4 698 résultats
1968161974N.p.: Warner Brothers - Seven Arts 1968. Vintage studio still photograph from the 1967 film. With one provenance stamp on the verso. <br /> <br /> Based on the 1964 novel "The Pilgrim Project" by Hank Searls. During the Space Race NASA decides to follow the Soviets plans to send a lone civilian to the moon a year before the Apollo 11 mission. <br /> <br /> Shot on location in Cocoa Beach Florida and Marina del Rey California and at the Kennedy Space Center in Cape Canaveral Florida the McDonnell Douglas Astronauts Co. plant in Huntington Beach California and TRW Space Park in Redondo Beach Florida.<br /> <br /> 10 x 8 inches. Very Good with pinholes from staples and a corresponding chip to the top center of the image. Also unevenly trimmed along the bottom edge.<br /> <br /> Weldon 1983. Warner Brothers - Seven Arts unknown
1985167654Paris: Sygma 1985. Two vintage borderless reference photographs from the 1985 film one showing Robert Altman on the set the other showing Altman talking with actor Sam Shepard. <br /> <br /> Based on Shepard's 1983 Pulitzer Prize-nominated play about two ex-lovers with an exceedingly troubled past who inadvertently find themselves at the same run-down motel in the Mojave Desert. <br /> <br /> Shot on location in El Dorado New Mexico.<br /> <br /> 9.5 x 7 inches. Both with two neat pinholes at one corner each else about Fine. Sygma unknown
1970143169Los Angeles: Twentieth Century-Fox 1970. Collection of five vintage borderless oversize photographs from the 1970 film. With a small French distribution label from Twentieth Century-Fox on the recto of each photograph. <br /> <br /> Based on the 1968 novel by Richard Hooker and in turn the basis of acclaimed television show which ran for 11 seasons on CBS. Winner of the Palme d'Or at Cannes and nominated for five Academy Awards including Best Picture Best Director and Best Supporting Actress winning for Best Adapted Screenplay. <br /> <br /> 12 x 9.5 inches. Pinholes to the corners of a single photograph Near Fine overall. <br /> <br /> National Film Registry. Twentieth Century-Fox unknown
1968159850Los Angeles: Twentieth Century-Fox 1968. Revised First Draft script for the 1970 film. Copy belonging to an unknown cast or crew member with their manuscript ink annotations on 19 pages underlining locations settings and props.<br /> <br /> Based on the 1968 novel by Richard Hooker and in turn the basis of the acclaimed television show which ran for 11 seasons on CBS from 1972 to 1983. A film that kick-started a great decade of cinema and one that still defines it. <br /> <br /> Winner of the Academy Award for Best Screenplay nominated for four more including Best Picture Best Director and Best Supporting Actress. Winner of the Palme d'Or. <br /> <br /> Orange titled wrappers noted as REVISED FIRST DRAFT SCREENPLAY on the front wrapper rubber-stamped copy No. 209 dated DECEMBER 11 1968. Title page present dated December 11 1969 noted as Revised First Draft Screenplay with credits for screenwriter Ring Lardner Jr. and author Richard Hooker. 144 leaves with last page of text numbered 142. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with three gold brads.<br /> <br /> National Film Registry. Twentieth Century-Fox unknown
1970162890Los Angeles: Twenty Pimlico Inc 1970. Vintage oversize publicity photograph of Donald Sutherland and Elliott Gould from the 1970 film by photographer Lawrence Schiller. Photograph with a credit stamp on the verso stamped with the photographer name "Lawrence Schiller" for Twenty Pimlico Inc. with the annotations of Set No. "1072" and Print No. "5."<br /> <br /> Lawrence Julian Schiller is an award winning photographer film producer director screenwriter and bestselling author who has worked in film and television since the 1960s.<br /> <br /> Based on the 1968 novel by Richard Hooker and in turn the basis of the acclaimed television show which ran for 11 seasons on CBS from 1972 to 1983. A film that kick-started a great decade of cinema and one that still defines it. <br /> <br /> Winner of the Academy Award for Best Screenplay nominated for four more including Best Picture Best Director and Best Supporting Actress. Winner of the Palme d'Or. <br /> <br /> 11 x14 inches with irregular margins archivally matted in a 16 x 20 inch 8-ply mat. Near Fine with a small emulsion blemish to the far right side obscured by the matting. <br /> <br /> From the archive of the PIX Agency an American photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. <br /> <br /> National Film Registry. Twenty Pimlico, Inc unknown
1975150321Burbank CA: American Broadcasting Company ABC 1975. Vintage borderless reference photograph of Robert Altman on the set of the 1975 film. Mimeo snipe on verso. <br /> <br /> Robert Altman's brilliant caustic view of American politics and culture seen through the microcosm of five days in the Nashville country and gospel music scene with 24 main characters and multiple storylines a tour-de-force and a key piece of New Hollywood Cinema. Winner of an Academy Award nominated for four more including Best Picture Best Director and Best Actress.<br /> <br /> Shot on location in Nashville Tennessee. <br /> <br /> 10 x 7 inches. Some brief toning to portions of recto else Near Fine.<br /> <br /> National Film Registry. Criterion Collection 683. Ebert I. Eureka 80. American Broadcasting Company [ABC] unknown
1994150134N.p.: N.p. 1994. Vintage borderless double weight color reference photograph of director Robert Altman with Julia Roberts and Lyle Lovett on location at Roissy Airport Charles de Gaulle Airport for the 1994 film. French and English printed "Sipa Press" snipe and "Pica Pressfoto" label on verso. <br /> <br /> Altman's sardonic take on Paris Fashion Week featuring an enormous and star-studded ensemble cast of international actors models and designers.<br /> <br /> Set in and shot on location in Paris France . <br /> <br /> 8 x 10 inches. Near Fine. N.p. unknown
1969155651N.p.: N.p. 1969. Vintage borderless reference photograph from the 1969 film showing a topless Sandy Dennis. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> Based on the 1965 novel by Peter Miles about a woman who becomes obsessed with a mute teenage boy. Director Robert Altman's breakthrough film. <br /> <br /> Shot on location in Vancouver Canada. <br /> <br /> 9.5 x 7 inches. Very Good only with pinholes on the corners and edges and paper tape reinforcements on the verso and light creasing overall. <br /> <br /> Olive 540. N.p. unknown
1985149641Paris: Gamma 1985. Vintage borderless reference photograph of director Robert Altman and actor Carol Burnett on the set of the 1985 television film which originally aired on HBO on April 1. With a printed mimeo snipe on the verso along with the stamps of Gamma Film.<br /> <br /> Two women meet at a laundromat and reveal secrets about their lives. The third and final film collaboration between Altman and Burnett following "A Wedding" 1978 and "HealtH" 1980. <br /> <br /> Shot on location in Paris.<br /> <br /> 10.25 x 7 inches. Fine. Gamma unknown
1963151297Burbank CA: Warner Brothers 1963. Two vintage studio still photographs from the 1963 film showing actors Frank Sinatra Dean Martin Anita Ekberg and Ursula Andress. With layout annotations in manuscript pencil on the verso along with a provenance stamp.<br /> <br /> Two sharpshooters duel over a large amount of cash carried by a railway official and eventually settle their differences by opening a casino. <br /> <br /> Shot on location in Mojave and Cantil California. <br /> <br /> 10 x 8 inches. Near Fine.<br /> <br /> Pitts 1422. Warner Brothers unknown
1963149994Burbank CA: Warner Brothers 1963. Vintage studio still photograph of Dean Martin and Ursula Andress from the 1963 film.<br /> <br /> Gambling wenching and struggles for control define this iconic Rat Pack film with a stellar supporting cast including Victor Buono Charles Bronson Anita Ekberg and Ursula Andress. <br /> <br /> Set in Galveston Texas shot on location in Red Rock Canyon and Mojave California. <br /> <br /> 8 x 10 inches. Light edgewear and a small bruise in bottom right margin else Near Fine. Warner Brothers unknown
1963155650Burbank CA: Warner Brothers 1963. Vintage contact sheet from the 1963 film showing six images of actors Frank Sinatra and Anita Ekberg during filming. <br /> <br /> Two sharpshooters duel over a large amount of cash carried by a railway official and eventually settle their differences by opening a casino. <br /> <br /> Shot on location in Mojave and Cantil California. <br /> <br /> 11 x 6.75 inches. Near Fine. <br /> <br /> Pitts 1422. Warner Brothers unknown
1963156799Burbank CA: Warner Brothers 1963. Estimating Script for the 1963 film. <br /> <br /> Two sharpshooters duel over a large amount of cash carried by a railway official and eventually settle their differences by opening a casino. An iconic Rat Pack film.<br /> <br /> Shot on location in Mojave and Cantil California. <br /> <br /> Tan studio wrappers noted as Estimating Script on the front wrapper dated March 18 1963. Distribution page present with receipt intact. Title page present dated 3-18-63 with credits for screenwriters Teddi Sherman and Robert Aldrich. 121 leaves with last page of text numbered 119. Mimeograph duplication on yellow stock rectos only. Pages Near Fine wrapper Very Good plus bound internally with two gold brads. Housed in a custom quarter leather clamshell case. <br /> <br /> Pitts 1422. Warner Brothers unknown
1956153068Beverly Hills CA: United Artists 1956. Vintage studio still photograph of director Robert Aldrich on the set of the 1956 film one of only a handful of war films made in the noir style during the classic era.<br /> <br /> One of Aldrich's finest efforts a noirish take on the evils of war with a interesting focus on nepotism. Unpopular on release due to a grim ending and a cynical tone much the opposite of a flag-waving World War II film. <br /> <br /> Set in Belgium.<br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Selby US. United Artists unknown
1952154485Culver City CA: Loew's Incorporated 1952. Treatment script for the 1953 film on yellow paper created by screenwriter Louis Morheim who received a story credit in the final film. With a single annotation in manuscript pencil changing the revision date on page five.<br /> <br /> Robert Aldrich's directorial debut wherein a baseball scout at a New York Giants training camp in Florida evaluates prospective hopefuls for a minor league contract. Starring Edward G. Robinson in his first major role after being threatened with blacklisting by the House Un-American Activities Committee HUAC.<br /> <br /> Shot on location in Melbourne Florida. <br /> <br /> Blue titled wrappers rubber-stamped copy No. 2 stamped "Incomplete" dated 6-18-52 with credits for screenwriter Louis Morheim. 42 leaves with last page of text numbered 42. Mimeograph duplication rectos only on yellow pages dated variously between 6-18-52 and 6-20-52. Pages Near Fine wrapper Near Fine bound with two gold brads. Loew's Incorporated unknown
1955160989N.p.: N.p. 1955. Five vintage reference photographs from the 1955 film. Two with provenance labels affixed to the versos. <br /> <br /> Perhaps the ultimate film noir in the classic cycle and by far the best and most insanely interpreted Spillane adaptation. Director Robert Aldrich spins the hard boiled source material into a symphony of speed violence and Cold War nuclear terror today often acknowledged as a major influence on the French New Wave. <br /> <br /> Set in Los Angeles area shot in Los Angeles including The Castle and other locations in Bunker Hill and Malibu. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> National Film Registry. Criterion Collection 568. Selby US Masterwork. Silver Classic Noir. Spicer US. N.p. unknown
1955145400Beverly Hills CA: United Artists 1955. Vintage press photograph from the set of the 1955 film.<br /> <br /> Based on Clifford Odets' 1949 Broadway play. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Grant Worldwide. Selby US Canon. Silver and Ward Classic Noir. Spicer US. United Artists unknown
1965132451Los Angeles: Twentieth Century-Fox 1965. First Draft script for the 1965 film. Included are production notes dated November 1965 laid in and an architectural sketch of the "sky truck" noted as "REVISED / APR. 22. '65" As deluxe a script for this film as we have seen and a highspot for noted director Robert Aldrich. <br /> <br /> One of the great adventure films of the twentieth century wherein a cargo plane with fewer than a dozen men goes down in the Sahara in a sandstorm. One of the men is an airplane designer who comes up with the idea of ripping off the undamaged wing and using it as the basis for an airplane they will build to escape before food and water are depleted. <br /> <br /> Black titled wrappers noted as 2ND DRAFT on the front wrapper dated April 6th. Distribution page present with receipt removed. Title page present with credits for screenwriter Heller and novelist Trevor. 178 leaves mechanical duplication with blue and pink revision pages throughout dated variously between 4/15/65 and 4/27/65. Pages Near Fine wrapper about Near Fine with a small fingernail-size bruise at the top left corner of the front wrapper. Bound internally with three gold brads. Twentieth Century-Fox unknown
1968150411N.p.: N.p. 1968. Two vintage borderless reference photographs from the 1968 film one showing actors Beryl Reid and Susannah York the other showing director Robert Aldrich. <br /> <br /> A tyrannical aging actress is a long-standing staple on a soap opera but her increasingly unstable behavior causes the producers to kill off her character. As she spirals out of control she lashes out at her lover a young and beautiful actress. Director Aldrich spent $75000 fighting the film's mature rating earned as a result of its explicit content most notably a sex scene between two women which limited the film's screening and advertisement platforms but was unsuccessful. <br /> <br /> Shot on location in London. <br /> <br /> Approximately 7.5 x 9.5 inches. Near Fine. N.p. unknown
1960150186Universal City: Universal Pictures 1960. Vintage borderless reference photograph of actor Rock Hudson signing autographs on the set of the 1961 Western film here under the working title "The Day of the Gun." With a printed mimeo snipe affixed to the verso along with the stamp of still photographer Shirley Clarke not to be confused with the filmmaker of the same name.<br /> <br /> Based on the 1957 novel "Sundown at Crazy Horse" by Howard Rigsby under the pseudonym Vechel Howard. While on the run from the law a cowboy travels to visit an old lover in Mexico only to find her married to a drunk.<br /> <br /> Set in Texas and Mexico and shot on location in Mexico. <br /> <br /> 8 x 10 inches. Very Good plus with light creasing to the edges. <br /> <br /> Pitts 2237. Universal Pictures unknown
1961144217Universal City: Universal Pictures 1961. Vintage photograph of Robert Aldrich and Kirk Douglas on the set of the 1961 film. With manuscript annotations on the verso in green and brown ink and pencil. <br /> <br /> Based on the 1957 novel by Howard Rigsby under the pseudonym Vechel Howard about a cowboy who on the run from the law travels to visit an old lover in Mexico only to find her married to a drunk. Screenwriter Dalton Trumbo was also at work writing the script for Otto Preminger's "Exodus" while he wrote for this film. <br /> <br /> Set and shot on location in Mexico. <br /> <br /> 10 x 8 inches. Near Fine. Universal Pictures unknown
1961132742London: Unviersal International Pictures 1961. Five vintage full-color still photographs from the 1961 UK release of the 1961 US film. <br /> <br /> Based on Howard Rigsby's novel "Sundown at Crazy Horse" about a cowboy who on the lam from the law travels to visit an old flame in Mexico only to find her married to a drunk. Screenwriter Dalton Trumbo was also at work writing the script for Otto Preminger's "Exodus" while he wrote for this film. <br /> <br /> A story set and shot on location in Mexico. <br /> <br /> 8 x 10 inches. Faint creases overall else Near Fine. Unviersal International Pictures unknown
1973139507Boca Raton FL: Penthouse 1973. Vintage oversize double weight borderless still photograph from the 1973 film based on the 1947 novel by Andrew Lytle. Shot struck and mounted by the film's still photographer Bob Willoughby with a manuscript notation in his hand on the verso. Full provenance available. <br /> <br /> Culp and Eggar romp in a bed that is the middle of the woods for some reason while the haunted house that will exert a corrupting influence on the couple looms in the background. An image that does not appear in the so-bad-its-nearly-avant garde film but one that nevertheless captures its aura of surreal eroticism quite well. <br /> <br /> Set in the countryside of Southern California shot on location in British Columbia Indian Arm and Vancouver. <br /> <br /> After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br /> <br /> 13.25 x 9 inches. Fine. <br /> <br /> Thrower Nightmare USA. Penthouse unknown
1969133199N.p.: N.p. 1969. Vintage oversize double weight candid photograph of Alan Arkin Art Garfunkel and Martin Sheen on the set of Mike Nichols' "Catch-22" in 1969. Shot and struck by the film's still photographer Bob Willoughby. The photographer has written at the top of the verso in manuscript pencil: "Candid during rehearsal / The boys break up in briefing room scene / Art Garfunkel Alan Arkin Martin Sheen." Also with Willoughby's ASMP rubber stamp for both his New York and Ireland addresses. Full provenance available. <br /> <br /> After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br /> <br /> In a custom museum-quality frame archivally mounted with UV glass. 13.5 x 10 inches. Near Fine. <br /> <br /> National Film Registry. N.p. unknown
1958139533Culver City CA: Columbia Pictures 1958. Vintage oversize double weight borderless still photograph from the 1958 film of a stone faced David Niven and smiling Deborah Kerr water skiiing on a break from filming on the French Riviera. Based on the 1954 novel by Francoise Sagan. Shot struck and mounted by the film's still photographer Bob Willoughby with his ASMP rubber stamp and a lengthily manuscript description of the scene on the verso. Full provenance available. <br /> <br /> After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br /> <br /> 14 x 9.5. Near Fine with light edgewear. Columbia Pictures unknown
