Sacha Guitry director screenwriter starring; Lana Marconi Claire Brilletti Pauline Carton starringABAA
4 025 résultats
1950135620Paris: B.M.P. Films 1950. Draft script for the 1950 French film "The Treasure of Cantenac" here under its title of origin "Le Tresor de Cantenac" on the title page with the film's working title "Un miracle" also on the title page. French copy company rubber stamp and faint pencil annotations on the front wrapper. Pre-New Wave items are scarce this being a completely original example with text in French throughout. <br/><br/>Set in a rundown French village the film is a series of vignettes illustrating the human condition. The Baron de Cantenac on the verge of suicide after losing his fortune goes on one last walk through his dying town. On the way he meets the town's oldest citizen who reveals a royal treasure that he has been jealously guarding for years. <br/><br/>Director-screenwriter-actor Guitry was a prominent French filmmaker during the post-WWI years of French cinema following in the footsteps of his father silent film actor Lucien Guitry. His notable film credits include English titles "The Lover of Camille" 1924 "The Story of a Cheat" 1936 "Nine Bachelors" 1939 "Royal Affairs in Versailles" 1954 a film notable for its appearance of a young Brigitte Bardot and "Napoleon" 1955. <br/><br/>Blue titled wrappers. Title page present undated with a credit for Guitry and B.M.P. Films in Paris the US branch is in California. 102 leaves with last page of text numbered 100. Mimeograph duplication. Pages Near Fine wrapper Very Good perfect-bound and side-stiched. B.M.P. Films unknown books
1991141425N.p.: Genjiro Amato 1991. Draft script for the 1991 film. Text in Japanese. <br/><br/>A semi-fictional account of Japanese artists Yumeji Takehisa who falls in love with a widow and then becomes a rival with the ghost of her dead husband and her husband's murderer. <br/><br/>Purple titled perfect bound wrappers. Title page present. 116 leaves with last page of text numbered 101. Mechanical duplication. Pages Near Fine wrapper Near Fine. Genjiro Amato unknown books
1944WRCLIT60306Los Angeles: Paramount Pictures 1944. Two volumes each foliated in reel/page format as: 11097101110108 leaves. Quarto. Mimeographed typescript printed on rectos only. Second item stapled at left margin first formerly stapled. Some corner creases "Master File Copy" and production number stamps on title leaf of first item pencil annotations name and ink file number on title leaf of second. Very good. Two late production states of the script for the 1945 film based on a story idea by Jack Wagner cowritten with John Steinbeck and adapted as a screenplay by Frank Butler. The release dialogue script records a print totaling 51 more feet than the censorship script. Irving Pichel directed and Dorothy Lamour J. Carrol Naish and Arturo de Cordova led the cast. Obviously little apart from Steinbeck's treatment for the film the Valentine collection included a carbon typescript may be easily identified as purely Steinbeck's work; however nothing relating to the script saw lifetime publication so even continuity scripts such as these take on some significance for Steinbeck scholars. Paramount Pictures unknown books
1971140633Los Angeles: Quintet Productions 1971. Draft script for the 1973 horror film. <br/><br/>A social worker Ann Gentry is assigned the case of the Wadsworth family whose youngest member is a grown man in his twenties named Baby because of his severely limited mental capacity. Baby is doted on by his mother and sister and his father is to blame for his impaired state because he left the family after Baby was born. The social worker decides to make it personal and problems arise. <br/><br/>Though campy on the surface one of the most genuinely disturbing horror films of the 1970s.<br/><br/>Purple titled wrappers with credits for screenwriter Abe Polsky. Title page present with credits for screenwriter Abe Polsky. 96 leaves with last page of text numbered 95. Mechanical duplication. Pages Near Fine wrapper Very Good plus bound with two gold brads. <br/><br/>Thrower Nightmare USA. Quintet Productions unknown books
1970147344Rome: Copisteria Attilia 1970. Draft script for the 1971 film here under the working title "Stress." With two holograph ink annotations to the front wrapper and title page noting the name of the film. Text in English. <br/><br/>Two young hippies who smuggle pornography for a living hide out in a seemingly abandoned villa-unaware the villa's owner is a middle-aged woman with twisted violent desires.<br/><br/>Set in Rome shot on location in Switzerland Denmark and Italy. <br/><br/>Cream titled wrappers dated 18 SETTEMBRE 1970 and marked as "Inglese" on the front wrapper. Title page present with credits for screenwriters Antonio Altoviti Lucia Demby and Umberto Lenzi. 158 leaves with last page of text numbered 156. Carbon typescript rectos only. Pages Very Good plus wrapper Very Good plus bound internally with two gold brads. Copisteria Attilia unknown books
1944134788Burbank CA: Warner Brothers 1944. Second Revised Final Draft script for the 1946 film. Copy belonging to the film's editor Clarence Kolster with his name in holograph pencil on the first revision page and annotations throughout mostly noting cut or completed scenes. Actress Bette Davis' name on the front wrapper in holograph pencil though Davis was the lead role in the earlier 1934 John Cromwell version. <br/><br/>This second film version of W. Somerset Maugham's classic novel stars Paul Henreid as a clubfooted medical student. Eleanor Parker is Mildred the vulgar cockney waitress adored by Philip Carey Henreid. The subject matter of Maugham's novel exploring how sexual obsession can lead to ruin was missing in the 1946 version thanks to studio censors and Alexis Smith who played the second female lead said the remake should never have been produced. <br/><br/>Orange titled wrappers noted as 2nd REV FINAL on the front wrapper rubber-stamped copy No. 40 dated June 22 1944. Distribution page present with receipt removed. Title page present dated 6/22/44 with a credit for screenwriter Turney. 169 leaves with last page of text numbered 219 several pages omitted. Mimeograph duplication with blue revision pages throughout dated variously between 8/12/44 and 8/29/44. Pages Very Good plus wrapper Very Good with an archival repair to a long tear in the front wrapper now encapsulated in mylar. Bound with two gold brads. Warner Brothers unknown books
1976147460Studio City CA: EMI Television Programs 1976. Two Revised draft scripts Part I and Part II comprising the complete script for the 1977 television film which was broadcast in two parts on CBS on April 13 and 14 1977.<br/><br/>First script titled "Howard: The Amazing Mr. Hughes" on front wrapper and titled "'Howard The Amazing Mr. Hughes' Part I" on first page of script has several annotations on front wrapper. In holograph ink on top left is written "Prod Thur 11/18/76" center right is the name "Tommy Lee Jones" with phone number below not in Jones' hand and an "I" immediately following title as well as a "9" in holograph pencil on upper right corner. Script contains two title pages of two revisions first yellow page has the underlined name "Norma" preceded by an asterisk as well as two underlines below the text "REVISED" on lower left in red holograph ink. The second pink title page has "33" on the upper left and a "Part I" on top center left in holograph pencil. Four pages contain strikes in holograph ink. Script contains a few copied annotations on the first 3 pages of script revision date some action changes and a strike with date "Tues 12/21/76."<br/><br/>Second script "Howard: The Amazing Mr. Hughes Part II" has "33" on upper left of title page and "Part II" top center in holograph pencil. Three pages contain copied annotations revision date character direction and dialogue and a strike with date "Tues 12/21/76."<br/><br/>Based upon the 1972 Howard Hughes biography "Howard: The Amazing Mr. Hughes" by Hughes' long-time associate Noah Dietrich and AP Hollywood correspondent Bob Thomas. The first of several film depictions of Howard Hughes as an young obsessive perfectionist and an elderly hypochondriac. An early break through role for Tommy Lee Jones.<br/><br/>"Howard: The Amazing Mr. Hughes" script:<br/>Tan titled wrappers. Two title pages present one dated November 26 1976 the other dated November 16 1976 both noted as REVISED with credits for screenwriter John Gay and authors Noah Dietrich and Bob Thomas. 108 leaves with last page of text numbered 93. Xerographic duplication rectos only with blue pink yellow and white revision pages throughout dated variously between 11/5/76 and 12-20-76. Pages Near Fine wrapper Near Fine bound with two gold brads.<br/><br/>"Howard: The Amazing Mr. Hughes Part II" script:<br/>Brown titled wrappers. Title page present dated November 16 1976 noted as REVISED with credits for screenwriter John Gay and authors Noah Dietrich and Bob Thomas. 121 leaves with last page of text numbered 117A. Xerographic duplication rectos only with blue pink and white revision pages throughout dated variously between 11/5/76 and 12/20/76. Pages Near Fine wrapper Near Fine bound with two gold brads. EMI Television Programs unknown books
1972135017Burbank CA: Warner Brothers 1972. Vintage oversize borderless double weight black and white photograph from the 1972 film. An amazing image showing Max von Sydow looming above-and seemingly beyond-a very possessed young Linda Blair. <br/><br/>One of the great genre films of the 1970s that accomplished the uncommon feat of being an over-the-top sensation upon its release and gaining subsequent status as a classic with a strangeness and depth supplied by Burstyn and Sydow that only increases with repeated viewings. Another distinction of "The Exorcist" was that it walked away with 2 Oscars including Best Screenplay for Blatty along with 8 nominations including Best Picture a feat nearly unheard for a horror film. <br/><br/>11 x 14 inches. Near Fine. Warner Brothers unknown books
1959140805Neuilly-sur-Seine France: Argos Films 1959. Collection of eight vintage borderless reference photographs from the 1959 film. Four photographs with the stamp of production company Argos Films seven with a sticker noting they are from the collection of film historian collector and founder of the Tele Cine Documentation TCD cinema photo library Daniel Bouteiller one with both a sticker and stamp from the collection of film historian Maurice Bessy and all with holograph annotations on the versos. <br/><br/>A series of conversations about memory history and forgetfulness between a departing French actress and the married Japanese architect with whom she had a brief affair the film was a major catalyst for the Rive Gauche film movement. Screenwriter Marguerite Duras was nominated for an Academy Award and Alain Resnais received a Palme d'Or nomination at Cannes. <br/><br/>7 x 5 inches. Generally Near Fine. <br/><br/>Criterion Collection 196. Rosenbaum 1000. Vogel Film as Subversive Art. Argos Films unknown books
1956142890N.p.: N.p. 1956. Draft script for a 1956 student film. Front wrapper title in decorative holograph black ink presumably by the screenwriter. Based on the 1890 story by Ambrose Bierce. 22 pages of storyboards corresponding with the script that follows all bound together. Decorative cast and crew invite to premiere and wrap party laid in. <br/><br/>The second filmed version of Bierce's short story the first one titled "The Bridge" was made by Charles Vidor in 1929 virtually unknown preceding both the well known 1959 version filmed for the fifth season of Rod Serling's "The Twilight Zone" and the French version made in 1962 by Robert Enrico. <br/><br/>According to the 1956-57 Film Review of Student Productions presented by Department of Cinema and Delta Kappa Alpha at the University of Southern California USC the film was part of the Productions of the Graduate Workshop in the fall of 1956. Laid in is an invitation to premiere screening held at CineManor where USC's California National Honorary Cinema Fraternity Delta Kappa Alpha hosted screenings and social events. Douglas W. Gallez served as President of the Alpha USC Chapter at the time. Not in IMDB. <br/><br/>Presumably shot in Southern California. Set in Civil War era Alabama. <br/><br/>Pale untitled wrapper with credits for screenwriter. Title page present with credits for story writer Ambrose Bierce and screenwriter Douglas W. Gallez. 45 leaves with last page of text numbered 22. Mimeograph both storyboards and script. Pages Near Fine wrapper Very Good plus bound with two gold brads. N.p. unknown books
1953130749Universal City CA: Universal Pictures 1953. Final Draft script for the 1954 film. Actor Van Heflin's copy. <br/><br/>Safari guide Van Heflin is hired to hunt murderer Abel McCracken in the wilds of Africa though the guides motives may go beyond his assigned task. <br/><br/>Pink titled wrappers noted as Final Screenplay on the front wrapper dated September 24 1953. Title page integral with the first page of the text. 147 leaves mimeograph duplication with yellow carbon typescript revision pages collected at the end dated variously between 10-3-53 and 10-10-53. Pages Fine wrapper Fine bound with three gold brads. Universal Pictures unknown books
1969149414Munich: Constantin-Film 1969. Collection of four vintage borderless reference photographs from the 1969 German release of the US film. With printed mimeo snipes on the verso. <br/><br/>Andy Warhol's final film an attempt to represent sex between a man and a woman Warhol superstars Louis Waldon and Viva respectively as naturalistically as possible. A groundbreaking influential production insofar as it was the first adult film to receive wide theatrical release in the US.<br/><br/>Set and shot on location in New York.<br/><br/>7 x 5 inches. Near Fine. Constantin-Film unknown books
1976148808N.p.: N.p. 1976. Revised Draft script for the 1977 film here with the slightly different working title "Empire of Ants." Loosely based on the 1905 short story by H.G. Wells. <br/><br/>American International Pictures AIP third and final film in their H.G. Wells trilogy beginning with "The Food of the Gods" 1976 directed and written by Bert I. Gordon and starring Marjoe Gortner and Pamela Franklin and followed by "The Island of Dr. Moreau" 1977 directed by Don Taylor and starring Burt Lancaster and Michael York.<br/><br/>Another classic "giant" movie from Bert I. Gordon following "King Dinosaur" 1955 "The Amazing Colossal Man" 1957 "Earth vs. the Spider" 1958 "Village of the Giants" 1956 and "Food of the Gods" 1976 this time featuring giant ants mutated by radioactive waste which attack a shady land developer and her prospective clients and threaten to take over a whole island town.<br/><br/>Set in the Florida everglades and shot on location in Fort Pierce Belle Glade and Jensen Beach Florida. <br/><br/>Brown titled wrappers. Title page present dated October 8 1976 noted as REVISED DRAFT with credits for screenwriter Jack Turley and story by Bert I. Gordon. 105 leaves with last page of text numbered 104. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
1969146085Beverly Hills CA: The Where's Poppa Company 1969. First Revised Draft script for the 1970 film.<br/><br/>Based on the 1970 novel. A stark black comedy in which Gordon stuck caring for his senile mother becomes increasingly frustrated with his inability to have a love life due to her interference. The first of Carl Reiner's early directorial efforts intended to push the envelope of comedy including graphic descriptions of sexual assault and war violence against the Vietnamese. The original ending which was omitted before theatrical release for being too risqué shows a defeated Gordon climbing into bed with his mother finally assuming the role of his long-dead father in an incestuous climax.<br/><br/>Set and shot on location in New York. <br/><br/>Blue titled wrappers. Title page present dated December 15 1969 noted as FIRST REVISED DRAFT with credits for screenwriter Robert Klane. 114 leaves with last page of text numbered 107. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with yapping and edgewear bound with two gold brads. The Where's Poppa Company unknown books
1952135028Beverly Hills CA: United Artists 1952. Original US program for the 1952 film. <br/><br/>Autobiographically reflective of Chaplin's fears of being left behind in the fading vaudeville and silent film era "Limelight" depicts the final years of a washed up stage clown who briefly maintains an impossible relationship with a young dancer representative of a new generation of performers. <br/><br/>The first and only time that Charlie Chaplin and fellow silent film star Buster Keaton would appear onscreen together "Limelight" is also notable for being the only Chaplin picture to win an Academy Award albeit for the original score of the 1972 re-release. <br/><br/>9 x 12 inches 16 pages saddle stapled two color wrappers. Very Good plus with light rubbing at the extremities. <br/><br/>Criterion Collectiopn 756. United Artists unknown books
1955144737Culver City CA: RKO Radio Pictures 1955. Second Revised Draft script for the 1956 film noir. Loosely based on the death of Russian-born financier Serge Rubinstein. Copy belonging to Guy Prescott who plays an uncredited role in the film as the assistant to Captain LaFarge played by Morris Ankrum with Prescott's holograph annotations at the inclusion of his dialogue and appearances.<br/><br/>George Sanders plays a wealthy hated businessman who has conned his way to the top and as the film begins has been found murdered. We see his life in a series of flashbacks as it is told to the police by his secretary and fellow con artist Yvonne DeCarlo. One of only two films in which Saunders and his real-life brother Tom Conway also play brothers onscreen. <br/><br/>Shot on location in New York City and California. <br/><br/>Tan titled wrappers noted as 2ND REVISION on the front wrapper copy No. 54 dated December 29 1955 with credits for producer Charles Martin. Title page present dated December 29 1955 noted as 2ND REVISE with credits for screenwriter/producer Martin. 179 leaves with last page of text numbered 190. Mimeograph duplication rectos only with blue and pink undated revision pages throughout. Pages Near Fine wrapper Very Good plus bound with two gold brads.<br/><br/>Grant US. Selby US. Spicer US. RKO Radio Pictures unknown books
1986143499N.p.: N.p. 1986. Draft script for an unproduced film. Based on the 1964 novel by Curt Siodmak with a typed letter SIGNED by Siodmak written to "Sid" discussing the possibility of joint European and American backing for the film. <br/><br/>Curt Siodmak is best known for writing the "The Wolf Man" 1941 "I Walked with a Zombie" 1943 and "Donovan's Brain" 1953 and many other science fiction and horror classic. His work consistently revealed an imagination that combined modern scientific findings with fictional pseudo-scientific themes. <br/><br/>Set largely at the Paris World Exhibition of 1867 centered on the life of soprano singer Hortense Schneider and famed composer Jacques Offenbach largely describing Schneider's wide-ranging effect on European history based on her affairs with various heads of state. <br/><br/>Red titled wrappers with credits for screenwriter Curt Siodmak. Title page present with credits for novelist and screenwriter Curt Siodmak. 116 leaves with last page of text numbered 113. Xerographically reproduced. Pages Near Fine wrapper Near Fine internally prong bound. N.p. unknown books
1980146088N.p.: N.p. 1980. First Draft script for the 1983 film. Accompanied by a twenty-page German language program and single-page English promotional synopsis for the film. <br/><br/>An early draft written by screenwriter Jeffrey Boam a year after the novel's release at the request of Lorimar Film Entertainment before they shuttered their film division and the rights went to Dino De Laurentiis. This draft of the script includes a gruesome ending in which Johnny has a vision of the Castle Rock serial killer as he dies which director David Cronenberg later requested be revised. <br/><br/>Based on the 1979 novel by Stephen King about a man who wakes up from a five year coma with an uncontrollable psychic power: the ability to see the past and future of anyone he touches. King is said to have approved of Boam and Cronenberg's substantial changes to his work stating that they "intensified the power of the narrative." <br/><br/>Set in Castle Rock Maine shot on location in Ontario. <br/><br/>Partial blue untitled wrapper. Title page present dated November 17 1980 noted as FIRST DRAFT with credits for screenwriter Jeffrey Boam and novelist Stephen King. 119 leaves with last page of text numbered 118. Manually reproduced rectos only. Pages Near Fine uniformly age toned wrapper Very Good plus with light soil and dampstaining bound with three gold brads. N.p. unknown books
1973144189Los Angeles: American Film Institute AFI 1973. Vintage borderless photograph of director David Lynch actor Jack Nance and cinematographer Herbert Cardwell on the set of the 1977 film. holograph annotations on the verso. <br/><br/>"Eraserhead" Lynch's first feature film was was shot piecemeal on an AFI backlot in Los Angeles over a period of five years beginning in 1972. In 1973 two years into the project cinematographer Herbert Cardwell shown in this photo died in his sleep at the age of 35. He was replaced after four weeks of searching by Frederick Elmes. <br/><br/>David Lynch's first feature film. The AFI provided the director with use of their lot where he also lived during much of filming at no charge but he had difficulty getting financial assistance from them on the basis of his 20-page script and decidedly unorthodox methods. Terence Malick screened the film at one point for a financial backer who walked out calling the movie "bullshit." A bad call as the film's wild success on the midnight movie circuit-and subsequent success as a legitimate art film gained the vocal admiration of everyone from Charles Bukowski to Stanley Kubrick. <br/> <br/>7x 4.5 inches. Fine. <br/><br/>National Film Registry. Criterion Collection 725. Rosenbaum 1000. American Film Institute [AFI] unknown books
1958140515Paris: Filmsonor 1958. Collection of 288 vintage black-and-white still photographs for the 1958 French film. Housed in two quarto "Lavis aquarelle" brand spiral bound notebooks with maroon faux leather front wrapper and printed French titles affixed to the front wrappers each photo with series number etched in the original film negative before development mimeograph series number on the verso and credited to photographer M. Dole on the recto. Small "x" annotations on several pages. Each photo number noted on the page in holograph ink. <br/><br/>Based on Maurice Druon's 1948 novel the film stars Jean Gabin as the head of a wealthy French family ruling his fortune and estate with an iron fist and leaving little room for his heirs to prove worthy of the wealth. Photographer Dole was consistent if anything a regular with directors de La Patelliere Jean Delannoy and Gilles Grangier and several Jean Gabin films. <br/><br/>Photographs 3.25 x 4.5 inches mounted four to a page with cello tape on 9.25 x 12.75 inch leaves. Photos Near Fine overall notebooks Very Good plus. <br/><br/>Complete collation details available on request. Filmsonor unknown books
1972127443Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1972. Draft script for the 1973 film. Based on the 1963 Parker novel by Donald E. Westlake writing as Richard Stark. Copy belonging to uncredited actor Norman Kaplan. <br/><br/>One of the great crime films of the early 1970s today a cult classic with understated performances from Robert Duvall Karen Black and Joe Don Baker as well as a who's-who of character actors playing out a violent story that takes place mostly in a beautifully ordinary rural setting. <br/><br/>Shot on location in Los Angeles California. <br/><br/>Yellow titled wrappers rubber-stamped copy No. 182 dated December 18 1972 with credits for producer Carter De haven and director/screenwriter Flynn. 132 leaves xerographically duplicated with the last leaf of text numbered 128. Pages and wrapper Near Fine with a few tiny corner creases throughout bound with two gold brads. <br/><br/>Grant US. Hardy BFI Companion to Crime. Silver Classic Noir. Spicer US. Stephens US. Metro-Goldwyn-Mayer [MGM] unknown books
1979144562Los Angeles: Essex Productions 1979. Final Draft script for the 1984 horror film. Copy belonging to makeup artist John Carl Buechler with his name in holograph ink on the title page and two Polaroid photographs laid in. <br/><br/>Six friends are stalked and murdered while on a camping trip. <br/><br/>Shot on location in Idyllwild California. <br/><br/>Green titled wrappers. Title page present dated September 28th 1979 noted as Final Draft with credits for screenwriter and director Edwin Scott Brown. 101 leaves with last page of text numbered 98. Xerographic duplication rectos only with blue revision pages dated Oct. 7th and white undated revision pages. Pages Near Fine wrapper Near Fine clip binding.<br/><br/>Thrower Nightmare USA. Essex Productions unknown books
1946132009Los Angeles: Twentieth Century-Fox 1946. Revised Final script for the 1947 film "Boomerang." Brief secretarial notation in holograph pencil on the verso of the last leaf.<br/><br/>Based on a Reader's Digest article 1945 by Fulton Oursler as Anthony Abbot in turn based on an actual incident involving a Catholic priest and a mentally unstable homeless man. Henry L. Harvey Andrews is a public attorney hired to defend a strange out-of-towner accused of murdering a priest. <br/><br/>Producer Louis De Rochemont's innovative documentary-style filmmaking is perhaps at it's best in this film drawing heavily from his previous film the 1945 Henry Hathaway noir "The House on 92nd Street."<br/><br/>Set in Connecticut shot on location there and in New York. Nominated for an Academy Award. <br/><br/>Self wrappers. Title page integral with front wrapper dated September 6 1946 noted as REVISED Final Script with credits for screenwriter Murphy and writer Oursler as Abbot. 162 leaves with the last leaf of text numbered 155. Mimeograph duplication with blue revision pages throughout dated variously between 9/18/46 and 9/25/46. Near Fine overall bound with two gold brads. <br/><br/>Grant US. Selby Canon. Silver Classic Noir. Spicer US. Twentieth Century-Fox unknown books
1960144600Rome: Riama Film 1960. Vintage oversize borderless double weight press photograph of Anouk Aimee from the 1960 film. With agency stamps on the verso. <br/><br/>Fellini's most pivotal film if not his finest. Unlike the more sentimental and abstract films that would follow "La Dolce Vita" is an unflinching 7-day journey through 1960s Rome with Mastroianni a jaded journalist at the center of the story constantly surrounded by revelry beautiful women and a beautiful city but no semblance of happiness or love. Winner of the Palme d'Or at The Cannes Film Festival and The Academy Award for Best Costume.<br/><br/>Shot on location in Rome and Vatican City Italy. <br/><br/>12 x 9.5 inches. Near Fine. <br/><br/>Criterion Collection 733. Ebert I. Scorsese My Voyage to Italy. Riama Film unknown books
1969151549N.p.: Produzione Europee Associate PEA 1969. Vintage borderless double weight reference photograph with left margin of Federico Fellini on the set of the 1969 film. Three "Christophe L." provenance stamps on verso. <br/><br/>Loosely based on the late first century satire by Gaius Petronius. Fellini's dream-like depiction of first century imperial Rome in a series of gloriously decadent extravagant and grotesque episodes following the pan-sexual scholar Encolpius Potter and his insatiable friend Ascyltus Hiram Keller. Nominated for an Academy Award for Best Director.<br/><br/>Shot on location in Rome Italy. <br/><br/>8 x 10 inches. Very Good plus with light rippling at top and 1.5 inch crease at bottom. <br/><br/>Criterion Collection 747. Eureka! Masters of Cinema 112. Produzione Europee Associate (PEA) unknown books
