4 025 résultats
1971151550N.p.: Alfa Cinematografica 1971. Vintage oversize borderless reference photograph of Luchino Visconti and Silvana Mangano on the set of the 1971 film. Mimeo snipe "Parimage" stamp and "Camera Press" stamp on verso. <br/><br/>Based on Thomas Mann's 1912 novella. Mann's lonely and obsessed novelist was transformed by Visconti into a composer based on Mahler who travels to Venice for his health and becomes increasingly obsessed with an adolescent Polish boy. The middle film of Visconit's "German Trilogy" an impressionistic conceptual cycle that begins with "The Damned" 1969 and ends with "Ludwig" 1972. Nominated for an Academy Award and for the Palm d'Or.<br/><br/>Shot on location in Venice Italy. <br/><br/>12 x 9 inches. Very Good plus with some creasing and two small closed tears to left edge. <br/><br/>Criterion Collection 962. Vogel Film as a Subversive Art. Alfa Cinematografica unknown books
1968148783Glendale CA: Allied Artists 1968. Collection of eight vintage studio still photographs from the US release of the 1967 French film. <br/><br/>Bunuel's first color film about a bored and directionless young housewife who begins working in a brothel while her husband is at work with tragic consequences for him and a jealous client involved in organized crime. Winner of the Golden Lion at the 1967 Venice Film Festival. <br/><br/>Set in and shot on location in Paris. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Complete collation details available on request.<br/><br/>Godard Histoires du cinema. Vogel Film as a Subversive Art. Rosenbaum 1000. Ebert I. Criterion Collection 593. Allied Artists unknown books
1967135079Paris: Robert et Raymond Hakim / Sud-Films Distribution 1967. Vintage black-and-white borderless press photograph of director Luis Bunuel with cinematographer Christian Matras and the cast on the set of the 1967 film. With a European press agency stamp on the verso "Photo exclusive / EUROPANEWS" a date stamp of April 8 1969 and a few other annotations. <br/><br/>8 x 10 inches. Very Good to Near Fine. Robert et Raymond Hakim / Sud-Films Distribution unknown books
1955003055New York: MGM 1955. MGM Publicity Department New York City NY 1955. Original press kit or "Editor's Portfolio" for the 1955 film musical GUYS AND DOLLS. Included in the 9" by 11 ½" press kit are 12 vintage photographs including glamorous head shots of Marlon Brando Jean Simmons Frank Sinatra and Vivian Blaine. Plus 20 studio-mimeographed pages of promotional information Synopsis Cast List Song List Production Notes and more. The portfolio is in FINE condition all contents equally pristine the twelve fresh photos sport studio snipes on their reverses. All contained in a Fine 10" x 13" MGM printed envelope. In short this original press kit looks untouched and is likely a rare survival. Press Kits from the 1950s are notoriously rare and this one has a provenance: it came directly from the collection of Turner Classic Movies host Robert Osborne Letter of Authenticity included. First Edition Thus. Original Wraps. Fine/Fine. MGM paperback books
1938133673Burbank CA: Warner Brothers 1938. Final Draft script for the 1938 film. From the library of producer Mark Hellinger who wrote the film's screenplay bound in red three-quarter leather with gilt titles and designs marbled endpapers raised bands trimmed edges and Hellinger's name in gilt on the front board. Also included is a typescript on onionskin stock with the title and credits for Hellinger and story writer Faith Baldwin on the front wrapper in holograph ink. Finally laid in is a typed letter signed by Bette Davis dated March 31 1939 on Davis' stationery thanking Hellinger for kind words regarding her film "Dark Victory" 1939 and discussing her dismay with the script for "Comet Over Broadway" and her resulting decision to part ways with the film. <br/><br/>Mark Hellinger's first screenplay for Warner Brothers. His other credits include the noir antecedent "The Roaring Twenties" 1939 screenwriter "It All Came True" 1940 producer and his notable series of foundation noir films "High Sierra" 1941 associate producer "The Killers" 1946 producer and "The Naked City" 1948 producer. <br/><br/>Based on a story by Faith Baldwin published in "Cosmopolitan" in 1937 about Eve Appleton Francis wife of garage owner Bill Appleton Litel and aspiring actress. Bill gets into an argument with an actor over Eve and accidentally kills him. Eve takes her infant daughter and tries to make her way on Broadway while Bill is imprisoned. Set in New York. <br/><br/>Bound script:<br/><br/>Noted as FINAL on the distribution page dated 3/28/38 with credits for Hellinger Robert Buckner N. Brewster Morse Fritz Falkenstein and Frank Cavett on the following page flatsigned by Walter MacEwen. Distribution page present with receipt intact. 155 leaves mimeograph duplication dated August 19 1938 and August 22 1938 screenwriters' credit page. Pages and binding Near Fine. <br/><br/>Typescript:<br/><br/>Blue wrappers. "Comet Over Broadway by Mark Hellinger / after a story by Faith Baldwin" in holograph ink on the front wrapper. Title page present with credits for screenwriter Hellinger and story writer Baldwin. 78 leaves typed watermarked "MILLERS FALLS." Pages Near Fine wrapper Very Good plus bound with two gold brads. <br/><br/>Bette Davis letter and envelope: <br/><br/>Light soil and a closed tear to the envelope. Letter folded horizontally else Near Fine. Warner Brothers unknown books
1995149323Universal City: Universal Pictures 1995. Two truly striking vintage reference photographs taken on the set of the 1995 film. With holograph pencil and ink annotations regarding layout and the printed label of the film's still photographer Phillip V. Caruso to the verso. Shown in the two photographs are Scorsese working with actors and crew on the expansive casino floor set. Also shown are Robert De Niro Don Rickles Billy Crystal and others. <br/><br/>Based on screenwriter Nicholas Pileggi's 1995 nonfiction book "Casino: Love and Honor in Las Vegas." Martin Scorsese's fifteenth film one of his finest a fast-paced bloody tale following a low-level mobster and gambling expert who climbs to power at the Mafia-run Tangiers Casino in the 1970s.<br/><br/>Set and shot on location in Las Vegas with casino scenes shot at the Riviera.<br/><br/>10 x 8 inches. Fine. <br/><br/>Spicer US Neo-Noir. Universal Pictures unknown books
1981144553New York: New Regency Films 1981. Collection of three vintage photographs from the shooting of the 1982 film. Mimeo snipe on the verso of one photograph and holograph annotations and agency stamps on the verso of each.<br/><br/>Perhaps Scorsese's most underrated film "The King of Comedy" is a brilliant study of celebrity worship and American media culture by way of an exploratory journey into the mind of Rupert Pupkin a man totally lacking in self-awareness driven only by obsession. The titular character is played by Robert De Niro cast completely against type in furious pursuit of his idol Jerry Langford Jerry Lewis along with the genius addition of Sandra Bernhard as De Niro's crazed groupie assistant. <br/><br/>Set and shot on location in New York. <br/><br/>8 x 10 inches. Near Fine. New Regency Films unknown books
1962126547Los Angeles: Twentieth Century-Fox 1962. First Draft script for the 1963 film. <br/><br/>A nuanced "invasion from Mars" film that borrows cleverly from both "Invasion of the Body Snatchers" aliens use human beings as physical hosts and Val Lewton threat of a creature but creature is only implied not shown. An unusually heavy emphasis on dread atmosphere and characterization makes this one of the most overlooked "adult" science fiction films of the 1960s. <br/><br/>Black three-ring binder noted as "DAY MARS INVADED EARTH" on the front wrapper with a credit for screenwriter Spalding as "Spaulding". Title page present with the title "SPACERAID 63" with a credit for screenwriter Spalding production No. 6277 dated June 22 1962. 96 leaves mimeograph duplication with blue revision pages throughout dated 6/28/62. Pages Near Fine with a few small creases binder wrapper Near Fine with a bit of wrinkling to the front title label. Twentieth Century-Fox unknown books
1969129421Troy MI: Anchor Bay Entertainment 1969. First Draft script for the 1971 film. With several annotations in holograph pencil and ink throughout. Here under the working title "Somewhere in the Mountains There is a Last Valley." Based on the 1959 novel by J.B. Pick. <br/><br/>Cited often by actor Michael Caine as his favorite of all his many acting roles. During the Thirty Years' War in Germany Vogel Sharif a teacher is being pursued by a band of mercenaries fighting for the highest bidder regardless of religious affiliation lead by "The Captain" Caine. Vogel comes upon a village in a mountain valley yet untouched by the war and horror that has gripped most of continental Europe. The Captain soon comes upon the valley and decides to spend winter there and Vogel ends up acting as intermediary between the villagers and the soldiers. <br/><br/>Green titled wrappers. Title page present dated May 13 1969 noted as 1st Draft Screenplay with credit for screenwriter Clavell. 167 leaves with last page numbered 161. Mechanical duplication. Pages Very Good with some discoloration wrapper Very Good with some staining bound internally with three gold brads. Anchor Bay Entertainment unknown books
1957143131Paris: Cinedis 1957. Collection of 130 vintage black-and-white still photographs and 3 medium-format negatives for the 1957 French-Italian film. The collection consists of two unique but complimentary pieces one being a set housed in the original paper box with "Crumiere / Paris" paper label and annotations on the box top in holograph ink noting French film title and "B. Bardot" the other being nearly 100 smaller photographs elegantly presented mounted on thick stock in a "Lavis aquarelle" brand spiral bound notebook with maroon faux leather front wrapper and an affixed paper title label featuring the film's poster art of Bardot. Several photographs with series number on the verso in holograph pencil a few with rubber-stamps crediting film title and starring actors and photos in notebook numbered at the edges prior to being printed. <br/><br/>Bardot is amply represented in the collection and seen in nearly every image highlighting an array of hairstyles and costumes scenes in the pilot's cockpit snacking between takes dancing being curious at galas. Contact sheets glamour portraits of Madeleine Lebeau action sequences of bar fights and on-the-set images are equally prominent. Negatives show costume design illustrations for men in military uniforms. <br/><br/>Boisrond's fourth directorial credit is a comedy starring Bardot as the flirtatious daughter of the prime minister of France who marries a member of the cabinet Vidal who happens to be a womanizer. Taking control of the situation she has an weekend affair with a prince Boyer and ultimately reunites with her husband after somewhat passive apologies. <br/><br/>Photographs in large quarto notebook 4 x 5 inches to 8 x 10.5 inches mounted on thick stock. Boxed photographs 4.75 x 7 inches to 9.25 x 11.75 inches with 3 medium-format negatives 3.5 x 4.5 inches. Photographs Near Fine overall light curling a handful with short creases negatives Very Good notebook Very Good plus box Very Good. <br/><br/>Complete collation details available on request. Cinedis unknown books
1957144104Paris: Cinedis 1957. Collection of 150 vintage black-and-white keybook contact sheet photographs and 8 loose photographs for the 1957 French-Italian film. The film is represented in test shots set design shots and many candid moments from the set including dramatic high-contrast images of starring actors Bardot amply represented in the collection and seen in nearly every image off-camera with the cast and crew spinning records on a portable player and traveling by plane and train. <br/><br/>Most keybook photos with 12 images per sheet and a few have been trimmed to only a few images per sheet amounting to over 1700 images captured. Nearly all images with series number bordering the image but unlike similar examples from France all sheets lack credits for the photo laboratory film studio film title and often the photographer. A few with cropping annotations in holograph pencil on the image a few with brief annotations on the verso in holograph ink and two loose photographs with ditto-style mimeo snipes on the verso crediting original title Boyer Vidal Bardot and Boisrond. Housed in a blue paper 2-ring binder with French title mounted on the front with cello tape. <br/><br/>Boisrond's fourth directorial credit is a comedy starring Bardot as the flirtatious daughter of the prime minister of France who marries a member of the cabinet Vidal who happens to be a womanizer. Taking control of the situation she has an weekend affair with a prince Boyer and ultimately reunites with her husband after somewhat passive apologies. <br/><br/>Most keybook contact sheets and 3 loose photos 7 x 9.25 inches binder slightly larger and 5 loose photos 5 x 7 inches. A few contact sheets are cropped slightly smaller and all are 2-hole punched. Very Good Plus overall keybook photos rubbed.<br/><br/>Complete collation details available on request. Cinedis unknown books
1973148383Los Angeles: Twentieth Century-Fox 1973. Final Draft script for the 1794 film. INSCRIBED by star Art Carney on the front wrapper: "To Becky - / All good wishes / from Art Carney." <br/><br/>Also included are a complete set of eight lobby cards for the film and a 33-1/3 rpm record containing four 30-second radio advertisements for the film featuring Gene Shalit Rex Reed and Pauline Kael and Carney and Kael. <br/><br/>When his apartment building in New York is torn down an elderly man takes a cross-country road trip with his cat Tonto. Carney who worn heavy makeup to appear as the much older Harry won a Best Actor Oscar for his role beating a murders' row of performances that included Albert Finney "Murder on the Orient Express" Dustin Hoffman "Lenny" Jack Nicholson "Chinatown" and Al Pacino "Godfather II". The film was also nominated for Best Original Screenplay losing to "Chinatown." Tonto playing himself won a PATSY Award for Best Animal Performer in a Feature Film. <br/><br/>Blue illustrated wrappers noted as FINAL DRAFT on the front wrapper dated AUG 3 1973 with credits for screenwriters Paul Mazursky and Josh Greenfield. Title page present. 126 leaves with last page of text numbered 119. Xerographic duplication rectos only with white revision pages throughout dated variously between 9/18/73 and 10/31/73. Pages Fine wrapper Near Fine bound with two gold brads.<br/><br/>Lobby cards: 14 x 11 inches. Near Fine. <br/><br/>Record: Appears Fine with no visible scratches in a Near Fine untitled sleeve. Twentieth Century-Fox unknown books
1969151548N.p.: San Marco 1969. Two vintage borderless reference photographs of Pier Paolo Pasolini and Maria Callas on the set of the 1969 film. Photographer "Mario Tursi" stamps on versos. <br/><br/>Based on the ancient Greek myth and loosely on the 431 BC play by Euripides wherein the titular character famously kills her sons as revenge against an unfaithful husband. The sole feature film appearance of noted opera legend Maria Callas one in which she curiously does not sing. <br/><br/>Shot on location in Turkey Italy and Syria. <br/><br/>9.5 x 7 inches. Near Fine. <br/><br/>BFI 1088. San Marco unknown books
1980148840Paris: C. Darmon 1980. Collection of 16 vintage color French lobby cards from the 1980 French theatrical release of the 1980 US television miniseries. First broadcast in three parts on NBC on January 27 through 29 1980 in the US released theatrically in France.<br/> <br/>Based on the 1950 novel by Ray Bradbury. A three-episode miniseries which imagines a future world punctuated by catastrophes wherein humans land on Mars encounter a race of Martians whom they attempt to colonize unwittingly begin a global nuclear war on Earth and ultimately cause the mass devastation of life on both planets.<br/><br/>Set on Earth and Mars shot on location in the US Spain and the UK. <br/><br/>8.5 x 10.75 inches. Near Fine. C. Darmon unknown books
1989146487Los Angeles: Twentieth Century-Fox 1989. Shooting script for the 1990 film. With rainbow revision pages throughout.<br/><br/>Sequel to the 1988 action thriller based on the unrelated 1987 novel "58 Minutes" by Walter Wager. Two years after the Nakatomi Tower incident hard-nosed cop John McClane returns to save Dulles International Airport from grenade-wielding ex-military mercenaries. <br/><br/>Set in Washington DC and shot on location in Colorado California and Michigan. <br/><br/>Red titled wrappers dated SEPTEMBER 26 1989. Title page present dated November 16 1989 noted as SHOOTING SCRIPT with credits for screenwriter Doug Richardson and revision credits to Steven E. de Souza. 139 leaves with last page of text numbered 125. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between 11/25/89 and 3/20/90. Pages Near Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox unknown books
1921143526US: Metro Pictures Corporation 1921. Vintage photograph from the 1921 film. With a mimeo snipe on the verso. <br/><br/>Based on the 1916 anti-war novel by Vincent Basco Ibanez about a French and German family on both sides of World War I. Along with "The Sheik" later the same year the film the catapulted Rudolph Valentino to stardom and helped create his "Great Lover" image. The film also launched the career of director Rex Ingram made screenwriter June Mathis one of the most powerful woman in Hollywood inspired a tango craze and was the first to gross over $1000000 at the box office. <br/><br/>10 x 8 inches. Very Good plus with a partial and faint studio stamp on the recto light soil and edgewear. <br/><br/>National Film Registry. Metro Pictures Corporation unknown books
1979147117Universal City: Universal City Studios 1979. First Draft script for the 1981 film here under the working title "Family Dream." With the signature of an unknown crew member to the top right corner of the front wrapper. <br/><br/>A cynical ex-convict is hired to drive a group of orphaned special needs children and their schoolteacher across the country from Philadelphia PA to Seattle WA growing closer to the group in the process and gaining a new outlook on life.<br/><br/>Set in Philadelphia and Washington shot on location in Carnation Ellensburg and Snohomish Washington.<br/><br/>Green titled wrappers noted as FIRST DRAFT on the front wrapper marked as production No. 00545 dated JUNE 29 1979. Title page present noted as First Draft with credits for screenwriter Roger L. Simon and story credits to Richard Pryor. 129 leaves with last page of text numbered 128. Xerographically reproduced on eye-rest green stock rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. Universal City Studios unknown books
1961133200N.p.: N.p. 1961. Vintage oversize double weight candid photograph of Gregory Peck and producer Sy Bartlett conferring on the set of "Cape Fear" in 1961 during the final scene in which Peck's character Sam Bowden fights in swamp water with Max Cady Robert Mitchum. Shot struck and mounted by the film's still photographer Bob Willoughby. The photographer has written at the top of the verso in holograph ink: "Greg on set listens to producer Sy Bartlett." With Willoughby's ASMP rubber stamp with his Pacific Palisades address and a separate stamp with the address of the Lee Gross Agency in New York. Full provenance available. <br/><br/>After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br/><br/>In a custom museum-quality frame archivally mounted with UV glass. 13.5 x 9 inches. Near Fine. <br/><br/>Hardy The BFI Companion to Crime. Silver Classic Noir. Selby US. Spicer US. N.p. unknown books
1969133199N.p.: N.p. 1969. Vintage oversize double weight candid photograph of Alan Arkin Art Garfunkel and Martin Sheen on the set of Mike Nichols' "Catch-22" in 1969. Shot and struck by the film's still photographer Bob Willoughby. The photographer has written at the top of the verso in holograph pencil: "Candid during rehearsal / The boys break up in briefing room scene / Art Garfunkel Alan Arkin Martin Sheen." Also with Willoughby's ASMP rubber stamp for both his New York and Ireland addresses. Full provenance available. <br/><br/>After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br/><br/>In a custom museum-quality frame archivally mounted with UV glass. 13.5 x 10 inches. Near Fine. <br/><br/>National Film Registry. N.p. unknown books
1987149579N.p.: Xanadu 1987. Collection of six vintage borderless reference photographs from the 1987 film. With the label of Xanadu Film on the verso. <br/><br/>Co-directed by acclaimed photographer and filmmaker Robert Frank his only feature-length fiction film and experimental novelist Rudolph Wurlitzer who wrote the screenplay. A musician's road movie heavily influenced by the lives of Frank and Wurlitzer and featuring a cast full of notable musicians such as Tom Waits Leon Redbone Dr. John Joe Strummer Arto Lindsay and David Johansen.<br/><br/>Set in and shot on location in New York and Cape Breton Island Nova Scotia. <br/><br/>Shot on location in New York and Nova Scotia Canada.<br/><br/>7 x 5 inches. Fine.<br/><br/><br/>Rosenbaum 1000. Xanadu unknown books
1943148845Universal City: Universal Pictures 1943. Vintage publicity photograph of Lon Chaney Jr. and Louise Allbritton from the 1943 film. Mimeo snipe and "Photofest" label obscuring a "Carlos Clarens Collection" stamp on the verso. <br/><br/>The third Dracula film from the Universal Classic Monster series preceded by "Dracula" 1931 directed by Tod Browning starring Bela Lugosi and "Dracula's Daughter" 1936 directed by Lambert Hillyer starring Otto Kruger and Gloria Holden. <br/><br/>Count Dracula's son Count Alucard is invited to the Louisiana swamps by the young heiress where they secretly marry much to the dismay of her long time lover. Lon Chaney Jr.'s first and only time portraying a vampire.<br/><br/>Set in the swamps of Louisiana. <br/><br/>8 x 10 inches. Very Good plus with closed tear on bottom repaired with paper tape on verso slightly wavy. <br/><br/>Weaver and Brunas Universal Horrors. Universal Pictures unknown books
2001133189Paris: Jean-Louis Seigner 2001. Vintage oversize photograph of Roman Polanski on location in Warsaw in 2001 during the production of his 2002 film. <br/><br/>Based on the 1946 memoir by Wladslaw Szpilman about his survival in the Nazi-occupied Warsaw Ghetto during World War II. Winner of the Palme d'Or at Cannes and three Academy Awards including Best Director and Best Screenplay. Nominated for four others including Best Picture. <br/><br/>Set in Warsaw shot on location in Brandenberg and Berlin and Warsaw. <br/><br/>9.5 x 12 inches. Fine. In a custom museum-quality frame archivally mounted with UV glass. Jean-Louis Seigner unknown books
1939WRCLIT61324Culver City: Metro-Goldwyn-Mayer / Loew's Inc. 1939. 1145 leaves. Quarto. Mimeographed typescript printed on rectos only. Bradbound in printed and variously stamped studio wrappers printed label. Some small chips and tears to wrapper extremities 15 x 40 mm piece torn away from fore-edge of upper wrapper internally near fine. An unspecified - but revised and slightly extended - draft of this unproduced original though drawing on precedents screenplay by Salt undertaken rather early in his career at a point when IMDB records he had only one credited and two uncredited produced films under his belt. Another draft dated 17 days earlier is 17 pages shorter. In April 1951 Salt was called before the HUAC and then placed on the Black List. After struggling for a decade and a half with often- pseudonymous television writing and commercial work in 1969 he wrote the award- winning screenplay for MIDNIGHT COWBOY. Subsequent credits included SERPICO THE DAY OF THE LOCUST and COMING HOME. In 1987 just prior to his death he received the WGA Laurel Award in recognition of his achievements. The upper wrapper is stamped in succession noting the transition of this copy from "Temporary Complete" to "Vault Copy." Metro-Goldwyn-Mayer / Loew's Inc. unknown books
1939WRCLIT61323Culver City: Metro-Goldwyn-Mayer / Loew's Inc. 1939. 1128 leaves. Quarto. Mimeographed typescript printed on rectos only. Bradbound in printed and variously stamped studio wrappers printed label. Some small chips and tears to label and wrapper extremities otherwise very good internally near fine. An unspecified draft of this unproduced original though drawing on precedents screenplay by Salt undertaken rather early in his career at a point when IMDB records he had only one credited and two uncredited produced films under his belt. In April 1951 Salt was called before the HUAC and then placed on the Black List. After struggling for a decade and a half with often- pseudonymous television writing and commercial work in 1969 he wrote the award- winning screenplay for MIDNIGHT COWBOY. Subsequent credits included SERPICO THE DAY OF THE LOCUST and COMING HOME. In 1987 just prior to his death he received the WGA Laurel Award in recognition of his achievements. The upper wrapper is stamped in succession noting the transition of this copy from "Temporary Complete" to "Vault Copy." Metro-Goldwyn-Mayer / Loew's Inc. unknown books
1987141451Tokyo: Imamura Productions 1987. Draft script for the 1987 film. Text in Japanese. <br/><br/>The greatest pimp in all of Japanese history Iheji Muraoka also known as Zegen or the "Boss of the South Seas" grew in power as Japan grew. Not only were his achievements contributing to his mantle of success but he believed they advanced the global ambitions of his nation promoting patriotic interests. <br/><br/>Blue titled perfect bound wrappers. Title page present. 149 leaves with last page of text numbered 139. Mechanical duplication. Pages Near Fine wrapper Near Fine. Imamura Productions unknown books
