4 025 résultats
1960150624UK: Warwick Film Productions 1960. Collection of 35 vintage double weight reference photographs from the 1960 film. One photograph showing actors Yvonne Mitchell and Peter Finch relaxing on the set a second photograph with holograph annotations regarding layout on the verso. <br/><br/>A dramatization of the libel and criminal cases involving Oscar Wilde and the Marquess of Queensberry based on both the 1948 nonfiction book by Montgomery Hyde and the 1955 play "The Stringed Lute" by John Furnell. <br/><br/>10x 8 inches. Generally Near Fine. <br/><br/>Complete collation details available on request. Warwick Film Productions unknown books
1949148507Burbank CA: Warner Brothers 1949. Three vintage photographs of Patricia Neal applying makeup on the set of the 1949 film. <br/><br/>Adapted to the screen by Ayn Rand from her novel one of only three screenplays she wrote during her brief tenure in Hollywood. <br/><br/>In approaching the film adaptation of Rand's iconoclastic work King Vidor dispensed with typical Hollywood production techniques and focused on creating an expressionistic film one that literally echoed the architectural underpinnings of its characters' philosophies motives and ambitions. Unusual choices included modernist cinematography expressionistic set designs and wardrobe and having Ms. Rand herself adapt her own screenplay. <br/><br/>Two photographs 7.5 x 9.25 inches. One photograph 7.75 x 9.5 inches. Near Fine with light edgewear. <br/><br/>Complete collation details available on request. Warner Brothers unknown books
1948133625London: Carol Reed Productions 1948. Vintage candid photograph from the UK release of the 1949 film. <br/><br/>From the archive of Maurice Bessy with his stamp on the verso along with the stamp of photographer Leslie Baker and another for Carol Reed Productions and The London Films Studios in Shepperton England. A mimeo snipe also on the verso describes the photo in which the film's star Joseph Cotten looks down lovingly on two miniature Pinscher dogs who are sitting in Welles' directing chair. Noted is the fact the two dogs are from the only known family of the breed in the United Kingdom. <br/><br/>Carol Reed's classic 1949 British film noir starring Joseph Cotten and Orson Welles at the peak of their respective powers was the second of three films in which Graham Green collaborated directly with Reed and remains Greene's only originally screenplay. <br/><br/>8 x 10 inches. Fine. In a lovely museum-quality frame with archival UV glass double mounted with both sides exposed for viewing. <br/><br/>Complete collation details available on request. Carol Reed Productions unknown books
1931130961Hollywood: Paramount Pictures 1931. Revised Final Script for the 1932 pre-Code film an early starring role for Carole Lombard. Rubber stamped as a Paramount File Copy at the top right corner of the front wrapper. <br/><br/>Penelope Newbold is a wealthy divorcée looking to remarry. She falls for her physician Dr. Karl Bemis but ends up marrying Bill Hanaway. Bill then has an affair with another woman. <br/><br/>Tall peach side stapled self wrappers noted as Third Buff Script on the front wrapper dated October 6 1931 with credits for writers Hughes Heath Buchman and Leahy. 205 leaves on peach stock mimeograph duplication with annotations throughout. Paramount Pictures unknown books
1916131912Neuilly-sur-Seine France: Gaumont 1916. Vintage double weight matte finish still photograph from the legendary 1916 silent film serial. With the Gaumont logo at the lower right corner. <br/><br/>The last of Feuillade's three film serial masterpieces preceded by "Fantomas" 1913 and "Les Vampires" 1915 combining elements of both its predecessors. In Judex Latin for "judge" Feuillade furthered his vision of the dark enigmatic anti-hero he introduced with the legendary Fantomas character and utilized Musidora-who played the lead character Irma Vep in "Les Vampires"-as the villainess. Judex was a step forward from the criminal Fantomas however predicting pulp heroes to come such as The Shadow and especially Batman in the US: he was a masterful fighter an expert in disguise and kept his headquarters in the subterranean passages beneath a ruined castle lavishly outfitted with high tech gadgets. Feuillade shot "Judex" in 1914 but the outbreak of World War I delayed release in France until 1916 and wide release until 1917. <br/><br/>Pictured here is Judex cunning and silent in a stunt scene where in he attempts what we suspect will be successful entry into an unsuspecting criminal's car while the vehicle is in motion. <br/><br/>11 x 9 inches. A few pinholes at the corners else Near Fine. <br/><br/>Hardy The BFI Companion to Crime p. 187-188. Gaumont unknown books
1994144358Hollywood: Icon Entertainment 1994. Draft script for the 1995 film. An early draft produced prior to the film having an association with Mel Gibson's production company Icon Entertainment International. <br/><br/>Winner of five Academy Awards including Best Picture and Best Director and nominated for another five including Best Original Screenplay. <br/><br/>Orange titled wrappers production No. 53 dated March 24 1994 with credits for screenwriter Randall Wallace. 110 leaves with last page of text numbered 110. Xerographic duplication rectos only dated 31-Mar-94. Pages Near Fine wrapper Very Good with some tears and folding at the extremities silver prong binding. Icon Entertainment unknown books
1941134870Hollywood: Paramount Pictures 1941. Vintage double weight studio still photograph of hapless Henry Fonda and beguiling Barbara Stanwyck from the 1941 film. Rubber stamp on the verso dated December 4 1940 indicating that Hollywood Advisory Council i.e. Hayes Office has approved the photo as not being scandalous. <br/><br/>8 x 10 inches. Fine. <br/><br/>National Film Registry. Criterion Collection 103. Paramount Pictures unknown books
1943150216Los Angeles: Paramount Pictures 1943. Collection of five vintage borderless double weight reference photograph taken on location for the 1943 film most showing director Sam Wood and actors Joseph Calleia Lilo Yarson Gary Cooper Katina Paxinou and Ingrid Bergman. With printed mimeo snipes affixed to the verso. <br/><br/>From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969.<br/><br/>Based on Ernest Hemingway's 1940 novel which follows the experiences of an American fighting against the fascists in the Spanish Civil War and his relationship with a young guerrilla fighter. Nominated for nine Academy Awards winning one for Best Supporting Actress for Katina Paxinou. <br/><br/>Set and shot on location in Spain.<br/><br/>9.5 x 7.5 inches. Near Fine. Paramount Pictures unknown books
1949144415Los Angeles: Twentieth Century-Fox 1949. Final Draft script for the 1950 film. With a "New York Legal Department" rubber stamp to the front wrapper and extensive holograph pencil annotations throughout likely by a professional reader regarding differences between the source novel by Thomas B. Costain and the script. <br/><br/>Based on Costain's 1945 novel and partially conceived as a sequel to the 1949 film "Prince of Foxes" in order to reunite Tyrone Power and Orson Welles. "The Black Rose" features Power as a Saxon youth who runs away from England during the Crusades. Somehow he and his North African warlord friend Orson Welles make it to China where they get involved with the court of Kubla Kahn. Nominated for an Academy Award. <br/><br/>Set in England and the Far East shot on location in England and Morocco. <br/><br/>Blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 19 and production No. 125 dated May 4 1949. Distribution page present with receipt removed. Title page present dated May 4 1949. PAGES leaves with last page of text numbered 161. Mimeograph duplication rectos only with blue revision pages throughout dated 5/17/49 and 7/5/49. Pages Fine wrapper Very Good bound internally with three gold brads. Twentieth Century-Fox unknown books
1963143079Neuilly-sur-Seine France: Argos Films 1963. Archive of 15 vintage borderless photographs from the 1963 film each photograph showing director Alain Resnais on the set often accompanied by cast crew or camera and lighting set ups. With holograph annotations on the verso of a few photographs. <br/><br/>In a small seaside town an antiques dealer her former lover and her son all struggle in with real or imagined elements of their past. Resnais third feature and second film working with screenwriter Jean Cayrol having previously collaborated on the 1955 short film "Night and Fog." <br/><br/>Set and shot in Boulogne-sur-Mer France. <br/><br/>10 x 8 inches. About Near Fine. <br/><br/>Criterion Collection 824. Rosenbaum 1000. Argos Films unknown books
1948125205Los Angeles: Selznick International Pictures / Vanguard Films 1948. An archive of 7 scripts including rough drafts screenplays post-production scripts and support documentation for the 1947 film "The Paradine Case" directed by Alfred Hitchcock based on the 1933 novel by Robert Hichens written for the screen by a host of screenwriters including Hitchcock Alma Reville David O. Selznick and others many of whom are not credited on IMDB and starring Gregory Peck Ann Todd Charles Laughton and Ethel Barrymore. <br/><br/>The archive contains 7 scripts 4 of which are pre-production all bound in titled wrappers and bound with brads except where indicated:<br/><br/>First rough draft of the script with dialogue from the novel by Alfred Hitchcock and Alma Reville dated April 16 1946 and re-run on June 12 1946 with a third run on August 12 1946. Blue wrappers rubber-stamped copy No. 77 195 pages. Very Good to Near Fine. <br/><br/>Final shooting script by Alma Reville and David O. Selznick dated December 10 1946. Yellow wrappers with credits on the front wrapper for Selznick and Reville novelist Hichens and director Hitchcock. Rubber-stamped copy No. 165. 177 pageswith pink yellow and green revision pages dated variously between 12/15/46 and 3/3/47. 4 leaves on onionskin stock all typed carbons. Near Fine. <br/><br/>Description of Settings and Props compiled from the novel dated April 17 1946. Blue wrappers rubber-stamped copy No. 18 Near Fine condition. 7 pages. <br/><br/>Costumes compiled from the novel dated April 17 1946. Blue wrappers rubber-stamped copy No. 24. Near Fine. 10 pages. <br/><br/>Dialogue Cutting Continuity for the film dated February 19 1948. Light blue wrappers. Near Fine. 115 pages. <br/><br/>Dialogue Cutting Continuity for the Trailer dated February 27 1948. Gray wrappers. Near Fine condition saddle-stapled at the top edge. 5 pages. <br/><br/>Timing Sheets for the initial release of the film and the first trailer dated March 1948 and credited to S.G. Samuels. <br/><br/>Combined 16mm Cutting Continuity for the 1961 re-release of the film detailing 4 reels Green self-wrappers 126 pages dated April 30 1961. Near Fine. <br/><br/>Selby US. Spicer US. Selznick International Pictures / Vanguard Films unknown books
1971WRCLIT83345Los Angeles: Twentieth Century-Fox / APJAC Productions 1971. 1108 leaves. Quarto. Mechanically reproduced typescript printed on rectos only of pale blue-green stock. Bradbound in printed studio wrappers. Ink squiggle on upper wrapper with some darkening along top edge of same some use to wrappers with a few small chips at edges upper wrapper detached from brads internally very good. A "first draft" of Grodin's adaptation of Allen's 1969 Broadway play. The draft is undated but two inserted revises on darker blue paper are dated 15 February 1971. Eventually Allen himself undertook the screenplay for the final film and a cursory examination of the first few pages evidences considerable variation between Grodin's draft and Allen's screenplay. The film which was a Paramount production rather than 20th Century- Fox was released in May 1972 was directed by Herbert Ross and starred Allen Diane Keaton Tony Roberts Jerry Lacy Viva Joy Bang et al. Actual pre-production scripts by Allen or for films based on his sourceworks tend to be rather uncommon their circulation being largely confined to those actually involved directly in production. Twentieth Century-Fox / APJAC Productions unknown books
1980129295Rome: Vides Cinematografica 1980. Set of 10 master typescripts for the ambitious 1982 television mini-series all dated June 1980 used as a master for printing the final scripts. Anthony Burgess was one of the series writers credited on the title page of each segment and Ennio Morricone composed the original score. <br/><br/>Present are scripts for all 8 segments of the mini-series. Also included is a script for an unproduced segment titled "Ruby of Ceylon" and a separately bound "Series Outline." Screenwriters Burgess and Labella are present on the title page of all 8 produced segments though not on "The Ruby of Ceylon". <br/><br/>An international co-production financed by the US Italy Japan and China. Shot on location in Beijing Inner Mongolia Italy and Morocco. Nominated for two Prime Time Emmys. <br/><br/>Complete collation and condition details are available on request. Shipping billed at cost. <br/><br/>Series Outline:<br/><br/>Yellow titled wrappers. Title page present noted as Outline with credits for screenwriters Burgess and Labella. 27 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. <br/><br/>Episode I<br/><br/>Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 37 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. <br/><br/>Episode II:<br/><br/>Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 35 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. <br/><br/>Episode III:<br/><br/>Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 31 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. <br/><br/>Episode IV:<br/><br/>Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 44 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. <br/><br/>Episode V:<br/><br/>Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 47 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. <br/><br/>Episode VI:<br/><br/>Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 38 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. <br/><br/>Episode VII:<br/><br/>Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 40 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. <br/><br/>Episode VIII:<br/><br/>Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 66 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. <br/><br/>The Ruby of Ceylon unfilmed:<br/><br/>Yellow titled wrappers. Title page present with credits for screenwriters Burgess and Labella. 28 leaves mechanical duplication. Pages Fine wrapper Fine bound with two gold brads. Vides Cinematografica unknown books
1957136403Los Angeles: Twentieth Century-Fox 1957. Draft script for the 1957 film. In Selznick Studio wrappers with the insignia on the front wrapper. An original production script with a perforated distribution leaf preceding the title page. <br/><br/>The second film version of Ernest Hemingway's 1929 novel and also the last film produced by David O. Selznick. Frederick Henry Hudson is an American serving in the Italian Army during WWI where he meets Catherine Barkley Jones a Red cross nurse. They have a torrid affair which results in pregnancy. The two gradually lose contact with one another. But Henry makes it to Switzerland where Barkley is hospitalized. The baby is stillborn and Barkley dies shortly afterward. <br/><br/>Set in Europe shot on location in Italy. <br/><br/>White titled wrappers with credits for screenwriter Hecht original director Vidor and producer Selznick. Title page present dated 1957 with a credit for screenwriter Hecht. 177 leaves with last page of text numbered 173. Mimeograph on eye-rest green stock. Pages and wrapper Near Fine bound with two gold brads. <br/><br/>Davenport p. 122. Twentieth Century-Fox unknown books
1961133624Stockholm: Svensk Filmindustri 1961. Vintage oversize Swedish still photograph from the 1961 film. With the Svensk Filmindustri logo at the bottom right corner. <br/><br/>In a typically heavy moment from the film Max Von Sydow Martin and Lars Passgard Minus stand together in a moment of silence. Shot by the film's cinematographer the legendary Sven Nykvist. <br/><br/>11 x 9 inches. In a custom museum-quality frame archivally mounted with UV glass. Fine. <br/><br/>Criterion Collection 209. Svensk Filmindustri unknown books
1979136454Hollywood: Paramount Pictures 1979. Final Draft script for the 1980 film. <br/><br/>A shining credit for John Travolta based on an article in Esquire magazine 1978 by Aaron Latham. A country boy moves to the city to take a job with his uncle meets a cowgirl and the two fall in love and eventually get married. Another man threatens their relationship but if Travolta can master a mechanical bull all will work out in the end. <br/><br/>Set in Houston Texas shot on location throughout Texas. <br/><br/>Black titled wrappers. Title page present dated May 7 1979 noted as FINAL DRAFT with credits for screenwriters Latham and Bridges. 133 leaves with last page of text numbered 127. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound with three gold brads. <br/><br/>Complete collation details available upon request. Paramount Pictures unknown books
1993142455Los Angeles: Twentieth Century-Fox 1993. Rainbow Draft script for the 1994 film. <br/><br/>One of the best action films of the 1990s which launched the career of Sandra Bullock turned Keanu Reeves into a star and Dennis Hopper into a catchphrase. <br/><br/>Director and screenwriter Joss Whedon went uncredited as the film's script doctor and screenwriter Graham Yost went on to create and write the acclaimed television series "Justified" 2010. <br/><br/>Winner of two Academy Awards nominated for a third. <br/><br/>Self wrappers. Title page present dated September 20 1993 noted as REVISED #3 GREEN with credits for screenwriter Yost. Title page integral with the front wrapper as issued. 251 leaves with last page of text numbered 12. Mechanical duplication with blue green pink goldenrod and salmon revision pages throughout dated 9/20/93 and 10/5/93. Pages Near Fine bound with two gold brads. Twentieth Century-Fox unknown books
1975149627Los Angeles: Twentieth Century-Fox 1975. Set of five vintage borderless reference photographs from the 1975 film four in black and white one in color the last being a striking still shot of the altered RKO Radio Picture logo one of the earliest examples of a stately studio logo being customized for a particular film.<br/><br/>A cult film favorite based a now lesser-known 1973 stage musical by Richard O'Brien. On a dark and stormy night an uptight young couple finds that their car has broken down in the middle of nowhere forcing them to seek shelter at the weird and wonderful home of Dr. Frank-N-Furter a mad and perverse scientist.<br/><br/>Photos vary from 9.25 x 7 inches to 10.25 x 8 inches. About Near Fine. Twentieth Century-Fox unknown books
1935149650Paris: Arys 1935. Vintage reference photograph of Josephine Baker from the 1935 French film. With a provenance stamp and the stamp of Cinemagence on the verso along with holograph ink and pencil annotations.<br/><br/>A French novelist brings a Tunisian shepherdess to Paris where she poses as an African princess to gain access to high society. Baker's fourth feature film appearance a success in Europe which went unseen for decades in the US as a result of Hays Office censors refusing to pass the film due to the implication of an interracial romance. <br/><br/>Set in Paris and Tunisia shot on location in Tunisia. <br/><br/>8 x 10 inches. Near Fine. Arys unknown books
1975128841Los Angeles: American International Pictures AIP 1975. Draft script for the 1976 film. <br/><br/>The final film to be released by Amicus Productions an arm of American International Pictures that served as Hammer Films' chief rival for horror and genre pictures in the 1960s and 1970s. Without a doubt one of the silliest Burroughs adaptations with no-budget special effects and an affectionately over-the-top performance by genre actor supreme Peter Cushing. <br/><br/>Original red wrappers with title in black marker to the front wrapper. Title page present dated July 29 1975 with credits for screenwriter Subotsky and novelist Burroughs. 95 leaves mechanical duplication with pink revision pages throughout dated 5th December 1975. Pages Very Good plus wrapper Very Good plus bound internally with two brads. American International Pictures [AIP] unknown books
1960144529Rome: Titanus 1960. Two vintage borderless double weight photographs from the 1960 film. With holograph annotations and an agency stamp on the verso of each. <br/><br/>Rosaria Katina Paxinou recently widowed moves to Milan from the countryside with four of her sons to join her eldest. Each take different paths as they struggle to adjust to life in the city. <br/><br/>Shot on location in Milan and Rome Italy. <br/><br/>12 x 8 inches. Near Fine. <br/><br/>Ebert III. Eureka Masters of Cinema 133. Titanus unknown books
1938106085Paris: Regina / Kassler 1938. Original screenplay for the 1938 French drama "Entree des artistes" The Curtain Rises one of the best-loved Louis Jouvet dramas of the 1930s wherein Jouvet played exactly what he was in real life: an actor and teacher of drama. One of only a handful of screenplays from 1930s French films that we have ever seen. Rare. <br/><br/>Owner name in light pencil to the second leaf and a few pencil annotations to the first few scenes. Quarter cloth with moderately worn composition book-style card covers. Good to Very Good overall. Regina / Kassler unknown books
1973142115London: Brut Productions / NBC 1973. British Draft script for the 1973 film. Included are 4 vintage double weight black-and-white reference photographs of Glenda Jackson from the film. <br/><br/>A romantic comedy with a touch of pathos that was a box-office hit on both sides of the Atlantic in which George Segal and Glenda Jackson can't seem to stop running into one another and finally bow to the inevitable. Jackson won the Oscar for Best Actress and the film was nominated for 4 others including Best Picture Best Music and Best Screenplay. <br/><br/>Green titled wrappers with die-cut title window in the British style for this period. Title page present with credits for director-screenwriter Frank and screenwriter Rose along with Connaught Productions in England. 137 leaves eye-rest green mechanical duplication rectos only. Pages and wrapper Near Fine bound with two silver brads. In a custom quarter leather clamshell box. Photos with cropping annotations on the versos and two with "Films in London" rubber stamps on the versos else Near Fine overall. Brut Productions / NBC unknown books
1962148877N.p.: N.p. 1962. Vintage borderless reference photograph of Monica Vitti sitting on a sofa and staring into the existential void from the 1962 film. "ROMA's Press Photo" stamp on verso with address in Rome for same. <br/><br/>The third and final chapter of Michelangelo Antonioni's trilogy preceeded by "L'Avventura" 1960 starring Gabriele Ferzetti and Monica Vitti and "La Notte" 1961 starring Marcello Mastrioianni Jeanne Moreau and Monica Vitti.<br/><br/>Vittoria Vitti leaves her fiance Riccardo Francisco Rabal for Piero Alain Delon a young stock broker obsessed with material possessions and wealth.<br/><br/>Awarded the Jury Special Prize and nominated for the Palme d'Or at the 1961 Cannes Film Festival.<br/><br/>Shot on location in Rome and Verona Italy. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Criterion Collection 278. Rosenbaum 1000. Vogel Film as a Subversive Art. Scorsese My Voyage to Italy. N.p. unknown books
1964143227Paris: Les Films Ariane 1964. Collection of 343 vintage black-and-white photographs from the set of the 1964 film "That Man from Rio" here under the original French title "L'homme de Rio." Most are rubber-stamped on the versos indicating film studio Les Films Ariane still photographer Trigo Brazilian magazine "O Cruzeiro " and French film title several with annotations in holograph ink also on the verso several with Trigo's name in holograph ink. Over 100 smaller photos bear white borders and credit for photographer Voinquel. Also included is an issue of French magazine "Telérama" Sunday August 18 1963 No. 709 featuring cover and editorial on Belmondo and the film an original Somarco accordion folder dated 1963 and original mailing envelope addressed to Maryse Martres Ariane Films Champs-Élysées from Télé-photo Paris. Martres Martin was a prolific French actress who was later involved in press relations at Cinedis a notable film agency in operation since the Silent Film era. <br/><br/>Airman Adrien Dufourquet Belmondo is in Paris on shore leave eager to see his Agnes Dorléac. When he finally sees her only briefly before she's kidnapped and held for ransom by a treasure-hungry family friend. A James Bond spoof in the wake of Belmondo's swashbuckling success "Cartouche" 1962 opposite Claudia Cardinale with puzzle solving murder in Brasilia art thieves and a pursuit to find sacred Amazon treasure. Nominated for an Academy Award for Best Writing Story and Screenplay: Written Directly for the Screen 1965 and winner of a New York Film Critics Circle Award for Best Foreign Language Film 1964. <br/><br/>Members of the cast and crew are featured throughout the collection including director de Brocca who earlier worked under directors Claude Chabrol and François Truffaut Belmondo cameramen and an extensive look at the scenery of Brazil and Paris. Boats racing Belmondo dangling from a speeding car and languid down times as cast and crew break for naps in the shade photographer Trigo's often provocative angles capture the director in dimly lit noirish scenarios and a glimpse of the action-packed thrill-ride of shooting a Bond spoof with elements of MacGuyver. Coincidentally photographer Voinquel's direct approach shows stills from a more casual standpoint not without generous documentation of the crew behind the camera. <br/><br/>Photographs 7 x 9.25 inches and 3.5 x 5 inches some varying slightly overall. Mailing envelope and folder each 10 x 12.5 inches. Photos Very Good Plus overall moderate curling several with bruises or insect wear at the edges several with moderate dampstains. Envelope and folder Good with short tears and similar dampstains. Magazine Very Good wavy brief toning. Les Films Ariane unknown books
