furent édités sous cette forme. Livre extrêmement fragile, traduit de l'anglais par J. Robert Vidal. Etat général magnifique. Rarissime édition originale. Exemplaire enrichi de la couverture découpée de l'édition publiée en Livre de Poche, avec photographie de Jeanne Moreau.Le Roman sera adapté au cinéma en 1962 par Stanley Baker avec dans les rôles principaux : Jeanne Moreau, Stanley Baker, Virna Lisi, James Villiers, etc. Une nouvelle adaptation réalisé par Benoît Jacquot, sortira en 2018, avec dans les rôles principaux : Isabelle Huppert, Gaspard Ulliel, Julia Roy, Richard Berry, Didier Flamand, Marc Barbé.
18171Editions Gallimard / Collection " Série Noire " n° 8 de 1948. In-12 broché de 278 pages au format 12 x 18,5 cm. Couverture noire, mate, avec titre imprimé en jaune. Dos carré, très légèrement insolé. Couverture avec petit enfoncement et minuscule brunissure au bord. Pâle auréole au verso du 1er plat, en page de garde et de faux titre. Intérieur très frais, malgré tout. Traduction de Boris et Michèle Vian. Mention fictive d'édition, comme toujours fictive. Il n'y eut qu'un seul tirage avec l'achevé d'imprimer en date du 1er trimestre 1948. Très bel état général. Rarissime édition originale, en version souple. Le Roman sera adapté au cinéma, en 1947, par Robert Montgomery, qui tiendra le rôle principal de Philip Marlowe. Ce film est réputé connu pour être le premier tourné presque entièrement en caméra subjective, le héros n'apparaissant en caméra objective que pendant quelques séquences en face caméra et lorsqu'il y a un miroir dans la pièce. On trouve dans les rôles principaux : Audrey Totter, Lloyd Nolan, Tom Tully, Leon Ames, Jayne Meadows, Dick Simmons, Morris Ankrum, Kathleen Lockhart, Ellay Mort.
Publication documenting four years of the alternative projections space XSCREEN founded by Birgit and Wilhelm Hein and others in Cologne in 1968. — Testi: Hein Birgit, Wiest Roöf et al. F.to: 30x42; pagg. 128; BN; rileg. brossura. Editore: Phaidon, Koln, 1971.
199832090Editions Neofelis 2021. In-4 cartonnage éditeur non paginé, d'environ 150 pages au format 36 x 25 cm. Couverture illustrée. Dos Carré. Plats et intérieur frais malgré de petits frottis aux coins. Petit tassement en haut du dos. Petite " griffure " en couverture. Cahiers cousus. Edition Jet Pack / Campagne Ulule qui contient l'intégralité des épisodes de " Rocketeer " de Dave Stevens avec la reproduction des planches originales en noir et blanc. Dossier en fin d'ouvrage avec interviews inédites, photographies et illustrations en couleurs, elles aussi inédites.. Rarissime édition originale tirée uniquement à 350 exemplaires, en très bel état général et totalement épuisée.La BD a été adaptée au cinéma en 1991 par Joe Johnston, avec dans les rôles principaux Billy Campbell, Jennifer Connelly, Alan Arkin et Timothy Dalton.
12292Editions Denoël / Collection " Présence du Futur " n° 8 de 1955. In-8 broché de 232 pages au format 14,2 x 21 cm. Couverture à rabats avec titre imprimé et le sigle de la collection. Dos bien carré. Plats et intérieur frais. Traduction d'Henri Robillot. Très rare édition originale en état général superbe, achevé d'imprimer le 3 mai 1955. Un des titres de la série des plus difficiles à trouver.Le roman sera adapté au cinéma sous le titre " Fahrenheit 451 " par François Truffaut en 1966 sur son scénario aidé par Jean-Louis Richard. Il s'agit du seul film de François Truffaut tourné uniquement en anglais, avec dans les rôles principaux : Oskar Werner, Julie Christie, Cyril Cusack, Anton Diffring.Une seconde adaption sera réalisé et écrite par Ramin Bahrani, sortira en 2018, avec dans les rôles principaux : Michael B. Jordan, Michael Shannon, Khandi Alexander, Sofia Boutella, Lilly Singh, Grace Lynn Kung et Martin Donovan.
19505173Editions Gallimard / Collection " La Méridienne " 1950. In-12 broché de 374 pages au format 18,8 x 3,5 x 12 cm. Couvertures bleues avec titre imprimé en rouge et bleu. Dos resté carré avec 3 insignifiants et minuscules rousseurs. Plats et intérieur frais. Traduit de l'anglais par Amélie Audiberti. Mention fictive de troisième édition. Il n'existe qu'un seul tirage en date du 2ème trimestre - Mai 1950. Superbe état général de cette rarissime édition originale du chef-d'oeuvre de l'auteur.Amélie Audiberti, épouse de l'écrivain et dramaturge Jacques Audiberti, traductrice française réputée, elle est principalement connue pour être à l'origine de cette première traduction du roman 1984 de George Orwell où elle y invente plusieurs néologismes dont certains sont passés dans le langage courant comme la " Novlangue ". Le roman adapté et réalisé par Michael Radford en 1984, fut diffusé en salles la même année. On trouvait dans les rôles principaux, entre autres : John Hurt, Richard Burton, Suzanna Hamilton, Cyril Cusack et Bob Flag ( Big Brother ). La musique fut comosé en partie par le groupe Eurythmics, dont la chanson " Sexcrime " ( Nineteen Eighty-Four ), qui ne figurait que sur l'album et non dans le film, mais qui servait de musique de fond aux bandes-annonces de l'époque.
198432834Photographie originale, datant de 1994, avec les 4 acteurs principaux du film " Pulp Fiction " de Quentin Tarantino : Uma Thurman, John Travolta, Samuel L. Jackson et Bruce Willis. Tirage surPapier Fuji Color Cristal Archives. Format 25,5 x 20,2 cm. Photographie signée par Uma Thurman et John Travolta. On joint le certificat d'authenticité, établi par un Expert près la cour d’appel de Paris, Membre et administrateur à la CNE (Compagnie Nationale des Experts), Membre du SLAM (Syndicat de la librairie ancienne et moderne).Pulp Fiction est le deuxième film réalisé par Quentin Tarantino, sorti en 1994. Récompensé par la Palme d'or au Festival de Cannes 1994, ainsi que par l'Oscar du meilleur scénario original en 1995.
195217711952 Couverture souple Paris, Marc-Gilbert Gauillaumin, 1952. Un volume in-8 carré broché (22 x 17,5 cm), couverture "métagraphique" de Gabriel Pomerand, cachet de la Présidence du Conseil au premier plat, petite pliure au coin supérieur, quelques marques d'usage sur les plats. 286 (2) pages, illustrées des portraits des 10 auteurs. intérieur jauni. Unique livraison de cette revue lettriste dirigée par Marc-Gilbert Guillaumin dit Marc'O. Textes de Jean Isidore Isou, Poucette, Gabriel Pomerand, Gil G. Wolman, Serge Berna, François Dufrêne, Yolande du Luart, Guy-Ernest Debord, Monique Geoffroy, Marc'O. Guy Debord, alors âgé de 21 ans, signe ici sa première publication "Hurlements en faveur de Sade", sous la forme d'un scénario avec images et bande sonore dissociée. Bon exemplaire de cette édition originale.
34 SS. Noten mit unterlegtem Text. Blauer Pappband der Zeit mit hs. Titelschildchen. 4to. Bibliographisch und über Bibliothekskataloge nicht nachweisbares Liederbuch der sächsischen Loge, wohl nur zum internen Gebrauch nach einer handschriftlichen Vorlage lithographisch reproduziert. - Papierbedingt minimal gebräunt, sonst tadellos. Nicht in Wolfstieg.
48 SS. Interimsbroschur der Zeit. 8vo. Seltene Hanswurstiade von Josef Richter, dem Begründer der "Eipeldauer-Briefe". - Leicht braunfleckig bzw. wasserrandig. Holzmann/Bohatta VI, 7210. Wurzbach XXVI, 60. Nicht bei Gilhofer (Literatur in Ö).