8 853 résultats
1965144993Universal City: Universal Pictures 1965. Two vintage studio still photographs from the set of the 1965 neo-noir one of director Edward Dmytryk and actors Gregory Peck and Walter Matthau and the other of Dmytryk Peck and Robert H. Harris. Mimeo snipe on verso of both photographs.<br /> <br /> Based on the 1952 novel "Fallen Angel" by Howard Fast. <br /> <br /> David Stillwell Gregory Peck is an accountant who comes to realize he has no memory as he is pursued by a number of unknown people trying to kill him bringing him to question his own identity. <br /> <br /> Shot on location in New York City. <br /> <br /> 10 x 8 inches. Very Good plus to Near Fine one with faint creasing. <br /> <br /> Grant Worldwide. Spicer US. Universal Pictures unknown
1970144010Beverly Hills CA: N.p. 1970. Draft script for an unproduced film. Paper clipped on the front wrapper is a typed note initialed by Edwin Blum in blue manuscript ink. <br /> <br /> Two women repeatedly arrange to be the beneficiaries on the life insurance policies of numerous dead men. In the course of their activities a romance is struck up with an insurance executive. <br /> <br /> Beige titled wrappers with credits for screenwriter Edwin Blum. Title page present with credits for screenwriter Edwin Blum. 119 leaves with last page of text numbered 120. Xerographically reproduced. Pages Fine wrapper Fine bound with three gold brads. N.p. unknown
1978141418Burbank CA: Marcia Nasatir 1978. Draft script for an unproduced film. With a single annotation in manuscript ink on page five. <br /> <br /> A Swedish woman living in New York pursues a relationship with a mover after he attempts to steal her television set. <br /> <br /> Set in New York. <br /> <br /> Yellow titled wrappers with credit for screenwriter Elaine Mueller. Title page present dated December 1978 with credit for screenwriter Elaine Mueller. 116 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Marcia Nasatir unknown
2000146395N.p.: N.p. 2000. Draft script for an unproduced film.<br /> <br /> A group of kids from Anaheim come of age in the counterculture of the swinging sixties leaving behind the gang violence of their hometown in favor of becoming drug-smuggling hippies. <br /> <br /> Set in California.<br /> <br /> White lacking wrappers. Title page present with credits for screenwriter Elias Cecil. 134 leaves with last page of text numbered 133. Typescript rectos only. Pages Very Good plus bound with three gold brads. N.p. unknown
1970141057N.p.: N.p. 1970. Draft script for an unproduced film. <br /> <br /> An ambitious young man heads to Hollywood to make his fortune. There he falls in love with a prostitute and begins hustling in order to get her off the streets.<br /> <br /> Blue titled wrappers. Title page present with credits for screenwriter Ellis St. Joseph. 118 leaves with last page of text numbered 116. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with a black Velo binding. N.p. unknown
1970141201N.p.: N.p. 1970. Draft script for an unproduced film. <br /> <br /> Screenwriter Ellis St. Joseph was best known for the films "Flesh and Fantasy" 1943 "The Barbarian and the Geisha" 1958 and "Joan of Paris" 1942. <br /> <br /> An actress sleeps with anyone who can help her career along but starts to find herself less and less desirable as she grows older. She begins a relationship with a man who decides to help her by becoming a sex worker largely servicing homosexual men. <br /> <br /> Silver titled wrappers. Title page present with credit for screenwriter Ellis St. Joseph. 137 leaves with last page of text numbered 135. Xerographic duplication rectos only. Pages Near Fine wrapper about Near Fine bound internally with three gold brads. N.p. unknown
141676Pretoria South Africa: Emil Nofal Films N.D. Treatment script for an unproduced television series. <br /> <br /> A half-hour television series focusing on the unique cultures of Africa and how different groups interact with each other especially in the modern age. Written for South African television by Nofal an acclaimed South African director producer and screenwriter. <br /> <br /> Set in South Africa. <br /> <br /> White titled wrappers with credits for screenwriter Emil Nofal. 5 leaves with last leaf of text numbered 5. Mechanical duplication. Pages Very Good plus wrapper Very Good plus perfect-bound. Emil Nofal Films unknown
1970141943N.p.: N.p. 1970. Draft script for an unproduced film. Text in French. <br /> <br /> Green untitled wrappers. Title page present with credit for screenwriter Eric Ferro. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two silver binder clips. <br /> <br /> Pagination available upon request. N.p. unknown
1982142224Ottawa: Canadian Broadcast Corporation 1982. Treatment script for an unproduced film. <br /> <br /> W.O. Mitchell one of Canada's best-loved writers originally wrote the play "Back to Beulah" which was produced as a television film in 1974 and for the stage in 1976. In 1978 the play won the Chalmers Award. It is the story of three patients moved out of the mental hospital and into a halfway house. This treatment was for an intended American adaptation retitled as "Listen to Me" and released in 1982 but since remains unmade. <br /> <br /> Clear untitled wrappers. Title page present dated September 29 1982 with credits for screenwriter and playwright W.O. Mitchell and screenwriter Eric Till. Ten leaves. Xerographically reproduced. Pages Near Fine wrapper Very Good plus unbound. Canadian Broadcast Corporation unknown
1970141411N.p.: N.p. 1970. Treatment script for an unproduced film. <br /> <br /> A successful doctor suffers a mental breakdown due to her survivor's guilt after being the only member of her family to survive the Holocaust. She becomes obsessed with a man four years older than her whom she met previously in a refugee camp in France. <br /> <br /> Set in New York. <br /> <br /> Red untitled wrappers. Title page present with credit for screenwriter Ethel Tyne. 28 leaves with last leaf of text numbered 27. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with a silver prong. N.p. unknown
1970140743N.p.: N.p. 1970. Treatment script for an unproduced television series. <br /> <br /> Beans is the chauffeur secret agent Jedediah Norris a beautiful young woman who is in graduate school and adopted from Vietnam during the war by her father a black man named Tom Callahan. She is also a gourmet chef and is in desperate love with her boss but he only seems to notice her when she goofs. All the while she is an aspiring television star hoping to work in show business one day. <br /> <br /> Set in San Francisco. <br /> <br /> Yellow untitled wrappers. Title page present with credits for screenwriter Ezra Bowen. 26 leaves with last page of text numbered 25. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with three silver brads. N.p. unknown
1972150813Beverly Hills CA: United Artists 1972. Vintage reference photograph of Federico Fellini on the set of the 1972 film. <br /> <br /> A semi-autobiographical impressionistic portrait of Rome featuring two contrasting sections one based on Fellini's first journey to the city as a young man under Mussolini the other featuring scenes of contemporary city life. <br /> <br /> Set and shot on location in Rome. <br /> <br /> 8 x 10 inches. Near Fine.<br /> <br /> Criterion Collection 848. Eureka! 86. Rosenbaum 1000. Vogel Film as a Subversive Art. United Artists unknown
1977WRCLIT70710Stockholm: Universal / CIC 1977. Vintage Swedish poster 39.5 x 27.5" 100 x 70 cm. Previously folded now rolled ½" break at left margin of former fold else very good. A theatrical poster issued to promote the May 1977 Swedish release of the 1976 film based on Harold Pinter's adaptation of Fitzgerald's final unfinished novel directed by Elia Kazan and starring Robert DeNiro Tony Curtis Robert Mitchum Jeanne Moreau Jack Nicholson Donald Pleasance et al. Universal / CIC unknown books
1940129720N.p.: N.p. 1940. Treatment script for an unproduced film. <br /> <br /> Two brothers with a patchy relationship both end up becoming competent jockeys and one who had previously slighted the other throws the important race so the other can win. <br /> <br /> Self wrappers with integral title page present showing credits for screenwriter Pinkham. 9 leaves original typescript. Pages Very Good plus bound with three gold brads. N.p. unknown
1957168227Beverly Hills CA: United Artists 1957. Vintage studio still photograph from the 1957 film.<br /> <br /> A major in the US Air Force is asked to join a team working on an experimental Boeing B-47 Stratojet bomber although the first experiments with human test subjects prove dangerous. Based on a 1955 episode of the "Climax" anthology television series directed by John Frankenheimer and starring Charlton Heston. <br /> <br /> 10 x 8 inches. Lightly toned on the margins else Near Fine. United Artists unknown
1931135170Los Angeles: Fox Film Corporation 1931. Post-production Screen Continuity script for the 1931 film. Based on the 1908 play "Father and the Boys" by George Ade. <br /> <br /> A comedy of errors in which a wealthy meatpacking company owner in Chicago has two sons both who treat their father's company as a means to their own extravagant ends. When he turns the tables evading his work responsibilities and traveling around with a French singer they fear that the singer is out to blackmail him. <br /> <br /> Pale blue studio wrappers dated April 27 1931 noting footage of 7000 feet. Mimeograph duplication. Very Good plus condition. Fox Film Corporation unknown
1948135343Los Angeles: Republic Pictures 1948. Vintage black-and-white studio still photograph from the 1948 film noir. Rubber stamped "7" on the verso. Based on the 1946 novel by Theodore Strauss. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Complete collation details available on request. Republic Pictures unknown books
146547N.p.: N.p. Unknown. Draft script for an unproduced film. With a few small manuscript ink annotations to the title page. <br /> <br /> After a dissatisfying experience with a prostitute a man begins to have a number of hallucinatory experiences while sitting in a bar.<br /> <br /> Blue untitled card wrappers. Title page present with credits for screenwriter Frank Flannery. 110 leaves with last page of text numbered 109. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good with light dampstaining on the front wrapper bound with a silver clasp. N.p. unknown
1965167883N.p.: N.p. 1965. Three vintage single-photo assemblages of publicity and reference images from the 1965 British film musical. <br /> <br /> A musical comedy about a love triangle between a pub owner's daughter a popular model and an aspiring Australian singer. The film debut of Suzy Kendall. <br /> <br /> Shot on location in London.<br /> <br /> 8 x 10 inches. Stapled at the top left corner. Good only with dampstaining on the bottom corners. N.p. unknown
1966146399Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1966. Draft script for an unproduced film. With a single small manuscript ink annotation to page 123 changing "who" to "whom." Not to be confused with the 1943 1948 1999 or 2020 produced films with the same title.<br /> <br /> Based on Richard Martin Stern's 1963 mystery thriller by Fred Coe who was also initially slated to direct. A private investigator moves back to his hometown to bury his late father but finds himself quickly entangled in a criminal case involving the sexual assault of a local woman. Screenwriter Fred Coe was best known for directing "A Thousand Clowns" 1965 which was nominated for an Academy Award for Best Picture.<br /> <br /> Blue titled wrappers rubber-stamped copy No. 48 dated October 1 1966 and dated as copied October 17 1966 with credits for screenwriter Fred Coe and novelist Richard Martin Stern. Title page integral with the front wrapper as issued. 194 leaves with last page of text numbered 192. Mimeograph duplication rectos only with white revision pages throughout dated 10-13-66. Pages Very Good wrapper Very Good with light toning to the extremities and tearing at the rear wrapper's binding bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown
1956145504Los Angeles: Bert E. Friedlob Productions 1956. Vintage press photograph of actors Dana Andrews and Sidney Blackmer on the set of the 1956 film. With a rubber stamp on the verso. <br /> <br /> A newspaper publisher conspires with his to be son-in-law to expose the ineptitude of the district attorney who has wrongly sentenced multiple people to death. <br /> <br /> Shot on location in Chicago. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Grant Worldwide. Selby US Canon. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US. Bert E. Friedlob Productions unknown
1972WRCLIT68340Culver City: Columbia Pictures 1972. Eight pictorial lobby cards 11 x 14". Cards #s 1 and 2 show heavy creasing with #1 having a 1" closed tear from the middle top edge faint production crease to top edges of three others lower corner margin of #4 has a few dust spots otherwise a nice set unused. A complete set of the lobby cards promoting Gardner's superb adaptation to the screen of his own first novel. John Huston directed and Stacy Keach Jeff Bridges Candy Clark and Susan Tyrell starred. Tyrell was nominated for an Academy Award in the category of Best Supporting Actress for her performance as the barfly Oma. Columbia Pictures unknown books
1970141703N.p.: N.p. 1970. Draft script for an unproduced film. Manuscript note laid in.<br /> <br /> In 1926 a sex worker decides to strike out on her own and form a bordello finding women who are brave and courageous enough to do what they want. <br /> <br /> Set in San Francisco. <br /> <br /> Lacking wrappers. Title page present with credit for screenwriter Garrie Bateson. 113 leaves pages not numbered. Xerographic duplication rectos only. Pages Near Fine housed in a three ring binder. N.p. unknown
1950142329N.p.: N.p. 1950. Draft script for an unproduced film. Ribbon copy typescript. <br /> <br /> A gentleman pays the bail of a recently-jailed political activist who is then invited to a meeting of the League of Free Men. When the activist turns up murdered a few days later with a mysterious note found on his body the police begin investigating exactly what this organization is all about. <br /> <br /> Set in London. <br /> <br /> Brown titled wrappers with typescript title label affixed on the front wrapper. Title page present noted as First Version with credits for G.E. Moore. 98 leaves with last page of text numbered 94. Ribbon copy typescript with type in black and red. Pages Very Good plus wrapper Very Good plus bound with a string binding. N.p. unknown
1950142332N.p.: N.p. 1950. Treatment script for an unproduced film. Ribbon copy typescript. <br /> <br /> A violent gang of men chaos all over the outskirts of London by beating up the daughter of an older woman they are sheltering and abducting people throughout the London countryside. <br /> <br /> Set in London. <br /> <br /> Brown titled wrappers with typescript title label affixed on the front wrapper. Title page present with credits for screenwriter G.E. Moore. 34 leaves with last leaf of text numbered 31. Ribbon copy typescript. Pages Near Fine wrapper Near Fine with string binding. N.p. unknown
