8 853 résultats
1964WRCLIT80989Np: Universal Pictures 1964. Seventeen 8 x 10" b&w white stills plus one duplicate. Minor edge crease to one still otherwise fine. A very good representative selection of studio stills for Truffaut's adaptation of Bradbury's novella starring Oskar Werner Julie Christie Cyril Cusack at al. Truffaut and Jean-Louis Richard collaborated on the screenplay and this was Truffaut's only English-language feature film. Universal Pictures unknown books
1966WRCLIT70270Sydney: Columbia Pictures 1966. Large folio 40 x 26 3/4"; 102 x 68cm. Original multi-color lithograph. Folded as issued otherwise about fine and unused. A brilliantly colored original lithographed one sheet poster issued to promote the Australian release of Richler's 1965 adaptation of Braine's novel directed by Ted Kotcheff starring Laurence Harvey Jean Simmons Honor Blackman "That 'Pussy Galore' Girl" et al. The stone lithography was accomplished by Robert Burton Pty. Ltd. Columbia Pictures unknown books
1966WRCLIT68608Np: Royal Films International 1966. 91pp. including gatefold. Folio 43 x 28 cm. Pictorial self wrappers. Near fine. Pressbook for the US release of Richler's adaptation of Braine's novel directed by Ted Kotcheff starring Laurence Harvey Jean Simmons Honor Blackman "That 'Pussy Galore' Girl" et al. Press copy and promotional paper. Royal Films International unknown books
1978138139N.p.: Self published 1978. Draft script for an unproduced film titled "Dracula" written and originally to have been directed by Ken Russell. Based on Bram Stoker's 1897 classic novel of vampire vengeance. Copy belonging to editor Rik Friday who worked with Russell in post-production on "Altered States" 1980. <br/><br/>Blue wrappers with paper spine label. Title page present dated July 21 1978 with a credit for screenwriter Russell and novelist Stoker. Last leaf of text numbered 95. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound internally with two gold brads. Self published unknown books
1965133553London: Twentieth Century-Fox 1965. Two vintage black-and-white still photographs from the 1965 UK release of the 1965 US film. On the versos are studio rubber stamps UK and one still has a mimeo tag affixed to the verso with the reissue title "Sabateur: Code Name Morituri." <br/><br/>Based on the 1963 novel by Werner Joerg Luedecke and one of the most underrated war films of the 1960s about Robert Crain Brando a German living in India during World War II who is blackmailed by Colonel Statter Howard to impersonate an SS officer onboard a cargo ship with Captain Mueller Brynner in charge leaving Japan for Germany. <br/><br/>8 x 10 inches. Faint creases and a brief evidence of cello tape removal to one still else Near Fine. <br/><br/>Complete collation details available on request. Twentieth Century-Fox unknown books
1965133553London: Twentieth Century-Fox 1965. Two vintage black-and-white still photographs from the 1965 UK release of the 1965 US film. On the versos are studio rubber stamps UK and one still has a mimeo tag affixed to the verso with the reissue title "Sabateur: Code Name Morituri." <br /> <br /> Based on the 1963 novel by Werner Joerg Luedecke and one of the most underrated war films of the 1960s about Robert Crain Brando a German living in India during World War II who is blackmailed by Colonel Statter Howard to impersonate an SS officer onboard a cargo ship with Captain Mueller Brynner in charge leaving Japan for Germany. <br /> <br /> 8 x 10 inches. Faint creases and a brief evidence of cello tape removal to one still else Near Fine. Twentieth Century-Fox unknown
1948137562Burbank CA: Warner Brothers 1948. Draft script for the 1948 film. Based on the unproduced play "Feature for June" by Eileen Tighe and Graeme Lorimer. <br/><br/>Ex-lovers turned colleagues Linda Gilman Bette Davis and Carey Jackson Robert Montgomery find themselves unceremoniously thrust together on an assignment covering a wedding in Indiana for their New York City-based women's magazine. Though the two initially vow to uphold their professional relationship their mutual past is quickly revealed following a series of missed connections. <br/><br/>Debbie Reynold's uncredited film debut. <br/><br/>Tan titled wrappers noted as TEMPORARY on the front wrapper and dated 02/23/48. Distribution page present with receipt intact. Title page present dated 02/23/48 with credits for screenwriter Ranald MacDougall producer Henry Blanke director Bretaigne Windust and stars Bette Davis and Robert Montgomery. 142 leaves with last page of text numbered 140. Mimeograph on yellow stock with one pink revision page. Pages Near Fine wrapper Very Good plus bound with two gold brads. Warner Brothers unknown books
1952133067Culver City CA: RKO Radio Pictures 1952. Original Pressbook for the 1952 film released on a double-bill with "The Secret Sharer" and collectively given a new title "Face to Face." This pressbook was produced prior to release and only advertises for 1 film. <br/><br/>Based on the story of the same name Stephen Crane and written for the screen by James Agee. A two-part film released as "Face to Face" in 1952 with the second half of the film based on Crane's story "The Bride Comes to Yellow Sky" and the first half based on a Joseph Conrad story "The Secret Sharer" starring James Mason and Gene Lockhart. Equal parts nautical drama and hilarious western unique during its time with no apparent connection between the two segments. <br/><br/>4 pages folded 11 x 17 inches. Very Good plus with a horizontal fold at the middle a corner crease and light soil. RKO Radio Pictures unknown books
1974147655New York: Paramount Pictures 1974. Collection of 11 vintage borderless studio still photographs with bottom margins with text from the 1974 film. Mimeo snipes affixed to verso and folded over recto on Paramount Pictures letterhead and "THE SILVER SCREEN ARCHIVES ." stamp on the verso. Laid in is press release from Paramount Pictures announcing a premiere engagement with "Frankenstein and the Monster from Hell" 1974 in the New York and New Jersey area as Halloween showcase films dated 10/23/74.<br/><br/>Now considered a cult classic "Captain Kronos: Vampire Hunter" was a Hammer Films production that was originally intended as the first in a series which unfortunately due to financial problems at Hammer Films never came to fruition. A novelization by Guy Adams was published under the title "Kronos" in 2011 and two comic book adaptations were made "The House of Hammer" #1-3 1976-1977 and "Captain Kronos - Vampire Hunter" #1-4 2017.<br/><br/>An unusual mix of supernatural horror and swashbuckling action as Captain Kronos Horst Janson and his sidekick the hunchback Hieronymus Grost John Cater hunt vampires with the aid of local Gypsy girl Carla Hammer stalwart Caroline Munro.<br/><br/>8 x 10 inches. Near Fine. <br/><br/>Press Release 8.5 x 11 inches Near Fine.<br/><br/>Complete collation details available on request. Paramount Pictures unknown books
1981142167US: Cinema 77 / Geria Productions / Filmways 1981. Eight vintage borderless color photographs from the 1981 film. <br /> <br /> Based on Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 80s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. <br /> <br /> Shot on location in Philadelphia. <br /> <br /> 7 x 9.5 inches. Fine. <br /> <br /> Criterion Collection 562. Grant US. Spicer US Neo-Noir. Cinema 77 / Geria Productions / Filmways unknown
1981127394N.p.: Filmways 1981. Vintage one sheet poster for the 1981 film.<br /> <br /> Based on Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 1980s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. <br /> <br /> Shot on location in Philadelphia. <br /> <br /> 27 x 41 inches. Very Good plus with light splashing to the top third.<br /> <br /> Clover Men Women and Chainsaws. Criterion Collection 562. Grant US. Spicer Neo-Noir. Filmways unknown
1981151952N.p.: Filmways 1981. Vintage reference photograph of Brian De Palma on the set of the 1981 film. <br /> <br /> Based on Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 1980s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. <br /> <br /> Shot on location in Philadelphia. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Clover Men Women and Chainsaws. Criterion Collection 562. Grant US. Spicer Neo-Noir. Filmways unknown
1981142109US: Filmways 1981. Vintage borderless color photograph from the 1981 film. Director Brian De Palma and Nancy Allen confer on the set with the stage setup for the film's wild parade sequence ending clearly in the background. <br /> <br /> Conceptual remake of Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 80s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. <br /> <br /> Shot on location in Philadelphia. <br /> <br /> 7 x 9.5 inches. Fine. <br /> <br /> Criterion Collection 562. Grant US. Spicer US Neo-Noir. Filmways unknown
1989135643Burbank CA: Warner Brothers 1989. Two original screenplays for the 1990 film one being a First Draft 1988 and the other a Second Revised Draft 1989. Brief annotations in manuscript ink on the title page of the second script. <br /> <br /> Director De Palma's unfortunate box-office flop based on Tom Wolfe's first novel. Sherman McCoy Hanks the "master of the universe" is a shallow Wall Street investor who makes millions while enjoying the good life and the sexual favors of Maria Ruskin Griffith. One day the two find themselves in the South Bronx where Maria sees a black youth approaching so frightened she guns the engine and runs him over killing him. The two drive away and decide not to report the accident to the police. Alcoholic journalist Peter Fallow Willis anxious for a story hears about the incident through a local black community activist. Once the story is out the end is inevitable for Sherman. <br /> <br /> Set in New York shot on location there and in California. <br /> <br /> De Palma would return to independent filmmaking with his next effort the creepy horror film "Raising Cain" 1992 starring John Lithgow. <br /> <br /> First Draft script:<br /> <br /> White wrappers. Title page present dated October 1 1988 noted as FIRST DRAFT with credits for screenwriter Cristofer and novelist Wolfe.163 leaves with last page of text numbered 161. Xerographically reproduced. Pages and wrapper Near Fine bound with two gold brads. <br /> <br /> Second Revised Draft script;<br /> <br /> Yellow wrappers. Title page present dated October 12 1989 December 15 1989 in manuscript ink just above the printed date noted as SECOND REVISED FIRST DRAFT with credits for screenwriter Cristofer and novelist Wolfe. 154 leaves with last page of text numbered 152. Xerographic duplication with pink blue green and yellow revision pages throughout dated variously between 10/17/89 and 10/27/89. Pages and wrapper Near Fine bound with two gold brads. Warner Brothers unknown
153222N.p. Two vintage color reference photographs of director Brian De Palma and actress Angie Dickinson along with a camera crew on the set of the 1980 film.<br /> <br /> A defining De Palma film suspenseful in the vein of Alfred Hitchcock and opening with an homage to the famous shower scene in Hitchcock's "Psycho." The sixth of nine highly distinctive films De Palma made between 1973 and 1984.<br /> <br /> Set in New York shot on location in New York and Pennsylvania. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Arrow 842. Criterion Collection 770. Grant US. Spicer US Neo-Noir. unknown
1980149364Los Angeles: Filmways 1980. Vintage reference photograph from the 1980 film showing director Brian De Palma and actress Angie Dickinson standing at the base of the stairs of the Philadelphia Museum of Art.<br/><br/>A defining De Palma film suspenseful in the vein of Alfred Hitchcock and opening with an homage to the famous shower scene in Hitchcock's "Psycho." The sixth of nine highly distinctive films De Palma made between 1973 and 1984.<br/><br/>Set in New York shot on location in New York and Pennsylvania. <br/><br/>8 x 10 inches. Near Fine.<br/><br/>Arrow 842. Criterion Collection 770. Grant US. Spicer US Neo-Noir. Filmways unknown books
1981142167US: Cinema 77 / Geria Productions / Filmways 1981. Collection of eight vintage borderless color photographs from the 1981 film. <br/><br/>Based on Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 80s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. <br/><br/>Shot on location in Philadelphia. <br/><br/>7 x 9.5 inches. Fine. <br/><br/>Criterion Collection 562. Grant US. Spicer US Neo-Noir. Cinema 77 / Geria Productions / Filmways unknown books
1981142109US: Filmways 1981. Vintage borderless color photograph from the 1981 film. Director Brian De Palma and Nancy Allen confer on the set with the stage setup for the film's wild parade sequence ending clearly in the background. <br/><br/>Conceptual remake of Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 80s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. <br/><br/>Shot on location in Philadelphia. <br/><br/>7 x 9.5 inches. Fine. <br/><br/>Criterion Collection 562. Grant US. Spicer US Neo-Noir. Filmways unknown books
1980138685N.p.: Self published 1980. Early Draft script agency copy for the 1981 film "Blow Out" here under the working title "Personal Effects." <br/><br/>A noirish De Palma highspot with influences from Antonioni's "Blow-Up" and Francis Ford Coppola's "The Conversation." A fine role for John Travolta who would experience a slight career dip and bounce back hard with Quentin Tarantino's "Pulp Fiction." Considered by many to be the finest of the director's films of the 1980s a paranoid thriller that is visually arresting from start to finish as well as what Criterion calls .".a devilish reflection on moviemaking." A favorite of the fickle Pauline Kael and the answer to your child's question "Daddy did John Travolta ever make a good film"<br/><br/>Untitled blue wrappers. Title page present dated 1980 with a credit for De Palma. 107 leaves with last page of text numbered 102. Xerographic duplication with photocopied punch holes. Pages Near Fine wrapper Very Good plus bound with two gold brads. <br/><br/>Criterion Collection 502. Grant p. 80. Spicer p. 425. Self published unknown books
1981132103N.p.: Filmways Pictures 1981. Vintage black-and-white still photograph from the 1981 film. <br/><br/>A De Palma highspot with influences from Antonioni's "Blow-Up" and Francis Ford Coppola's "The Conversation." A fine role for John Travolta who would experience a slight career dip and bounce back hard with Quentin Tarantino's "Pulp Fiction."<br/><br/>8 x 10 inches. About Near Fine. Filmways Pictures unknown books
1970146086New York: Pressman Williams 1970. Draft script for the 1973 film. Copy belonging to cinematographer Gregory Sandor with his name in holograph pencil on the verso of the title page and holograph pencil annotations throughout.<br/><br/>Danielle is a beautiful model separated from her conjoined twin Dominique. When her neighbor an aspiring journalist suspects Danielle of a brutal murder the horror of Danielle's disturbing past begins to surface. Director Brian De Palma based his original story on a Life magazine article about conjoined twins in the Soviet Republic who had been successfully separated but were experiencing psychological problems as a result of the operation. <br/><br/>With its use of visually dense point-of-view and split-screen camera techniques "Sisters" is one of De Palma's earliest forays into erotic voyeurism as a conduit for psychological horror paving the way for a string of idiosyncratic psychosexual projects in the ensuing years such as "Obsession" 1976 "Dressed to Kill" 1980 "Blow Out" 1981 and "Body Double" 1984 among others. Given its focus on the anxiety of the gaze "Sisters" can also be read as an homage to Alfred Hitchcock-openly referencing "Rope" 1948 "Rear Window" 1954 and "Psycho" 1960-and indeed the film was even scored by Bernard Hermann a frequent musical collaborator for Hitchcock's films.<br/><br/>Set and shot on location in New York. <br/><br/>Maroon titled wrappers. Title page present dated 1970 with credits for screenwriters Brian De Palma and Louisa Rose. 138 leaves with last page of text numbered 138. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads.<br/><br/>Arrow 1578. Criterion Collection 89. Grant US. Spicer US Neo-Noir. Pressman Williams unknown books
1973133031Los Angeles: American International Pictures AIP 1973. Two vintage black-and-white still photographs from the 1973 US film. <br/><br/>De Palma does "Rear Window" sort of in the breakthrough film that would signal his move toward both Hollywood and the psycho-sexual thrillers that would come to be his signature as much as his virtuosic visual style. <br/><br/>A story set and shot on location in New York City. <br/><br/>8 x 10 inches. Near Fine with some light toning. <br/><br/>Complete collation details available on request. American International Pictures [AIP] unknown books
1989135643Burbank CA: Warner Brothers 1989. Two original screenplays for the 1990 film one being a First Draft 1988 and the other a Second Revised Draft 1989. Brief annotations in holograph ink on the title page of the second script. <br/><br/>Director De Palma's unfortunate box-office flop based on Tom Wolfe's first novel. Sherman McCoy Hanks the "master of the universe" is a shallow Wall Street investor who makes millions while enjoying the good life and the sexual favors of Maria Ruskin Griffith. One day the two find themselves in the South Bronx where Maria sees a black youth approaching so frightened she guns the engine and runs him over killing him. The two drive away and decide not to report the accident to the police. Alcoholic journalist Peter Fallow Willis anxious for a story hears about the incident through a local black community activist. Once the story is out the end is inevitable for Sherman. <br/><br/>Set in New York shot on location there and in California. <br/><br/>De Palma would return to independent filmmaking with his next effort the creepy horror film "Raising Cain" 1992 starring John Lithgow. <br/><br/>First Draft script:<br/><br/>White wrappers. Title page present dated October 1 1988 noted as FIRST DRAFT with credits for screenwriter Cristofer and novelist Wolfe.163 leaves with last page of text numbered 161. Xerographically reproduced. Pages and wrapper Near Fine bound with two gold brads. <br/><br/>Second Revised Draft script;<br/><br/>Yellow wrappers. Title page present dated October 12 1989 December 15 1989 in holograph ink just above the printed date noted as SECOND REVISED FIRST DRAFT with credits for screenwriter Cristofer and novelist Wolfe. 154 leaves with last page of text numbered 152. Xerographic duplication with pink blue green and yellow revision pages throughout dated variously between 10/17/89 and 10/27/89. Pages and wrapper Near Fine bound with two gold brads. Warner Brothers unknown books
1981132621London: Cinema International Corporation 1981. Vintage black-and-white still photograph from the 1981 UK release of the 1980 US film. Mimeograph snipe affixed to the verso. Features Faye Dunaway. <br/><br/>Based on Lawrence Sanders' 1973 novel about a serial killer in New York and the aging inspector Sinatra who is trying to solve the case. <br/><br/>8 x 10 inches. Faint rust from a paperclip at the top edge else Near Fine. Cinema International Corporation unknown books
1960147433N.p.: N.p. 1960. Draft script for an unproduced film.<br/><br/>From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996.<br/><br/>Actor and director Brian G. Hutton noted for "Where Eagles Dare" 1968 and "Kelly's Heroes" 1970 adapts William Jacobs' 1959 western novel "This Violent Land" for the screen.<br/><br/>Violence sires violence in this tale of two brothers Travis and Bowie Malibar. After Bowie kills their father Travis sets out to seek revenge and to prove his manhood to the widow Zoanna who loves Bowie. Travis succeeds in killing his brother Bowie only to be shot by Zoanna's teen son upon his return.<br/><br/>Set in Arizona.<br/><br/>Blue untitled wrappers with die-cut title window in the British style. Title page present with credits for screenwriter Brian G. Hutton and novelist William Jacobs. 131 leaves with last page of text numbered 130. Xerographic duplication rectos only. Pages Near FIne wrapper Near Fine bound internally with two flat metal brads. N.p. unknown books
