8 853 résultats
1959161065Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1959. Vintage studio still photograph of director Alfred Hitchcock talking with actor Cary Grant on the set of the 1959 film. <br /> <br /> An innocent man is pursued across the US by a group of foreign spies who have mistaken him for a government agent. Widely considered one of Hitchcock's best films the last of four the director made with Grant with a score by Bernard Hermann and a famous title sequence by Saul Bass. <br /> <br /> 8 x 10 inches. Near Fine.<br /> <br /> National Film Registry. Godard Histoires du cinema. Grant US. Penzler 101. Rosenbaum 1000. Metro-Goldwyn-Mayer [MGM] unknown
1959151251N.p.: N.p. 1959. Vintage reference photograph from the 1959 film showing actors Cary Grant and Eva Marie Saint. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> An innocent man is pursued across the US by a group of foreign spies who have mistaken him for a government agent. Widely considered one of director Alfred Hitchcock's best films the last of four the director made with Cary Grant with a score by Bernard Hermann and a famous title sequence by Saul Bass. <br /> <br /> 10 x 8 inches. Near Fine.<br /> <br /> National Film Registry. Godard Histoires du cinema. Grant US. Penzler 101. Rosenbaum 1000. N.p. unknown
1960135571Hollywood: Paramount Pictures 1960. Vintage black and white photograph of Anthony Perkins on the set of the 1960 film silhouetted against the Bates Motel. The most sought after image from the known stills produced. <br /> <br /> Far and away the highest grossing film of Hitchcock's career nominated for 4 Academy awards including Hitichcock's fifth and final Best Director nomination and a key film in expanding allowable depictions of both violence and sexuality under the eroding Production Code. Selected by the National Film Registry in 1992. <br /> <br /> 8 x 10 inches. Very Good plus with a few pinholes at the corners. <br /> <br /> National Film Registry. Spicer US. Paramount Pictures unknown
1948157875N.p.: N.p. 1948. Vintage publicity photograph of the Mystery Writers of America's MWA endorsement of Hitchcock's 1948 film showing right to left MWA President Lawrence Blockman author Veronica Parker Johns Alfred Hitchcock author Audrey Roos author Edward Radin and author Clayton Rawson with layout annotations and the annotations of names in the margins of the recto.<br /> <br /> Based on Patrick Hamilton's 1929 play which was in turn based on a murder committed by Nathan Leopold and Richard Loeb in 1924. Two young men living together in a New York apartment decide to kill their former classmate to prove their intellectual and aesthetic superiority. As they grow increasingly daring and proud of their "perfect murder" their close friends and associates begin to suspect something is awry. Hitchcock's first Technicolor feature one of the director's most experimental films now rightfully considered an undisputed classic.<br /> <br /> Set in New York. <br /> <br /> 10 x 8 inches. Very Good with light creasing overall several pinholes near the extremities and cello tape repairs to the verso and the right margin of the recto. <br /> <br /> Grant US. Rosenbaum 1000. Selby US. Spicer US. N.p. unknown
1948150400N.p.: N.p. 1948. Vintage reference photograph from the set of the 1948 film showing director Alfred Hitchcock mapping out a scene with actors Farley Granger Joan Chandler and John Dall. With a printed mimeo snipe affixed to the verso along with several archival stamps and an address label. <br /> <br /> Based on Patrick Hamilton's 1929 play which was in turn based on a murder committed by Nathan Leopold and Richard Loeb in 1924. Two young men living together in a New York apartment decide to kill their former classmate to prove their intellectual and aesthetic superiority. As they grow increasingly daring and proud of their "perfect murder" their close friends and associates begin to suspect something is awry. Hitchcock's first Technicolor feature one of the director's most experimental films now rightfully considered an undisputed classic.<br /> <br /> Set in New York. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Grant US. Rosenbaum 1000. Selby US. Spicer US. N.p. unknown
1948137965Burbank CA: Warner Brothers 1948. Vintage reference photograph of a boardwalk poster advertising the 1948 Alfred Hitchcock film. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Grant US. Selby US. Spicer US. Warner Brothers unknown
1949151703Beverly Hills CA: United Artists 1949. Post-production Cutting Continuity script for the 1945 film issued for the Selznick Studio files in 1949. <br /> <br /> Light blue titled wrappers noted as Cutting Continuity on the front wrapper dated Rerun June 10 1949. 49 leaves with last page of text numbered REEL SIX-B Page 5. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound along top with two gold brads.<br /> <br /> Selby Canon US. Silver Classic Noir. Spicer US. United Artists unknown
1944147297Los Angeles: Vanguard Films 1944. Temporary Shooting script for the 1945 film here under the working title "The House of Dr. Edwardes." <br /> <br /> Based on the 1927 novel "The House of Dr. Edwardes" by Hilary Saint George Saunders and John Palmer. After director Alfred Hitchcock learned that producer David O. Selznick wanted to make a "psychiatric" story for the screen he persuaded Selznick to buy the rights to the novel he and his wife were in the process of adapting. Nominated for six Academy Awards including Best Picture Best Director and Best Supporting Actor for Michael Chekhov winning one.<br /> <br /> Blue titled wrappers noted as TEMPORARY SHOOTING SCRIPT on the front wrapper dated June 14 1944 with a credit for screenwriter Hecht. Distribution page present rubber-stamped copy No. 1620 with receipt removed. 176 leaves with last page of text numbered 176. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. <br /> <br /> In a custom royal blue cloth covered clamshell box with black leather spine label and titles and decoration in gilt.<br /> <br /> Grant US. Selby Canon. Silver Classic Noir. Spicer US. Vanguard Films unknown
1951151248Burbank CA: Warner-Pathe 1951. Vintage photograph showing two shots from the 1951 film struck onto the single print. With a printed mimeo snipe affixed to the verso along with a Warner-Pathe stamp. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> Based on Patricia Highsmith's 1950 novel. A Hitchcock classic wherein two passengers on a train form a partnership to permanently rid themselves of incessant problems. The plan seems infallible until one person shirks his end of the responsibilities. <br /> <br /> Shot on location in New York Los Angeles District of Columbia and Connecticut. Nominated for an Academy Award. <br /> <br /> 10 x 8 inches. Very Good plus lightly and evenly toned overall. <br /> <br /> Grant US. Hardy BFI Crime Companion. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US. Warner-Pathe unknown
1963160535Universal City: Universal Pictures 1963. Vintage borderless reference photograph from the 1963 film showing director Alfred Hitchcock talking with electronic musician Oskar Sala who composed the film's iconic soundtrack. Printed mimeo snipe in French affixed to the verso. <br /> <br /> Hitchcock's last great film a grim psychological study made all the more terrifying by the lack of motivation assigned to its violence. <br /> <br /> Shot in various locations throughout California including Bodega Bay Bloomfield Valley Ford the Venice Canals and Union Square in San Francisco. <br /> <br /> 7.5 x 9.5 inches. Very Good plus.<br /> <br /> National Film Registry. Clover Men Women and Chainsaws. Godard Histoires du cinema. Universal Pictures unknown
1963151612Universal City: Universal Pictures 1963. Vintage studio still photograph from the 1963 film showing director Alfred Hitchcock's cameo in the film passing Tippi Hedren in a doorway while walking two small dogs. <br /> <br /> Hitchcock's last great film a grim psychological study made all the more terrifying by the lack of motivation assigned to its violence. <br /> <br /> Shot in various locations throughout California including Bodega Bay Bloomfield Valley Ford the Venice Canals and Union Square in San Francisco. <br /> <br /> 8 x 10 inches. Near Fine.<br /> <br /> National Film Registry. Clover Men Women and Chainsaws. Godard Histoires du cinema. Universal Pictures unknown
1944129341Los Angeles: Vanguard Films 1944. Draft script for the 1944 short documentary film. A rare script for an obscure short directed by Hitchcock. <br /> <br /> Salmon titled wrappers dated February 1 1944. 12 leaves mimeograph duplication with revision pages throughout dated 2-10-44. Pages Fine wrapper Near Fine bound with three small gray brads. Vanguard Films unknown
1955150634Los Angeles: Paramount Pictures 1955. Complete set of ten vintage color studio still photographs from the 1955 film. Stamped production No. 63-71 on the versos and bottom right corner of the rectos. <br /> <br /> Based on Jack Trevor Story's 1950 novel. The dead body of a local man is discovered in the woods near a small New England town leading the townspeople to speculate on what should be done with the corpse and more importantly the identity of the culprit. One of director Alfred Hitchcock's few true comedies. <br /> <br /> Set and shot in Craftsbury Vermont. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> <br /> Rosenbaum 1000. Paramount Pictures unknown
1956143359Burbank CA: Warner Brothers 1956. Vintage borderless photograph of a contemplative Alfred Hitchcock on the set of the 1956 film. With the stamp of Warner Brothers Netherlands on the verso. <br /> <br /> Based on the real life story of Manny Balestrero accused of a series of robberies he didn't commit as detailed in the nonfiction book "The True Story of Christopher Emmanuel Balestrero" by Maxwell Anderson who co-wrote the screenplay and the "Life" magazine article "A Case of Identity" by Herbert Brean. Hitchcock's final film for Warner Brothers and an influence on both Jean-Luc Godard and Martin Scorsese. <br /> <br /> 7.25 x 9.25. About Near Fine. <br /> <br /> Grant US. Rosenbaum 1000. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US. Warner Brothers unknown
1969171039N.p.: N.p. 1969. Vintage borderless reference photograph from the 1969 film showing Alfred Hitchcock sitting in his director's chair on the tarmac at the Paris airport Orly Val-de-Marne France. Layout annotations in manuscript pencil on the verso. <br /> <br /> Based on the 1967 novel by Leon Uris about a French agent who helps the United States uncover the presence of Russian missiles in Cuba. <br /> <br /> 9.5 x 7.25 inches. Near Fine. N.p. unknown
1948125205Los Angeles: Selznick International Pictures / Vanguard Films 1948. An archive of 7 scripts including rough drafts screenplays post-production scripts and support documentation for the 1947 film "The Paradine Case" directed by Alfred Hitchcock based on the 1933 novel by Robert Hichens written for the screen by a host of screenwriters including Hitchcock Alma Reville David O. Selznick and others many of whom are not credited on IMDB and starring Gregory Peck Ann Todd Charles Laughton and Ethel Barrymore. <br/><br/>The archive contains 7 scripts 4 of which are pre-production all bound in titled wrappers and bound with brads except where indicated:<br/><br/>First rough draft of the script with dialogue from the novel by Alfred Hitchcock and Alma Reville dated April 16 1946 and re-run on June 12 1946 with a third run on August 12 1946. Blue wrappers rubber-stamped copy No. 77 195 pages. Very Good to Near Fine. <br/><br/>Final shooting script by Alma Reville and David O. Selznick dated December 10 1946. Yellow wrappers with credits on the front wrapper for Selznick and Reville novelist Hichens and director Hitchcock. Rubber-stamped copy No. 165. 177 pageswith pink yellow and green revision pages dated variously between 12/15/46 and 3/3/47. 4 leaves on onionskin stock all typed carbons. Near Fine. <br/><br/>Description of Settings and Props compiled from the novel dated April 17 1946. Blue wrappers rubber-stamped copy No. 18 Near Fine condition. 7 pages. <br/><br/>Costumes compiled from the novel dated April 17 1946. Blue wrappers rubber-stamped copy No. 24. Near Fine. 10 pages. <br/><br/>Dialogue Cutting Continuity for the film dated February 19 1948. Light blue wrappers. Near Fine. 115 pages. <br/><br/>Dialogue Cutting Continuity for the Trailer dated February 27 1948. Gray wrappers. Near Fine condition saddle-stapled at the top edge. 5 pages. <br/><br/>Timing Sheets for the initial release of the film and the first trailer dated March 1948 and credited to S.G. Samuels. <br/><br/>Combined 16mm Cutting Continuity for the 1961 re-release of the film detailing 4 reels Green self-wrappers 126 pages dated April 30 1961. Near Fine. <br/><br/>Selby US. Spicer US. Selznick International Pictures / Vanguard Films unknown books
1949143501Beverly Hills CA: United Artists 1949. Post-production 16mm Cutting Continuity script for the 1961 re-release of the 1945 film. <br/><br/>Tall blue titled wrappers top-stapled dated May 15 1961 noting 2 reels and footage of 3017 feet and 32 frames 10 sections and a running time of 83 minutes and 50 seconds. Mimeograph duplication. Near Fine. <br/><br/>Hardy The BFI Companion to Crime. Selby Canon US. Silver Classic Noir. Spicer US. United Artists unknown books
1944147297Los Angeles: Vanguard Films 1944. Temporary Shooting script for the 1945 film here under the working title "The House of Dr. Edwards." <br/><br/>Based on the 1927 novel "The House of Dr. Edwardes" by Hilary Saint George Saunders and John Palmer. Producer David O. Selznick wanted to make a "psychiatric" story for the screen and Alfred Hitchcock persuaded Selznick to buy the rights to the novel which Hitchcock and his wife were adapting. Nominated for six Academy Awards including Best Picture Best Director and Best Supporting Actor for Michael Chekhov winning one. <br/><br/>Blue titled wrappers noted as TEMPORARY SHOOTING SCRIPT on the front wrapper dated June 14 1944 with a credit for screenwriter Hecht. Distribution page present rubber-stamped copy No. 1620 with receipt removed. 176 leaves with last page of text numbered 176. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. <br/><br/>In a custom cloth covered clamshell box with black leather spine label and titles and decoration in gilt.<br/><br/>Grant US. Hardy The BFI Companion to Crime. Selby Canon. Silver Classic Noir. Spicer US. Vanguard Films unknown books
1963144429Universal City: Universal Pictures 1963. Vintage photograph of Alfred Hitchcock Tippi Hedren and members of the crew releasing a large number of birds from a cage on the set of the classic 1963 film. With holograph annotations and a photo agency stamp on the verso. <br/><br/>Shot in various locations throughout California including Bodega Bay Bloomfield Valley Ford the Venice Canals and Union Square in San Francisco. <br/><br/>5 x 7 inches. Near Fine. <br/><br/>National Film Registry. Godard Histoires du cinema. Universal Pictures unknown books
1955140958Hollywood: Paramount Pictures 1955. Vintage borderless photograph showing director Alfred Hitchcock and star Cary Grant conferring on location during the shooting of the 1955 film. With the stamp of photographer "Paul-Louis / Studio Starlet" holograph description in French and annotations regarding layout on the verso. <br/><br/>Based on the 1952 novel by David Dodge. Hitchcock's final film with Grace Kelly winner of an Academy Award for Cinematography and nominated for two others. <br/><br/>7 x 5 inches. Near Fine. <br/><br/>Godard Histoires du cinema. Paramount Pictures unknown books
1959151251N.p.: N.p. 1959. Vintage reference photograph from the 1959 film showing actors Cary Grant and Eva Marie Saint. <br/><br/>From the archive of film historian and author Joel Finler.<br/><br/>An innocent man is pursued across the US by a group of foreign spies who have mistaken him for a government agent. Widely considered one of director Alfred Hitchcock's top five films the last of four the director made with Cary Grant with a score by Bernard Hermann and a famous title sequence by Saul Bass. <br/><br/>10 x 8 inches. Near Fine.<br/><br/>Godard Histoires du cinema. Grant US. Penzler 101. Rosenbaum 1000. N.p. unknown books
1958147154Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1958. Draft script for the 1959 film belonging to actor Martin Landau with his signature in holograph pencil on top of first page and annotations in holograph ink and pencil throughout primarily making note of action and dialogue for Landau's character Leonard. <br/><br/>Martin Landau's second film role and a memorable early one as James Mason's sadistic henchman.<br/><br/>Considered to be one of Hitchcock's best films the last of four the director made with Cary Grant with a score by Bernard Hermann and a famous title sequence by Saul Bass. Nominated for three Academy Awards including Best Original Screenplay. <br/><br/>Shot in Hollywood and in various locations across the United States. <br/><br/>Title page integral with first page dated 8-12-58. 174 leaves with last page of text numbered 179. Mimeographed rectos only with pink revision pages throughout dated variously between 8-27-58 and 10-27-58. Pages very good plus with some creasing chipping and closed tears to first page and eight 10-27-58 revision pages which appear to have been originally paper clipped and later bound in.<br/><br/>National Film Registry. Godard Histoires du cinema. Grant US. Rosenbaum 1000. Penzler 101. Metro-Goldwyn-Mayer [MGM] unknown books
1963149554Universal City: Universal Pictures 1963. Vintage borderless reference photograph from the 1963 film showing director Alfred Hitchcock and screenwriter Evan Hunter walking along the pier which would be used later in the film for Melanie Daniel's Tippi Hedren visit to the Brenner farm with what appears to be Hedren herself visible to the far left in a fur coat at the end of the pier. With holograph ink annotations on the verso.<br/><br/>Hitchcock's last great film a grim psychological study made all the more terrifying by the lack of motivation assigned to its violence. <br/><br/>Shot in various locations throughout California including Bodega Bay Bloomfield Valley Ford the Venice Canals and Union Square in San Francisco. <br/><br/>10 x 8 inches. Near Fine.<br/><br/>National Film Registry. Godard Histoires du cinema. Universal Pictures unknown books
1948137965Burbank CA: Warner Brothers 1948. Vintage reference photograph of a boardwalk poster advertising the 1948 Alfred Hitchcock film. <br/><br/>10 x 8 inches. Near Fine. <br/><br/>Grant US. Selby US. Spicer US. Warner Brothers unknown books
1949151702Beverly Hills CA: United Artists 1949. Post-production Dialogue Continuity script for the 1945 film issued for the Selznick Studio files in 1949. <br/><br/>Light blue titled wrappers noted as DIALOGUE CONTINUITY on the front wrapper dated Rerun May 31 1949. 48 leaves with last page of text numbered REEL SIX-B Page 4. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound along top with two black brads.<br/><br/>Hardy The BFI Companion to Crime. Selby Canon US. Silver Classic Noir. Spicer US. United Artists unknown books
